Fred Niblo Movies

The surrealistic opening sequence, featuring a WW2 calendar as written "by A. Hitler", should be indication enough that Once Upon a Honeymoon is no ordinary lighthearted romantic trifle. Ginger Rogers plays Katie, an American chorus girl who seeks to better herself by marrying titled European Baron von Luber (Walter Slezak), despite the warnings of reporter Pat (Cary Grant). Katie thinks Pat is just jealous, but both he and the audience are aware that Von Luber is secretly a high-ranking Nazi, whose "unofficial" visits to Czechoslovakia, Poland and France precipitate the German invasions of those countries. When Katie wises up, she agrees to help counterespionage agent LeBlanc (Albert Dekker) in his efforts to stop Von Luber before he can reach New York-and along the way, she falls in love with the ubiquitous Pat. The bizarre ending, in which one of the main characters is casually murdered, is played for laughs, as if WW2 is merely fodder for a screwball comedy. In the film's most unsettling scene, Katie and Pat, mistaken for Jews, are briefly interred in a Polish concentration camp; their outrage over this treatment seems to be founded not on Germany's crimes against humanity, but over the fact that the Gestapo would have the audacity to incarcerate two non-Jewish Americans! A curious and often tasteless misfire from producer-director Leo McCarey, One Upon a Honeymoon is an undeniably fascinating historical artifact. ~ Hal Erickson, All Movie Guide

Ralph Bellamy made the first of four appearances as fictional sleuth Ellery Queen in Columbia's Ellery Queen, Master Detective. For reasons that defy logic, the studio elected to transform the brilliant, analytical Queen into a hopeless bumbler, who seems incapable of tying his own shoes, much less solving a murder. Set at a posh health resort, the story gets under way when wealthy physical culturalist John Braun (played by former director Fred Niblo) is killed after threatening to cut all his heirs out of his will. Investigating the killing is crime novelist Ellery Queen, his police-inspector father (Charles Grapewin), and another mystery writer, Nikki Porter (Margaret Lindsay). In short order, the body disappears, along with the will, a set of X-rays, and an ambulance! Somehow, Ellery Queen manages to put the pieces together and solve the crime, whereupon Nikki Porter offers to become Ellery's secretary-even though it's clear she's got more brains in her left toe than he has in his whole carcass. ~ Hal Erickson, All Movie Guide

In this entry in the long-running series, the Dead End Kids are freshly out of reform school when they find themselves victimized by the tough, corrupt head of the Hell's Kitchen Shelter. A reformed racketeer tries to help out, but he winds up violating his parole and getting sent back to prison. As he goes, he gets some satisfaction out of seeing the crooked superintendent sent up the river too. ~ Sandra Brennan, All Movie Guide

Previously filmed in 1926 as Red Dice, The Big Gamble stars future "Hopalong Cassidy" Bill Boyd as a heavily-in-debt gambler. The suicidal Boyd makes a deal with mobster Warner Oland, whereby Oland will collect Boyd's huge insurance policy--provided he facilitates the gambler's entry into The Next World. When Boyd meets beautiful Dorothy Sebastian (then the actor's real-life wife), he finds a new reason for living. Oland, however, refuses to go back on the agreement, and proceeds with his plans to plant Boyd six feet under. The melodramatic elements of The Big Gamble are offset by the welcome comedy relief of James Gleason and ZaSu Pitts. ~ Hal Erickson, All Movie Guide

Buster Keaton's talkie debut (discounting his non-speaking guest appearance in Hollywood Revue of 1929) was Free and Easy, an uneven but generally amusing comedy with a Hollywood setting. When pretty Elvira (Anita Page) of Gopher City, Kansas wins a beauty contest, her prize includes a trip to Tinseltown and a screen test at MGM. Appointing himself protector of Elvira and her formidable mother (Trixie Friganza), gas-station attendant Elmer Butts (Keaton) accompanies them to California. Once they've arrived, Elmer manages to disrupt the daily MGM routine, stumbling into films in progress, knocking over sets and breaking props, and finding himself taking a screen test in which he repeatedly blows the single line "The queen has swooned" ("The sween has quooned", "The coon has sweened") over and over. Meanwhile, latin-lover film star Lorenzo (Robert Montgomery) sets his sights on innocent Elvira, attempting to seduce her while Elmer's back is turned. But Lorenzo turns out to be a good guy -- in fact, his real name is Larry, and he's a Kansas boy himself -- and he arranges for Elvira to get her big break. In a surprise turnaround, Elvira doesn't win a contract, but Elmer and Elvira's mom become popular musical-comedy stars! The film is studded with guest appearances by such MGM contractees as directors Cecil B. DeMille, Lionel Barrymore, Fred Niblo, and actors Gwen Lee, John Miljan, William Haines, Karl Dane and Keaton's then-girlfriend Dorothy Sebastian. Free and Easy was also filmed in French, Spanish and German-language versions, with Keaton speaking his words phonetically in all three. The film was remade as Pick a Star in 1937, and as Abbott and Costello in Hollywood in 1945. ~ Hal Erickson, All Movie Guide

Based on Leo Tolstoy's The Living Corpse, this film was originally scheduled as John Gilbert's first talkie, but it was held from release until distribution of his second, One Glorious Night. In the story, the Enoch Arden-style hero, long-presumed dead, commits suicide rather than ruin the happiness of his newly-remarried wife. ~ Iotis Erlewine, All Movie Guide

Another of Goldwyn's successful pairings of Ronald Colman and Vilma Banky, Two Lovers was the last of their co-starring assignments. Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller. ~ Hal Erickson, All Movie Guide

Hip-swinging danseuse Gilda Gray, the girl who created the late-'20s dance craze "The Shimmy," plays the provocatively underdressed title character in The Devil Dancer. Written by Alice Duer Miller, this the story of Takia (Gray), a white girl brought up in a remote oriental Lamasery. English explorer Stephen (Clive Brook) stumbles onto this "forbidden" stronghold, where he interrupts a punishment ritual wherein Sada (Anna May Wong) is being buried alive. Fascinated by Takia's dancing during the ceremony, Stephen vows to rescue the girl from her "barbaric" surroundings. This, of course, does not meet with the approval of the despotic tribal chieftain (Michael Vavich), who has his own designs on Takia. Originally directed by Al Raboch, who was replaced early on by Lynn Shores, The Devil Dancer was completed by Fred Niblo, who received sole screen credit. ~ Hal Erickson, All Movie Guide

This was the most popular of the many silent adaptations of Alexandre Dumas' famous story of a courtesan who finds true love too late. In this version, a man who has been suffering from a bout of depression buys a painting of a beautiful women and discovers that her diary is included in the deal. As he reads her words, the ghost of the woman, who is named Camille (Norma Talmadge), appears before him to tell her sad story. Camille began her life under poor circumstances, but with determination she went from a humble shop girl to the most elegant and wealthy courtesan in Paris. However, selling her affections has not brought her real love. She meets a student named Armand (Gilbert Roland), who soon falls in love with the mysterious beauty. However, even though Camille has fallen in love with him, she resists his advances; Armand's father (Maurice Costello) has learned of his son's desire for her, and he has begged her to stay away from Armand, as an affair between them would bring scandal and shame to the young man. Before long, Camille contracts tuberculosis, and Armand encounters his would-be love as she bravely tries to hide her soon-to-be fatal condition from him. This is thought to be the ninth film based on the Dumas story (including adaptations under other names), and like several others, this film is currently lost, barring a future discovery of a print by film scholars. ~ Mark Deming, All Movie Guide

The advertising tag "four years in the making" is usually so much press-agent puffery. In the case of the 1926 silent version of Ben Hur, it was the unvarnished truth--and the filmmakers had the scars to prove it. The story behind the film is now part of Hollywood folklore: the cast and production crew changes (star George Walsh summarily dumped in favor of Roman Novarro, director Charles J. Brabin replaced by Fred Niblo, writer-supervisor June Mathis-who'd spearheaded the project in the first place-abruptly fired); the hundreds of thousands of dollars spent on the troublesome location shooting in Italy--money that was lost when most of the footage proved unusable; the extra expenditure of refilming in Hollywood; and the huge chunk of the film's profits eaten up by the 50% royalty deal set up with theatrical producers Klaw and Erlanger, who controlled the rights to General Lew Wallace's novel. The end result reflected the turbulent production conditions: Ben Hur is an extraordinarily uneven experience, with moments of cinematic brilliance and pulse-pounding thrills alternating with long stretches of stagey boredom. The film follows the original Wallace story to the letter: Judah Ben-Hur (Novarro), a wealthy Jew living under the reign of the Caesars, is betrayed by his best friend, ambitious Roman centurion Messala (Francis X. Bushman). Ben-Hur's family is sent to prison, while he himself is condemned to the galleys. During a violent sea battle, Ben-Hur saves the life of galleon commander Quintus Arrius (Frank Currier). The grateful commander adopts Ben-Hur as his son and bankrolls his desire to become a champion charioteer. Thirsting for revenge, Ben-Hur agrees to race against his old nemesis Messala. The latter is fatally injured during the race; with his dying breath, Messala reveals that Ben-Hur's family, previously reported dead, are actually alive--but living as lepers. The story is subtitled A Tale of the Christ because, at various junctures in his life, Ben-Hur has been touched by the hand of Jesus. Ben-Hur must totally embrace Christ's edict of love and forgiveness before he can be reunited with his family. As Jesus is crucified in Jerusalem, Ben-Hur's mother (Claire McDowell) and sister (Kathleen Key), having also embraced the Christian philosophy, are miraculously cured of their leprosy. Most of these plot elements, together with the romance between Ben-Hur and the lovely Esther (May McAvoy), reappeared in the 1959 remake of Ben-Hur--which, fortunately, did not include the ridiculous subplot involving the alluring Iras (Carmel Myers), who attempts to seduce Ben-Hur just before the big race. The film's highlights--the sea battle, the now-legendary chariot race--were produced on a far grander scale than in the 1959 version; unfortunately, both highlights took place in the first half of the picture, leaving the viewers with a rather dreary, drawn out denouement (the remake wisely placed the sea battle in part one, and the race in part two). The Technicolor Nativity sequences were condemned in 1926 as being in poor taste, but when seen today are beautifully handled and restful on the eye (oddly, no one complained about the nude female revellers during a later Technicolor pageant scene!) Ben Hur cost $4 million and grossed $9 million on its first release. The aforementioned royalty arrangement left MGM with only a $1 million take. ~ Hal Erickson, All Movie Guide

After the death of her father, Marise La Noue (Enid Bennett) can find no safe haven, so she runs off to Paris with Jean Leonnec, the mayor's son (Ramon Novarro). Before they can be married, however, they are separated. Marise sinks from working as a waitress to toiling as scrubwoman to the ultimate degradation as a woman of the streets. Leonnec, meanwhile, falls in with a gang of thieves. While he is being chased by gendarmes, he finds Marise and is horrified at what she has become. Even though he knocks her down in his frenzy, Marise nurses him through his breakdown. The police finally catch up with him and he serves a prison term. While he is incarcerated, Marise turns her life around. Leonnec emerges from prison a changed man and reunites with Marise. Director Fred Niblo was married to leading lady Enid Bennett. ~ Janiss Garza, All Movie Guide

This "real life" drama starred some of the best second-string talent at Metro, and first-class screenwriter Frances Marion adapted the story from a stage play by James Forbes. When the world war (meaning World War I -- there was only one back then) breaks out, Mrs. Fair (Myrtle Stedman) goes to Europe as a nurse. She is decorated for bravery, and when she comes home, she discovers that she is famous. She is offered a lecture tour, which her husband (Huntly Gordon) forbids her to accept. Mrs. Fair rebels and accepts anyway, leaving her husband; son, Alan (Cullen Landis); and daughter, Sylvia (Marguerite de la Motte), on their own. At a loss without Mrs. Fair, the family moves into a hotel. Mr. Fair succumbs to the charms of a vampy neighbor, Angy Brice (Carmel Myers), while Sylvia becomes a flapper and Alan takes up gambling. When Mrs. Fair finally gets back from her tour, Alan and her husband settle down, but Sylvia is about to run off with the no-good Dudley Gillette (Ward Crane). Alan, who has married a nice girl (Helen Ferguson), saves her from disgracing herself. Mrs. Fair realizes that her neglect was what started all the trouble (this was definitely in the days before women's equality), and gladly stays home. ~ Janiss Garza, All Movie Guide