James Nelson Movies

This locally produced documentary takes a historical look into the origins of baseball in Utah. In the latter part of the 19th century, the Cincinnati Red Stockings (the country's first professional baseball team) stopped off in Utah as they were touring the country. There was a game played between the Red Stockings and some locals, and the subsequent aftershocks caused a flurry of baseball activity and revelry. Leagues sprung up throughout Utah, causing an interesting cross-cultural phenomenon. Coal miners of all races came together and tossed the ball around. Farming communities gathered and enjoyed a sudden surge in community pride. This retrospective is quaint and touching, as it reaches back in time through historical photos, stock film footage, various pieces of memorabilia, and the stories left behind by the folks directly effected by the introduction of America's pastime to Utah. ~ Ed Atkinson, All Movie Guide

Emil Saber (Peter O'Toole) travels to Jerusalem to seek the seventh coin of King Herod to complete his collection. As Saber searches for the coins, he becomes more and more unhinged, eventually believing that he is the murderous incarnation of King Herod. When he discovers that the coin is in the possession of two youngsters, American tourist Ronnie (Alexandra Powers) and pickpocket Salim (Navin Chowdhry), the two must struggle to avoid becoming Saber's next victims. ~ Iotis Erlewine, All Movie Guide

Charles Bronson switches from his traditional role as a vigilante to playing an actual lawman in this crime drama. Jeb Maynard (Bronson) is a border patrol agent who is trying to stem the tide of illegal aliens from Mexico into the United States. Jeb is hot on the trail of Hotchkiss (Ed Harris), a "coyote" who brings illegals into the United States for a hefty price and with little concern for their safety. But while Jeb is sworn to keep illegal immigrants out of America, he finds his relationship with Elena Morales (Karmin Murcelo) becoming more than professional. Elena is an illegal alien who wants to cooperate with Jeb by leading him to Hotchkiss, who smuggled her into the United States. But businesslike Jeb soon finds that the plight of Elena and her young son, who are desperate to build a better life for themselves, has touched a soft spot inside him. While the story may sound similar to the Tony Richardson/Jack Nicholson picture The Border, Borderline actually preceded it by two years. ~ Mark Deming, All Movie Guide

"He wanted to die with me and I dreamed of being lost forever in his arms." A young couple goes on a Midwest crime spree in Terrence Malick's hypnotically assured debut feature, based on the 1950s Starkweather-Fugate murders. Fancying himself a rebel like James Dean, twentysomething Kit (Martin Sheen) takes off with teen baton-twirler Holly (Sissy Spacek) after shooting her father (Warren Oates) when he tries to split the pair up. Once bounty hunters discover their riverside hiding place, Kit and Holly head toward Saskatchewan, leaving dead bodies in their wake. As the law closes in, however, Holly gives herself up -- but Kit doesn't hold it against her, as he basks in his new status as a momentary folk hero. Inaugurating the use of voice-over narration that he would continue in Days of Heaven (1978) and The Thin Red Line (1998), Malick juxtaposes Holly's flat readings of her flowery romance-novel diary prose with the banal and surreal details of their journey. Singularly inarticulate with each other, Kit and Holly are more intrigued by mythic celebrity gestures, as Holly peruses her fan magazines and Kit commemorates key moments before orchestrating a properly dramatic capture for himself (complete with the right hat). The sublime visuals lend a dreamlike beauty to the couple's trip even as their actions are treated casually; Malick neither glamorizes Kit and Holly nor consigns them to the bloody end of their fame-fixated predecessors in Bonnie and Clyde (1967). With the couple's opaque dialogue and Holly's fanzine dream narration, Malick further denies an easy explanation for their crimes. Made for under 500,000 dollars, Badlands debuted at the 1973 New York Film Festival, along with Martin Scorsese's Mean Streets, and was released within months of two other outlaw-couple road movies, Steven Spielberg's The Sugarland Express and Robert Altman's Thieves Like Us. Although Badlands did not make an impression at the box office, its pictorial splendor and cool yet disquieting narrative established Malick as one of the most compelling artists to come out of early-'70s Hollywood. ~ Lucia Bozzola, All Movie Guide

In this remake of Johnny Dark (1954) an ex-GI and college dropout would rather play with cars than anything else until he meets the lovely Eady with whom he falls passionately in love. They get engaged and go to San Francisco where he begins working on building a prototype car for a millionaire. When the arrogant young man ignores the millionaire's advice and destroys the car, he is immediately fired. The young man, determined to make his engine work, manages to scare up enough cash to get his engine back from the millionaire. He then goes on to enter the Tri-State Endurance Race. After it is all over, the young fellow finds that he has become a serious young man. He then marries his girl, and goes back to college. ~ Sandra Brennan, All Movie Guide