Marsha Norman Movies

The characters from the popular "American Girls" series of books and dolls come to life in this made-for-television drama set in the dawning years of the 20th Century. Samantha Parkington (AnnaSophia Robb) is an eight-year-old girl who is sent to live with her grandmother (Mia Farrow) after the tragic death of her parents. While grandmother takes it upon herself to teach Samantha how to behave like a lady, the girl finds she misses her best friend Nellie (Kelsey Lewis), a servant girl who became her closest companion. A visit to the bustling city of New York, however, holds both excitement and welcome surprises for Samantha. ~ Mark Deming, Rovi

Jennifer Love Hewitt stars in this made-for-TV biography of screen legend Audrey Hepburn, following her from her troubled youth as she grows up in Europe during WWII to her success as one of Hollywood's most sophisticated leading ladies. The Audrey Hepburn Story also features re-creations of several of Hepburn's most memorable moments onscreen, including the production of Breakfast at Tiffany's. The supporting cast includes Keir Dullea and Frances Fisher as her parents, Gabriel Macht as William Holden, Eric McCormack as Mel Ferrer, and Michael J. Burg as Truman Capote. ~ Mark Deming, Rovi

'Night. Mother was adapted by Marsha Norman from her own harrowing Pulitzer Prize-winning play. Outwardly normal Sissy Spacek calmly informs her mother Anne Bancroft that she's about to commit suicide. Thus the stage is set for a war of nerves between the determined Spacek and the distraught Bancroft, who uses every emotional and psychological device at her disposal to stave off the inevitable. The film's tension grows not from its plot development--we know from the outset how it's going to end--but from whether or not we're going to learn all the reasons for Spacek's decision. She's an epileptic, an alcoholic, and supremely miserable, but she always holds a little something back, prompting the viewer to lean closer to the screen in hopes of ferreting out more answers. In the original play, the outcome was never predictable; perhaps understandably, there are many who prefer the staged 'Night Mother to the screen version. ~ Hal Erickson, Rovi