Karen Murphy Movies

Jean-Claude Lauzon's highly praised film tells the strange story of Léolo, a young boy from Montréal. Told from Léolo's point-of-view, the film depicts his family of lunatics and Léolo's attempts to deal with them. Not one individual in the boy's life is well adjusted. His brother, after being beaten up, spends the film bulking up on growth protein. The grandfather hires half-naked girls to bite off his toenails and, in a brutal rage, almost kills Léolo. As he witnesses his family decay around him, Léolo retreats into himself and the fantasy world he has constructed. In response to the weirdness of his daily life, Léolo creates a little mental mayhem of his own which Lauzon renders in an amazing series of free-form, surreal images. Eventually, this precarious balance of reality and fantasy cracks and Léolo is hospitalized after attempting to murder his grandfather. The score by Tom Waits underscores the narrative arc of Léolo's breakdown. On its release, the film won numerous awards including the International Fantasy Film Award for Best Director (1992) and a Genie Award for Best Original Screenplay (1992). ~ Brian Whitener, Rovi

This fascinating chronicle of the life and times of a twenty dollar bill was originally written by Endre Boehm in 1935 and languished forgotten on the shelf until his son Leslie resurrected it after his father's death, and updated the script. (Both received screenwriter credit for the released version). The scrap of currency's journey begins after it is spit out of a downtown Minneapolis ATM machine into the hands of a busy young mother. It's a windy day, and the crisp bill is blown out of her hands into those of a bag lady who uses it on the lottery because she believes the serial numbers are lucky. Unfortunately, the bill is plucked from her hands by a light-fingered skate boarder who uses the money at a local bakery. From there the bill's odyssey takes it to a wide variety of places including a wedding, a stripper's g-string, a con artist's scam, and a robbery. It ends up used as a note pad, a birthday present, a coaster, and a fishing contest trophy. Interestingly, every one who encounters the bill changes in some way. ~ Sandra Brennan, Rovi

Largely improvised by director Rob Reiner and his cast, This Is Spinal Tap looks and sounds like a "real" documentary, with Michael McKean, Harry Shearer, and Christopher Guest as David St. Hubbins, Derek Smalls, and Nigel Tufnel, the key members of a going-nowhere British heavy metal band called Spinal Tap. The "group" started as an informal skiffle band, eventually maturing into an R&B act called the Thamesmen (their hit was "Gimme Some Money"). After going through a psychedelic period with "Listen to the Flower People," the band mutated into Spinal Tap, a hard rock outfit responsible for such albums as "Intravenous DeMilo," "The Sun Never Sweats," and "Bent for the Rent." This Is Spinal Tap finds them in the midst of their first American tour in years as they support their new LP Smell the Glove, with filmmaker Marty DiBergi (Rob Reiner), who specializes in TV commercials, on hand to document the occasion. Just about anything that can go wrong does: shows get canceled, stage props go wrong, wireless guitar pickups start broadcasting air-traffic reports, no one shows up for in-store appearances, David's girlfriend tries to take over the band, they wind up billed second to a puppet show at an amusement park, and the group teeters on the verge of breakup. After the film's initial release, McKean, Guest, and Shearer did a short club tour as Spinal Tap; the "band" reunited in 1992 for a new album, Break Like the Wind, followed by a full-fledged tour and TV special, The Return of Spinal Tap. ~ Mark Deming, Rovi

The writing and directing team who created Waiting for Guffman and Best in Show turn their satiric eye toward the world of folk music in this sly mockumentary. Irving Steinbloom was one of the great behind-the-scenes figures of the folk music boom of the late '50s and early '60s, and helped to nurture the careers of three of the best known acts of the era. The Folksmen -- Mark Shubb (Harry Shearer), Alan Barrows (Christopher Guest), and Jerry Palter (Michael McKean) -- were an earnest folk trio who sang of America's noble past and the challenges of the future; they split up in the early '70s after a failed attempt to go electric. Mitch & Mickey were a duo in both music and life, comprised of Mitch Cohen (Eugene Levy) and Mickey Devlin (Catherine O'Hara). They sang soulful songs of love until the collapse of their relationship sent Mitch into a deep and incapacitating depression. And The Main Street Singers were a nine-piece vocal group -- a "neuftet," as they prefer it -- who offered energetic good-time music, cranking out nearly 30 albums in the course of a decade; their current incarnation, The New Main Street Singers (played by Jane Lynch, Parker Posey, John Michael Higgins, David Alan Blasucci, Steve Pandis, Christopher Moynihan, Paul Dooley and Patrick Sauber) is still on the road. When it is announced that the legendary Irving Steinbloom has died (the character never appears in the film), his son Jonathan (Bob Balaban) decides that the best way to memorialize his father is through music, and with the help of Mike LaFontaine (Fred Willard) of Hi-Class Management, they set out to bring The Folksmen, Mitch & Mickey, and The New Main Street Singers back together for a special concert at New York's Town Hall. Christopher Guest, Michael McKean, and Harry Shearer -- who previously teamed up for This Is Spinal Tap -- not only perform together as The Folksmen in A Mighty Wind, but composed most of the songs performed onscreen. ~ Mark Deming, Rovi

Set in beautiful British Columbia, Canada, this magical family tale centers on a divorced radio talk show psychiatrist who has been so immersed in his career that he has neglected his two kids, Ashley and Josh. To rectify the situation, he takes them to a beautiful lakeside cabin in Glenorky, BC, the supposed home of a giant mythological reptilian monster. Though he has ostensibly come to spend time with the kids, the lure of working on his book is too strong and soon he is locked away in the cabin amidst papers, a cellular phone and a lap-top, busily clacking away while the children head out to explore. It is Ashley who first sees the mythical monster. She tells her dad, and of course, he initially disbelieves her, but the girl seems so earnest that he begins to wonder. His investigation of the matter leads him down a magical road to reconciliation with his children and the rediscovery that there is a wonderful life outside of his career. He even manages to find a little love along the way. This film is also known as Glenorky. ~ Sandra Brennan, Rovi

Director David Byrne (of Talking Heads) takes an outside-looking-in glance at Texas and Texans in True Stories. Casting himself as the protagonist/narrator, Byrne adopts what he thinks is "standard" western garb and drives his red convertible into the small town of Virgil. Here he observes the town's preparations for celebrating Texas' sesquicentennial, taking time out to introduce us to several of the local oddballs. Swoosie Kurtz plays Miss Rollings, the Laziest Woman in the World; Alix Elias is The Cute Woman, who decorates her home in the most hideously "sweet" manner imaginable; John Goodman is talent-contest entrant Louis Fyne, who harbors dreams of being a C&W star; Spalding Gray is Earl Culver, a vegetable-obsessed civic leader; Jo Harvey Allen is The Lying Woman; and so it goes. The script by Southerners Byrne, Beth Henley and Steven Tobolowksy strives to avoid subtlety. ~ Hal Erickson, Rovi

A day of high-spirited fun takes a turn into darkness as a game becomes all too real in this comedy drama from Canada. Erik (Ricky Mabe) and his girlfriend, Lyn (Tiio Horn), are both interested in Live Action Role Playing games, in which teams of players assume the guise of particular characters and act out mock battles as part of a fantasy scenario. However, Lyn begins developing a stronger interest in the game than Erik, and runs off for a weekend of play without bringing him along. Depressed, Erik and his brother Bjorn (Mark A. Krupa) set out to catch up with her as their friends impersonate a horde of Viking warriors. Bjorn brings along his "Hammer of Thor" as well as Murtagh (Trevor Hayes), who takes his role as a shaman more than a bit seriously. As the day wears on, Erik's frustration is reflected in his mates, and what began as an afternoon of fantasy and adventure turns into a battle where the blood and wrath are very real. The Wild Hunt was the first feature film from writer and director Alexandre Franchi, who co-wrote the screenplay with actor and writer Mark A. Krupa, who plays Bjorn. ~ Mark Deming, Rovi