Bob Nolan Movies

Few Roy Rogers westerns were as gratuitously violent as the 1948 release Eyes of Texas. This time, Rogers' principal antagonist is a woman lawyer named Hattie Waters (Nana Bryant). With a battalion of homicidal henchmen at her beck and call, Hattie attempts to grab up all the valuable ranch property in the territory by scaring off -- or killing off -- her competition. Hero Rogers doesn't buy the official party line that the killings have been perpetrated by wolves, especially after he befriends and tames one of the huge beasts, so he divides his time between singing his usual quota of songs and bringing the baddies to justice. So convincing was Nana Bryant's performance as the despicable Hattie Waters, that the actress' daughter-in-law stubbornly refused to watch Eyes of Texas whenever it popped up on TV in later years. ~ Hal Erickson, Rovi

One of the better Roy Rogers films of its period, The Gay Ranchero also happens to be one of the more violent Rogers efforts. The villains want to gain control of a private airport, and aren't above sabotage and murder to get what they want. Riding to the rescue is sheriff Rogers, who is aided by Latino-flyboy Nicci Lopez (Tito Guizar). Roy gets to warble several tunes both by himself and with heroine Jane Frazee, while Tito Guizar solos on "You Belong to My Heart" and "Granada." One of the writers of the title song was Abe Tuvim, the father of actress Judy Holliday. ~ Hal Erickson, Rovi

Roy Rogers plays Roy Rogers, as ever, in Night Time in Nevada. This time Roy is a cattle owner whose stock is stolen by Grant Withers. It is Withers' hope to sell the livestock, thereby covering funds that he's been appropriating from leading lady Adele Mara's trust fund. Roy is able to vanquish the villain during several lightning-paced fight and chase sequences, stage-managed by the always reliable William Witney. Rogers' song interludes include "The Big Rock Candy Mountain," "Sweet Laredo Lou," and the title tune. The comedy content in Night Time in Nevada is in the capable outsized paws of Andy Devine. ~ Hal Erickson, Rovi

Apache Rose is a "typical" Roy Rogers-Dale Evans musical western: few surprises, but plenty of entertainment value. Rogers plays an oil man who hopes to get drilling rights to an old Spanish settlement in California. The villains plot to grab up the land from themselves, exploiting a handful of highly suspect IOU's for that purpose. Much of the plot hinges on a gambling boat owned by Billie Colby (Dale Evans), a setting which offers plenty of opportunity for a steady stream of musical numbers. A tense, action-filled climax caps this delightful diversion. ~ Hal Erickson, Rovi

In this musical drama, loosely based on a popular radio program, a country performer and his band aspire to fame and fortune via the assistance of a theatrical agent. They want the fortune to help replace the local church that accidentally caught fire while they were practicing. Songs include: "Walking the Floor over You" and "You Nearly Lose Your Mind," "Oakie Boogie," "Two Wrongs Don't Make a Right," "If It's a Dream," and "Only Teasing Me." ~ Sandra Brennan, Rovi

Republic's Springtime in the Sierras bestows upon star Roy Rogers two leading ladies. The first is his usual vis-a-vis Jane Frazee; the second is statuesque Stephanie Bachelor, playing the head of a poaching gang. Bachelor, it seems, has murdered a game warden who happens to be Rogers' closest chum. Rogers, Frazee and even Andy Devine get to sing in this one. Originally running 75 minutes, it was released to TV in a 54-minute version retitled Song of the Sierra. ~ Hal Erickson, Rovi

Roll on Texas Moon was the first of 26 Roy Rogers vehicles directed by fast-action specialist William Witney. The plot concerns a deadly feud between cattle ranchers and sheepherders, with the villains playing both ends down the middle. Working on behalf of the cattlemen, Rogers tries to avoid an all-out range war, finding time to champion the cause of gorgeous sheep rancher Jill Delaney (Dale Evans). Dennis Hoey, best known for his portrayals of the thick-witted Lestrade in Universal's "Sherlock Holmes" series, is rather surprisingly cast as the main heavy. While the musical content of Roll on Texas Moon is as omniprescent as ever, the "thrill" content is considerably heightened by the expert contributions of William Witney. ~ Hal Erickson, Rovi

Rainbow over Texas is set in a western never-never land, with vintage six-shooters and stagecoaches sharing screen time with modern limousines and radio studios. Roy Rogers (cast as "himself," as usual), plays a cowboy singing star who agrees to participate in a re-creation of the first Pony Express race. For reasons too numerous to mention here, the villains conspire to prevent Rogers from winning the race. Not only does Roy foil the bad guys, but he also finds time to sing several sprightly musical numbers with co-stars Dale Evans and The Sons of the Pioneers. And of course, there's always room for the comic interpolations of grizzled old Gabby Hayes. Two notes of interest: The principal villain in Rainbow over Texas is played by Sheldon Leonard, who would seem to be more at home in the mean streets of Brooklyn; and the screenplay was based on a novel by Max Brand, of Destry Rides Again fame. ~ Hal Erickson, Rovi

Republic's Under Nevada Skies blends equal parts music and action, resulting in a treat for fans of both. Roy Rogers stars as a wandering cavalier in search of valuable pitchblende deposits. Assisting Roy in his quest is "Queen of the West" Dale Evans and grizzled, dentally challenged Gabby Hayes. In this one, the Indians are the "good guys," chasing down a band of outlaws who've stolen a crucial map. Under Nevada Skies was the last collaboration between star Roy Rogers and director Frank McDonald; thereafter, the man in charge of the Rogers unit was actionmeister William Witney. ~ Hal Erickson, Rovi

This gentle, tuneful western is one of cowboy crooner Roy Rogers' best and most successful films; it is also his personal favorite. The fanciful tale tells how Rogers obtained his magnificent horse Trigger and begins with horse trader Rogers as he prepares to breed his best mare with his best friend's glorious Palomino stallion. Trouble comes in the form of a villainous gambler who has similar plans for his own mare. He attempts to rustle the stud, but the attempt fails, the stallion escapes and breeds with Roger's mare. Angrily, the gambler shows up and shoots the beautiful horse, leaving Rogers to shoulder the blame. Fortunately, Roy and his impregnated mare flee. Later she gives birth to Trigger who helps Rogers get revenge after he grows up. ~ Sandra Brennan, Rovi

Making his starring debut, Republic cowboy Monte Hale strums his guitar and sings Over the Rainbow Trail by Ken Carson, The Sons of the Pioneers and Down at the Old Hoe-Down by Gordon Foster, and Take Your Time by Glenn Spencer; on the last of these, he is accompanied by Bob Nolan. In between all the warbling, Hale finds enough time to prove that little Bobby Blake's pet bear isn't the one causing death and destruction among the area's cattle. For some reason, Republic chose the Hale series to launch their newly developed Magnacolor scheme, thus making the rather wooden Hale the first of the studio's illustrious cowboys to appear in (almost) natural hues. Adrian Booth (formerly Lorna Gray) made the first of seven appearances opposite Hale as little Bobby's sister, antagonistic at first toward the hero but falling properly in love with him before the fade-out. Little Bobby Blake (formerly Mickey Gubitosi of Our Gang fame) later became Robert Blake and the star of television's Baretta. Monte Hale never quite accepted the tag of "singing cowboy," and his series, which lasted until 1950, became increasingly less musical with each new entry. ~ Hans J. Wollstein, Rovi

A tuneful Roy Rogers Western, Along the Navajo Trail finds Dale Evans' Lazy A Ranch under siege from nasty J. Richard Bentley (Douglas Fowley), who is in cahoots with a greedy oil company aiming to erect a pipeline through the property come what may. Drifter Rogers, who is really a U.S. Marshal in disguise, eventually gets the goods on the villains with the assistance of Nestor Paiva's band of Mexican gypsies, comedy sidekick George "Gabby" Hayes, and vivacious Estelita Rodriguez. ~ Hans J. Wollstein, Rovi