Harry Nilsson Movies

Filmed in Vancouver, this Hallmark Hall of Fame takes place during the '70s in the U.S. After the death of her mother, Charlotte (Glynis O'Connor), 10-year-old Ellen Foster (Jena Malone, who narrates) suffers abuse from her alcoholic father (Ted Levine) and is ill-treated by her maternal aunts Nadine (Debra Monk) and Betsy (Barbara Garrick) and also by Nadine's mean daughter Dora (Kimberly Brown). Ellen is sent to live with her grief-stricken grandmother Leonora (Julie Harris), but her problems continue since the mean-spirited Leonora blames Ellen for Charlotte's death. Harry Nilsson's song, "Remember Christmas," is featured. This TV movie premiered December 14, 1997 on CBS. ~ Bhob Stewart, All Movie Guide

In this comedy-drama, Vashti Blue (Whoopi Goldberg) is a struggling actor who takes out her frustrations via the telephone, in various accentual impersonations, by making prank calls from her apartment. Off the screen Goldberg attempted to prevent the release of this version of Telephone by filing suit, but apparently did not win the case. Many critics seem to insist she was right in doing so. ~ Kristie Hassen, All Movie Guide

Comedian Marty Feldman directed and co-wrote this satire of the less-scrupulous side of organized religion. Brother Ambrose (Marty Feldman) is a monk who has spent nearly his entire life within the walls of his monastery and knows little of the outside world. However, when he learns that the monastery has fallen on economic hard times and may be forced to close, he takes it upon himself to raise the funds to save his home. Ambrose ends up on Hollywood Boulevard, where he solicits donations from passers-by and gets a crash course in life in the fallen world from Mary (Louise Lasser), a smart-mouthed hooker. Ambrose and Mary soon encounter Armageddon T. Thunderbird (Andy Kaufman), a fire-and-brimstone televangelist who agrees to help Ambrose by making him a partner in his house of worship, The Church of the Divine Profit. However, Thunderbird's methods don't agree with Ambrose, and eventually he turns to God Himself (Richard Pryor) for help. In God We Trust was Feldman's second and last directorial assignment; the supporting cast also includes Peter Boyle, Wilfrid Hyde-White, and Severn Darden. ~ Mark Deming, All Movie Guide

Freddie Francis' Son of Dracula, not to be confused with the 1943 film featuring Lon Chaney, Jr., is a minor curiosity, an attempt at a comedic, modern-day vampire story that is most notable for its eccentric casting and pop soundtrack. The title role is played by singer and songwriter Harry Nilsson, in his only leading role. Nilsson would later claim he considered the script "awful," but took the part for the chance to work with close friend Ringo Starr. Starr co-stars as Merlin the Magician, who is friend, assistant, and head astrologer to Nilsson's Count Down. The Count has recently inherited his father's title as ruler of the netherworld, and all the monsters are already arriving in London for the coronation party. Still, though, Count Down is unsatisfied; it seems he's a budding composer, more interested in music-making than evil-doing. When he falls in love, The Count considers giving up his immortality for the sake of a normal life. But first, he and Merlin will have to outsmart the nefarious Baron Frankenstein, who has his own plans for the Count. The film includes a performance of Nilsson's hit single "Daybreak." ~ Judd Blaise, All Movie Guide

Maverick director Floyd Mutrux made his feature debut with this offbeat semi-documentary look at the realities of the Los Angeles drug scene. Mutrux and his camera crew follow a handful of real-life heroin addicts as they go through their daily routines of scoring dope and whiling away the hours until their next fix. (The dealers are played by actors, among them William Fraker, a noted cinematographer who helped shoot the film, and Billy Gray, a former child star from Father Knows Best.) Dusty and Sweets are a thirty-something couple whose often strained relationship is held together by their shared dependence on heroin. Kit is a blasé male hustler who turns tricks to support his habit. Tip is a self-described "everyday card-carrying dope fiend" who demonstrates his technique for ripping off supermarkets and explains how to keep up a habit behind bars. And a cheerfully blank teenage couple seem to spend their days either shooting up, nodding off, or wondering where to get more dope. Though featuring enough on-screen skin popping to make nearly any audience wince, Dusty and Sweets McGee's beautiful photography and languid mood captures the blissfully narcotic allure of Los Angeles in a way that makes the film compelling, while allowing its subjects to seem both human and tragic. Dusty and Sweets McGee also includes a soundtrack of vintage rock and roll radio, and a brief appearance by the group Blues Image, playing their sole hit "Ride Captain Ride". ~ Mark Deming, All Movie Guide