Vittorio Nino Novarese Movies

Wits and weapons clash in this 1981 epic chronicling a rebellion by Jewish Zealots against Roman rule. After Jerusalem falls to the Romans in 70 A.D., nearly a thousand Jewish rebels led by Eleazar ben Jair (Peter Strauss) withdraw to a mountaintop fortress 30 miles southeast of Jerusalem. There, fed by defiance and an unlimited supply of cistern water, they make their stand against Roman rule, now and then conducting surprise raids against Roman positions down below. Whenever the Romans retaliate, Eleazar goes them one better. He and his men burn grain supplies, poison wells and generally make life miserable for the Roman 10th Legion, encamped in the baking desert surrounding the fortress. Frustrated, the Roman general Cornelius Flavius Silva (Peter O'Toole) brings in a brilliant siege master, Rubrius Gallus (Anthony Quayle), to devise a way to breach the mountaintop stronghold. When Gallus begins construction of an earthen ramp up the mountainside, rebels rain down arrows on the Roman workers. Flavius then uses Jews from nearby villages to build the ramp. Meanwhile, Flavius makes several attempts to persuade the rebel Jews to surrender, promising they will live in peace and prosperity under Roman rule. But the Jews are adamant; they want only one thing: freedom, or, at the very least, limited freedom under a Roman-appointed Jewish governor. But after Roman Emperor Vespasian vetoes peace plans, the ramp continues to rise. When it is finished, the Romans pull a massive battering ram on wheels--another of Gallus's stratagems--up the ramp, and the stage is set for the final battle deciding the fate of the Jews. This film had at least three incarnations: as a 6-hour, 34-minute TV series in 1980, and then in trimmed-down versions in 1981 and 1984. Although the filmed-on-location Masada is based on history, parts of it are fictionalized. ~ Mike Cummings, All Movie Guide

Based on a novel by Michael Crichton, Terminal Man is a sci-fi thriller about a scientist who decides to be the lab rat in an experimental surgery to control his violent tendencies. During the surgical procedure, a miniature computer is implanted in his head. Unfortunately, the mechanism malfunctions, and he becomes a vicious killer. ~ Kristie Hassen, All Movie Guide

This biography of Oliver Cromwell recalls the political and religious struggles of 17th century England. Cromwell (Richard Harris) is the Anglican religious fanatic who fights corruption and Catholicism with equal zeal, while King Charles (Alec Guinness) is the vacillating monarch who believes his crown gives him a direct pipeline to the wisdom of God. Also starring Robert Morley and Timothy Dalton, Cromwell won an Academy Award for Best Costume Design and was nominated for Best Original Score. ~ Dan Pavlides, All Movie Guide

Adapted by Philip Dunne from the novel by Irving Stone, The Agony and the Ecstacy is the story of the 16th century war of wills between Renaissance artist Michelangelo (Charlton Heston) and "warrior pope" Julius II (Rex Harrison). Commissioned to paint a religious fresco on the ceiling of the Sistine Chapel, the independent-minded Michelangelo balks at the assignment. He is virtually strongarmed into accepting the job by Pope Julius, who wants to leave something for future generations to remember him by. Director Carol Reed deftly juggles screen time between the Pope's activities on the battlefield and Michelangelo's slow, arduous completion of his monumental task. The film also gingerly approaches the subject of Michelangelo's sexual orientation vis-a-vis his relationship with the Contessina de Medici (Diane Cilento). Too long and limited in subject matter to score at the box office, The Agony and the Ecstacy holds up pretty well when seen today, especially when viewed in a wide-screen print. ~ Hal Erickson, All Movie Guide

Filmmaker George Stevens chose Monument Valley, Utah for his exterior sequences in The Greatest Story Ever Told, this ($20 million) adaptation of Fulton Oursler's best-selling book. The "Greatest Story" is, of course, the life of Jesus Christ, played herein by Max Von Sydow. The large supporting cast includes Dorothy McGuire as Mary, Claude Rains as Herod the Great, Jose Ferrer as Herod Antipas, Charlton Heston as John the Baptist, Donald Pleasence as Satan (identified only as "The Dark Hermit"), David McCallum as Judas Iscariot, Sidney Poitier as Simon of Cyrene, Telly Savalas as Pontius Pilate and Martin Landau as Caiaphas. Even Robert Blake as Simon the Zealot, Jamie Farr as Thaddaeus, and motorcyle-flick veteran Richard Bakalyan as Dismas, the repentant thief, are well-suited to their roles. Originally roadshown at 260 minutes, Greatest Story Ever Told was later available in a 195-minute version. ~ Hal Erickson, All Movie Guide

This penultimate film by director Michael Curtiz, perhaps best known for his 1942 Casablanca, is a verbose, routine religious drama on the life of St. Francis of Assisi. After quickly passing over St. Francis' early life as the son of a wealthy cloth merchant in Assisi, the story notes his talents in and out of battle. St. Francis hears the call to the cloth (in his hagiography, the call was repeated several times before he finally responded completely), and gives up all his worldly goods to dedicate himself to God. The main focus of attention is then on his relationship to Clare (Dolores Hart) a young aristocratic woman who was so taken with St. Francis that she left her family and became a nun. St. Francis by this time (1212 A.D.) had a well-established reputation for his vows of poverty, and aside from the dubious aspersions cast on his interest in Clare, the drama goes on to note miracles and other aspects of his life, up to and including his death on October 3, 1226. ~ Eleanor Mannikka, All Movie Guide

Spartacus (Kirk Douglas) is a rebellious slave purchased by Lentulus Batiatus (Peter Ustinov), owner of a school for gladiators. For the entertainment of corrupt Roman senator Marcus Licinius Crassus (Laurence Olivier), Batiatus' gladiators are to stage a fight to the death. On the night before the event, the enslaved trainees are "rewarded" with female companionship. Spartacus' companion for the evening is Varinia (Jean Simmons), a slave from Brittania. When Spartacus later learns that Varinia has been sold to Crassus, he leads 78 fellow gladiators in revolt. Word of the rebellion spreads like wildfire, and soon Spartacus' army numbers in the hundreds. Escaping to join his cause is Varinia, who has fallen in love with Spartacus, and another of Crassus' house slaves, the sensitive Antoninus (Tony Curtis). The revolt becomes the principal cog in the wheel of a political struggle between Crassus and a more temperate senator named Gracchus (Charles Laughton). Anthony Mann was the original director of Spartacus, eventually replaced by Stanley Kubrick, who'd previously guided Douglas through Paths of Glory. The film received 4 Academy Awards, including Best Supporting Actor for Ustinov. A crucial scene between Olivier and Curtis, removed from the 1967 reissue because of its subtle homosexual implications, was restored in 1991, with a newly recorded soundtrack featuring Curtis as his younger self and Anthony Hopkins standing in for the deceased Olivier. ~ Hal Erickson, All Movie Guide

Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino's deceased wife was Giola's sister. Eventually tiring of her husband's mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, All Movie Guide

In the last stages of his career, veteran American director Robert Z. Leonard dabbled in international productions. One of the best-distributed of these was the Gina Lollobrigida vehicle Beautiful But Dangerous. Lollobrigida is cast as Lina Cavaliari, an earthy Italian peasant who becomes a world-renowned opera singer. She also matriculates into something of a mantrap, making up for all the years that she was spurned and ignored by her "betters." One of Lina's many swains is played by none other than Robert Alda. Originally titled La Donna piu bella del mondo, Beautiful But Dangerous benefits immeasurably from Mario Bava's sumptuous cinematography. And as a bonus, La Lollo does her own singing! ~ Hal Erickson, All Movie Guide

Brigitte Bardot stars in this romantic thriller about love and high treason in WWI-era Italy. Matinee idol-turned-filmmaker Mario Bonnard directs this opus. ~ Jonathan Crow, All Movie Guide

The story of Francesca da Rimini, previously immortalized by Dante Alighieri and Peter Ilyich Tchaikovsky, was captured in celluloid in 1953's Paolo and Francesca. The scene is 13th-century Italy, where a truce between two warring families is secured by the marriage of elderly Giancotto Malatesta (Andrea Checchi) to young and beautiful Francesca da Rimini (Odile Versois). Malatesta sends his younger brother Paolo (Armando Francioli) to marry Francesca by proxy. Inevitably, Francesca falls in love with the younger man, leading to a surfeit of sadism at the hands of the vindictive Malatesta. Despite enduring the most horrendous of tortures, Paolo and Francesca maintain their pledge of eternal love. ~ Hal Erickson, All Movie Guide

Shadow of the Eagle is set during the reign of Russia's Catherine the Great. Dashing Count Orlof (Richard Greene) is dispatched to Venice to kidnap Princess Elizabeth (Valentina Cortesa), a pretender to Catherine's throne. Falling in love with the princess, Orloff casts his lot with Elizabeth's followers. When Catherine (Binnie Barnes) finally gets her clutches on Elizabeth and sentences her to death, Orloff nobly offers to die in her place. All of this sounds suspiciously like The Eagle, a 1925 Rudolph Valentino vehicle. ~ Hal Erickson, All Movie Guide

Popular Italian singing star Gino Bechi tops the cast of When Love Calls. Bechi plays Claudio Tancredi, an effusive operatic baritone who can't keep his hands off the ladies. This gets him into plenty of hot water with his wife Anna (Silvana Pampanini), who could never be accused of being the patient or the demure type. The best scenes take place in a bandit camp where Tancredi briefly hides out; American viewers were quite astonished at the amount of feminine pulchritude on display in this extended sequence. The box-office appeal of When Love Calls assured the film an excellent response upon its first release. ~ Hal Erickson, All Movie Guide