Robert O'Brien Movies

This musical comedy takes an off-beat religious turn as it tells the tale of a show-biz priest (Bing Crosby) who runs a Broadway theater for spiritually kindred show-folk. His problems begins when a vivacious but troubled chorine (Debbie Reynolds) shows up with a sad story about her ailing father, a friend of the priest, needing an operation. Touched and eager to help her find work and earn the money to help her daddy. Unfortunately, she ends up performing in a sleazy dive owned by an oily wolf (Robert Wagner) who decides to prey upon the innocent gal. The protective priest tries to dissuade him, but its to no avail, the club owner wants to marry her. Meanwhile, the priest busily prepares to produce a charity television show in conjunction with other priests. It is upon this show that the real romantic and comical chaos occurs. Songs include: "The Girl Most Likely to Succeed", "The Secret of Christmas", and "The Night Rock 'n' Roll Died". ~ Sandra Brennan, All Movie Guide

By the Light of the Silvery Moon was a sequel to Warner Bros' On Moonlight Bay (1951); both films were loosely based on the "Penrod" stories by Booth Tarkington. Penrod himself (played by Billy Gray) takes a back seat to the main plot, concerning the hot-and-cold romance between Doris Day and Gordon MacRae. Gordon will not marry Doris until he is financially able to do so, which results in several breakups and reunions before the final clinch at the local ice rink. A silly subplot involves Penrod's suspicions that an attractive French schoolteacher (Maria Palmer) is not only romancing his father (Leon Ames), but is also an enemy spy! Set shortly after the end of World War I, Silvery Moon takes full advantage of that era's popular songs. The film isn't quite as good as On Moonlight Bay, but fans of Day and MacRae went home happy. Also: watch closely, and you'll spot Merv Griffin in a minor role. ~ Hal Erickson, All Movie Guide

Damon Runyon's Broadway fable The Lemon Drop Kid was filmed twice by Paramount Pictures, but only the 1934 version with Lee Tracy paid more than lip service to the original Runyon story. The second version, filmed in 1951, was completely retooled to accommodate the talents of Bob Hope. Known far and wide as the Lemon Drop Kid because of his fondness for that particular round, yellow confection, Hope is a bookie who finds himself deeply in debt to Florida gangster Fred Clark. Magnanimously, Clark permits Hope to head to New York to raise the money--but he'd better have the dough ready by Christmas, or else. Ever on the lookout for Number One, Hope decides to exploit the Christmas spirit in order to get the money together. With the help of unsuspecting nightclub-singer Marilyn Maxwell, Hope sets up a charity fund to raise money for an "Old Doll's Home"--that is, a home for down-and-out little old ladies. He claims to be doing this on behalf of big-hearted Jane Darwell, but he has every intention of double-crossing Darwell and all the other elderly women by skipping town with the charity funds and leaving them at the mercy of the authorities. By the time Hope has seen the error of his ways and tries to do right by the old dolls, Maxwell's boss Lloyd Nolan has decided to muscle into the racket by using the ladies' home as a front for a gambling casino. To set things right, Hope finds it necessary to disguise himself as a fussy old spinster at one point. The best line in the film goes to William Frawley, playing one of many Broadway toughs who are being pressed into service as street-corner Santas. "Will you bring me a doll for Christmas?" asks a little girl. "Naw, my doll's workin' Christmas Eve" is Frawley's salty reply. The Lemon Drop Kid is the film in which Bob Hope and Marilyn Maxwell introduced the enduring Yuletide ballad "Silver Bells", written (reportedly in a real hurry) by Jay Livingston and Ray Evans. ~ Hal Erickson, All Movie Guide

Deanna Durbin offered her fans a change of pace in this mystery story seasoned with elements of comedy and music. Nikki Collins (Durbin) is a small-town girl visiting New York City to meet with Mr. Haskell (Edward Everett Horton), her family's attorney. As her train pulls into the station, she looks out her window into a nearby office building. She's shocked by what she sees -- a man is being strangled to death, and while she can't see the face of the killer, she gets a good look at the victim. Terrified, Nikki immediately goes to the police, but they think that her story is simply the product of an overactive imagination and send her on her way. Nikki, however, is certain that she witnessed a murder, and she approaches mystery writer Wayne Morgan (David Bruce) to help her piece together the facts of what happened. Thanks to a newsreel, Nikki is able to recognize the victim as Mr. Waring, a wealthy man who made his fortune in shipping; she attempts to contact Waring's family, but they're convinced that Nikki is a nightclub singer with whom the tycoon was having an affair. Hoping to contact the chanteuse in question, Nikki visits the club where she works, only to discover that she's also been murdered. Nikki soon finds herself being trailed by both Jonathan (Ralph Bellamy) and Arnold (Dan Duryea), two members of Waring's family whom she believes may have been involved in the crime, and could be trying to silence her once and for all. Like most of Durbin's vehicles, Lady on a Train's plot stops every now and then to give her the opportunity to sing a song; Western fans may want to keep an eye peeled for future cowboy star Lash LaRue, who has a small role as a waiter. ~ Mark Deming, All Movie Guide