Josh Mostel Movies

This comedy fuses Three Stooges clips with a storyline about a "Stooge Maniac" who is so obsessed with the comedians his sanity comes into question. Josh Mostel plays Stooge devotee Howard F. Howard, and Melanie Chartoff is Beverly, the woman of his dreams. Howard's condition is analyzed by Dr. Fixyer Minder (Sid Caesar) and for awhile the Stooge fanatic spends some time in a mental institution. Will this damage his love affair with Beverly? And will he know it if it does? ~ Eleanor Mannikka, All Movie Guide

In this film, Danny Morgan's (John Shea) life comes crashing down around him when he discovers that the two most important people in his life, Emily (Kate Capshaw) and his Sol (Josh Mostel), are about to fade out of it. Emily, his former girlfriend, is about to be married, and Sol, his close friend, is slowly succumbing to the ravages of leukemia. ~ Iotis Erlewine, All Movie Guide

Filmmaker John Sayles' first bonafide box-office success, Brother from Another Planet centers on a black escaped slave from a faraway planet (Joe Morton) who finds himself on the mean streets Harlem. Though the locals are put off by the slave's inability to speak, they are won over by his technical wizardry. He is adopted as a "brother" by his new friends, who protect him from pursuing white aliens played by director Sayles and David Strathairn. ~ Hal Erickson, All Movie Guide

Meat Loaf, the singer is followed around by a fan named Marvin (also played by Meat Loaf) but through concert after concert and song after song, the performer manages to stay one step ahead of his admiring pursuer. The singer's entourage and an out-of-touch television reporter provide some comic relief, in-between the musical numbers. ~ Eleanor Mannikka, All Movie Guide

Don Murray plays Lacy, a blatantly bigoted New York cop who finds that his rabid hatred forces him into a bloody rampage in order to save himself and his job in the derivative cop melodrama Deadly Hero. At one point in the film, Lacy rehearses a speech to be given to a cadre of right-wingers by intoning, "These are troubled times." This is certainly the case for Lacy, since this 18-year veteran of the NYPD has been demoted from detective to patrol car because of his liberal use of deadly force on nasty perpetrators. When Lacy, a lit fuse of seething anger and racial epithets, encounters nasty black mugger Rabbit (James Earl Jones), who is terrorizing young schoolteacher Sally (Diahn Williams) at knifepoint in her apartment, it doesn't take much for the cop to decide to put the thug on terror alert by shooting him. Is Sally grateful for blowing away the object of her torture? To Lacy's surprise, she instead testifies against him, accusing him of being a cold-blooded killer. Now Lacy has to figure out a way out of this high-shootin' mess. ~ Paul Brenner, All Movie Guide

In Paul Mazursky's rueful character drama, 57-year-old Art Carney plays Harry, a 70-plus Manhattan widower who loses his tiny apartment to the wrecking ball. Accompanied by his pet, an aged cat named Tonto, Harry sets out on an odyssey to Los Angeles. During his journey, he finds a kindred spirit in a youthful hitchhiker (Melanie Mayron), who eventually finds happiness with Harry's grandson (Joshua Mostel). Harry makes stops at the homes of his grown children (Philip Bruns, Ellen Burstyn, and Larry Hagman), but each visit is more disappointing than the last; he also touches base with an old flame (Geraldine Fitzgerald), who has slipped into senility. By the time he arrives in L.A., Harry has become dispirited by his desultory visits with friends and family, but he eventually realizes that each new day can be a beginning rather than an end. ~ Hal Erickson, All Movie Guide

Dreams die hard in wintry Atlantic City in Bob Rafelson's downbeat character drama. Depressive deejay David Staebler (Jack Nicholson) tends to his grandfather as he philosophizes on late-night Philadelphia talk radio. When his huckster older brother Jason (Bruce Dern) calls out of the blue one day, David travels to Atlantic City to see what his latest easy money scheme is. Along with his former beauty queen companion Sally (Ellen Burstyn) and her pretty stepdaughter Jessica (Julia Anne Robinson), Jason plans to open a resort on a small Hawaiian island, insisting to an initially skeptical David that the deal is as good as done. David plays along but, as he learns the reality of the situation, tries to talk some sense into Jason. Jason and his women will have none of it, leading to a tragic lesson about the cost of superficial values like beauty and wealth, and the limits of brotherly love. Rafelson's follow-up to his 1970 hit Five Easy Pieces once again questions American myths of success, with one brother unwilling to come to earth to realize his dreams and the other unable to do much beyond talk about his inertia to an unseen radio audience. With Five Easy Pieces star Nicholson as the introverted lead, and impressive cinematography by Laszlo Kovacs, The King of Marvin Gardens had the makings of another Hollywood New Wave hit. The response, however, was not what stumbling BBS Productions hoped, as Columbia barely supported the film and 1972 audiences were not as responsive to Rafelson's second exploration of contemporary alienation. The King of Marvin Gardens' artful depiction of disillusionment roots it firmly in the 1970s Hollywood art cinema, and its failure became one more sign of that cycle's popular limits. ~ Lucia Bozzola, All Movie Guide