Robyn Nevin Movies

It's rare that audiences have the opportunity to watch actors perfect their roles in the sacred space of the rehearsal room, but in this documentary detailing the Sydney Theater Company's production of Hedda Gabler at the Brooklyn Academy of Music in New York, theater fans are afforded the once-in-a-lifetime opportunity to do precisely that. It's five weeks until opening night, and the weight of anticipation is beginning to bear down. With a cast that includes Cate Blanchett, Hugo Weaving, Anthony Weigh, and Justine Clarke, there's no question that the stage is filled with some of Australia's finest actors. Holding this impressive collective of talent together is director Robyn Nevin -- a consummate perfectionist who isn't satisfied until every line has been perfected and every move blocked. And she's got proper cause to be concerned, too; while theater fans are well familiar with Hedda Gabler, this particular production is a modern interpretation of the familiar tale adapted by Andrew Upton. After three weeks of 18-hour days spent perfecting the play in their sweltering Sydney rehearsal room, the crew is now set to travel to Brooklyn, NY, in the heart of winter. But how will a reputedly sophisticated and decidedly outspoken New York audience receive this radical interpretation of this familiar favorite? ~ Jason Buchanan, All Movie Guide

Shot back-to-back with The Matrix Reloaded, the third and final installment of Andy Wachowski and Larry Wachowski's sci-fi action saga picks up where the second film left off. Neo (Keanu Reeves) remains unconscious in the real world, caught in a mysterious subway station that lies between the machine world and the Matrix, and Bane (Ian Bliss) is still a conduit for Agent Smith (Hugo Weaving), who continues to grow out of control, threatening to destroy both worlds. Meanwhile, as the sentinels get closer and closer to Zion, the citizens of the earth's last inhabited city prepare for the inevitable onslaught. By bargaining with The Merovingian (Lambert Wilson), Trinity (Carrie-Anne Moss) and Morpheus (Laurence Fishburne) are able to free Neo who, after meeting with The Oracle (Mary Alice stepping in for the late Gloria Foster), decides that he must leave Zion and head for the machine mainframe. As Neo and Trinity venture into the dangerous machine world, with hopes of stopping both the machines and Agent Smith, their comrades in Zion attempt to fight off the attacking sentinels with the odds stacked greatly against them. Other cast members returning include Monica Bellucci, Ngai Sing, and Harold Perrineau Jr. ~ Matthew Tobey, All Movie Guide

After creating an international sensation with the visually dazzling and intellectually challenging sci-fi blockbuster The Matrix, the Wachowski brothers returned with the first of two projected sequels that pick up where the first film left off. Neo (Keanu Reeves) and Trinity (Carrie-Anne Moss) have been summoned by Morpheus (Laurence Fishburne) to join him on a voyage to Zion, the last outpost of free human beings on Earth. Neo and Trinity's work together has been complicated by the fact the two are involved in a serious romantic relationship. Upon their arrival in Zion, Morpheus locks horns with rival Commander Lock (Harry J. Lennix) and encounters his old flame Niobe (Jada Pinkett Smith). Meanwhile, Agent Smith (Hugo Weaving) has returned with some surprises for Neo, most notably the ability to replicate himself as many times as he pleases. Neo makes his way to The Oracle (Gloria Foster), who informs him that if he wishes to save humankind, he must unlock "The Source," which means having to release The Key Maker (Randall Duk Kim) from the clutches of Merovingian (Lambert Wilson). While Merovingian refuses to cooperate, his wife, Persephone (Monica Bellucci), angry at her husband's dalliances with other women, offers to help, but only in exchange for a taste of Neo's affections. With The Keymaker in tow, Neo, Trinity, and Morpheus are chased by Merovingian's henchmen: a pair of deadly albino twins (Neil Rayment and Adrian Rayment). Filmed primarily in Australia and California (the extended chase scene was shot on a stretch of highway build specifically for the production outside of San Francisco), The Matrix Reloaded was produced in tandem with the third film in the series, The Matrix Revolutions. ~ Mark Deming, All Movie Guide

In this unusual romantic drama from Australia, Harry (John Lynch) and Kate (Jacqueline McKenzie) are both patients at a psychiatric care facility. While in therapy, the two meet and fall in love, in spite of their troubled pasts. Despite the potential complications they might foresee with the relationship, Harry's main sources of support, his brother Morris (Colin Friels) and Morris's wife Louise (Deborra-Lee Furness), are more concerned with Harry's stability and happiness than anything else, and they soon give him their blessing to marry Kate. However, it soon becomes obvious that love does not conquer all. Kate becomes pregnant, and her doctors try to persuade her to have an abortion. They believe that her mental illness could be passed along to her child, that she would not make a fit mother, and that her medication for schizophrenia could have a harmful effect on the fetus. Kate is convinced that the angel Astral speaks to her, and that the child she carries is his earthly incarnation; she refuses to have an abortion, but compromises by not taking her medication while pregnant. Harry stops taking his as well, but the couple's happiness is short-lived when their increasing instability leads to tragic consequences. Angel Baby won seven Australian Academy Awards, including Best Picture, Best Actor, and Best Actress. ~ Mark Deming, All Movie Guide

Lawn bowling is a very different sport from the kind that occurs indoors; it is an almost meditative exercise resembling nothing so much as horseshoes and is much favored by the elderly in one Sydney suburb. In this low-key comedy, the lad who works very diligently to keep the bowling green immaculate has just gotten out of jail. Despite his good intentions and energetic hard work, he's just not very effective. Maybe it's all the pot he and his wife have been smoking, as now the two of them are in debt to their dealer for thousands of dollars. ~ Clarke Fountain, All Movie Guide

Australian author David Williamson adapted Emerald Cities from his own stage play. The title may conjure up images of the Wonderful Land of Oz, but the plot is set in the Munchkin-free Australian film industry. John Hargreaves stars as a prosperous screenwriter who is perfectly willing to accept the obscene gobs of money thrown at him. One day, however, he decides that he's a sellout, and attempts to turn out something of meaning and value--and uniquely Australian. But he runs up against an industry with both eyes on the valuable American market. There are laughs in Emerald Cities, but they have a hollow ring; this hit too close to home with many Australian filmmakers to be considered a comedy. ~ Hal Erickson, All Movie Guide

Director Igor Auzins and screenwriter Peter Schreck, best known for their work on the Australian film We of the Never Never, were reteamed on Coolangatta Gold. The story takes place on the Gold Coast of Queensland, where for many years a grueling athletic competition has been held. Participants in the "Coolangata Gold" are required to swim, run and surf-ski over a course of 26 miles. Still smarting over losing the contest in 1960, ageing athlete Joe Lucas (Nick Tait) forces his son Adam (Colin Friels) to participate in the "Gold." But though he's up to the challenge, Adam is more interested in charting his own course in life. The film's highlights include an exciting last-lap finale, and an extended guest appearance by real-life Coolangatta Gold champion Grant Kenny. ~ Hal Erickson, All Movie Guide

Set in Australia in the 1930s, this drama stars Nicholas Gledhill as P.S., a six-year-old boy who lives with his Aunt Lila (Robyn Nevin) and Uncle George (Peter Whitford). P.S.'s mother died in childbirth, so her sister Lila took him in, and while George and Lila don't have a lot of money, they've always done the best they can to give the boy a good home. One day, Lila's other sister Vanessa (Wendy Hughes) arrives after spending several years touring the world; Vanessa is quite wealthy, and upon her return to Australia, she expresses an interest in taking custody of the child. Lila is willing to let Vanessa visit with P.S., and his rich aunt is able to turn his head with limousine rides and lavish gifts. But when Vanessa decides she wants the boy full time, Lila decides to fight her in court. The case is complicated by the arrival of P.S.'s long-absent father, Logan (John Hargreaves), an alcoholic who loves his son but is incapable of caring for him. Careful He Might Hear You won eight Australian Film Institute Awards, including Best Picture, Best Actress (Hughes), and Best Supporting Actor (Hargreaves). ~ Mark Deming, All Movie Guide

Based on John Embling's book Tom, the Australian Fighting Back is set in a hellhole of a slum school. Most of the teachers have given up on the "unreachable" students. Not so idealistic John (Lewis Fitz-Gerald), who channels all his energies into elevating the intelligence and self-confidence of unruly 13-year-old Tom (Paul Smith). The latter actor is so good that it's hard to believe that Fighting Back was his first film. This sincerely-intentioned drama should not be confused with the like-vintage American actioner Fighting Back (aka Death Vengeance). ~ Hal Erickson, All Movie Guide

Based on a novel by Thomas Keneally, which was in turn inspired by actual events, this drama is a shocking indictment of the racism inflicted on the indigenous people of Australia. Jimmie (Tommy Lewis) is a half-white, half-aborigine young man raised by a Methodist minister. Feeling outcast among the aborigines, Jimmie moves to the city and gets a job working for a white family. When a white serving girl at the estate becomes pregnant, everyone is convinced that Jimmie is the father; to spare the girl's honor, Jimmie marries her and is allowed to live with her on the estate. But after the child is born, everyone realizes that the father was a white man, not Jimmie; he is still willing to accept the child and stand beside his wife, but his employers now feel that he married a white girl under false pretenses, and they bar him from the estate. Forbidden to see his wife and fired without receiving his pay, Jimmie finally explodes in a fury of violent revenge. Director Fred Schepisi's original cut of this film runs 122 minutes, though it was more widely distributed in a shortened version running 108 minutes. ~ Mark Deming, All Movie Guide

The principal characters in this Australian miniseries were James Casey (John Meillon) and his terminally ill son, Sean (Mark Shields-Brown). Throughout the series' three 75-minute episodes, James met with formidable obstacles as he endeavored to grant Sean his three last wishes: to get a dog, to be reunited with his mother, and to meet the Queen of England. The story concluded with the proposal, and granting, of a mysterious fourth wish. Based on a true story, The Fourth Wish aired over the Australian ABC network in 1976; two years later, a feature-film version appeared, again starring John Meillon. ~ Hal Erickson, All Movie Guide

Four Australian directors explore different angles of the title topic in this generally downbeat anthology. In "The Husband" a husband increases his arousal during lovemaking by imagining his wife in different sexual liaisons without realizing that his fantasy may based on fact. The second vignette "The Child" centers on the resentful son of a widow who is having an affair with another. While his mother is off galavanting with her new love, the boy is left in the care of a governess whom he grows to love. The poor boy begins to fear that his new friend will be fired as soon as his mother returns and so goes off on a walk to sort out his feelings. He wanders into a field and it is there he sees his governess making love to his mother's boyfriend. This causes the emotionally fragile lad to shatter and blindly run towards the river where he crazily hops into a boat and begins rowing into the current. The lover, wanting to save the child from harm dives in and tragedy ensues. In "The Priest," a priest wrestles with his love for a nun. Though they want to marry, the nun forces them to leave their orders in the correct way. It is a way filled with red-tape and takes so long that the relationship withers and they remain in their vocations. The final segment "The Family Man" deals with a slob of a husband who decides to celebrate the birth of his third child by having a little fling while his wife recuperates in hospital. He enlists the aid of a buddy and together they get drunk, pick up two floozies and head to his beachhouse. When the gals learn about his wife, they stomp out of the house. Time passes and the husband brings his family to the house for vacation. Much to his horror he finds that the two women have placed a large incriminating sign upon it leaving him to try to explain it all to his wife. ~ Sandra Brennan, All Movie Guide