Ed Naha Movies

John Goodman's full-throttle performance as a William Castle-inspired schlockmeister propels Joe Dante's delightful and charming comedy Matinee. The film takes place during the fall 1962 Cuban Missile Crisis, a time when America's innocence began to crumble. Goodman plays film producer Lawrence Woolsey, who is in Key West to premiere his latest horror epic, "Mant," the story of a man who turns into a giant insect ("Half Man! ... Half Ant! ... All Terror!"). He's busy rigging the local movie theater with all manner of gimmicks, such as Atomo-Vision and Rumble-Rama, and stationing a buxom nurse -- played by Woolsey's girlfriend and leading lady Ruth (Cathy Moriarty) -- in the lobby to assist potential heart attack victims. Amidst all the hubbub, a quartet of local teenagers gear up for the big premiere: Gene (Simon Fenton), a Navy brat whose father is on alert for the duration of the crisis; Stan (Omri Katz), Gene's friend who has a furious crush on Sherry (Kellie Martin); and Sandra (Lisa Jakub), the daughter of two beatnik free-thinkers. As the premiere of "Mant" gets closer and Soviet-U.S. tensions increase, the four teenagers' problems and desires also mount to the boiling point. ~ Paul Brenner, Rovi

Erstwhile inventor Prof. Wayne Szalinski (Rick Moranis) has been experimenting with an electromagnetic shrinking machine. He leaves the device unattended in his attic; shortly afterward, it is accidentally activated. Alas, the demon machine is aimed at his children, as well as the son of neighbor Russ Thompson (Matt Frewer). The kids, shrunk to 1/4-inch height, are tossed into the trash bin by the unwitting Szalinski. For the rest of the film, our teeny-tiny protagonists attempt to gain their parents' attention -- and to survive the wilds of the backyard, where all sorts of dangers, from bumblebees to lawnmowers, threaten their well-being. Honey, I Shrunk the Kids features Marcia Strassman as Moranis' wife, and juvenile players Robert Oliveri, Kristine Sutherland, Thomas Brown, Jared Rushton, and Amy O'Neill. The visual effects are the handiwork of such masters as Joe Johnston, Phil Tippett, and David Allen. When originally released to theaters, Honey, I Shrunk the Kids was double-billed with the Roger Rabbit cartoon Tummy Trouble; this is how it is presented on videotape as well. The film (the live-action one, that is) prompted a 1992 sequel, Honey, I Blew Up the Kid. ~ Hal Erickson, Rovi

This pedantic sequel to Empire Pictures' less-than-original Ghoulies was released directly to video and summarily slipped into oblivion. At the outset of this one, the title creatures -- rubbery puppets originally conceived as cut-rate Gremlins lookalikes -- are shanghaied by a priest who intends to exterminate them, but they manage to escape to a low-rent carnival. There they take up residence in "Satan's Den," a foundering, old-fashioned haunted house attraction run by Royal Dano, who fears he may lose ownership of the show due to sagging attendance. The presence of the ghoulies at first gives business a much-needed boost ... until the slimy little buggers start dining on the patrons. Despite some enhancements in the lackluster monster effects (by John Buechler, who's done better work elsewhere) and clever stop-motion animation by David Allen, this film is just as pointless as its predecessor. There is, however, one memorable scene, which makes good on the promise of the first film's ad campaign -- which featured one of the reptilian critters leaping from a toilet bowl, accompanied by the tagline "They'll get you in the end!" ~ Cavett Binion, Rovi

When a family moves into a San Francisco apartment, an opportunistic troll decides to make his move and take possession of little Wendy (Jenny Beck), thereby paving the way for new troll recruits, the first in his army that will take eventual control of the planet. As luck would have it, the building conveniently rests on a crease in the time-space continuum, so it isn't hard to open the door to trollworld, or whatever the troll would call it. But even the path to world domination begins with a single step, so the troll begins by disposing of each tenant with his pointy magical ring; each victim then turns into a fern (this may be the only existing film in which the late U.S. Representative Sonny Bono becomes a houseplant). Fortunately for the human race, the next door neighbor is a kindly old witch who has just the game plan to win back Wendy (now under the troll's influence as evidenced by her poor social skills and equally bad eating habits), vanquish the paranormal pest, and save the human race from imminent troll tyranny. The stage is then set for inevitable battle between the good witch and the evil troll for control of the world, but first she and the brave family must combat a twenty-foot tall ubertroll who looks akin to a Furby doll left in the sandbox over a long, hard Minnesota winter. ~ Jeremy Beday, Rovi