Barry Morse Movies

In this two-part cable miniseries based on a novel by Frederick Forsyth (hence the proprietary title), a post-Communist Russia is mired in chaos and confusion. Emerging from the crowd to lead his fellow Russians out of the darkness and into the light is the fabulously popular presidential candidate Igor Komarov (Patrick Bergin). What virtually no one suspects is that Komarov is a ruthlessly dedicated "old liner," who intends to return his homeland to a repressive military dictatorship, using brutal former KGB officer Anotoly Grishin (Annika Peterson) as his "hatchet woman." The only person savvy to what Komarov is up to is former CIA operative Jason Monk (Patrick Swayze), who takes it upon himself to save the new Russia from a horrendous fate -- and, incidentally, to settle a personal score with the beautiful but deadly Grishin. Produced for the Hallmark channel, Frederick Forsyth's Icon debuted on May 30, 2005. ~ Hal Erickson, Rovi

A quaint small town that hasn't paid taxes since World War II draws the attention of an ambitious tax inspector in this comedy starring Billy Zane and Patrick Bergin. Putterton possesses all the charm of your typical small town without any of the irritations of modern city living: The crime rate is low, the cost of living is minimal, and everyone knows their neighbors by name. Everyone in Putterton is proud that their little corner of the world has retained its old world ambiance, but when beautiful tax inspector Caroline Deville comes to town the atmosphere quickly turns tense. No one in Putterton has paid a penny in taxes since 1945, and despite his best efforts there's nothing that George Putter (Zane) can do to bury this dirty little secret. Just as Deville begins auditing at will and the town teeters on the verge of bankruptcy, however, help arrives in the form of Consumer City President Vernon Fry (Bergion). Consumer City is a giant discount chain with stores all across the country, and Fry is willing to rescue Putterton from financial ruin if the residents will just allow him to open a store in their quiet little burg. The only problem with this solution is that the presence of a garish Consumer City store in town would most certainly detract from the old fashioned atmosphere that that has come to define Putterton. While George and Caroline may have their fair share of differences, the one thing they can both agree on is that Putterton shouldn't bow to Fry and his corporate Goliath. Perhaps if they could just find a way to work together, these two unlikely allies can ensure that Putterton doesn't become yet another indistinctive stretch of strip malls and fast food joints. ~ Jason Buchanan, Rovi

Glory! Glory! is a "roman a clef" of the Evangelism industry, with all the names fictionalized but with all characters easily recognizable to anyone who's ever watched a religious UHF channel. Barry Morse portrays a radio preacher whose operation is controlled by his honest but colorless son Richard Thomas. When Morse is promoted into a media superstar by savvy huckster James Whitmore, the son is left behind. All this changes when Thomas wanders into a bar and witnesses the performance of rock singer Ellen Greene. Greene's song Sister Ruth may be just what Thomas needs to rise to the top of his calling. Originally telecast in two parts over the HBO Pay-Cable service, Glory! Glory! closes out Part One with Ms. Greene becoming a powerful evangelist in her own right...a status quo subject to change when certain truths are made public. ~ Hal Erickson, Rovi

In his TV-movie debut, Jerry Lewis plays Dr. Abrams, an Ohio optometrist, whose beloved 6-year-old daughter (Jaclyn Bernstein) falls victim to a rare form of epilepsy. The traditional means to keep the girl's seizures under control fail to work, putting a strain on the Abram's (Lewis and Patty Duke Astin) marriage. The couple then learns of a little-known drug called sodium valporate, which has had salutary effects upon epileptics in Britain. Unfortunately, the drug has not been approved for use in the United States; thus, by utilizing the drug to save their child from agony, the Abrams are in effect breaking the law. The cause celebre that follows forms the nucleus of Scott Nisor and Tom Nesi's fact-based screenplay. Essaying a rare dramatic role, Jerry Lewis is excellent: in fact, he's much more credible than Barry Morse as the doctor who develops the miracle drug. Fight for Live was first telecast March 23, 1987. ~ Hal Erickson, Rovi

Tipping the scales on the Monty Python-esque side of broad comedy, this outrageous and classically British farce is a series of episodes involving the U.S., a small Caribbean nation, the British government, and the military. The American president is a former clown who dies after asking someone to punch him in the stomach to prove how strong he is. The vice-president (Loretta Swit) takes over and heads for trouble right away. A British island has been invaded by a Caribbean dictatorship and the gay British admiral sent to command naval operations takes a warm-hearted, 1940s-style leave of his "spouse." A Princess working as a nurse overdoes it when asked to shave a sailor for an operation. The British Prime Minister decides that if the unemployment situation could be easily solves if the employed would only jump off a cliff. And so it goes on and on, with some of the skits delving into more violent and sacrilegious themes. ~ Eleanor Mannikka, Rovi

In this horror film an influential family, whose wealth comes from Nazi gold, in San Francisco must preserve an ancient evil rite that enables them to keep a supernatural power under their control. ~ Sandra Brennan, Rovi

Another of the many Sidney Sheldon novels given the TV-miniseries treatment in the 1970s and '80s, Master of the Game yielded a three-part, nine-hour extravaganza, with enough corporate and romantic intrigue to fill an entire television season. Covering nearly 100 years, the story (which remained astonishingly faithful to the book) begins in the late 19th century, when ruthless young Scottish entrepreneur Jamie McGregor (Ian Charleson) emigrates to South Africa, in hopes of accumulating enough wealth and power to get even with his longtime enemy, Dutch merchant Van der Merwe (Donald Pleasence). Thanks to an extremely prolific diamond mine, the money comes quickly -- as does vengeance, when McGregor deflowers Van der Merwe's convent-educated daughter, Margaret (Cherie Lunghi). The result of this indiscretion is a daughter named Kate (Dyan Cannon), who turns out to be the "Master" of the title. Upon attaining adulthood, Kate assumes control of her father's vast financial empire, ruling her inherited international conglomerate, and her husband, David Blackwell (David Birney), with an iron fist. The story continues into the next several generations, with Kate's lily-livered son, Tony (Harry Hamlin), giving birth to twin daughters, Eve and Alexandra (both played by Liane Langland). One is good, the other evil; the evil twin threatens threaten to destroy everything that Kate has so painstakingly built up. Eventually, they both become the victims of a sneering, malevolent gigolo (Fernando Allende) with a penchant for beating young women senseless. Told in flashback, the narrative comes to a head during Kate's 90th birthday celebration, an event tainted by the efforts of a mysterious killer to wipe the domineering matriarch and her family from the face of the earth. Largely filmed on location, Master of the Game was telecast by CBS from February 19 to 22, 1984. ~ Hal Erickson, Rovi

In this shocking chiller an environmentalist, lecturing at a New York City college begins looking for the brutal killer who has been murdering his students. His search leads him to a psycho technician who has been using long-distance telephone calls to do his dirty work. The story is also known as Bells. ~ Sandra Brennan, Rovi

A low-key, atmospheric Canadian production, Funeral Home (aka Cries in the Night) makes effective use of the title setting, which has been converted into a bed & breakfast by Maude Chalmers (Kay Hawtrey) after the demise of her less-than-popular husband -- known throughout the town as "Chalmers the Embalmer." Maude's pretty granddaughter Heather (Lesleh Donaldson) arrives for a summer visit, and soon begins to hear weird, guttural moans and sobs from the padlocked cellar; before long, assorted obnoxious guests at the inn find their welcome revoked -- violently. Despite a nerdy deputy's obvious crush on her, Heather is unable to convince him that evil forces are lurking beneath the Chalmers house, and she decides to investigate on her own (instead of just hitting the road like any sane individual). What she finds there will come as no surprise to anyone paying attention, since this quaint little inn is clearly modeled after a certain well-known Hitchcockian motel... Despite this obvious twist, this is not a bad little suspenser, with effective camerawork and good performances, especially from Hawtrey and Donaldson (who resembles a buxom Ally Sheedy). ~ Cavett Binion, Rovi

Peter Medak's The Changeling is among a handful of films, including The Haunting (1963), Ghost Story (1981), and Lady in White (1988), that have successfully recreated the intimate, drawing-room atmosphere of supernatural horror fiction. After his wife and daughter are killed in a snowbound car accident, classical composer John Russell (George C. Scott) relocates from New York to Seattle to teach at his alma mater. Looking for a quiet place to rest and continue writing music, he is referred Claire Norman (Trish Van Devere) at the Seattle Historical Preservation Society. Claire shows John a large, sparsely furnished estate in the outlying countryside. He takes the house, appreciating its remoteness and the solitude it might afford, and diverts himself by renovating and settling in. He even starts to compose, putting aside his older work in favor of a new, sentimental piece for the piano. It is not long, however, before he begins having nightmares about the accident that killed his wife and daughter. Possibly because of this trauma, he is open to communications from the house's ghostly occupants. Pursuing a loud, repetitive pounding noise in an upper room, he stumbles on the apparition of a young boy drowning in a tub. Working together with Claire, John discovers frightening parallels between this vision and buried events from the house's past. Horror writer M.R. James once said that his goal as a writer was to make the reader feel "pleasantly uncomfortable." Those looking for a similar experience in movies will appreciate The Changeling as a gem in the horror genre. ~ Anthony Reed, Rovi

Chris Sarandon does the "far, far, better thing" when he tackles the dual role of Syndey Carton and Charles Darnay in this Anglo-American TV adaptation of Charles Dickens' A Tale of Two Cities. The ubiquitous producer/screenwriter combination of Norman Rosemont and John Gay was responsible for this lavish, faithful cinemazation of Dickens' multiplotted account of the French Revolution. Featured in the huge cast are Peter Cushing as Dr. Manette, Alice Krige as Lucie Manette, Billie Whitelaw as the vengeful, eternally knitting Madame DeFarge and Barry Morse as the odious aristocrat St. Evremonde. Poignantly, the film also offers the late Kenneth More, making one of his last appearances as Jarvis Lorry, and the magnificent Flora Robson, taking her final bow in the role of Miss Pross. An Emmy nomination went to Olga Lehmann's costume design. A Tale of Two Cities debuted December 2, 1980. ~ Hal Erickson, Rovi