Thom Noble Movies

In this romantic comedy, a womanizing uncle tells the story of his good-hearted but fickle niece, whose tendency to always champion the underdog causes her endless romantic woes. It all begins when she breaks up with her fiance on the eve of their wedding so she can marry and help out a half-starved aspiring playwright. With her moral support and his talent, the playwright makes it big. Unfortunately, her old fiance shows up. He has lost his fortune and must flee the police. The tender-hearted lass, unable to resist a hard-luck story, then falls for her former love until he is proven innocent. It is at that point that the niece chooses her man once and for all. ~ Sandra Brennan, All Movie Guide

Bill McLean (Van Heflin) is a former CIA agent living in London. He had been fired when he stuck up for one of the men in his command who turned out to be branded a Russian defector. The embittered ex-agent combines forces with another operative to deliver a top Russian secret police official for a price. Before he can deliver the Russian, a trail of corpses and double crosses changes his plans. When his partner who concocted the scheme is murdered, McLean returns the check to the CIA. They offer him his old job back, but the proud man refuses in this suspenseful spy yarn with plenty of intriguing twists and turns. ~ Dan Pavlides, All Movie Guide

Monty Python's And Now For Something Completely Different was first released in the US in 1973, but didn't really take off as a midnight-movie fixture until after the Monty Python's Flying Circus TV series began making the PBS rounds. Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin and Terry Gilliam are the Pythonites in attendance, together with semiregulars Carol Cleveland and Connie Booth. The sketches presented include such classics as "The Lumberjack Song", "Hell's Grannies", "The Upperclass Twit of the Year Race", and, of course, "The Dead Parrot". Additionally, Terry Gilliam's animated-cartoon interpolations act as buffers between sketches. ~ Hal Erickson, All Movie Guide

Love can take many forms and express itself in any number of ways, as this offbeat drama makes clear. While hitchhiking, Rosalie (Bonnie Bedelia), a young Native American woman, meets Virgil (Ken Howard), a blonde-haired, blue-eyed dreamboat, and she soon becomes infatuated with him. She talks him into giving her a ride back to her home, deep in the New Mexico desert. In order to make sure that Virgil sticks around once they arrive at her place, Rosalie lets the air out of his tires and then breaks one of his legs, keeping him captive while he recuperates. Virgil is trapped with this affectionate but unstable woman until the arrival of a biker, who plans to rob the place. ~ Mark Deming, All Movie Guide

Richard Dreyfuss put himself on the map with his performance in this movie about how ambition and greed can drive someone at the expense of his own happiness. Duddy Kravitz (Dreyfuss) is an 18-year-old Jewish kid from Montreal whose mother is dead, and whose father drives a cab and does a little pimping on the side to pay the bills and send Duddy's older brother to medical school. Duddy has bigger dreams, and he does everything from producing films of bar mitzvahs to attempting to buy real estate to (unknowingly) smuggling heroin in order to strike it rich. Along the way, however, he alienates his girlfriend, drives his grandfather to despair, loses all his friends, and even paralyzes his best employee, while making himself more and more miserable. Duddy's desire to be a success is easy to understand, which makes this potentially unlikable character forgivable, and the film's gallery of details and characters adds realism and energy to the story. ~ Don Kaye, All Movie Guide

Based on a novel by Joan Hemingway and Paul Bonnecarrere, Rosebud opens with five young women vacationing aboard a luxurious yacht called the Rosebud. All five of the women are the daughters of wealthy and powerful men; one of them is the daughter of an influential American senator. Their vacation is shortlived, however, as the Rosebud has been targeted by a group of Middle Eastern terrorists who kidnap the girls and hold them as hostages until their demands are met. Quickly alerted to the situation is reporter Larry Martin (Peter O'Toole), who it turns out is really an agent for the CIA. Martin enlists the aid of agents from Israel and West Germany, as well as a strange Islamic Englishman who, as he is working to destroy Israel, would seem to be on the side of the terrorists. Martin has his work cut out for him, as he must rescue the hostages quickly and with no injury coming to any of them. Adapted by Eric Lee Preminger for his father, director Otto Preminger, Rosebud was initially set to star Robert Mitchum, who left or was fired after experiencing one of the director's customary heated confrontations. ~ Craig Butler, All Movie Guide

Black Joy is the lightly ironic title of this British culture-clash comedy. Trevor Thomas heads the cast as a Guaynan youth who is under the delusion that life will be easier for him in London. No sooner does Thomas set foot in England than he gets tangled up in one disaster after another. The catalyst for most of Our Hero's travails is "assimilated" Caribbean Dave Beaton, who delivers an antic performance as a streetwise con artist. Black Joy has its melodramatic moments, but it's worth enduring the more intense sequences to get to the exuberant climax, wherein Thomas finally learns to stand up for his basic rights. Black Joy was adapted from Dark Days and Light Nights, a stage play by Jamal Ali. ~ Hal Erickson, All Movie Guide

Max (Robert Morley) is a wealthy, world-class conoisseur of fine food, who cannot stop himself from eating when the food is first-class. His doctor has given him stern warnings that he must lose over one hundred pounds, or he will die of heart failure. The presence of so many four-star chefs in Europe is a hazard for him. When many of these same chefs are found murdered in inventive ways, each related to the chef's specialty, it begins to appear that Max is the prime suspect in their deaths. Meanwhile, the ex-wife (Jaqueline Bisset) of a fast-food tycoon (George Segal) has earned the right to cook the dessert course at a dinner billed as "the world's most fabulous meal." Despite their profound disagreements, he is worried that she will be one of the murderer's victims.This film, which was loved by some critics and hated by others, is based on the best-selling novel Someone is Killing the Great Chefs of Europe by Nan and Ivan Lyons. ~ Clarke Fountain, All Movie Guide

In a society in which major league sporting events have replaced Sunday worship as the religion of choice, North Dallas Forty appears like a desecration at the altar. In this film, directed by Ted Kotcheff (The Apprenticeship of Duddy Kravitz), the National Football League is revealed to be more about the money than the game. Nick Nolte is North Dallas Bulls pass-catcher Phillip Elliott, whose cynicism and independent spirit is looked upon as troublesome by team coaches Johnson (Charles Durning) and Strothers (G.D. Spradlin) and team owner Conrad Hunter (Steve Forrest). Elliot, at the end of his career and wise to the way players are bought and sold like cattle, goes through the games pumped up on painkillers conveniently provided by the management. His teammates include savvy quarterback Maxwell (Mac Davis) and lunk-headed defensive lineman Jo Bob Priddy (Bo Svenson), who deal with the impersonality and back-biting of the game through off-field diversions. When the Bulls management benches Elliot after manipulating him to help train a fellow teammate, Elliot has to decide whether there is more to life than the game that he loves. ~ Paul Brenner, All Movie Guide

Alan Arkin plays a hapless architect named Jeffrey Martley, separated from his sprightly writer wife Diana (Mariette Hartley) and his wise-beyond-her-years five-year-old daughter Nancy (Sarah Stevens). When Nancy is injured in Jeffrey's camper, she is taken to the hospital where a misunderstanding leads doctors to believe she is the victim of child abuse. An imperious social worker, Gloria Washburn (Monica Parker), compiles a computer dossier on Jeffrey, and Nancy is taken away from him and put in an orphanage. When Diana finds out the situation, she gets back together with Jeffrey in order to try to get their daughter out of the orphanage. ~ Paul Brenner, All Movie Guide

Set at an indeterminate point in the future, this drama with an overt anti-communist message begins as an ostensible war movie: Russian and Cuban forces have invaded the U.S. and are viciously eliminating the inhabitants of a small town, when a group of teens escapes and plans a counterattack. Jed (Patrick Swayze), Robert (C. Thomas Howell), and six of their friends watch in amazement as soldiers parachute into their town and start shooting. The teens grab a pickup truck, stock up on supplies at the local store, and head for the hills. Meanwhile, the men in the town -- after a minimal resistance -- are rounded up and held at a drive-in theater converted into a concentration camp. The sadistic Soviet military then make them watch acclaimed Russian director Sergei Eisenstein's 1938 classic Alexander Nevsky, as their punishing rehabilitation begins. Meanwhile, after minimal resistance from the adults, a Cuban, Bella (Ron O'Neal), is put in charge and is not certain how he can really defeat the teen army. The Soviets and Cubans have so far defeated the American Army, Navy, Marines, and Air Force, but these teens are really something else. After a successful ambush, the teen guerrillas gear up for future forays, when they are suddenly betrayed by one of their number and by doubts about the morality of what they are doing. Red Dawn is noteworthy for being the first movie released with the PG-13 rating, created by the MPAA after public outcry over violent content in the PG-rated Indiana Jones and the Temple of Doom and Gremlins. ~ Eleanor Mannikka, All Movie Guide

Harrison Ford delivers one of his most-acclaimed performances in Peter Weir's adaptation of Paul Theroux's novel (scripted by Paul Schrader). Ford plays Allie Fox, an inventor embittered by the blighted landscape of the contemporary United States. As he tells his oldest son, Charlie (River Phoenix), "Look around you. It's a toilet." He moves his wife (Helen Mirren) and kids -- Charlie, Jerry (Jadrien Steele), April (Hilary Gordon), and Clover (Rebecca Gordon) -- to the rain forests of Central America, where he plans to create a new civilization starting with his own nuclear family. Allie's family compliantly goes along with his scheme to build a free society, but slowly notices that his obsession has turned him into a tyrannical fascist. Rather than create a utopia, Allie's driving egomania demands total subservience from his downtrodden brood. ~ Paul Brenner, All Movie Guide

The 1920s-era play The Front Page was about a Chicago reporter who wants to retire and get married but is tricked by his editor into doing one last story -- which proves to be complicated. It was made into a classic film in 1931 and inspired the 1940 hit movie His Girl Friday, in which the reporter was changed into a woman. Billy Wilder also remade the original film in 1974. Switching Channels is a 1988 remake of His Girl Friday, with Kathleen Turner in the starring role, which has now morphed into that of a cable television network news anchor, Christy Colleran. She wants to marry a rich and handsome sporting goods manufacturer, Blaine Bingham (Christopher Reeve) and move out of town. But her ex-husband, John L. Sullivan IV (Burt Reynolds), who is also her producer and boss, gives her one final assignment to try to keep her around. Her reporting leads her into an investigation of a jail escape that follows a botched-up execution. Writer Jonathan Reynolds updated the original material. ~ Michael Betzold, All Movie Guide