Thomas Murphy Movies

High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, Rovi

An evil businessman named Z (Bill Peterson) turns his army of robots against the Manhattan populace, and kidnaps their well-intentioned inventor, a scientist (Mark Umile). The scientist's sister (Mary Fahey) seeks help from martial-arts expert Matt Riker (Rick Gianasi). ~ John Bush, Rovi

Ambitious journalist Isabel Turette (Anne-Marie Johnson) has parlayed a string of skid-row murders into a spectacular, Pulitzer-worthy front-page story. As Hunter (Fred Dryer) and McCall (Stepfanie Kramer) investigate the killings, they can't help but notice that the journalist has refused to allow the police to tap her phone, even though she claims that the killer has been calling her personally just before each "hit." The story takes a sinister turn when a homeless person contacts the detectives--and insist that the reporter herself is the murderer! Beah Richards makes her first series appearance as garrulous bag lady "Pockets" in this final episode of Hunter's second season. ~ Hal Erickson, Rovi

For those unfamiliar with Taxi, it should be noted herein that the cabbie's favorite hangout is a joint called Mario's. Having undergone an acute attack of "entrepreneur fever," burned-out Reverend Jim (Christopher Lloyd) has convinced himself that he could run Mario's, and to that end he buys the establishment with some of his inheritance money. Alas, though the cabbies can always be found at Mario's, no one else ever comes to the place -- except for that undercover agent from the Liquor Authority. This episode was originally slated to air on April 27, 1983. ~ Rovi

Having It All is a tailored-for-television attempt at "screwball" comedy from the director of About Last Night... and Glory. Dyan Cannon plays a fashion designer who believes that all good things come in pairs. She not only has two different clothing lines in two different cities (New York and LA), but also has two different husbands. Husband #1, Barry Newman, is a straight-arrow type in New York, while husband #2, Hart Bochner, is a laid-back Californian. Adapted by Ann Beckett from a story by Elizabeth Gill, Having It All first aired on October 13, 1982. ~ Hal Erickson, Rovi

Based on a true 1972 story, Sidney Lumet's 1975 drama chronicles a unique bank robbery on a hot summer afternoon in New York City. Shortly before closing time, scheming loser Sonny (Al Pacino) and his slow-witted buddy, Sal (John Cazale), burst into a Brooklyn bank for what should be a run-of-the-mill robbery, but everything goes wrong, beginning with the fact that there is almost no money in the bank. The situation swiftly escalates, as Sonny and Sal take hostages; enough cops to police the tristate area surround the bank; a large Sonny-sympathetic crowd gathers to watch; the media arrive to complete the circus; and police captain Moretti (Charles Durning) tries to negotiate with Sonny while keeping the volatile spectacle under control. When Sonny's lover, Leon (Chris Sarandon), tries to talk Sonny out of the bank, we learn the robbery's motive: to finance Leon's sex-change operation. Sonny demands a plane to escape, but the end is near once menacingly cool FBI agent Sheldon (James Broderick) arrives to take over the negotiations. ~ Lucia Bozzola, Rovi

The well-known short-story writer Ring Lardner, Jr. wrote the screenplay for La Mortadella, an Italian/French production with mostly English dialogue. The story concerns the difficulties and reactions of Madelena (Sophia Loren), an Italian visitor to New York City. She has come to the country carrying a huge mortadella sausage which she intends as a gift for her fiancé. U.S. Customs has other ideas, however, and she is detained until she hits upon the idea of sharing the offending foodstuff with the customs officers. Finally allowed entry into the U.S., she grows disenchanted with her fiancé and other men she meets and is only with difficulty able to make her escape to a more agreeable location. ~ Clarke Fountain, Rovi