Joan Camden Movies

Roger Corman's stripped-down remake of Universal's 1939 period classic elevates that film's supporting player Vincent Price to the starring role, essayed in the original by Basil Rathbone. Price chews scenery as hunchbacked mad monarch Richard III, who ascends the throne through murder (including the Duke of Clarence's wine-vat drowning), torture (lovely Sandra Knight gains a few inches on the rack), and elaborate deception. Bloody events and plot twists notwithstanding, this low-budget outing is painfully threadbare for a period piece, even in comparison to Corman's Edgar Allan Poe films for AIP from the same period. The film's saving grace is found in Price's manic performance, which ranks among the horror legend's most flamboyant. ~ Cavett Binion, All Movie Guide

The second season of Perry Mason begins when Perry (Raymond Burr) receives an unusual phone call from one George Hartley Beaumont (Ross Elliott). What makes it unusual is that Beaumont is dead--or at least he's supposed to be. Reported killed in a plane crash three years earler, Beaumont had actually missed the fatal flight, but decided to take advantage of his "demise" so his wife Laura (Jeanne Cooper) could collect his insurance, and so he could start life anew in Mexico with his girflriend Ruth (Joan Camden). Now he wants to come home and come clean--but before he can do so, someone stabs him to death. Now Perry takes it upon himself to clear Number One suspect Ruth of a murder charge. This is the first of several episodes in which Perry argues his case before a woman judge. ~ Hal Erickson, All Movie Guide

Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide

Greer Garson's first non-MGM starring vehicle was the stylish western Strange Lady in Town. That lady is Julia (Garson), who arrives in 1880 New Mexico to set up practice as a doctor. The townsfolk are not only resistant to the notion of a lady sawbones, but they become downright hostile when Julia turns out to be a tireless advocate of the Women's Suffrage movement. Rival doctor O'Brien (Dana Andrews) doesn't feel that there's any room in the medical profession for ladies; his personal feelings for the lovely Julia are another matter. Faced with such roadblocks as prejudice, ignorance and downright stupidity, Julia nonetheless perseveres with O'Brien eventually seeing things her way. When Julia's hotheaded younger brother David (Cameron Mitchell) turns outlaw, the townspeople are prepared to ride her out of town on a rail, but she is rescued by the intervention of the local Mexicans and Indians, who have accepted her presence and her ministrations without reservation. Hmmmm . . . could Strange Lady in Town be the direct ancestor of TV's Dr. Quinn, Medicine Woman? ~ Hal Erickson, All Movie Guide

One of several early-1950s films to capitalize on the Kefauver Committee's investigation of organized crime, The Captive City stars John Forsythe as crusading editor Jim Austin. While Austin prepares his testimony before the Committee, the film flashes back to the events which led to this courageous act. Victor Sutherland plays mob boss Murray Sirak, who has the entire police force of Austin's hometown under his thumb. Sirak in turns takes his orders from an unseen Mister Big, who of course is "above the law"--or so it seems. Based on the experiences of Time magazine reporter Alvin Josephy Jr. (who co-authored the script), Captive City contains the added fillip of a guest appearance by Senator Estes Kefauver himself. ~ Hal Erickson, All Movie Guide