Ben Myron Movies

The jumbo-sized Baker family are back in this sequel to the 2003 box-office hit Cheaper by the Dozen. College football coach Tom Baker (Steve Martin) and his wife, author Kate Baker (Bonnie Hunt), have decided its time they took their sizable brood of 12 children on a summer vacation, and so they pack up the cars and take the kids to Lake Winnetka for some camping. Not all the kids are happy about this, but the one who is really annoyed turns out to be Tom, who discovers his old rival Jimmy Murtaugh (Eugene Levy) is also staying near the lake. Jimmy and his trophy wife, Sarina (Carmen Electra), also have a large family of eight children, and Jimmy and Tom seem intent upon one-upping each other at every opportunity. As the tensions mount, the Baker family and the Murtaugh clan face off in a not-so-good-natured series of family games to determine which of the parents have the greater bragging rights. In addition to Steve Martin and Bonnie Hunt, the actors playing the 12 Baker children from the 2003 film return for Cheaper by the Dozen 2, including Hilary Duff, Piper Perabo, Tom Welling, and Kevin Schmidt. ~ Mark Deming, Rovi

Tamra Davis directs the extreme sports documentary Keep Your Eyes Open. Contains dangerous stunts and personal interviews with top athletes. Some of the subjects include skiier Seth Morrison, Motocross racer Travis Pastrana, BMX rider Mat Hoffman, snowboarder Tina Basich, and surfer Sunny Garcia. Also features goofy skits featuring Spike Jonze and Beastie Boy Mike D (the director's husband) as security guards. Original music by the Beastie Boys. ~ Andrea LeVasseur, Rovi

Police Capt. Adam Greer (Dennis Farina) needs some new cops who can go where other cops can't. Greer finds three young people on their way to jail: Lincoln Hayes (Omar Epps), the black one, is up for arson; Pete Cochrane (Giovanni Ribisi), the white one, is up for robbery; and Julie Barnes (Claire Danes), the blonde one, is up for assault. The three are given a choice: go to jail, or become a special undercover unit that will infiltrate L.A.'s underbelly and bring down the drug dealers and parasites that are preying on the young. Their only rules: no badges, no guns, and no turning in other kids. This "mod squad" encounters a major problem when a cache of drugs disappears from the police evidence locker. All clues point to dirty cops, while the cops want to close ranks and blame the new kids. With their first big case, the squad realize they'll receive no help from the L.A.P.D. and must solve it their own way. ~ Ron Wells, Rovi

This is the large-screen debut of famous (or infamous, depending on your POV) fuzzy purple dinosaur Barney, the oafish character who began a decade earlier on video (selling 45 million units) and then became a top-ranked public TV preschooler show in 1992, followed by 15 million stuffed toys and 25 million copies of Barney books, plus his own attraction at the Universal theme park. The story in this $15 million movie has Mom and Dad leaving son Cody and daughter Abby, plus Abby's friend Marcella, and a baby with Grandpa and Grandma down on the farm -- where a shooting star deposits a large colorful egg. After it's accidentally taken away, Cody and others chase after the egg, intersecting a Main Street parade and then continuing on through a French restaurant, a circus, and a big hot-air balloon launch, eventually returning to the farm. Music features more than a dozen songs, including "Old MacDonald" and "Twinkle, Twinkle, Little Star". Dances devised by Cirque du Soleil choreographer Debra Brown. Filmed in the countryside near Montreal. ~ Bhob Stewart, Rovi

First, a little background: in 1955, the Director's Guild of America created the pseudonym Alan Smithee, which film directors are allowed to use if they feel their work has been tampered with to such a degree that they no longer want the credit. (For example, if you look at the credits of the expanded and heavily narrated TV version of Dune, you'll notice the director is not listed as David Lynch, but as Alan Smithee.) An Alan Smithee Film: Burn Hollywood Burn is a comedy about a film editor (played by Eric Idle) who finally gets his big break -- he's given the opportunity to direct a big-budget action film starring Sylvester Stallone, Whoopi Goldberg, and Jackie Chan. But filming does not go well (the budget eventually balloons to 200 million dollars) and the producer, James Edmunds (Ryan O'Neal), tampers with the final cut of the film. As a result, the hapless neophyte director doesn't want his name to appear on the credits. But his real name is Alan Smithee, so what's he supposed to do? In a stunning example of art imitating life, director Arthur Hiller was supposedly unhappy with the interference of screenwriter and producer Joe Eszterhas on this project and chose to remove his name from the credits -- so An Alan Smithee Film carries the directorial credit of none other than Alan Smithee. Rappers Coolio and Chuck D appear as the filmmaking Brothers Brothers; Chuck D also contributed to the film's score. ~ Mark Deming, Rovi

A man's brief fling threatens to ruin what he values most in life in this drama. Max Carlyle (Wesley Snipes) lives in California, where he has a successful career directing television commercials and is happily married to Mimi (Ming-Na Wen), with whom he has two children. While visiting New York City, Max meets Karen (Nastassja Kinski) by chance after missing a flight; circumstances keep bringing them together over the course of the evening, and they end up spending the night making love. When he returns home, Max seems distant and unhappy, though Mimi can't tell why and Max won't say. A year later, Max and Mimi fly to New York to visit his close friend Charlie (Robert Downey, Jr.), who is in the last stages of an AIDS-related illness. Max meets Charlie's brother Vernon (Kyle MacLachlan) and is introduced to his new wife -- Karen. Facing Karen sends Max into an emotional tailspin, and he realizes that he must tell Mimi the truth about his indiscretion. Writer/director Mike Figgis adapted One Night Stand from a screenplay by Joe Eszterhas, though Figgis' changes were so extensive that Eszterhas chose to remove his name from the project. ~ Mark Deming, Rovi

Carl Franklin made his directorial bow with the story of three LA drug dealers who, after committing a rather messy murder, hide out in a rural Arkansas town. Assuming that the local "rubes" will offer them little interference, the criminals have not reckoned with sheriff "Hurricane" Dixon (Bill Paxton). Despite the arrogance of the LAPD agents sent to Arkansas to collar the crooks, it is down-home Dixon who puts the final bloody showdown into motion (the fact that the thieves have been falling out throughout the film doesn't hurt things either). Carl Franklin knows where he's going in every frenetic frame of One False Move, and his movie was one of the most acclaimed independent releases of 1991. ~ Hal Erickson, Rovi

Signal 7 is cab-driver jargon; if you want to know what it means, please treat yourself to this breezy low-budget effort. Shot on location in San Francisco, the film concentrates on the exploits of cabbies Speed (Bill Ackridge) and Marty (Dan Leegant). Their day-to-day adventures and misadventures are punctuated by their reactions to various large and small crises, and their oft-elucidated hopes of becoming actors. Lensed on videotape, Signal 7 was transferred to 35-millimeter stock for its theatrical showings. Given the fact that it sounds as though the actors were making it up as they went along, we shouldn't be too taken aback that Signal 7 was dedicated to pioneer improv filmmaker John Cassavetes. ~ Hal Erickson, Rovi