Richard Nelson Movies

Ethan Frome is an adaptation of Edith Wharton's 1911 novella . Set in Massachusetts in the late-19th century, the film relates the sad story of reclusive farmer Ethan Frome (Liam Neeson). Considering himself too homely for romance, he enters into a loveless marriage with the wealthy but spiteful Zeena (Joan Allen). Things become nearly unendurable when Zeena becomes an invalid, imperiously demanding her husband's attentions day and night. Ethan seeks solace in an affair with Zeena's pretty cousin Mattie Silver (Patricia Arquette), who has arrived to act as housekeeper. Produced on behalf of PBS' American Playhouse, Ethan Frome was released theatrically in late 1992. ~ Hal Erickson, All Movie Guide

Pumped up with energy to spare in its first half, this is an otherwise routine drama about a love triangle set in the turbulent late '60s on the Harvard campus. Harvard takes a remote backseat though, as Leo (Brad Davis) chases after Jessica (Karen Allen) while buddy Nick (Jameson Parker) also nurses a crush on her. Leo is in journalism, or wants to be, Jessica paints but she is leaning toward law school, and Nick is a solid, steady pre-med student. Their relationship takes a serious turn when Leo's number comes up on the Vietnam draft. Nick makes his feelings known to Jessica and whether it seems like a good idea or not, she suggests that the three of them move in together. ~ Eleanor Mannikka, All Movie Guide

Predating the Oscar-nominated theatrical feature Apollo 13 by over two decades, the made-for-TV Houston, We've Got a Problem dramatized the same real-life crisis in space from a different point of view. It was back in 1970 when an explosion on board Apollo 13 forced Mission Control to scuttle the vessel's intended moon landing. Unfortunately, the astronauts and the NASA control team faced an even bigger dilemma -- the very real possibility that the Apollo 13 capsule would remain hovering in space forever, with no possible hope for a return to the earth. Unlike the film version of Apollo 13, in which the men on board the ill-fated craft were spotlighted, the TV movie focused exclusively on the NASA engineers in Houston, and the families and friends of the endangered space travelers. In fact, Jim Lovell and his crew weren't even shown onscreen, save for a random TV news clip. Houston, We've Got a Problem debuted March 2, 1974, on ABC. ~ Hal Erickson, All Movie Guide

A little bird tells on the U.S. Army during WWII in this farcical comedy. In 1944, during the last stages of the war in Europe, American officers Capt. Paul MacDougall (Charlton Heston) and Sgt. Joseph Contini (Harry Guardino) are sent to Italy to act as spies for the Allies, even though they have no experience in espionage. Working with Partisan resistance solider Ciccio Massimo (Salvatore Baccaloni), MacDougall and Contini send regular reports to their superiors by carrier pigeon. Contini also finds himself falling in love with Massimo's pregnant daughter Rosalba (Gabriella Pallotta), while her sister Antonella (Elsa Martinelli) has her eye on MacDougall. Contini proposes to Rosalba, and Ciccio prepares a feast to celebrate his daughter's upcoming wedding. However, Ciccio prepares squab for the occasion, killing all but one of the carrier pigeons. Ciccio scrambles to replace them, but the new pigeons he finds are German, and they deliver MacDougall and Contini's messages directly into enemy hands. The Pigeon That Took Rome's art direction earned the film an Academy Award nomination. ~ Mark Deming, All Movie Guide

James Hadley Chase's 1939 bestseller reached the screen for the first time -- which a lot of critics of the book would have said was one time too many -- in 1948, in somewhat bowdlerized form, under the aegis of Renown Pictures and screenwriter St. John Legh Clowes, making his sole bow as director. Filmed in England but set in New York, No Orchids For Miss Blandish tells of a sheltered heiress (Linden Travers) who is abducted on her wedding night by a trio of cheap hoods, in what starts out as a jewel robbery and turns into a kidnapping/murder when one of them (Richard Nielson) kills the bridegroom. More mayhem ensues as the three kidnappers soon end up dead, and Miss Blandish falls into the hands of the Grisson mob, led by Slim Grisson (Jack LaRue), who are pros at what they do, throwing their weight around the underworld at will and not too afraid of the police, either. Slim Grisson isn't really better than any of those around him, but he's smart enough to restrain his worst impulses, which makes him start to look very good to Miss Blandish, who finds herself strangely attracted to him, as the first real man she's ever seen, and also a way out of the sheltered existence she's known all of her life. He's as amazed as anyone around him -- including his own mother (Lili Molnar), who runs the gang in tandem with him -- that he doesn't want to ransom Miss Blandish, or plan on killing her because she knows too much; or that she'll testify on his behalf, if necessary, that the one killing she did see by him was, in fact, a matter of self-defense. They plan to run off together, but neither Grisson's mother nor the rest of the gang can see parting with a potential million dollar ransom, or leaving a witness alive -- even if it means killing Slim Grisson to get to her. And when a nosy reporter named Fenner (Hugh McDermott) starts putting the police on the trail of the gang, Slim himself isn't above committing a few more murders to bury any witnesses. The movie was so violent and amoral, that it appalled critics and social observers on both sides of the Atlantic, whose agonizing over its content actually helped turn the picture into a bigger hit than it might otherwise have been. This was especially true in America, where the movie enjoyed a five week run in one of New York's bigger movie palaces to sell-out business, though it was edited considerably and re-cut twice for US release (the second time, a couple of years later, as Black Dice). Robert Aldrich filmed the same story as The Grissom Gang (1971), with Kim Darby, Scott Wilson, and Irene Dailey. ~ Bruce Eder, All Movie Guide