Vic Morrow

Based on the popular television series created by Rod Serling, this film of horror and the supernatural tells four separate stories--each by a different director: John Landis, Steven Spielberg, Joe Dante and George Miller. In one, a bigot is taught a lesson when he is transported to experience the lives of three different victims of prejudice and intolerance. Another takes a trip to an old-age home where the arrival of a special man turns some of the residents into youthful people once again. In the third, a woman befriends a timid young child who turns out to be a maniacal brat with bizarre powers. The final segment shows how a man with an aversion to flying has a rough time when he panics and then sees a strange creature on the wing outside his window seat. ~ Kristie Hassen, All Movie Guide

This gory, scary low-budget shocker from the Roger Corman stable concerns the battle over a salmon cannery in a Pacific Northwest town. Genetically treated salmon escape the plant and are eaten by coelacanths, who mutate into humanoid monsters with giant craniums and sharp claws. The creatures begin attacking teen couples, killing the boys and mating with the girls (in some pretty graphic monster-rape scenes). Eventually, a bunch of them create total pandemonium at the annual salmon festival. Barbara Peeters directs with flair, Rob Bottin's effects are nauseatingly effective, and the cast is good, especially Vic Morrow as a racist fisherman and Doug McClure as the stalwart hero. An uncompromising shockfest with enough gratuitous blood and nudity to keep fans happy, the film features an Alien-inspired shock ending which still makes viewers jump today. ~ Robert Firsching, All Movie Guide

A quaint little beach town is terrorized by a bloodthirsty great white shark in the infamous Italian Jaws rip-off The Last Shark. As usual, the powers that be turn a blind eye to it for tourist reasons, although eventually even they cannot escape the ocean of blood at their doorstep. Cue novelist Peter Benton (James Franciscus) and shark hunter Ron Hamer (Vic Morrow), who valiantly seek to kill the beast. Best known for the Universal Pictures lawsuit that found the film's North American theatrical release cut short and subsequent releases barred due to the blatant similarities to Steven Spielberg's blockbuster and its sequel, The Last Shark lives on in movie legend and Japanese laserdisc bootlegs for those who can find it. ~ Jeremy Wheeler, All Movie Guide

Dennis Weaver plays Daniel Stone, a Joe Wambaugh-style LA cop turned novelist. The pressures of his new career cause a rift between Stone and his superior officer Pat Hingle, and also puts additional barriers between Stone and his estranged wife Mariette Hartley. The fact that Stone's partner Roy Thinnes is sweet on Hartley only compounds the complications. The plot, involving the mysterious murders of several top crime bosses, somehow finds time to accommodate a guest appearance by Steve Allen (as "Himself"). When Stone became a TV series of three months' duration in 1980, only Dennis Weaver and Pat Hingle were retained from this pilot film; a new character, Stone's young partner, was added to the fold (the part was played by Dennis Weaver's son Bobby). Stone was the brainchild of Rockford Files mentor Stephen J. Cannell. ~ Hal Erickson, All Movie Guide

This program is part of a series that chronicles the stories of some of the great heroes of the Old Testament of the Bible. The colorful stories have made an indelible mark on Western consciousness, as they illustrate great spiritual truths in the plain narratives about ordinary people. This episode tells the story of Daniel who had a gift for interpreting dreams. This asset aids him in his audience with King Nebachadnezzar, who wants very much to understand a dream that has been troubling him. The ensuing drama is one of the most beloved stories in the Christian repertoire, exemplifying the importance of faith in an all-powerful God. ~ Rose of Sharon Winter, All Movie Guide

Message from Space, a bargain-rack Japanese Star Wars clone, stars Vic Morrow as the token American. Responding to a plea for help from a faraway planet, A young, idealistic four-person crew hurtles to the rescue. Along for the ride are two funny robots. As could expected from the Toei Studios, Message from Space is a clearing house of good, bad, and "aw come on!" special effects. Vic Morrow followed this film triumph with the equally unforgettable The Evictors (79) and Humanoids from the Deep (80). ~ Hal Erickson, All Movie Guide

When a billionaire checks into the hospital for a heart operation, he becomes the object of a massive terrorist attack, as they hold him for $10 million ransom. Complicating the problem is his absolute obsession with his privacy, a la Howard Hughes. ~ Tana Hobart, All Movie Guide

This actioner is set in South Africa and follows the vendetta of a former professional assassin who is betrayed and imprisoned by his last employer, the South African government. To succeed in killing all of the country's most important leaders, the professional killer makes himself up as a black man and sets off for his bloody revenge. ~ Sandra Brennan, All Movie Guide

Answering a call to a burglary in progress, rookie cop James Wells (Mark Wells) shoots an kills an intruder. Performing an autopsy on the dead man, Quincy (Jack Klugman) discovers that the evidence doesn't match the young cop's story, but he refuses to issue an official statement--leading a muckraking TV journalist (David Spielberg) to conclude that there's a coverup going on to hide a possible case of police brutality. Actually, Quincy is merely playing for time to find out why the rookie is lying, and to determine what really happened. ~ Hal Erickson, All Movie Guide

One of four dramatic miniseries carried by NBC under the blanket title Best Sellers, Captains and the Kings was adapted from a novel by Taylor Caldwell. Covering a time span from 1857 to 1912, this was the saga of the Irish-immigrant Armagh clan, with emphasis on the rags-to-riches career of Joseph Armagh (Richard Jordan). Achieving fame and prominence (if not full-fledged social acceptance) through a Byzantine series of investments in the oil industry, the elder Armagh was obsessed with the notion of having one of his sons become the first Irish-Catholic President of the United States (does this story sound vaguely familiar?). Along the way, Joseph and his offspring indulged in innumerable romantic liaisons, extramarital and otherwise. Inevitably, the story came to a powerful conclusion with a high-profile political assassination. Featured in the all-star cast was Patty Duke Astin, who won an Emmy award for her portrayal of Bernadette Hennessey Armagh. Captains and the Kings was broadcast from September 30 to November 18, 1976 in seven installments, two of which ran 120 minutes, and the other six lasting 60 minutes -- a total of nine hours' air time in all. ~ Hal Erickson, All Movie Guide

The success this underdog comedy from director Michael Ritchie almost single-handedly spawned the kids' sports film boom of the 1980s and '90s. When beer-breathed ex-minor-league ball player and professional pool cleaner Morris Buttermaker (Walter Matthau) agrees to coach a little league team in the San Fernando Valley, he soon finds he's in over his head, having inherited an assortment of pint-sized peons and talentless losers. They play well-organized teams and lose by tremendous margins, and the parents threaten to disband the Bears to save the kids (and themselves) any further embarrassment. Buttermaker refuses, though, and brings in a pair of ringers: Amanda (Tatum O'Neal), his ex-girlfriend's tomboy daughter, and Kelly (Jackie Earle Haley), a cigarette-smoking delinquent who happens to be a gifted athlete. With their help, the Bears manage to change their losing ways and qualify for the championship, where they face their arch-rivals, the Yankees. ~ Jeremy Beday, All Movie Guide

Maria Schneider is Michele, a young student sculptress assigned to look after the kidnapped baby of her ex-lover. She and the kid hit it off but are unable to escape until the kidnappers begin to kill one another off. ~ Clarke Fountain, All Movie Guide