Robert Mulligan Movies
After a stab at studying for the priesthood, Bronx-born Robert Mulligan majored in radio communications at Fordham University. He carried over his radio skills into his WWII service with the Marines, then landed a postwar job in the editorial department of the New York Times. He joined the CBS television network as a messenger boy, graduating to director of such live series as Suspense and Playhouse 90. In 1957, Mulligan collaborated for the first time with his future partner, producer/writer/director Alan J. Pakula; the team's initial film effort was Fear Strikes Out (1957), a biography of mercurial baseball player Jimmy Piersall. Forming Pakula-Mulligan Productions in 1962, Mulligan went on to be nominated for a Best Director Academy Award for To Kill a Mockingbird. Mulligan's 1960s films seem to be far more heartfelt and personal than one expects from Hollywood products of that decade, though he is stronger on style and characterization than projecting a discernible point of view. Splitting with Pakula in 1969, Mulligan went on to direct a wide variety of subjects: the 1971 nostalgia piece Summer of '42, the 1972 horror effort The Other, the 1979 stage-to-screen adaptation Same Time, Next Year, and so on. After a three-year absence, Mulligan returned to directing in 1991 with the amiable Summer of '42 rehash Man in the Moon. Robert Mulligan was the brother of Richard Mulligan, an actor best known for his TV work on such series as Soap and Empty Nest. ~ Hal Erickson, All Movie Guide
In its elegiac nostalgia for the days of childhood innocence, Robert Mulligan's The Man in the Moon recalls another of Mulligan's earlier films, To Kill A Mockingbird. Set in a Louisiana backwater town in the 1950s, the film chronicles the coming-of-age of a young teenage girl. Dani (Reese Witherspoon) is a fourteen-year-old girl who shares a room with her seventeen-year-old sister Maureen (Emily Warfield). During hot summer nights, they sleep on the screened-in back porch of their home, talking about romance, the future, and the meaning of life. Moving into the house next door is a handsome seventeen-year-old boy, Court Foster (Jason London). Court meets Dani at the local swimming hole and they are immediately attracted to each other; through Court, Dani experiences her first true and perfect love. But when Court meets Maureen, the sparks really fly and Maureen falls in love with him too. Now Maureen is torn between holding back her love for Court or accepting his love and betraying her sister. A tragic event makes Maureen's mind up for her. ~ Paul Brenner, All Movie Guide
- Starring:
- Sam Waterston, Tess Harper, (more)
- 1988
- PG13
In this sentimental coming-of-age drama, directed by Richard Mulligan (To Kill a Mockingbird) and written by Mark Medoff (Children of a Lesser God), Whoopi Goldberg plays Clara Mayfield, whom Leona Hart (Kathleen Quinlan) meets up with in Jamaica, where Leona retreats to mourn the death of her baby daughter. Leona comes from a rich Maryland family and she leaves her husband, Bill (Michael Ontkean), and her young son, David (Neil Patrick Harris), back in the States in order to achieve some personal healing. She tells Clara she is in mourning and Clara responds knowingly, "I knew the fact, but not the substance." Hearing this kind of cryptic Charlie Chan-like aphorism, Leona can't resist Clara and hires her as her maid, taking her back with her, like a pet, to Maryland. "Come meet the most wonderful person," she tells her husband, and, to be sure, Clara is out-of-this-world wonderful, and since David's self-absorbed parents are neglecting him for their own private flirtations and obsessions, Clara takes up the slack and becomes, in effect, David's family. Clara dispenses worldly advice and has him spend weekends with her in the inner-city Jamaican community, where David learns how the other half lives. But just as David is letting his guard down and permitting Clara to become his 30-year-old buddy, Clara reveals a chilling past life that includes rape, incest, and suicide. ~ Paul Brenner, All Movie Guide
- Starring:
- Whoopi Goldberg, Michael Ontkean, (more)
Robert Mulligan directed this Americanized re-make of the successful Brazilian comedy Dona Flor and Her Two Husbands. Sally Field stars as Kay Villano, a lonely widow of three years who can't forget the memory of her dead husband, Jolly (James Caan). Jolly was a selfish and unfaithful Broadway choreographer who still managed to win Kay over with his charm. But Kay has fallen in love again with Rupert Baines (Jeff Bridges), a stuffy professor of Egyptology. As her wedding day approaches, Kay receives a visit from Jolly's ghost, who taunts and harasses her, clearly upset that Kay is marrying someone so dull. Kay goes ahead with the marriage and Jolly refuses to disappear, resulting in a bizarre menage-a-tois. ~ Paul Brenner, All Movie Guide
- Starring:
- Sally Field, James Caan, (more)
Based on Bernard Slade's Broadway play of the same name, this film is about George, a married New Jersey accountant (Alan Alda), and Doris, a housewife (Ellen Burstyn). The two accidentally meet in a Californian country inn in 1951. They have an affair, which they continue for the next 25 years, meeting only once a year for a weekend getaway at the same hotel. Through their long-running love affair, the audience witnesses the changes within America and its lifestyles over the course of a quarter of a century. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Ellen Burstyn, Alan Alda, (more)
- 1977
Older brother Chubby (Paul Sorvino) is a combative, booze-swilling, rough-edged construction worker, following in the footsteps of his brother Tommy (Tony Lo Bianco). Macho in the extreme, these fellows have no time for the sensitive moral quandaries which are at the heart of the two younger brothers' lives. Stony (Richard Gere), has worked with his father in the construction business, but longs to work with children. Albert (Michael Hershewe), the youngest, is a sensitive lad, the butt of his father and oldest brother's rough manner, and is constantly being harassed by his stressed-out mother (Lelia Goldoni). After a few attempts to communicate with his insensitive older brother and his parents, Stony must decide for himself if the rejection he will experience from his family on leaving the construction business is worth it; and if it is, what can be done to protect his younger brother from the rest of the family? ~ Clarke Fountain, All Movie Guide
- 1974
- PG
The events leading up to the death of a small-time Los Angeles hood provides the basis of this gripping crime drama. The doomed gangster is known as the "key man" because he manages several warehouses containing oodles of pilfered loot. They mobsters have stolen so much that they are running out of space and so desperately need more storage units. They send the fellow out to negotiate for more space, but this takes time. His boss gets nervous and believing the big-hearted "key man" to be more of a risk than an asset orders him carefully watched and ultimately destroyed. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jason Miller, Linda Haynes, (more)
This crime thriller with occult overtones puts a spine-tingling twist on the Jungian psychological notion of "the shadow." In the '30s, Holland and Niles Perry are 10-year-old twins growing up on an idyllic farm in the Connecticut countryside. Niles is a wholesome, outgoing lad, loved by the whole family. Holland's brooding mischief causes untold trouble. Eventually, the Perry family experiences a series of tragic accidents which may not be accidents. Unraveling the circumstances of these tragedies is a fascinating and subtle business. This film was adapted by Tom Tryon from his novel The Other and includes a film debut by the famous acting teacher Uta Hagen, as the twins' grandmother. ~ Clarke Fountain, All Movie Guide
- Starring:
- Uta Hagen, Diana Muldaur, (more)
A surprise success in 1971 ($20 million worth of "surprise"), The Summer of '42 is a coming-of-age piece, drenched in nostalgia. Director Robert Mulligan narrates the film as the grown-up counterpart of Hermie (Gary Grimes), a teenager of the War Years who has a crush on twentyish Jennifer O'Neill. With O'Neill's soldier husband off to war, Grimes convinces himself that he can take hubby's place in every way. O'Neill is amused by Grimes' attentions (confined to doing chores and carrying her groceries), but never thinks of him in sexual terms. And then, O'Neill's husband is killed in battle. Herman Raucher based his intensely nostalgic script on his own experience, going so far as to use the real names of past acquaintances (including the Jennifer O'Neill counterpart) as character names in his screenplay. An Academy Award went to Michel LeGrand's evocative musical score. Summer of '42 was later novelized by Raucher, then followed up on screen by the less effective Class of 44. ~ Hal Erickson, All Movie Guide
- Starring:
- Jennifer O'Neill, Gary Grimes, (more)
- 1970
William Popper (Michael Sarrazin) is the son of a stockbroker and is thoroughly disenchanted with "the system." So much so that even though he can prove that he ran over a woman in his car entirely by accident, he accepts a sentence for manslaughter. His participation in some prison violence motivates him to attempt to escape, though he has only a week to go on his sentence. Having escaped, he and his old girlfriend (Barbara Hershey) make a run for Canada. The story is adapted from the novel The Pursuit of Happiness by Thomas Rogers. As William's starchy grandmother, Ruth White, notable for her work in To Kill a Mockingbird and Midnight Cowboy makes her last film appearance. ~ Clarke Fountain, All Movie Guide
Adapted from a novel by Theodore V. Olsen, The Stalking Moon opens in the Arizona of the Old West, as the U.S. calvary is in the process of relocating Native Americans to reservations. One of the calvary men is Sam Varner (Gregory Peck), an aging scout who is ready to retire to his New Mexico home after this mission. Varner is called upon to sneak into a small Apache camp in order to disarm the guards before the rest of his troupe rides in to round up the whole tribe. After the round-up, a white woman is discovered among the Americans. Her name is Sarah Carver (Eva Marie Saint), and she was captured ten years ago by a mysterious and vicious warrior named Salvaje (Nathaniel Narcsisco), who is not among those captured in the round-up. Held against her will, she now has a nine-year-old son by Salvaje. Although her English is very rusty from disuse, she lets Varner know that she and her son would like to be taken away from the tribe. He agrees to transport her to his home, and they set out together for New Mexico, having to overcome obstacles such as a sandstorm to get there. Along the way, they seem to sense that someone is following them, and after they arrive at Varner's cabin, they find themselves set upon by the vengeful Salvaje. Enlisting the aid of a half-breed scout Robert Forster that he raised from childhood, Varner tries to fend off Salvaje, who seems to be toying with them before moving in for the final kill. ~ Craig Butler, All Movie Guide
- Starring:
- Gregory Peck, Eva Marie Saint, (more)
A serious social drama film of the type that flourished in the 1960's, Up the Down Staircase seems somewhat dated and preachy when viewed by modern audiences. The subject matter is laudable, of course: an ambitious, spirited and concerned young teacher determined to make a difference in a troubled inner city school. And there are quite a few memorable moments, including a very well-directed juxtaposition of Sylvia Barrett triumphing by getting her class excited about A Tale of Two Cities as the lovelorn and dejected Alice Blake quietly and calmly examines the classroom of the teacher she loves before jumping from a window. Director Robert Mulligan also provides appropriate tension to a scene in which another troubled student forcefully comes on to the young teacher, and throughout he does a commendable job of using a hand held camera and a very busy, overlapping soundtrack to convey the tumult, confusion and chaos of the high school. He is less successful in overcoming the script's tendency to excessive earnestness and dialogue that often sacrifices subtlety and nuance to make its points. The film also suffers from a bit of hollowness at its core. Some of this is due to Sandy Dennis's performance - her peculiar brand of acting, while effective in conveying much about the character, also tends to isolate her from the other cast members. However, the decision to present the character solely in terms of the school and its immediate environs and never in her home life also contributes to the hollowness. The supporting cast is marvelous, with a mixture of seasoned pros and novices, although one wishes Eileen Heckart had been given more to do. Despite its flaws, Staircase remains involving. ~ Craig Butler, All Movie Guide
- Starring:
- Sandy Dennis, Patrick Bedford, (more)
Adapted by Horton Foote from his own play The Travelling Lady, Baby the Rain Must Fall stars Steve McQueen as a troube-prone country singer and Lee Remick as his estranged wife. Released on parole after serving time for knifing a man, McQueen returns to Remick and their young daughter Kimberly Block. When he proves incapable of supporting his family, McQueen's violent nature erupts once more, with catastrophic results. Don Murray costars as a compassionate sheriff who tries to keep McQueen from straying off course. Though it seems to go on forever when seen today, Baby the Rain Must Fall was praised effusively by the critics in 1965 as a welcome change of pace for action star Steve McQueen; The film would make an interesting companion feature for the strikingly similar Horton Foote project Tender Mercies (1983). ~ Hal Erickson, All Movie Guide
- Starring:
- Lee Remick, Steve McQueen, (more)
- 1965
Daisy Clover (Natalie Wood) goes from teenage girl to movie star practically overnight when her demented mother enters her voice in a talent-search contest. From a broken-down carnival on the Santa Monica Pier, in no time at all she is attending glamorous Hollywood parties. But Daisy soon learns that misery and pain go hand-in-hand with fame and fortune. Before Daisy completes her first film, the studio execs have her mother committed to an asylum without permission. Daisy tries to find happiness in a series of unfulfilling romances, her one-day marriage to Wade Lewis (Robert Redford) leaving her alone and divorced. After her mother dies, Daisy has a nervous breakdown and refuses to work, but the cold-hearted studio moguls threaten her with starvation if she does not report back to the soundstage. Christopher Plummer, Ruth Gordon (in an Oscar-nominated performance) and Roddy McDowell co-star in this story of a Hollywood dream that turns into a nightmare. ~ Dan Pavlides, All Movie Guide
- Starring:
- Natalie Wood, Christopher Plummer, (more)
- 1963
Taken for granted by her Italian family, New Yorker Natalie Wood seeks solace in the arms of irresponsible jazz musician Steve McQueen. She becomes pregnant, but doesn't expect McQueen to marry her; all she wants is enough money to pay for an illegal abortion (this is ten years before Roe v. Wade). Not surprisingly, McQueen is refused a loan by his girl friend Edie Adams; meanwhile, Wood is being pressured by her family to marry gormless Tom Bosley. As the abortion appointment approaches, McQueen begins to feel guilty, but still won't propose. Bosley finds out that Wood is pregnant, and is willing to make an honest woman of her. Wood finally makes up her mind what she's going to do and whom she's going to choose when she walks into the seedy abortion clinic. Though very dated, Love With the Proper Stranger is still dramatically viable, thanks to the on-screen rapport between Natalie Wood and Steve McQueen, and to the large and talented New York-based supporting cast. ~ Hal Erickson, All Movie Guide
- Starring:
- Natalie Wood, Steve McQueen, (more)
Harper Lee's Pulitzer Prize-winning autobiographical novel was translated to film in 1962 by Horton Foote and the producer/director team of Robert Mulligan and Alan J. Pakula. Set a small Alabama town in the 1930s, the story focuses on scrupulously honest, highly respected lawyer Atticus Finch, magnificently embodied by Gregory Peck. Finch puts his career on the line when he agrees to represent Tom Robinson (Brock Peters), a black man accused of rape. The trial and the events surrounding it are seen through the eyes of Finch's six-year-old daughter Scout (Mary Badham). While Robinson's trial gives the film its momentum, there are plenty of anecdotal occurrences before and after the court date: Scout's ever-strengthening bond with older brother Jem (Philip Alford), her friendship with precocious young Dill Harris (a character based on Lee's childhood chum Truman Capote and played by John Megna), her father's no-nonsense reactions to such life-and-death crises as a rampaging mad dog, and especially Scout's reactions to, and relationship with, Boo Radley (Robert Duvall in his movie debut), the reclusive "village idiot" who turns out to be her salvation when she is attacked by a venomous bigot. To Kill a Mockingbird won Academy Awards for Best Actor (Peck), Best Adapted Screenplay, and Best Art Direction. ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Peck, Mary Badham, (more)
- 1962
Since it was released in the same year as his masterpiece, To Kill a Mockingbird (1962), it is ironic that this drama was probably the least liked of director Robert Mulligan's films. A stiff adaptation of a novel by Dutch author Jan DeHartog, the film stars Rock Hudson as Dr. Anton Drager, an opportunistic atheist who travels with his wife Els (Gena Rowlands) to the jungles of Java in 1936. Drager is to become the new right-hand man of famed Dr. Brits Jansen (Burl Ives), a legendary humanist who works with lepers and is rumored to have done groundbreaking work that Drager believes could make him famous and wealthy. Trouble with a native witch doctor practicing black magic leads to a crisis of conscience for Drager, however, forcing him to reevaluate his self-centered philosophy. A former divinity student at New York's Fordham University, Mulligan may have been intrigued by the material's spiritual bent, but his direction is uninspired, and The Spiral Road (1962) was not considered a success. ~ Karl Williams, All Movie Guide
- Starring:
- Rock Hudson, Burl Ives, (more)
- 1961
The Great Impostor is the true story of chameleonlike Canadian Ferdinand Waldo DeMara Jr., well-played by Tony Curtis. Unable to decide what he wants to do with his life, DeMara goes about pretending to be other people, hoping to eventually "find himself." He poses as a Harvard professor, a Trappist monk, a prison warden, and a navy physician, and manages each time to get away with the artifice. The film wavers uncertainly between tense drama and frothy comedy, with comedy finally winning out. Karl Malden co-stars as Father Devlin, the young DeMara's spiritual advisor, while Joan Blackman is the nominal (and hardly visible) heroine. The real Ferdinand DeMara (if indeed there was a real Ferdinand DeMara) can be seen in a supporting role in the 1960 melodrama The Hypnotic Eye. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Curtis, Edmond O'Brien, (more)
Rock Hudson stars in this frothy romantic comedy as filthy-rich American Robert Talbot. Talbot owns an Italian villa, where he traditionally stays only one month out of the year (September), but when Talbot suddenly decides to show up in July, Talbot's major overseer Maurice (Walter Slezak) is shocked out of his skin to see him -- it seems that Maurice has turned Talbot's villa into a hotel for the remaining eleven months of the year. But it's July in Italy, and love is in the air, and Talbot becomes distracted by the beautiful Lisa (Gina Lollobrigida) and soon he is trying to prevent her from marrying another man. Sandra Dee and Bobby Darin (in his first screen role) play young guests of the villa. ~ Paul Brenner, All Movie Guide
- Starring:
- Rock Hudson, Gina Lollobrigida, (more)
- 1960
A somewhat uneven but still entertaining comedy-drama, The Rat Race, by director Robert Mulligan, co-stars Tony Curtis and Debbie Reynolds as Peter Hammond, Jr. and Peggy Brown, two performers who meet in New York and are thrown together by their mutual poverty. Peter arrives on a bus from the Midwest with his sax in hand and high hopes for a career. He gets a one-room walk-up and then meets Peggy, a dancer down on her luck who needs a place to stay. Ever the gentleman, Peter offers her space in his apartment and they string up a modesty curtain to divide their separate domains. But luck is not kind to Peter, right from the beginning. Some pranksters hose him down with cold water on his first trip into the city and he later gets his precious saxophone stolen by a trio of devious musicians/thieves. Peggy offers companionship in the face of difficulties, and before long the platonic relationship has distinct romantic overtones. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Tony Curtis, Debbie Reynolds, (more)
- 1958
Previously filmed twice in Hollywood, Thornton Wilder's Pulitzer Prize-winning novel The Bridge of San Luis Rey was brought to television in this lavish, live, star-studded DuPont Show of the Month adaptation. The story essentially begins at the end -- July 20, 1714 -- when the famous San Luis Rey bridge near Lima, Peru, collapses, plunging five people to their deaths. The victims were the wealthy but embittered Marquess de Montemayor (Judith Anderson); the Marquess's young maid, Pepita (Sandra Whiteside); Uncle Pio (Hume Cronyn), mentor of the celebrated Peruvian actress La Perichole (Viveca Lindfors); Jaime (Miko Oscard), Pio's youthful traveling companion; and Esteban (Steven Hill), a talented young scribe who left behind a twin brother, Manuel (Clifford David). Investigating the tragedy, Captain Alvarado (Theodore Bikel), an intimate of one of the victims, tries to figure out how it came to be that the unfortunate five were all brought together on the same disastrous day. Also in the cast is the celebrated actress/director Eva Le Gallienne as Madre Maria, and Kurt Kaznar, with whom Theodore Bikel would later co-star in the Broadway production The Sound of Music. ~ Hal Erickson, All Movie Guide
- Starring:
- Judith Anderson, Hume Cronyn, (more)
Anthony Perkins stars as troubled baseball great Jimmy Piersall in Fear Strikes Out. Based on Piersall's shattering tell-all autobiography, the film traces Jimmy's ascent from the sandlots of Waterbury, CT, to the Boston Red Sox, with his domineering father (Karl Malden) pushing the boy beyond all reasonable limits. Unable to withstand the pressure, Piersall suffers a nervous breakdown and is confined to a mental institution. Through a long period of therapy, Jimmy realizes that he has excelled in baseball not for his own gratification but to please his father. This film was preceded by a 1956 TV version starring Tab Hunter. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Perkins, Karl Malden, (more)
