Frank S. Nugent Movies

In this western, set at the end of the Civil War, a group of rebels steal a million bucks from a Union shipment, and stash the gold in a cave near Phantom Hill, Texas. They are subsequently captured. The ring leader bargains with his captors offering to reveal the loot's location in exchange for his freedom. The Union soldiers set out to find the gold. They take the outlaw with him. An Apache attack ensues. Afterward, the outlaw gets a pair of soldiers drunk and kills them. He then flees leaving the rest of the weaponless Yankees to die. Meanwhile the outlaw finds the gold and falls in love with the Yankee leader's girl. Back in the desert, the Yankees endure another attack. The remaining two manage to catch up with the outlaw and the girl. In the ensuing battle, the girl throws the outlaws' gun to the Union leader who shoots him dead. The gold is sent back north and the lovers ride off into happiness. ~ Sandra Brennan, All Movie Guide

One of director John Ford's least characteristic films, it derives from the latter part of his career, when the director's belief in the myth of the West had faded, and he was beset by failing health and personal problems. In the cynicism of its humor, the director seems be to taking a page from the work of his friend Howard Hawks. James Stewart stars as Guthrie McCabe, the marshal of a Texas town who spends most of his time in front of the local saloon, where he gets 10 percent of the action, in addition to favors from its owner, Belle Aragon Anelle Hayes. Based on his knowledge of the Commanche tribe, his friend, cavalry officer Jim Gary (Richard Widmark), asks him to help the army to recover long-missing white captives. Despite his initial reluctance, the ability of the opportunistic McCabe to neogotiate a lucrative per capita deal for his recovery of the captives, in addition to his desire to evade the marital intentions of Belle, seal the deal. Even after interviewing the captives' desperate relatives, the hardened McCabe is unmoved, although he believes their chance of ever seeing their relatives again as they once knew them is remote. However, as events unfold, the all-knowing marshal find he has a few things to learn. ~ Michael Costello, All Movie Guide

Spencer Tracy stars in John Ford's sentimental adaptation of Edwin O'Connor's novel about the final campaign of a big city mayor, loosely based upon the life of Boston politician James Curley. Tracy is Frank Skeffington, the political boss of an Eastern city dominated by Irish-Americans. Skeffington tries to assist the people of the city and avoids cutting political deals with the power elite. But despite his concern for the people, Skeffington has no friends, just flunkies. The Mayor is greatly admired by his idealistic nephew Adam Caulfield (Jeffrey Hunter), who writes for an opposition newspaper run by Amos Force (John Carradine). When Skeffington needs money for a loan, he asks the powerful banker Norman Cass (Basil Rathbone), but Cass steadfastly refuses. In retaliation, Skeffington appoints Cass's retarded son as an interim fire commissioner. To prevent his son from disgracing the family, Cass agrees to the bank loan. But Cass uses his deep pockets to finance the opposition's candidate for mayor. ~ Paul Brenner, All Movie Guide

To make the Rising of the Moon, American filmmaker John Ford returned to his Irish roots. An obscure and highly personal film for Ford, it is comprised of three episodes--each offering insight into Irish culture and values. All are introduced by Tyrone Power. In "The Majesty of the Law," a police officer is assigned to arrest an Irish curmudgeon who hit the neighbor who sold him a lousy batch of homemade whiskey. But this is no ordinary arrest as the old man is a traditionalist who loathes the new directions his beloved Eire is going. Out of respect, the cop eschews his car and walks to his cottage. The two have a conversation and the old man mourns the loss of the old ways and expresses his frustration over the encroachment of modern amenities that are destroying the Irish heritage. The sympathetic cop offers to free him if the old man will pay a small fine, but though the codger has more than enough to pay it, he refuses on principal. Even when the man who filed the charges offers to pay the fine, the coot refuses to give in and stoically heads off to serve his time. As he walks with the officer to the jail, the whole town comes out to honor the old man. Set at a train station "A Minute's Wait" offers a humorous look at Irish conceptions of time as train's brief scheduled stop to pick up some lobsters for an important dinner stretches out into a long, leisurely pause. The final vignette, "1921" features members of Dublin's Abbey Theatre and tells the story of how they engineer an elaborate rescue of an Irish patriot from prison. ~ Sandra Brennan, All Movie Guide

Clark Gable and Jane Russell star in this rugged widescreen western, exquisitely photographed by Leo Tover and directed by veteran action expert Raoul A. Walsh. Gable plays Ben Allison, who with his brother Clint (Cameron Mitchell) journeys to Montana in search of gold. They come upon wealthy businessman Nathan Stark (Robert Ryan), whom they try to rob of $20,000. Instead, Stark talks Ben and Clint into becoming partners with him on a cattle drive to Montana. As the group travels to Texas, they come upon a party of settlers being attacked by Indians. They save the saucy Nella Turner (Jane Russell) and she joins with Ben, who has been made trail boss, and Clint on the cattle drive. Ben and Nella are attracted to each other but after an initial fling, Nella rejects him -- Ben just wants enough money to buy a small ranch and Nella won't settle for slim pickings. Arriving in Fort Worth, Nella takes up with Stark, whose desire to make as much money as possible coincides with Nella's money-hungry ambitions. But when, at Stark's insistence, she accompanies him on the final trek to Montana, the seething friction between Ben and Stark erupts as the drive heads into dangerous Indian country. ~ Paul Brenner, All Movie Guide

Trouble in the Glen was one of several felicitous collaborations between Hollywood's Republic Pictures and England's Herbert Wilcox-Anna Neagle productions. Curiously, Ms. Neagle does not appear--just as well, since the film is dominated by Orson Welles. Introducing himself with a typically self-indulgent monologue, the porcine Mr. Welles plays a South American resident who returns to his ancestral home in Scotland to become "Laird of the Glen". He immediately alienates the local populace by closing down the highway that runs through his estate. Hoping to make peace between Welles and the locals is former US air force officer Forrest Tucker, who developed an affection for the community while being stationed there during WWII. Violence threatens to erupt when evicted tinker Victor McLaglen rounds up a gang of toughs to lay siege on Welles' castle. The scenes involving Tucker's polio-crippled daughter (Margaret McCourt) run the risk of sloppy sentiment, but are deftly handled by producer-director Wilcox. Margaret Lockwood costars as Welles' daughter, who adheres to Hollywood formula by falling in love with the handsome Tucker. ~ Hal Erickson, All Movie Guide

After causing the needless death of another officer during a near-miss air disaster, a distraught army officer resigns from the military. Still, the American wants to serve in the war effort and so, calling himself a Canadian, enlists in the British military to train as a paratrooper. Revealing nothing about his past, he proves himself obedient and exceptionally skilled. This rouses the suspicion of his commanding officer who starts investigating the trooper. Later, the trooper more than proves himself during a dangerous mission to North Africa. ~ Sandra Brennan, All Movie Guide

Returning to the Ireland of his birth, director John Ford fashions a irresistable valentine to the "Auld Sod" in The Quiet Man. Irish-American boxer John Wayne, recovering from the trauma of having accidentally killed a man in the ring, arrives in the Irish village where he was born. Hoping to bury his past and settle down to a life of tranquility, Wayne has purchased the home of his birth from wealthy local widow Mildred Natwick, a transaction that has incurred the wrath of pugnacious squire Victor McLaglen, who coveted the property for himself. By and by, Wayne falls in love with McLaglen's beautiful, high-spirited sister Maureen O'Hara. Her insistence that Wayne conduct his courtship in a proper Irish manner-with puckish matchmaker Barry Fitzgerald along for the ride as "chaperone"--is but one obstacle to their future happiness: the other is McLaglen, who spitefully refuses to give his consent to his sister's marriage, or to honor the tradition of paying a dowry to Wayne. Wayne could care less about dowries, but the tradition-bound Maureen refuses to consummate her marriage until McLaglen pays up. Under any other circumstances, Wayne would have punched out the bullying McLaglen long ago, but ever since his tragedy in the ring he has been reluctant to fight. Local priest Ward Bond conspires with several locals to trick McLaglen into paying his due. They intimate that widow Natwick, for whom McLaglen carries a torch, will marry the old brute if he'll give his consent to the marriage and fork over the dowry. But McLaglen finds he's been tricked and the situation remains at a standoff, with the frustrated Wayne locked out of his wife's bedroom. When Maureen accuses him of being a coward and walks out on him, our hero can stand no more. He marches Maureen to McLaglen's home, indicating that he plans to whale the tar out of both brother and sister. As a huge and appreciative crowd gathers the cornered McLaglen truculently tosses the money in Wayne's direction. Big John hands the bills to Maureen, just as she knew he would, and she ceremoniously destroys the money, just as he knew je would. Having proven their love for each other, there is nothing left for Wayne and Maureen to do but head home and perform their nuptual duties. But first there's the matter of giving McLaglen the thrashing he deserves....and it is this spectacular donnybrook, which covers several acres of land and at least two "pit stops" so that the combatants can quench their thirst, which convinces Natwick that the defeated McLaglen is truly worthy of her love (her logic is on a par with everyone else's in the film!) Though it tends to perpetuate the myth that all true Irishmen live only to fight, drink and make love, The Quiet Man is grand and glorious fun, enacted with gusto by a largely Hibernian cast and directed with loving care by a master of his craft. Written by Frank Nugent and graced with a lilting musical score by Victor Young, the film won Oscars for Archie Stout's Technicolor photography and for John Ford's direction-a real coup for "poverty row" Republic Pictures. If you haven't already luxuriated in this wonderful film, be sure to catch in on the tube next St. Patrick's Day. ~ Hal Erickson, All Movie Guide

Two Flags West is set in the waning days of the Civil War. Colonel Clay Tucker (Joseph Cotten) is one of several Confederate prisoners who agree to fight alongside Union soldiers against the Indians in New Mexico. Tucker's Union commander Kenniston (Jeff Chandler) despises all "Johnny Rebs," holding them responsible for the death of his brother. Kenniston has other problems too; he is deeply in love with his sister-in-law Elena (Linda Darnell), but refuses to express his devotion out of loyalty to his dead sibling. He also hates Indians with a passion, and has endangered the safety of his fort by brutally killing a chief's son. There seems to be only one way for Kenniston to purge the demons within him, and he finds that way during a climactic Indian attack. ~ Hal Erickson, All Movie Guide

The second of John Ford's "Cavalry Trilogy", She Wore a Yellow Ribbon is the only one of the three to be lensed in Technicolor. In an Oscar-calibre performance, 42-year old John Wayne plays sixtyish Cavalry Captain Nathan Brittles. In his last days before his compulsory retirement, Brittles must face the possibility of a full-scale attack from the Arapahos, fomented by the recent defeat of Custer and by double-dealing Indian agents. After a series of minor victories and major frustrations, Brittles decides to ride into the Arapaho camp, there to smoke a pipe of peace with his old friend, Chief Pony That Walks (Chief John Big Tree). Before he leaves, he is presented with his retirement present by his troops: a pocket watch, with the inscription "Lest We Forget"(Wayne's playing of this scene, barely holding back tears as he adjusts his spectacles to read the inscription, is one of his finest moments on film). Brittles is able to forestall an Indian attack, just in time for his official retirement. The film really ends here, but there are two more potential climaxes before the words THE END dissolve into view. The patchiness of the Frank Nugent/Lawrence Stallings screenplay (attributal to the fact that it is adapted from two different short stories) prevents She Wore a Yellow Ribbon from reaching the same lofty heights as the Ford/Wayne collaborations Fort Apache (1947) and Rio Grande (1949). The gratuitous offscreen narration of Irving Pichel is also rather distracting. Even so, Wayne's flawless performance, coupled with the supporting contributions of Ford's stock company (John Agar, Harry Carey Jr., Victor McLaglen et al) and the Academy Award-winning photography by Winston C. Hoch, automatically elevates She Wore a Yellow Ribbon to classic status. ~ Hal Erickson, All Movie Guide

John Ford had already directed one of the three previous film versions of Peter Kyne's novel under the title Marked Men (1919) with his mentor Harry Carey, a great cowboy star of the silent era who had recently died. It's not difficult to see how the story's sentimentality and Christian symbolism might have appealed to the director's sensibility. John Wayne stars as Bob Hightower, the leader of a trio of thieves who rob a bank in Arizona and take off with the posse of Sheriff Buck Sweet (Ward Bond) in close pursuit. Although they need to stop to water their horses and care for the wounds of Abilene (Harry Carey Jr.), their accurate suspicion that the sheriff is laying an ambush for them at the Mohave water tank leads the gang toward the more distant Terrapin tanks. However, en route, they're waylaid by a terrible sandstorm which scatters their horses. Forced to go on foot, they come upon a lone woman (Mildred Natwick) in a covered wagon who is about to give birth. She dies in childbirth, but not before extracting a promise from the three to take care of her child. Under a blistering sun, they head for New Jerusalem. ~ Michael Costello, All Movie Guide