Josh Mostel Movies

The Last King of Scotland director Kevin McDonald teams with screenwriter Matthew Michael Carnahan for this American adaptation of the hit British miniseries concerning the suspicious circumstances that set a rising congressman and a dogged reporter on a dangerous collision course. U.S. congressman Stephen Collins (Ben Affleck) is handsome, unflappable, and ascending the ladder of power with unprecedented speed. He's the future of his political party, and as the chairman of a committee assigned to oversee defense spending, he's got all the right connections. As the presidential race draws near, Washington insiders begin to speculate that Collins will earn his party's nomination for the country's top job. The prospect of Collins becoming president seems less and less likely, however, when his research assistant/mistress is viciously murdered, and some unsavory truths begin to surface. Collins was once a close friend to Cal McAffrey (Russell Crowe), now a top reporter in the nation's capitol. Assigned the task of investigating Collins by his ruthless editor, Cameron (Oscar-winner Helen Mirren), McAffrey recruits fellow reporter Della (Rachel McAdams) in order to track down the truth and identify the killer. But McAffrey has just walked into a cover-up of unprecedented proportions, and in a game where billions of dollars are at stake, life, love, and integrity are luxuries that simply cannot be afforded. ~ Jason Buchanan, All Movie Guide

Prospective parents everywhere, meet the world's least likely paternal role model: Adam Sandler! In Big Daddy, Sandler plays 30-year-old bachelor Sonny Koufax, a carefree slob who has never much taken to adult responsibilities; he works one day a week as a tollbooth collector, and spends the remainder of his time living off of a $200,000 reward he collected from an auto accident. All told, the life suits him just fine. However, as his old buddies start getting married and drifting away, Sonny realizes that if he doesn't do something soon, he could end up all alone for the rest of his life. When his most recent girlfriend, Vanessa (Kristy Swanson), indicates that she needs some time off because she's sick of being with a man who can't act like a grown-up, he decides that it's time to take drastic action to win her back. Conveniently enough, a little boy named Julian (Cole Sprouse and Dylan Sprouse) turns up on his doorstep, claiming that he's the biological son of Sonny's roommate and friend from law school, Kevin (Jon Stewart). The kid tells Sonny that he's from Buffalo, New York; Kevin has never been to Buffalo, New York, but no matter - Sonny foresees, in Julian, an opportunity to convince Vanessa that he can face adult responsibilities. He thus takes charge of the little boy over a long Columbus Day weekend, pretending to be Kevin. However, the plan doesn't work as expected, and the authorities hone in on a discovery of Sonny's real identity. Meanwhile, Sonny finds himself genuinely drawn to the tyke. Also supporting Sandler in Big Daddy are Joey Lauren Adams, Josh Mostel and Rob Schneider. ~ Mark Deming, All Movie Guide

Alfonso Cuaron (The Little Princess) directed this Mitch Glazer screenplay, a modernization of the 1860-61 classic by Charles Dickens. Some situations in the film are presented as memories -- the way the central figure, Finnegan Bell (Ethan Hawke) recalls events many years later. At a Florida fishing village, eight-year-old orphan Finn Bell (Jeremy James Kissner), talented at art, is left in the care of his sister and her husband, Joe (Chris Cooper). One day, Finn helps a chained, escaped convict who appears in the surf. On other days, he visits Paradiso Perduto, where he plays with young Estella (Raquel Beaudene), niece of the mansion's colorful, flamboyant, and extremely wealthy owner, Ms. Dinsmoor (Anne Bancroft), who parallels the novel's tragic Miss Havisham, a woman jilted at the altar and left emotionally scarred and mentally imbalanced. As Ms. Dinsmoor watches Finn draw a portrait of Estella, she plots to mold Estella into a hard woman capable of destroying men. In a flash forward to the '90s, Finn (Hawke) and Estella (Gwyneth Paltrow), now in their late teens, re-create the water-fountain kiss of their childhood, but Estella vanishes, breaking Finn's heart to such a degree that he doesn't draw or paint for seven years, choosing to eke out a marginal existence with his uncle Joe (after Finn's sister abandons the two). Then Manhattan art representative Jerry Ragno (Josh Mostel) turns up with a startling offer -- if Finn will return to painting and relocate in New York, Ragno will give him a one-man show. With an apparent assist from Ms. Dinsmoor, Finn makes the move and begins his new life with great expectations and a deadline of 10 weeks to complete the necessary paintings. When Finn next encounters Estella, she has a wealthy boyfriend, Walter (Hank Azaria). As Finn once again becomes entranced by Estella, he also begins to question exactly how his life is being manipulated. Francesco Clemente did the paintings and drawings seen in the film. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

In this psycho-thriller, a little girl and her mother find themselves the focus of a crazed couple's delusions. The horror begins after Cassie has a fight with her husband David and takes off in the car with their young daughter Samantha. Cassie takes a wrong turn and ends up in the home of the evil Mr. and Mrs. Because Cassie and Samantha closely resemble relatives the couple recently lost, the duo hold the frightened mother and daughter captive in their home. Soon the two victims find themselves psychologically and physically abused, particularly Cassie who is threatened with torture and rape. Will David find them before the Scudders kill them both? ~ Sandra Brennan, All Movie Guide

Master of infantilism Adam Sandler stars as the title character, an overgrown rich kid who wiles away his days poolside, swilling kegs of beer and appreciating fine nudie magazines such as "Drunk Chicks" -- that is, until his father (Darren McGavin) decides to test his mettle as future head of the family business by posing a challenge: retake and pass grades K-12 in 24 weeks or watch control of the business pass to the requisite conniving underling (Bradley Whitford). Forced into action, Billy vows to change his drunken ways. He enrolls in kindergarten, makes new friends, pelts pint-sized kids with playground balls and develops a love interest in a pretty teacher (Bridgitte Wilson). The action culminates in an academic showdown between Billy and the purportedly Harvard-educated underling for the future of the family enterprise -- no small feat for a man fresh out of the first grade. There's gross, moronic, off-color low humor galore in Billy Madison, particularly in one subplot involving a romantically forward elementary school principal (Josh Mostel, son of theater great Zero Mostel) and his secret former life as a professional wrestler; another scene includes the hypertense school bus driver (Chris Farley, in a typical over-the-top cameo) lying in the meadow with a hallucinatory penguin. As one might suspect, Billy Madison is not for every taste; Sandler fans will laugh from start to finish; others beware. ~ Jeremy Beday, All Movie Guide

This high-speed action comedy stars Charlie Sheen as Jack Hammond, who has been given a life sentence for a bank robbery that he didn't commit. Hammond manages to escape, and while trying to avoid capture at a gas station, he ends up kidnapping Natalie Voss (Kristy Swanson); he threatens her with what she thinks is a gun, although it turns out to be a candy bar. Jack and Natalie take off in her BMW, with Jack unaware that his "victim" is actually Dalton Voss (Ray Wise), one of California's richest and most powerful land barons. Soon half the state's law enforcement officers and every member of the media is on Jack's tail as he races down the highway; in the meantime, Natalie and Jack get to know each other, and while she doesn't much care for him at first (as you might imagine), before long her attitude has softened quite a bit. Alternative rock fans might want to keep an eye peeled for Henry Rollins, playing a policeman, and Anthony Kiedis and Flea from The Red Hot Chili Peppers as a pair of yahoos with a very large truck. ~ Mark Deming, All Movie Guide

After his work day ends, airline luggage-handler York Daley (Bill Pullman) has 90 minutes to run home, pick up his lover Nancy (Julie Brown), and return to the airport to catch an eight o' clock flight to Rio de Janeiro. A collection of colorful characters and bizarre mishaps guarantee that York's simple plan goes quickly and horribly wrong. ~ Jason Ankeny, All Movie Guide

Norm (George Wendt) has long been sending comedy material to Johnny Carson, but hasn't ever made a sale. To save face, Norm tells Cliff (John Ratzenberger) that Carson has at last accepted a few of his jokes. This little white lie backfires when Cliff manages to wangle two tickets to The Tonight Show. Back at Cheers, Sam (Ted Danson) and Woody (Woody Harrelson) have a near-zen experience while putting up a satellite dish. Johnny Carson and Doc Severinsen appear as themselves. ~ Hal Erickson, All Movie Guide

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, All Movie Guide

Jodie Foster made her directorial debut (with a script by Scott Frank) in this tale of a child prodigy's search for social acceptance. Fred Tate (Adam Hann-Byrd) is a precocious fourth grader who has no problem with the most complex mathematical problems or in banging out a Rachmaninoff concerto on the piano, but is totally inept at playing baseball or dealing with children his own age. His mother Dede (Jodie Foster) is a cocktail waitress who acts more like a child than Fred, but cares passionately about her son. Fred comes to the attention of child psychologist Jane Grierson (Dianne Wiest), who runs a summer camp for child prodigies called Odyssey of the Mind. She invites Fred to attend the summer session, creating a rift between Fred and Dede. ~ Paul Brenner, All Movie Guide

Those of us who had to suffer such "instructional" films as Dating Do's and Don'ts in high school will be especially entertained by Heavy Petting. In the visually sarcastic manner of the nuclear-age documentary The Atomic Cafe, the film assembles masses of information and misinformation about teenage dating rituals of the 1950s. Clips from contemporary movies, TV programs, commercials, and "sex hygiene" short subjects are used throughout; perhaps once upon a time these vignettes could have been taken seriously, but here they're only good for howls of laughter. Interspersed among the vintage footage are interviews with such children of the 1960s as David Byrne and William S. Burroughs. One look at the 1950s as depicted in Heavy Petting, and it's easy to see how the sensuous, psychedelic '60s came to be. ~ Hal Erickson, All Movie Guide

"Greed is Good." This is the credo of the aptly named Gordon Gekko (Michael Douglas), the antihero of Oliver Stone's Wall Street. Gekko, a high-rolling corporate raider, is idolized by young-and-hungry broker Bud Fox (Charlie Sheen). Inveigling himself into Gekko's inner circle, Fox quickly learns to rape, murder and bury his sense of ethics. Only when Gekko's wheeling and dealing causes a near-tragedy on a personal level does Fox "reform"-though his means of destroying Gekko are every bit as underhanded as his previous activities on the trading floor. Director Stone, who cowrote Wall Street with Stanley Weiser, has claimed that the film was prompted by the callous treatment afforded his stockbroker father after 50 years in the business; this may be why the film's most compelling scenes are those between Bud Fox and his airline mechanic father (played by Charlie Sheen's real-life dad Martin). Ironically, Wall Street was released just before the October, 1987 stock market crash. ~ Hal Erickson, All Movie Guide

Independent filmmaker John Sayles creates one of his more artistic works with this period feature about a volatile 1920s labor dispute in the town of Matewan, West Virginia. Matewan is a coal town where the local miners' lives are controlled by the powerful Stone Mountain Coal Company. The company practically owns the town, reducing workers' wages while raising prices at the company-owned supply and grocery. The citizens' land and homes are not their own, and the future seems dim. When the coal company brings immigrants and minorities to Matewan as cheaper labor, union organizer Joe Kenehan (Chris Cooper) scours the town to unite all miners in a strike. As the crisis grows, strikers and their families are removed from their homes by two coal company mercenaries (Kevin Tighe and Gordon Clapp, both also featured in Sayles' Eight Men Out (1988)), and the situation heads toward a final shootout on Matewan's main street . Sayles' simple but telling screenplay brings to light the treatment of immigrants and minorities in the early 20th century South, and it draws sharp parallels between the Matewan labor battle and the Civil War some 50 years earlier. The visual feel of the film is real West Virginia backwoods, with much of the credit going to legendary cinematographer Haskell Wexler, whose warm, rustic lighting belies the anxiety and terror felt by the oppressed townspeople. ~ Norm Schrager, All Movie Guide