Dudley Nichols Movies

The outlaws of country music--including Johnny Cash, Waylon Jennings and Willie Nelson--team up and head across the Southwestern desert braving Indians, brigands and conflict in this made-for television version of John Ford's classic film. ~ Sandra Brennan, All Movie Guide

The third of many film and TV adaptations of the popular Agatha Christie novel And Then There Were None (Ten Little Indians is the title of the American edition, the hit play, and most of the movies), this 1965 version moves the action from a remote island to an isolated ski resort and otherwise rearranges the plot. The basic premise, however, remains the same. Ten strangers, eight of them guests and two of them servants, are lured to a dinner party and then trapped there to be killed one at a time by an unseen host who wishes to punish them for their disparate perceived crimes. The old nursery rhyme provides both the framing device, and, in the source material, the method of execution for each victim. In this version, however, the revised murder scenes include a hapless servant (Marianne Hoppe) falling to her death from a booby-trapped ski lift. Ten Little Indians features a varied cast that ranges from future Bond girls Shirley Eaton and Daliah Lavi to former teen idol Fabian and former Wyatt Earp TV star Hugh O'Brian. It also reunites My Fair Lady co-stars Stanley Holloway and Wilfrid Hyde-White. The film was the final directorial effort of George Pollock, who had previously helmed several adaptations of Christie's popular Miss Marple mysteries, starting with 1962's Murder, She Said. Christopher Lee makes an uncredited appearance as the recorded voice of absentee host/villain Mr. Owen. Despite its mountain setting, the picture was filmed in Ireland. ~ Brian J. Dillard, All Movie Guide

The Hangman is a stock western with a thin plot and cardboard characters, about a rigid, U.S. Marshal. Mackenzie Bovard (Robert Taylor) takes his job working for the federal government very seriously, and when he goes out to get the riff-raff that defy the laws of the land, he finds them and hangs them. This one-two punch does not sit well with a local community when he comes into their midst to pick up Johnny Bishop (Jack Lord). Johnny has turned himself around and is not only supported by his friends and neighbors, but also by the sheriff (Fess Parker). For the first time in his career, Mackenzie is faced with a serious challenge to his method of justice. ~ Eleanor Mannikka, All Movie Guide

Filmed in Mexico, Run for the Sun was the second official remake of Richard Connell's classic suspense yarn The Most Dangerous Game. This time, Trevor Howard stars as Browne, the wealthy hermit who thrives on hunting down human beings like wild animals. As a means of updating the story, Howard is transformed into a British traitor, hiding in the Mexican jungle with his wartime compatriots, Nazis Van Anders (Peter Van Eyck) and Jan (Carlos Henning). When their plane is forced to land in Browne's domain, Mike Latimer (Richard Widmark) and Katy Conners (Jane Greer) are captured by the villains. Browne offers his captives an hour's head-start to freedom, then sics his hunting dogs on the hapless pair. The rest of the film details the strenuous efforts by Latimer and Conners to escape with their lives. ~ Hal Erickson, All Movie Guide

The Big Sky is based on a popular novel by A.B. Guthrie. Kirk Douglas and Dewey Martin play a pair of Kentucky frontiersmen who embark upon the first keelboat trip up the Missouri River way back in 1830. Joining Douglas and Martin are Martin's grizzled old uncle Arthur Hunnicutt and garrulous Frenchman Steven Geray. Running afoul of various Indian tribes, Douglas nonetheless romances Sioux princess Elizabeth Threatt (their off-screen relationship was on the kinky side, as an embarrassed Douglas reveals in his autobiography). Director Howard Hawks leavens the Boys' Own Adventure atmosphere of the film with a few isolated comic sequences, including a sidesplitting scene in which Douglas' gangrenous finger is cut off. Produced for RKO Radio by Hawks' own Winchester Pictures, The Big Sky was released at 141 minutes, though the TV print runs 122 minutes. ~ Hal Erickson, All Movie Guide

Rawhide is a westernized remake of the 1936 crime melodrama Show Them No Mercy. Tyrone Power stars as Tom Owens, the assistant manager of a remote stagecoach way station. A coach arrives, bearing Vinnie Holt (Susan Hayward), who carries her baby niece in her arms. Having learned that an outlaw gang is in the vicinity, Owens advises Vinnie to hold up at the station until the next day. Shortly thereafter, the gang arrives and kills stationmaster Sam Todd (Edgar Buchanan). Outlaw leader Zimmerman (Hugh Marlowe), assuming that Owens and Vinnie are the baby's parents, decides not to kill them as well but to hold them prisoner while he and his men await the arrival of a gold shipment. Tension mounts as the relatively civilized Zimmerman argues with his psychotic henchman Tevis (Jack Elam) over the fate of the "married couple." Meanwhile, Owens tries to think up an escape plan for himself, Vinnie and the child. The film closes with a nail-biting shootout, with the baby in the thick of the fray. So as to avoid confusion with the TV series of the same name, Rawhide was retitled Desperate Siege for its first television showing in 1962. ~ Hal Erickson, All Movie Guide

The Fugitive was shot on location in Mexico by that country's premiere cinematographer, Gabriel Figueroa. Henry Fonda plays a Christ-like priest in an unnamed Latin-American country where religion has been outlawed. Though incognito in a backwater village, Fonda cannot help but seem more spiritual and mystical than those around him. Meanwhile, another fugitive, homicidal-bandit Ward Bond, stumbles into the village. Bond and the beautiful Dolores del Rio, whose illegitimate child has been secretly baptized by Fonda, conspire to help the priest escape. Once Fonda is on safe ground, he is implored by police spy J. Carroll Naish to return to the village, ostensibly because Bond is dying and wishes to have last rites. Fonda is captured and sentenced to death, but is willing to forgive the repentant Naish for betraying him. The priest dies a martyr, and the outpouring of public grief proves to the authorities that simply outlawing religion will never subjugate the hearts and minds of the people. ~ Hal Erickson, All Movie Guide

We prefer Rosalind Russell when she's making us laugh; judging by such films as Mourning Becomes Electra and The Velvet Touch, Russell preferred herself in heavy dramatics. In Sister Kenny, Rosalind Russell is all grim determination and pursed lips as Elizabeth Kenny, tireless battler of infantile paralysis. It is in the Australian outback that nurse Kenny first confronts the debilitating illness. Forsaking her private life (as well as any romantic entanglements), Kenny battles with the medical establishment in order to bring her radical theories towards conquering the disease to the public. Her ultimate triumph is solidified upon the formation of Minneapolis' Kenny Institute. Based on Elizabeth Kenny's autobiography, A solid piece of film craftsmanship, Sister Kenny was the sort of glossy prestige picture that always made Hollywood look good in the eyes of its staunchest critics; it was also the sort of picture that almost invariably lost a fortune at the box office (Sister Kenny took a bath to the tune of $660,000). ~ Hal Erickson, All Movie Guide

Masterfully directed by Fritz Lang, Scarlet Street is a bleak film in which an ordinary man succumbs first to vice and then to murder. Christopher Cross (Edward G. Robinson) is a lonely man married to a nagging wife. Painting is the only thing that brings him joy. Cross meets Kitty (Joan Bennett) who, believing him to be a famous painter, begins an affair with him. Encouraged by her lover, con man Johnny Prince (Dan Duryea) Kitty persuades Cross to embezzle money from his employer in order to pay for her lavish apartment. In that apartment, happy for the first time in his life, Cross paints Kitty's picture. Johnny then pretends that Kitty painted to portrait, which has won great critical acclaim. Finally realizing he has been manipulated, Cross kills Kitty, loses his job, and because his name has been stolen by Kitty, is unable to paint. He suffers a mental breakdown as the film ends, haunted by guilt. Kitty and Johnny are two of the most amoral and casual villains in the history of film noir, both like predatory animals completely without conscience. Milton Krasner's photography is excellent in its use of stark black-and-white to convey psychological states. Fritz Lang is unparalleled in his ability to convey the desperation of hapless, naïve victims in a cruelly realistic world. ~ Linda Rasmussen, All Movie Guide

On the eve of their 50th anniversary, a couple argue about whether or not to reveal a story from the husband's past that explains how they met and came to be married. We flashback to the mid-1890's and Larry Stevens' (Dick Powell} first day on the job as a reporter for a New York newspaper -- celebrating his release from writing obituaries with a few too many beers, he and his colleagues start to listen to aging newspaper employee Pop Benson (John Philliber) talk about the past and the future, and the fact that to him they're interchangeable. Larry goes out with his friends to check out a clairvoyant act featuring Cigolini, a phony Italian mystic (Jack Oakie), and a very pretty woman assistant, Sylvia Smith (Linda Darnell). He starts to woo Sylvia, who resists his charms, before heading back to the newspaper, where he meets Pop, who hands him what he says is the newspaper he wanted -- it's only later that Larry realizes that he has tomorrow night's newspaper, and that one story concerns a robbery at the opera house. He gets to the performance that night, with Sylvia accompanying him (at first unwillingly) and witnesses the robbery, writing it up before the police can even leave the scene. His editor (George Cleveland) is ecstatic, but police inspector Mulrooney (Edgar Kennedy) wants to know how Larry knew about the robbery. Sylvia tries to protect him by claiming that she predicted it in her act, and to cover herself and Larry she predicts the drowning of a woman that night in the river. Meanwhile, Larry meets Pop again, who tells him of tomorrow's paper and its account of his attempted rescue of a drowning woman -- he later realizes that the woman is Sylvia, attempting to save him and having to fake a drowning to convince the police of her predictions; he runs to the river and dives in to rescue her. By this time, the two of them are totally involved with each other emotionally, but now Larry must face a new threat. Pop appears again and hands him a newspaper from the next day, which includes a front page story about Larry being shot and killed at the St.George Hotel. Larry vows to avoid the hotel at all costs, and even tries to get some good out of the paper by betting on the winners in five consecutive horse races that afternoon; but it seems that no matter what he does to stay away, he's destined to be at the hotel, at the appointed time. ~ Bruce Eder, All Movie Guide

Olivia De Havilland hadn't wanted to star in RKO's Government Girl, but was forced to do so by her home studio Warner Bros. Perhaps in retaliation, De Havilland delivers a strident, overbaked performance, which serves only to make this so-so wartime comedy something of an endurance test for modern viewers. The actress plays "Smokey", the Washington DC-based secretary of Detroit automobile expert Browne (Sonny Tufts, who's actually pretty good in this one!) Aware that Browne is a babe in the woods so far as Washington lobbying, politicking and backstabbing are concerned, Smokey takes the poor boy by the hand and shows him the ropes. Despite the derivative nature of Adela Rogers St. John's screenplay-the film seems like a hybrid of Mr. Smith Goes to Washington and The More the Merrier--Government Girl was an enormous hit, posting a profit of $700,000. The film represents the film directorial debut of producer-screenwriter Dudley Nichols. ~ Hal Erickson, All Movie Guide

Based on the novel by Ernest Hemingway, For Whom the Bell Tolls is a romantic drama set against the turbulent tapestry of the Spanish Civil War. Gary Cooper plays Robert Jordan, an idealistic American fighting with a Spanish guerilla band. He is assigned to blow up a crucial bridge in order to halt the enemy's progress. He falls in love with Maria (Ingrid Bergman), a young peasant girl who's joined the fight after being ill-used by enemy troops. Pablo (Akim Tamiroff), the eternally drunken leader of the guerillas, resents Jordan's attentions toward Maria, and he refuses to help Jordan in his sabotage work. Pablo's wife Pilar (Oscar-winner Katina Paxinou) takes over command of the guerillas and helps Jordan by arranging horses for the band's departure after their job is done. The man supplying the horses (Joseph Calleia) is killed, and Jordan is left to finish his task minus a means to escape. For Whom the Bell Tolls was a long, faithful adaptation of the Hemingway novel, with excellent performances, torrid love scenes, and first-rate Technicolor photography. Available for many years only in the 130-minute reissue version, it was restored to nearly its full original length of 168 minutes. ~ Hal Erickson, All Movie Guide

Noted French director Jean Renoir made his American debut with this 1941 film. Walter Brennan plays Tom Keefer, a man who is falsely convicted of a murder and sentenced to death by hanging. He has escaped from prison and is hiding out in Georgia's Okefenokee Swamp. Keefer is dedicated to finding the real killer and clearing his name. A trapper, Ben Ragan (Dana Andrews), is out searching for his dog when he finds Keefer hiding in the swamp. Ben believes the man's tale of being falsely railroaded. The two men trap animals, and Ben sells the furs, while his father (Walter Huston) eats the meat. Keefer tells Ben to give his share of the money from their pelt sales to his daughter, Julie (Anne Baxter). Ben eventually falls in love with Julie, arousing the wrath of Ben's girlfriend Mabel (Virginia McKenzie), who tells authorities about Keefer's secret. Ben, however, refuses to cooperate with officials' efforts to locate the escaped convict. Swamp Water was released in Great Britain under the title The Man Who Came Back. It was remade in 1952 as Lure of the Wilderness, with Brennan playing the same role. ~ Michael Betzold, All Movie Guide