Rebecca O'Brien Movies

An untapped talent for discerning the quality of scotch whiskey offers a desperate Glasgow lowlife a much-needed shot at redemption in this gentle comic fable from director Ken Loach and longtime screenwriter partner Paul Laverty. Caught up in a family feud that's about to blow up in his face, Robbie (Paul Brannigan) is offered a large sum of cash to leave Glasgow by his pregnant girlfriend's father. He's facing 300 hours of community service when he slips into the maternity ward and looks into the eyes of their newborn son. In that moment, Robbie vows to do everything in his power to give his son a better life. In the wake of Robbie's sentencing, he's placed under the watch of the surly yet kindhearted Harry (John Henshaw), who introduces him to the joys of fine whiskey. A trip to a local distillery with Harry soon follows, and it's there that Robbie's sensitive nose picks up all the subtle nuances of the complex whiskey swirling in his glass. Meanwhile, upon learning that the two-percent of the spirits that disappear into the air every year are known as "The Angel's Share," Robbie and fellow dead-enders Rhino, Albert, and Mo hatch a plan to steal one of the world's rarest whiskeys. Now, for the first time in his life, Robbie has a choice -- will he resort back to his old criminal ways, or follow his perceptive olfactory nerves to a future he could have never seen coming? ~ Jason Buchanan, Rovi

Celebrated British filmmaker Ken Loach explore the controversies of his nation's role in the war in Iraq in this intelligent thriller. Fergus (Mark Womack) served with distinction in a British Special Forces outfit in Iraq, and after his hitch in the Army ended, Fergus was approached by a private security firm working with civilian contractors in the war zone. Fergus wasn't interested in returning to Iraq, but when he was offered £10,000 a month for his services, he changed his mind, and persuaded his army buddy Frankie (John Bishop) to also sign on. Fergus came to regret his decision when Frankie died after hitting an improvised explosive device while traveling on Route Irish, the treacherous road between Baghdad's airport and the heavily fortified Green Zone. While attending Frankie's funeral, Fergus is approached by a woman who gives him Frankie's old cell phone, which holds a startling video of Iraqi civilians being murdered by employees of the same security firm that employed him and Frankie. Fergus believes there's a connection between the video and Frankie's death, and sets out to find it with the help of Frankie's widow Rachel (Andrea Lowe) and Harim (Talib Rasool), an Iraqi refugee. But the top men at the firm are not about to admit any wrongdoing, and uncovering what really happens proves to be a difficult and taxing process. Route Irish received its world premiere at the 2010 Cannes Film Festival. ~ Mark Deming, Rovi

A man trying to put his life back on track gets some advice from an unexpected benefactor in this comedy drama from acclaimed British director Ken Loach. Eric Bishop (Steve Evets) is a postman living in Manchester whose life has been slowly going off the rails ever since his wife, Lily (Stephanie Bishop), walked out on him. Eric has just been released from the hospital after an auto accident, and comes home to a house that's a mess and two teenage sons, Ryan (Gerard Kearns) and Jess (Stefan Gumbs), who regard their dad as an annoyance rather than an authority figure. Eric's oldest child, a grown daughter named Sam (Lucy-Jo Hudson), loves him but can't get her mother or brothers to show him any respect. And his friends from work don't know what to do for him, except allow him to talk about football and his favorite team, Manchester United. One night, Eric is home alone, smoking some weed, and to his amazement he's visited by an apparition of Eric Cantona, the French footballer who was a star for Manchester United in the 1990s until he retired and dropped out of sight. Cantona's ghost has come to give Eric a pep talk and offer him some advice on how to win Lily back, and as Eric tries to convince his wife to give him another chance, Cantona periodically appears to coach him in the ways of romance. Looking for Eric was an official selection at the 2009 Cannes Film Festival. ~ Mark Deming, Rovi

Two brothers are caught on differing sides of the battle for Irish freedom in this politically minded historical drama from veteran British filmmaker Ken Loach. It's 1920, and Damien O'Donovan (Cillian Murphy) has recently graduated from medical school. Damien plans to leave the small village in Ireland where he was born to take a job in London, much to the annoyance of his brother Teddy (Padraic Delaney), who is an Irish loyalist and wants to see the British stripped of their rule of his land. While visiting Peggy (Mary Riordan), a longtime friend of the family, Damien and Teddy witness a visit by "Black and Tans," British soldiers who supposedly keep the peace in Ireland; the soldiers turn violent and murder Michaeil (Lawrence Barry), Peggy's grandson, when they discover he only speaks Gaelic. Damien is radicalized by the event, and with Teddy joins the local chapter of the Irish Republican Army, who use violence to drive British troops out of the country. While the IRA is a poor and ill-equipped fighting force, their willingness to give their lives for their cause is taken very seriously by the British, who step up their reprisals against the locals; the Black and Tans even begin directing their violence and torture against women and children, including Damien's girlfriend, Sinead (Orla Fitzgerald). In 1921, Britain attempts to end the violence in Ireland by creating the Irish Free State, a compromise government which will give the Irish greater autonomy while Great Britain still retains final political control of the nation. Teddy sees this as a victory and believes it's an important first step to a truly free Ireland, but Damien sees the IRA's goal as nothing short of complete independence, and the brothers and allies soon become rivals in a battle neither side can win. The Wind That Shakes the Barley received the Golden Palm award as Best Picture at the 2006 Cannes Film Festival. ~ Mark Deming, Rovi

Director Ken Loach and writer Paul Laverty team up again for the romantic drama Ae Fond Kiss. The filmmaking team's third film set in Glasgow, this story involves a mixed-race relationship that causes problems for all involved. Casim Khan (Atta Yaqub) lives with his Punjabi-born Muslim family in Scotland. He wants to open a nightclub with pal Hammid (Shy Ramsan), but his parents have arranged for him to marry his cousin Jasmine (Sunna Mirza). Then he meets Irish schoolteacher Roisin Hanlon (Eva Birthistle), whom he quickly falls for. After calling off his family-approved engagement, Casim is ostracized by his father, Tariq (Ahmad Riaz). Meanwhile, Roisin runs into a concerned priest (Gerard Kelly) when she tries to get a job at a Catholic school. Ae Fond Kiss won several prizes at the Berlin Film Festival in 2004. ~ Andrea LeVasseur, Rovi

Paul Laverty writes his fourth script with director Ken Loach for the gritty coming-of-age drama Sweet Sixteen. Set in the port city of Greenock, Scotland, local kid Liam (Martin Compston) spends his days trying to make money with his best friend, Pinball (William Ruane). When he refuses to use his imprisoned mother, Jean (Michelle Coulter), as a drug mule, his criminal stepfather, Stan (Gary McCormack), and bitter grandfather, Rab (Tommy McKee), kick him out of the house. He moves in with his levelheaded older sister, Chantelle (Annmarie Fulton), who is a single parent to toddler Callum and has no love for their mother. Liam quickly comes up with the idea to buy a trailer for himself and his mom when she gets out of prison on the day before his 16th birthday. In order to get enough money to make a down payment, he comes up with a plan to steal Stan's drug stash and sell it to local junkies. With Pinball at his side, Liam starts to develop the skills of a successful businessman and gets noticed by a group of big-time dealers. Gang leader Tony (Martin McCardie) sees his potential and makes him an offer, which leads Liam toward the life of crime that he was trying to avoid in the first place. ~ Andrea LeVasseur, Rovi

Acclaimed filmmaker Ken Loach follows up on his 2000 opus Bread and Roses about a Los Angeles janitors' strike with this drama about the privatization of British Rail. Set in South Yorkshire, the film opens with familiar British Rail sign being replaced with a shiny new one reading "East Midland Infrastructure." For a group of men working at a local train station, this subtle change ends up meaning that their lives have irrevocably changed. When they learn the grim details of this privatization, their chummy sense of community begins to splinter and fall apart. Under the new regime, the customer comes first. While on paper this sounds great, in reality this new arrangement is implemented haphazardly, resulting in bitter fighting and political backstabbing. Some from the old group take the company's severance package while others soldier on. This film was screened in the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi

Leftist filmmaker Ken Loach directs this grim drama about the plight of seemingly invisible office cleaners in contemporary L.A. who often earn as little as $6 a day without benefits. The film opens as Maya (Pilar Padilla), a young Mexican lass, is reuniting with her older sister Rosa (Elpidia Carrilio) in L.A. after a harrowing cross-border journey. Rosa sets her sister up first with a job as a barmaid, which Maya soon quits after getting repeatedly groped -- and then as a janitor. When her boss demands one month's salary as "commission," Maya happens upon Sam Shapiro (Adrien Brody), a muckraking lawyer and union agitator. This film, which was screened in competition at the 2000 Cannes Film Festival, is remarkable for its prescience -- it was shown a month after a massive janitor's strike ground L.A.'s business community to a halt. ~ Jonathan Crow, Rovi

Comic actor Rowan Atkinson brought his bumbling character Mr. Bean from television to the big screen with this British comedy. Mr. Bean (Rowan Atkinson) is a well-meaning but not especially bright fellow with a gift for making the worst of any situation. Bean is about to be fired from his job as a guard at the Royal Nation Art Gallery for sleeping on the job, but the Chairman (John Mills) intervenes at the last moment. To insure that his incompetence will manifest itself so completely that there will be no choice but to get rid of him, Bean's superiors come up with a plan -- they'll send him to America to speak at a posh private gallery owned by George Grierson (Harris Yulin), where General Newton (Burt Reynolds) will display the most recent addition to his art collection, "Whistler's Mother." It's even money whether or not the museum will still be standing before Bean is done; as if this weren't enough, while in L.A. Bean is mistaken for a surgeon and forced to operate on an injured police officer. Richard Curtis, one of the film's producers, said after viewing the final product, "It's an unpleasant family movie. I'm very pleased." ~ Mark Deming, Rovi

This political thriller is set against the backdrop of Northern Ireland's "Troubles" and directed in the documentary fashion common to British filmmaker Ken Loach's films. Paul Sullivan (Brad Dourif) and Ingrid Jessner (Frances McDormand) are American attorneys serving on a human rights group working to monitor cases of prisoner mistreatment in war-torn Belfast. When Paul learns of some information that may be injurious to the Thatcher government, he is killed, and a top-secret tape disappears. Assigned to the case, Inspector Kerrigan (Brian Cox) is joined by Ingrid in probing Paul's death, which seems to be related to rumors of a high-ranking cabal within the British government working to undermine the Irish Republican Army and liberal policies toward Irish separatists through violent and illegal means. Ingrid meets with Harris (Maurice Roeves), a former British Secret Service agent who's now turned on his former cronies. Together, they look for the top-secret tape. ~ Karl Williams, Rovi