Phil Neilson Movies

For decades, the South American metropolis of Rio de Janeiro, Brazil, has clocked in as staggeringly lethal. Its violence-scarred and blood-strewn ghettos (or "favelas") are regularly patrolled by crazed drug gangs whose open-fire battles with police often spread out onto the main thoroughfares and turn ordinary civilians into casualties. In response, the Brazilian government formed a crack paramilitary force known as the BOPE (Batalhão de Operações Policiais Especiais, or Special Police Operations Battalion) to take matters into its own hands. Now, director José Padilha's social-consciousness drama Tropa de Elite carries viewers inside of BOPE for a scathing indictment of the cycle of violence that permeates Brazilian society, scripted by 12-year-plus BOPE veteran Rodrigo Pimentel. Wagner Moura (Hector Babenco's Carandiru) stars as Captain Nascimento, the leader of a BOPE unit who is seriously considering retirement in the face of his impending fatherhood. In an effort to pick his successor, he looks to two younger recruits, part-time law student André Matias (André Ramiro) and the bellicose hood Neto (Caio Junqueira) -- but soon recognizes that these naïve men will need to seriously mature before one can take the reins. Inevitably, the events that each encounters on the roughshod Brazilian streets -- particularly a trip to clean up some of the neighborhoods in anticipation of the pope's visit -- begin to shape and redefine them in ways that neither can even begin to anticipate. Meanwhile, BOPE grapples with its own internal problems -- particularly the extreme corruption and underhandedness of each squad leader, whose sideline activities range from resupplying weapons to gangs to the racketeering of strip clubs. ~ Nathan Southern, All Movie Guide

Four siblings -- Edmund (Skandar Keynes), Lucy (Georgie Henley), Peter (William Moseley), and Susan (Anna Popplewell) -- are sent from their London home to the country estate of an eccentric professor in order to ensure their safety during World War II. The house is very dull, except for a large, ornate wardrobe discovered by young Lucy during a game of hide-and-seek. Venturing inside of it in the hopes of finding a hiding place, Lucy is transported to a snowy alternate universe: a magical world called Narnia. The land is populated by talking animals and ruled over by the benevolent lion god Aslan (voiced by Liam Neeson), but sadly, the world is also in a state of perpetual winter. The white witch Jadis (Tilda Swinton), lustful for power and governed by narcissism, has cursed Narnia with a tyrannical decree that it will always be winter but never Christmas. Now, the children must fight alongside Aslan for the salvation of Narnia, but one of them, seduced by the charisma of the white witch, may choose to fight on the wrong side. ~ Cammila Albertson, All Movie Guide

Re-teaming Dennis Quaid with John Lee Hancock, the director of 2002's The Rookie, The Alamo retells the story of the historic 1836 battle in the Texan War of Independence. Facing 4,000 Mexican troops, 186 Texan soldiers and volunteers -- including William Travis (Patrick Wilson), Davy Crockett (Billy Bob Thornton), and Jim Bowie (Jason Patric) -- retreat within the walls of the Alamo, a Franciscan mission that was converted into a military fort. Once inside, the men prepare themselves for what will be a bloody battle to the death, as General Sam Houston (Quaid) leads the charge from the outside. Emilio Echevarria and Jordi Molla co-star. ~ Matthew Tobey, All Movie Guide

Nick Chen (Chow Yun-Fat) was the first Chinese-born immigrant in the NYPD, and is now one of the force's most decorated officers. As such, he's been named leader of the city's Asian Gang Unit, who are the primary peacekeepers in Chinatown. Trouble has just arrived for the Triads, the long-entrenched Chinese gangsters who are the real power behind Chinatown. After years of posing as honest businessmen, the Triad's powers are threatened by the newly arrived Fukienese Dragons. With a gang war on the horizon, the city sends a new recruit, Danny Wallace (Mark Wahlberg), to join Chen's unit. Danny finds Chen and the AGU in a very comfortable (perhaps too comfortable) relationship with the Triads. When the mobsters attempt to corrupt Danny, Chen must reassess his relationship with the Triads, and Danny must also learn that certain concessions must be made to ensure the peace in this world set apart from the rest of New York. ~ Ron Wells, All Movie Guide

A woman serving on the jury of an anti-Mafia trial must protect herself and her young son from a psychopathic gangster in this thriller. Demi Moore stars as Annie Laird, a single mother and artist who readily agrees to do her civic duty on the jury in the trial of a major organized crime figure. She quickly comes to regret this decision when a mysterious and eccentric Mafia associate known as The Teacher (Alec Baldwin) threatens to kidnap her son and harm her friends unless she promises to vote not guilty. Fearing for their lives, she plays along, but unfortunately the Teacher shows no sign of backing away from his plans, having become personally obsessed with Annie. Unwilling to trust the authorities, Annie instead develops a plan to save her child by taking on the Teacher and the mob. Adapting a novel by George Dawes Green, the screenplay was written by Ted Tally (The Silence of the Lambs). ~ Judd Blaise, All Movie Guide

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, All Movie Guide

With Heaven and Earth -- cobbled together from two autobiographical reminiscences (When Heaven and Earth Changed Places and Child of War, Woman of Peace by Le Ly Hayslip -- Oliver Stone completes his self-declared "Vietnam Trilogy" (the other films being Platoon and Born On the Fourth of July) of films examining the Vietnam War from different perspectives. Heaven and Earth begins in the central Vietnamese village of Ky La during the 1950s. Phung Le Ly (Hiep Thi Le) is an innocent peasant girl, helping her mother (Joan Chen) to tend the rice paddies while being lectured in the ways of life by her father (Haing Ngor). The idyllic peace of the village is disrupted when a jet bomber crosses the skies. Soon the village is decimated as the American-backed South Vietnamese government troops and the Viet Cong engage in brutal warfare in which the victims are the innocent villagers. Le Ly is both tortured and raped. She leaves Ky La for Danang for a life as a prostitute. There she meets the tall and craggy American soldier Steve Butler (Tommy Lee Jones), a kind but lonely man who isn't looking for sex but for someone to settle down with -- as he says, "I want an Oriental wife." They marry, and Steve takes her back to the United States, where her in-laws look at her not as a wife but as a pet. In the harsh glare of 1970s U.S. culture, Le Ly has trouble adjusting to the American way of life. But not as hard a time as her husband, who, after twenty years in Vietnam, discovers he cannot adapt to civilian life. ~ Paul Brenner, All Movie Guide

Makeup wizard Tom Savini's color remake of George A. Romero's 1968 classic follows the original almost shot-for-shot, so quality comparisons are somewhat pointless. The film was clearly made for younger viewers who refuse to watch black-and-white films, no matter how good they may be. The result is passable, but the very fact that the original was made 22 years before makes this version seem almost dated in its restraint. By the time of its release, Romero had already geometrically raised the gore quotient with Dawn of the Dead (1978) and Day of the Dead (1985), so Savini's starting back at square one further lessened the impact of this pointless retread. If this version has anything to offer, it is Patricia Tallman's engaging lead performance as a gun-toting independent woman, one of this film's few elements not lifted wholesale from Romero. ~ Robert Firsching, All Movie Guide

Can an independent, contemporary woman find happiness with a guy who sells pickles? Isabelle Grossman (Amy Irving) is an attractive, intelligent Jewish woman in her early 30s. She has a good job and a nice apartment on the Upper West Side, and she values her independence; she often visits her grandmother Bubbie (Reiz Bozyk), who lives on the Lower East Side and wants Isabelle to meet a nice Jewish man and settle down. Bubbie goes so far as to obtain the services of Hannah Mandelbaum (Sylvia Miles), a matchmaker who finds the "perfect" man for Isabelle: a pickle salesman named Sam Posner (Peter Riegert). Isabelle thinks Sam is a nice enough guy, but she has a hard time imagining herself spending her life with the pickle man, and she isn't sure if she wants to pursue the relationship. However, Sam is taken with Isabelle and goes out of his way to change her mind. Crossing Delancy was directed by Joan Micklin Silver, whose breakthrough film Hester Street also examined Jewish culture on the Lower East Side, albeit from the vantage point of the 1890s. ~ Mark Deming, All Movie Guide

To fully appreciate Boy in Blue, it's helpful to know a little bit about the sport of "sculling"-or competitive rowing. Nicolas Cage stars as the real-life Ned Hanlan, who at the turn of the century was Canada's foremost sculling champ. A wild, uncontrollable youth, Hanlan is "adopted" by a gambler named Bill (David Naughton), who promotes the boy on the sculling circuit for his own monetary gain. Ruthlessly businessman Knox (Christopher Plummer) assumes control of Hanlan's career, but when Ned discovers just how ruthless Knox can be, he casts his lot with the first honest man he's met, inventor-speculator Walter (Sean Sullivan). Hanlan's professional success is capped by his marriage to Margaret (Cynthia Dale), Knox's previously unattainable niece. The by-the-numbers Boy in Blue was given an R rating due to a few disposable sex scenes, thereby cutting its potential audience (hero-worshipping youths) in half. ~ Hal Erickson, All Movie Guide