Richard Murphy Movies

Hijinks and spyjinks lighten this effective comedy by Richard Murphy, based -- very loosely -- on an actual incident in World War II. The place is somewhere in the Pacific and the not-so-good ship USS Echo, captained by the comic Lt. Rip Crandall (Jack Lemmon), has a very specific assignment. The floating anachronism has to safely carry an Australian spy deep into enemy territory where he will be stationed to report on the Japanese fleet's activities. Since the Echo should have been dismantled and sold for its parts long ago, this assignment is not easy. As the military and its stereotypical traits are parodied with sophistication and sharp humor, the Captain and his motley crew do their best to successfully complete their mission. ~ Eleanor Mannikka, All Movie Guide

Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, All Movie Guide

In this Western with curiously Shakespearean undertones, Matt Devereaux (Spencer Tracy) is a ranch owner who has tried to raise his sons to carry on the fierce, hard-working spirit that helped make him a success. However, as a consequence, he never learned to show them affection and treats his boys little better than the hired help. Joe (Robert Wagner), is Matt's son by Native American wife Señora (Katy Jurado). Because of Joe's mixed ethnicity, he is treated prejudicially by his three half-brothers, Ben (Richard Widmark), Mike (Hugh O'Brian), and Danny (Earl Holliman) -- all Caucasian sons of Matt's first wife. Joe loves his father and would do nearly anything for him, but his siblings resent Matt's emotional distance. When Matt discovers a nearby copper mine is polluting a stream where he waters his cattle, he becomes furious and leads a raid on the mine that causes the law to visit the ranch; the police have a warrant to arrest whoever was responsible for the attack. To spare his father the agony and humiliation of a stay behind bars, Joe claims responsibility and spends several years in prison. When he's released, he discovers that Ben and his other brothers rebelled against their father with such extremity that the old man suffered a fatal stroke. While Señora tries to persuade Joe not to seek revenge, Ben is more than willing to fight his brother for taking his father's side. Screenwriter Philip Yordan won an Academy Award for his work on Broken Lance, while Katy Jurado received a Best Supporting Actress nomination for her performance as Señora. ~ Mark Deming, All Movie Guide

Not up to the classic 1935 presentation, this is still an excellent adaptation of Victor Hugo's epic novel. The familiar characters of Valjean and Javert and the agonies of injustice are all portrayed convincingly against a backdrop of 18th century France. ~ Tana Hobart, All Movie Guide

Filmed entirely on location in New Orleans, Panic in the Streets stars Richard Widmark as Dr. Clinton Reed, a physician from the U.S. Health Service who must race against time to stop a plague. The carrier was an illegal alien, murdered by criminals Jack Palance and Zero Mostel. When local officials note the strange condition of the corpse, they fear that the germs will spread to epidemic proportions, and thus summon Reed to wrest control of the situation. At first facing opposition from rule-bound police captain Paul Douglas, Widmark is finally able to work hand-in-glove with Douglas in tracking down Palance and Mostel, who have themselves become plague carriers. Many of the actors in Panic in the Streets are local nonprofessionals, selected by director Elia Kazan because of their "rightness" within the framework of the story; the rest of the cast is peopled by such film veterans as Barbara Bel Geddes, Tommy Cook, Emile Meyer and H.T. Tsiang. Widmark's son is played by an uncredited Tommy Rettig, four years before he starred on the Lassie TV series. Though Elia Kazan liked to claim that much of Panic in the Streets was improvised, there was a script, adapted by Richard Murphy and Daniel Fuchs from a story by Edward Anhalt and Edna Anhalt. ~ Hal Erickson, All Movie Guide

The opening scene of Robert Siodmak's grim film noir depicts police lieutenants Candella (Victor Mature) and Collins (Fred Clark) observing wounded cop killer Martin Rome (Richard Conte) receive last rites. Though Rome recovers, he still must elude Candella and Collins in his desperate attempt to escape his fate. Rome has two visitors in the hospital: his girlfriend, Teena (Debra Paget), who goes into hiding, and Niles (Berry Kroeger), a crooked lawyer. Niles tries to bribe Rome to take a jewel theft and homicide rap for a client of his since Rome is facing the electric chair anyway. When Rome refuses, Niles threatens to frame Teena as the client's female accomplice. Worried that Candella might find Teena, Rome breaks out of jail and goes to Niles' office to accept the offer, but he actually plans to leave the country with Teena. When Niles reneges, Rome kills him, but not before learning the accomplice's identity and discovering the stolen jewels in the lawyer's safe. Rome finds the accomplice, Rose Given (Hope Emerson), and offers to trade the jewelry for the means to leave the country. She agrees, and they arrange a meeting in the subway, but Rome informs Candella of the plan. When the police arrive, Candella is shot, Rose is arrested, and Rome escapes to meet up with Teena in a church. As he is trying to convince Teena to run away with him, a wounded Candella shows up and tells Teena how Rome uses people and that everyone who helped in his escape will be paying a price. Teena rejects Rome, and he runs again, only to be shot down by Candella. The moral order is ultimately restored, but no one has been left unscarred. ~ Steve Press, All Movie Guide

Boomerang, directed by Elia Kazan, is a chilling film noir, the true story about the murder of a priest, the subsequent arrest and trial of a jobless drifter, and the efforts of young state's attorney Henry Harvey (Dana Andrews) to uncover the truth. Closely based on the actual 1924 murder of Fr. Hubert Dahme in Bridgeport, Connecticut, the film was directed by the young Elia Kazan in a highly effective, semi-documentary style. Kazan shot most of the film on location, using high-contrast cinematography and an extremely mobile camera to create a palpable sense of urgency. The screenplay, expertly crafted by Richard Murphy received an Academy Award nomination. ~ Linda Rasmussen, All Movie Guide

Though Don "Red" Barry is the star of Jesse James, Jr., he plays a character named Johnny Barrett. The scene is a small western town, lacking telegraph service. Every time the locals try to set up communications with the Outside World, they are thwarted by an outlaw gang. Barry-er, Barrett--comes to the rescue. The supporting cast of Jesse James, Jr. includes several formidable western baddies, among them Bob Kortman, George Cheseboro and Stanley Blystone. ~ Hal Erickson, All Movie Guide

I Live on Danger is a fast-moving thriller with strong performances and top-notch direction -- by former screenwriter Sam White -- which overcomes some weaknesses in the plot. Jeff Morrell (Chester Morris) is a newscaster who gets involved in saving wrongly accused Eddie Nelson (Edward Norris) from a murder charge. Nelson's sister, Susan Richards (Jean Parker) is fundamental in keeping interest in the case, as she becomes his romantic interest. Both Chester Morris and Jean Parker are fine as the romantic pair, who fight to save the innocent man. This was Sam White's first directorial effort and is a good showcase for White who went on to become a notable director of "B" movies. ~ Linda Rasmussen, All Movie Guide

One of the most frequently revived of the Pine-Thomas productions of the 1940s, Wildcat is set amongst the oil fields of Oklahoma. With the help of his pal Chicopee Nevins (Elisha Cook Jr.), foresighted oil speculator Johnny Maverick (Richard Arlen) buys up a great deal of property in hopes of coming up with a gusher. Maverick's business practices are questionable to say the least, and as result he's constantly on the lookout for potential investors. After Nevins is killed in an accident, con artists Nan Deering (Arline Judge) and Oliver Westbrook (William Frawley) make a bid for Nevins' half of the business, with Nan posing as the dead partner's sister. Westbrook's business knowhow enables Maverick to finally arrive at the brink of success, but now he has a new obstacle to overcome: Villainous wildcatter Mike Rawlins (Larry "Buster" Crabbe), who has a bad habit of setting fire to his competition's oil wells. Some of the film's best scenes are at the beginning, as Maverick and Nevins try to charm an old woman into leasing her land to them by pretending to enjoy the lady's indigestable apple pies. ~ Hal Erickson, All Movie Guide

Also known as The Singing Hills, this Gene Autry western boasts a screenplay cowritten by Jesse Lasky Jr. Gene and his saddle pal Smiley Burnette ride into town and sing a few songs. They make the acquaintance of heiress Virginia Grey, who wants to divest herself of her land holdings. Villain George Meeker hopes that she'll do this so he can charge inordinately high prices for grazing lands. Autry fixes everything, then he sings a few more songs. Director Lew Landers keeps things moving apace between the musical interludes. ~ Hal Erickson, All Movie Guide

Flying Blind was the third of William Pine and William Thomas' independent productions for Paramount release. The cast includes such Pine-Thomas "regulars" as Richard Arlen and Jean Parker, and like its two predecessors dealt with the more dramatic aspects of aviation. Arlen plays Jim Clark, operator of a honeymoon air service which shuttles between Los Angeles and Las Vegas. The plot shifts into melodramatic gear when Clark is forced to deal with a gang of foreign spies, determined to steal a new transformer designed for American fighter planes. A wild and largely impossible airborne chase brings this one to a rousing conclusion. For the record, Jean Parker plays Clark's secretary Shirley Brooks, who not-so-secretly hopes that her boss will fly her to Vegas for matrimonial purposes. ~ Hal Erickson, All Movie Guide