Josh Mostel Movies

Dreams die hard in wintry Atlantic City in Bob Rafelson's downbeat character drama. Depressive deejay David Staebler (Jack Nicholson) tends to his grandfather as he philosophizes on late-night Philadelphia talk radio. When his huckster older brother Jason (Bruce Dern) calls out of the blue one day, David travels to Atlantic City to see what his latest easy money scheme is. Along with his former beauty queen companion Sally (Ellen Burstyn) and her pretty stepdaughter Jessica (Julia Anne Robinson), Jason plans to open a resort on a small Hawaiian island, insisting to an initially skeptical David that the deal is as good as done. David plays along but, as he learns the reality of the situation, tries to talk some sense into Jason. Jason and his women will have none of it, leading to a tragic lesson about the cost of superficial values like beauty and wealth, and the limits of brotherly love. Rafelson's follow-up to his 1970 hit Five Easy Pieces once again questions American myths of success, with one brother unwilling to come to earth to realize his dreams and the other unable to do much beyond talk about his inertia to an unseen radio audience. With Five Easy Pieces star Nicholson as the introverted lead, and impressive cinematography by Laszlo Kovacs, The King of Marvin Gardens had the makings of another Hollywood New Wave hit. The response, however, was not what stumbling BBS Productions hoped, as Columbia barely supported the film and 1972 audiences were not as responsive to Rafelson's second exploration of contemporary alienation. The King of Marvin Gardens' artful depiction of disillusionment roots it firmly in the 1970s Hollywood art cinema, and its failure became one more sign of that cycle's popular limits. ~ Lucia Bozzola, All Movie Guide

In Paul Mazursky's rueful character drama, 57-year-old Art Carney plays Harry, a 70-plus Manhattan widower who loses his tiny apartment to the wrecking ball. Accompanied by his pet, an aged cat named Tonto, Harry sets out on an odyssey to Los Angeles. During his journey, he finds a kindred spirit in a youthful hitchhiker (Melanie Mayron), who eventually finds happiness with Harry's grandson (Joshua Mostel). Harry makes stops at the homes of his grown children (Philip Bruns, Ellen Burstyn, and Larry Hagman), but each visit is more disappointing than the last; he also touches base with an old flame (Geraldine Fitzgerald), who has slipped into senility. By the time he arrives in L.A., Harry has become dispirited by his desultory visits with friends and family, but he eventually realizes that each new day can be a beginning rather than an end. ~ Hal Erickson, All Movie Guide

Don Murray plays Lacy, a blatantly bigoted New York cop who finds that his rabid hatred forces him into a bloody rampage in order to save himself and his job in the derivative cop melodrama Deadly Hero. At one point in the film, Lacy rehearses a speech to be given to a cadre of right-wingers by intoning, "These are troubled times." This is certainly the case for Lacy, since this 18-year veteran of the NYPD has been demoted from detective to patrol car because of his liberal use of deadly force on nasty perpetrators. When Lacy, a lit fuse of seething anger and racial epithets, encounters nasty black mugger Rabbit (James Earl Jones), who is terrorizing young schoolteacher Sally (Diahn Williams) at knifepoint in her apartment, it doesn't take much for the cop to decide to put the thug on terror alert by shooting him. Is Sally grateful for blowing away the object of her torture? To Lacy's surprise, she instead testifies against him, accusing him of being a cold-blooded killer. Now Lacy has to figure out a way out of this high-shootin' mess. ~ Paul Brenner, All Movie Guide

The year is 1947. Aspiring southern author Stingo (Peter MacNichol) heads to New York to seek his fortune. Moving into a dingy Brooklyn boarding house, Stingo strikes up a friendship with research chemist Nathan Landau (Kevin Kline) and Nathan's girlfriend, Polish refugee Sophie Zawistowska (Oscar-winner Meryl Streep). There is something unsettling about the relationship; Nathan is subject to violent mood swings, while Sophie seems to be harboring a horrible secret. Stingo soons learns that both Nathan and Sophie are strangers to truth; the audience is likewise led down several garden paths by a series of sepia-toned flashbacks, depicting Sophie's ordeal in a wartime concentration camp. The scene in which we discover the facts behind Sophie's "choice" is a gut-wrenching one; it might have been even more powerful had not the film taken so long to get there. It is betraying nothing to reveal that the character of Stingo is the alter ego of William Styron, upon whose best-selling novel the film was based. The film is rated R, due in great part to a disposable scene wherein Stingo tries to put the make on a "liberated" female intellectual. ~ Hal Erickson, All Movie Guide

In this film, Danny Morgan's (John Shea) life comes crashing down around him when he discovers that the two most important people in his life, Emily (Kate Capshaw) and his Sol (Josh Mostel), are about to fade out of it. Emily, his former girlfriend, is about to be married, and Sol, his close friend, is slowly succumbing to the ravages of leukemia. ~ Iotis Erlewine, All Movie Guide

Filmmaker John Sayles' first bonafide box-office success, Brother from Another Planet centers on a black escaped slave from a faraway planet (Joe Morton) who finds himself on the mean streets Harlem. Though the locals are put off by the slave's inability to speak, they are won over by his technical wizardry. He is adopted as a "brother" by his new friends, who protect him from pursuing white aliens played by director Sayles and David Strathairn. ~ Hal Erickson, All Movie Guide

Director Frank Perry brings Susan Issacs' comedic whodunit novel to the screen with Susan Sarandon as a Long Island housewife who tries to escape her deadening suburban life by trying to solve the murder of a philandering local dentist. The dentist, Bruce Fleckstein (Joe Mantegna), is the kind of swinging ladies' man who wears gold chains and jazzy clothing. He also arranges to meet his lonely housewife patients in hotel rooms for afternoon quickies. When he is found murdered in his office, the suspects are as numerous as the names in the Nyack telephone directory, especially since Fleckstein had the habit of taking incriminating Polaroid snapshots during his one-on-one sessions. Judith Singer (Sarandon) is an ex-Newsday reporter and bored wife of Bob Singer (Edward Herrmann), a stuffy business executive, and she was one of the last people to see Fleckstein alive. Considered a suspect by police detective David Suarez (Raul Julia), she determines to solve the case herself, interviewing suspects and searching for evidence. If she solves the crime, Judith hopes to write an article about it and get her old job back at the newspaper. ~ Paul Brenner, All Movie Guide

"Greed is Good." This is the credo of the aptly named Gordon Gekko (Michael Douglas), the antihero of Oliver Stone's Wall Street. Gekko, a high-rolling corporate raider, is idolized by young-and-hungry broker Bud Fox (Charlie Sheen). Inveigling himself into Gekko's inner circle, Fox quickly learns to rape, murder and bury his sense of ethics. Only when Gekko's wheeling and dealing causes a near-tragedy on a personal level does Fox "reform"-though his means of destroying Gekko are every bit as underhanded as his previous activities on the trading floor. Director Stone, who cowrote Wall Street with Stanley Weiser, has claimed that the film was prompted by the callous treatment afforded his stockbroker father after 50 years in the business; this may be why the film's most compelling scenes are those between Bud Fox and his airline mechanic father (played by Charlie Sheen's real-life dad Martin). Ironically, Wall Street was released just before the October, 1987 stock market crash. ~ Hal Erickson, All Movie Guide

Independent filmmaker John Sayles creates one of his more artistic works with this period feature about a volatile 1920s labor dispute in the town of Matewan, West Virginia. Matewan is a coal town where the local miners' lives are controlled by the powerful Stone Mountain Coal Company. The company practically owns the town, reducing workers' wages while raising prices at the company-owned supply and grocery. The citizens' land and homes are not their own, and the future seems dim. When the coal company brings immigrants and minorities to Matewan as cheaper labor, union organizer Joe Kenehan (Chris Cooper) scours the town to unite all miners in a strike. As the crisis grows, strikers and their families are removed from their homes by two coal company mercenaries (Kevin Tighe and Gordon Clapp, both also featured in Sayles' Eight Men Out (1988)), and the situation heads toward a final shootout on Matewan's main street . Sayles' simple but telling screenplay brings to light the treatment of immigrants and minorities in the early 20th century South, and it draws sharp parallels between the Matewan labor battle and the Civil War some 50 years earlier. The visual feel of the film is real West Virginia backwoods, with much of the credit going to legendary cinematographer Haskell Wexler, whose warm, rustic lighting belies the anxiety and terror felt by the oppressed townspeople. ~ Norm Schrager, All Movie Guide

In this enjoyable, lighthearted "he's fallen for her" situational, a music professor finds a science department faculty member too deeply engrossed in her inter-species communication studies (she talks to chimps) to even notice him. Since he can't get her mind off her studies, he decides to work part-time for her in the university laboratory. In this way he becomes aware of her dilemma: she's found that her research funds are set to be axed. He's there to help her figure out a way to prove their worth, and maybe spike her interest in him at the same time. There's plenty of clean fun and a satisfying outcome to be had here. ~ All Movie Guide

A woman desperate to change her life takes a wrong turn into danger and degradation in this drama. In 1924, Stephanie (Mathilda May) is travelling to Buenos Aires with her husband, who is considerably older than her and in poor health. Stephanie is not happy with her life, so when a young woman named Alba falls overboard and drowns, Stephanie assumes her identity once the ship arrives in Argentina. Stephanie realizes that this was a terrible mistake when she learns that Alba was the mail-order bride of Zico (Esai Morales), a notorious pimp and mobster who puts her to work in a brothel that he operates with his family. A terrified Stephanie kills her first customer and is soon on the run from the police; she finds that she must return to Zico's criminal family for protection, where she is placed at the mercy of Cholo (Vincent D'Onofrio), the sensuous-but-brutal "King of the Tango." Naked Tango reunited Leonard Schrader, Manuel Puig, and David Weisman, who had worked together as screenwriter, book author, and producer on the international hit Kiss of the Spider Woman (1985). ~ Mark Deming, All Movie Guide

City Slickers blends sight gags, one-liners, and sincerity, with both humor and drama arising from the characters and their situations. Mitch (Billy Crystal) is a radio station sales executive who finds himself in the throes of a mid-life crisis; accompanied by two friends, Phil (Daniel Stern) and Ed (Bruno Kirby) in the grip of similar problems, he heads to New Mexico for his birthday to participate in a two-week "vacation" cattle drive to Colorado. The three friends and the rest of their group, including an attractive, newly single young woman and two African-American dentists, are all urbanites lost when it comes to herding cattle and surviving on the prairie; it's up to authentic, almost mythic cowboy Curly (Jack Palance, who won an Oscar for the role), to whip them into shape. As various adventures occur along the way, including run-ins with outlaw cattlehands, treacherous natural mishaps, and Mitch's delivery of a newborn calf, the three "city slickers" open up to each other, learn to appreciate Curly's Old West values, and begin to resolve their midlife dilemmas. When Curly dies, it's left to Mitch, Phil, and Ed to bring in the herd. ~ Don Kaye, All Movie Guide