Walter Murch Movies
Sound editor Walter Murch received his education in film at the University of Southern California. He has worked closely with a number of renowned directors, perhaps most notably Francis Ford Coppola and George Lucas. Murch has earned a number of awards and nominations for his work with Coppola, including an Oscar for his sound work on Apocalypse Now (1979). In 1996, Murch shared another Academy Award with Mark Berger, David Parker, and Chris Newman for their work on Anthony Minghella's The English Patient; he and Minghella again collaborated three years later on The Talented Mr. Ripley. ~ Sandra Brennan, All Movie Guide
Based on his award-winning student short, George Lucas's debut feature cerebrally celebrates the possibility for individual freedom against all odds. In a 1984-esque white-washed future underground dystopia where sexuality is banned, all humans sport shaved heads and the same shapeless outfits as they go about their work in a mandated state of sedation, listening to exhortations to "Buy and Be Happy." Black-clad robot cops chant a mantra to their victims that "everything will be all right" and automated confessional booths emit soothing therapeutic bromides. But unbeknownst to THX 1138 (Robert Duvall), his roommate LUH 3417 (Maggie McOmie) has been reducing their meds, resulting in their mutual discovery of love and THX's subsequent imprisonment for drug evasion and sexual misconduct. Determined to find the pregnant LUH, THX breaks out of prison with the help of his cellmate SEN 5241 (Donald Pleasence) and an escaped TV hologram (Don Pedro Colley). With fugitive pursuits strictly budgeted, THX only has to evade the robocops until the funds run out, but surveillance is omnipresent and THX's vehicle keeps overheating. Making the only film produced through the first incarnation of Francis Ford Coppola's independent studio American Zoetrope, Lucas and his small crew, including co-writer and sound editor Walter Murch, shot THX 1138 in northern California with no interference from distributor Warner Bros. When Warners saw the austere result, however, they recut the film before its release. Neither the studio's nor Lucas's cut was a popular success, but THX 1138's coolly minimalist style and story-telling gained fans on the college screening circuit, just as Stanley Kubrick's poetic 2001: A Space Odyssey had attracted a large youth audience in 1968. When Lucas returned to sci-fi after American Graffiti, he traded restraint for nostalgic fun in the film that guaranteed his creative freedom in Hollywood: Star Wars. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Robert Duvall, Donald Pleasence, (more)
- 1970
- R
- Add The Rolling Stones: Gimme Shelter to QueueAdd The Rolling Stones: Gimme Shelter to top of Queue
This musical documentary concerns the Rolling Stones and their tragic free concert at Altamont Speedway near San Francisco in early December 1969. The event was all but destroyed by violence that marked the end of the peace and love euphoria of the 1960s. The night began smoothly, with the supercharged Flying Burrito Brothers opening up for the Rolling Stones and performing the truck-driving classic "Six Days on the Road" and Tina Turner giving a sensually charged performance. But on this particular evening, the Stones made the fateful (and disastrous) decision to hire the Oakland chapter of the Hell's Angels motorcycle gang as bodyguards and bouncers. It was a foolhardy, careless choice that turned the night into an unmitigated disaster; halfway through the Stones' act, the Angels killed one black spectator, and injured several others who were present (including Jefferson Airplane's lead singer Marty Balin). In the film, we watch Mick Jagger -- ere an ebullient, charismatic performer of bisexual charm -- reduced to standing on stage like a frightened child with his finger in his mouth in wake of the violence. Unsurprisingly, the Grateful Dead refused to perform after the violence erupted; the picture ends on a despairing note, with the Stones repeatedly watching a film of the murder. Celebrated documentarians Albert and David Maysles directed and Haskell Wexler shot the film, with heightened instinct and control; as a result, this film is considered one of the greatest rock documentaries ever made. Stones songs performed include "Brown Sugar," "Under My Thumb," and "Sympathy for the Devil." ~ Dan Pavlides, All Movie Guide
- R
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The Godfather
Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.
After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, All Movie Guide
The Godfather Part II
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide
The Godfather Part III
After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, All Movie Guide
Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.
After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, All Movie Guide
The Godfather Part II
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide
The Godfather Part III
After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, All Movie Guide
