Dennis O'Keefe Movies

Adapted from the Cornell Woolrich novel Black Alibi, The Leopard Man is a lesser but still fascinating psychological-horror effort from producer Val Lewton. Someone has been killing off the citizens of a small New Mexico town, and the most likely suspect is a huge leopard, purchased for a local nightclub act by press agent Jerry Manning (Dennis O'Keefe), which has escaped from its cage. Neither Manning nor his star Clo-Clo (Margo) are totally convinced that the big cat is responsible.The haunting finale takes place during the annual "Day of the Dead" festivities. The opening sequence of Leopard Man, atmospherically detailing the last few moments of murder victim Teresa Delgado (Margaret Landry), is so powerful that the rest of the film seems anticlimactic. Long available only in its 59-minute reissue form, the film was restored to its original 65-minute running time in the mid-1980s. ~ Hal Erickson, All Movie Guide

In the tradition of Hellzapoppin', Hi Diddle Diddle is an all-stops-out "screwball comedy" populated by certifiable zanies. Billie Burke plays Mrs. Prescott, the featherbrained mother of bride-to-be Janie Prescott (Martha Scott). When Mrs. P is swindled out of her life savings, Colonel Phyffe (Adolphe Menjou), the con-man father of Janie's fiancé Sonny (Dennis O'Keefe), vows to get her money back -- by any means possible. The plotline is merely an excuse for a series of wild nonsequitur visual and verbal gags, culminating in a cute reverse-cliché finale. Making her first Hollywood appearance in years, silent screen star Pola Negri is hilariously cast as Phyffe's opera-star wife Genya Smetana. Best bits: Mrs. Prescott revealing that a recurring female character is a "special friend of the director"; Leslie Quayle (June Havoc singing a duet with herself); and an outrageous scene in which the wallpaper comes to life during a eardrum-shattering family sing-along (the animation was provided by the Warner Bros. cartoon staff). ~ Hal Erickson, All Movie Guide

In this romantic musical, a pianist is left stranded in Tahiti. He decides to augment his band by hiring on a new singer. The other band members are skeptical of her, but they head to San Francisco to play. They bomb and the pianist must convince the band to play a new kind of music. Things begin to improve as the inevitable romance between the band leader and the singer heats up. Unfortunately, the woman is already engaged to a sailor. Later another sailor vies for affection, but in the end, she is with the right man and happiness for all involved ensues. Songs include: "Tahiti Honey" (Jule Styne, George H. Brown, Sol Meyer), "You Could Hear a Pin Drop," "Any Old Port in a Storm," "This Gets Better Every Minute," "Koni Plenty Hu-Hu," "Of Course I'm a Cossack" (Charles Newman, Lew Pollack). ~ Sandra Brennan, All Movie Guide

A remake of Return of Jimmy Valentine (1936), Republic Pictures' Affairs of Jimmy Valentine is a sequel of sorts to the oft-filmed O. Henry story Alias Jimmy Valentine. In the original tale, an incognito safecracker blew his cover by rescuing a little girl from a safe, prompting a detective who'd planned to arrest the criminal to let him off scot free. Affairs of Jimmy Valentine is set some twenty years later: A radio station decides to improve ratings by launching a nationwide search for reformed cracksman Jimmy Valentine. The search leads to a small town--and a mysterious murder. Roman Bohnen plays the kindly old editor of the small town's newspaper, who may or may not be Guess Who. Acted and directed with a slick professionalism that belies its small budget, Affairs of Jimmy Valentine has been released to TV in an abridged version titled Unforgotten Crime. ~ Hal Erickson, All Movie Guide

A partial remake of 1936's Wanted: Jane Turner, Lady Scarface is a seedy but entertaining tour de force for the great Judith Anderson. Embittered over the ugly facial scar which covers the left side of her face, a woman named Slade becomes a criminal mastermind. The cops have no idea that the elusive Slade is female, which enables her to move about freely without attracting attention. After a robbery-murder, Slade has her share of the loot mailed to her at a post-office box registered under the phony name of Mary Powell. When the real Mary Powell (Mildred Coles) receives the stolen loot in the mail, the fur-and the bullets-really begin to fly. Judith Anderson once explained that she accepted the starring role in Lady Scarface in hopes that the film would do for her what Little Caesar did for Edward G. Robinson. It didn't. ~ Hal Erickson, All Movie Guide

The third of producer Hal Roach's Topper films, Topper Returns eschews the frothy "screwball" format of the first two in favor of an "old dark house" comedy-mystery. Roland Young returns as banker Cosmo Topper, who gallantly offers a lift to pretty hitchhikers Gail Richards (Joan Blondell) and Ann Carrington (Carole Landis). This results in a few baleful glances from Topper's wife, Clara (Billie Burke), but the worst is still to come. It seems that Gail and Ann are en route to a chilly old mansion, recently inherited by Ann and populated by all manner of sinister types, including old reliable menaces Dr. Jeris (George Zucco) and Lillian (Rafaela Ottiano). The only person whom the girls can trust -- or can they? -- is Ann' father (H.B. Warner). Unable to sleep in the creepy mansion, Gail suggests that she and Ann exchange bedrooms. This proves to be a major mistake when a mysterious, hooded assailant, intending to murder Ann, kills Gail instead. Seconds later, Gail's ghost arises from her body and heads to the nearby summer house where Mr. and Mrs. Topper are staying. Having had his fill of ghosts in the first two Topper films, Topper wants nothing to do with Gail's spirit, but she finally convinces him to help her identity her killer, and to rescue Ann from a similar fate. Some of the film's best moments belong to Eddie "Rochester" Anderson as Young's eternally frightened chauffeur (at one point, Anderson threatens to quit the Toppers and go back to Jack Benny)! More contrived and slapstick-oriented than the earlier Toppers, Topper Returns still works as a neat and entertaining comedy, even in its dreadful computer-colorized version. A decade later, Thorne Smith's "Topper" characters would be revived for a popular TV series, starring Leo G. Carroll, Anne Jeffreys, and Robert Sterling. ~ Hal Erickson, All Movie Guide

Boasting a script cowritten by Dorothy Parker and Alan Campbell from a story by Budd Schulberg, Weekend for Three should have been a comedy classic-but alas, it isn't. Over the protests of her husband Jim (Dennis O'Keefe), Ellen Craig (Jane Wyatt) invites her old friend Randy (Dennis O'Keefe) to dinner. Jim endures Randy's phony effusiveness and loud, braying laughter only because he's certain that the jerk will go home soon. Instead, Randy invites himself to the Craig household for the weekend-and shows no signs of ever wanting to leave! More of an anecdote than a story, Weekend for Three is just too thin to be stretched over 61 minutes: it might have worked better as an Edgar Kennedy or Leon Errol 2-reeler. ~ Hal Erickson, All Movie Guide

Unrelated to Monogram's series of "Bowery Boys" B pictures, Republic's Bowery Boy stars Dennis O'Keefe as a crusading slum doctor. Actually, O'Keefe doesn't play the title character: that honor goes to Jimmy Lydon, a tough street kid who tries to block the plans made by O'Keefe and nurse Louise Campbell to build a health clinic. But when mobster Roger Pryor sells tainted meat that results in an outbreak of botulism, Lydon becomes O'Keefe's biggest booster. Also in the cast is Jimmy Lydon's younger brother Ormund, who plays...Jimmy Lydon's younger brother. Bowery Boy served as the directorial debut of former film editor William Morgan. ~ Hal Erickson, All Movie Guide

In this low-budget musical, two sets of politically ambitious parents attempt to pair up their youngsters who unfortunately despise each other and only pretend to like each other to please their parents. On the nights they are to go out, they sneak out with their respective true loves. It all works well until the unwilling couple find themselves falling in love for real. songs include: "I'm Nobody's Sweetheart Now", and "Got Romance". ~ Sandra Brennan, All Movie Guide

No relation to the 1929 Fox talkie of the same name, Republic's The Girl From Havana offers blonde-bombshell Claire Carleton (normally relegated to supporting roles) as the title character. The film charts the exploits of two oil-drilling buddies, Woody Davis (Dennis O'Keefe) and Tex Moore (Victor Jory) as they ply their trade in sunny Cuba. Woody and Tex come to blows over the affections of the gorgeous Havana (Claire Carleton), but eventually set aside their differences when the plot takes a melodramatic turn. The climax finds Woody posing as a gun-runner in order to expose a Nazi spy ring operating in the Carribean. Steffi Duna, wife of star Dennis O'Keefe, shows up to warble the "authentic" Cubano number "Querido, Take Me Tonight." ~ Hal Erickson, All Movie Guide

Radio humorist Bob Burns plays the title role in Alias the Deacon. Based on a stage play by John B. Hymer and LeRoy Clements (previously filmed in 1927 with Jean Hersholt), the story concerns a philosophical drifter named Deke Caswell (Burns) who is mistaken for the new deacon of a small town. A gambler by nature, Caswell decides to continue the clerical pose so that he can divest the locals of their hard-earned dollars. Instead, he turns honest, eventually solving all of the town's problems. A subplot concerns the "scandalous" (but wholly innocent) relationship between truck driver Johnny Sloan (Dennis O'Keefe) and hitchhiker Phyllis (Peggy Moran). This being a Universal film of the early 1940s, it was all but mandatory for Mischa Auer to show up in an incongrous but amusing supporting role. ~ Hal Erickson, All Movie Guide

Unexpected Father was designed as a showcase for Universal's infant "star" Baby Sandy (Sandy was a girl, but she played a boy here). Dancer Dennis O'Keefe resigns himself to being stuck with his late partner's baby, but when trying to adopt a child he faces a tough court custody battle. Lovely Shirley Ross is the other applicant, so figure out the ending yourself. The highlight in Unexpected Father is a tense process-screen sequence wherein Sandy toddles around a high skyscraper ledge. Mischa Auer, who'd played a comic doorman in the previous Baby Sandy film East Side of Heaven, repeats the role for Unexpected Father. ~ Hal Erickson, All Movie Guide