Lee Morris

2005 
 
Starring:
Mark StrongDerek Jacobi, (more)
2002 
 
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Produced for British television, Daniel Deronda was adapted from George Eliot's final novel, written in 1874 (and first filmed in 1921). As was her habit, Eliot laid bare the hypocrisy and venality of Victorian-era "class culture," at the same time admitting that a certain amount of conformity was necessary if one hoped to survive in a world where nonconformity was not only looked down upon but actively suppressed. Essentially, both the novel and the TV presentation are comprised of two separate stories, linked together by the titular Daniel Deronda (Hugh Dancy), a young man of Jewish heritage. In the main narrative, Daniel is attracted to the spoiled, headstrong Gwendolen Harleth (Romola Garai), who is reluctantly poised to enter into a marriage of convenience with the wealthy, snobbish, and intensely anti-Semitic Henleigh Grancourt (Hugh Bonneville). This romantic intrigue is played against the curious relationship between Daniel and the Zionist visionary Mordecai (Daniel Evans), who tirelessly proselytizes in favor of a permanent homeland for the Jewish people. Things come to a head when Daniel finds himself falling in love with Mordecai's sister Mirah (Jodhi May). Originally telecast in three parts on the BBC beginning December 7, 2002, Daniel Deronda was re-edited as a two-parter for the PBS anthology Masterpiece Theatre, where it first aired on March 30, 2003. ~ Hal Erickson, All Movie Guide

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2001 
 
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Made for British television, this two-part adaptation of Sir Arthur Conan Doyle's adventure-fantasy novel The Lost World adroitly combines a straightforward retelling with an abundance of slyly satirical grace notes--not to mention deliberate echoes of such earlier films as Jurassic Park, Planet of the Apes and even Apocalypse Now. The basic plotline details the efforts of feuding scientists George Challenger (Bob Hoskins) and Summerlee (James Fox) to prove that dinosaurs still exist on a remote plateau somewhere in the Amazon jungles. They succeed in this endeavor, and also stumble upon a lost tribe of primitive humans, whose hearts and minds are captured by a mad missionary (Peter Falk). Though the film does not flinch in the special-effects department, there is still plenty of time left over for a quaintly old-fashioned romantic triangle involving sportsman Lord Roxton (Tom Ward), the lovely Agnes Mooney (Elaine Cassidy) and dashing Edward Malone (Matthew Rhys). And while there is action aplenty, the film remains scrupulously within the "suitable for children" category. Originally broadcast as the 2001 Christmas offering by BBC1, The Lost World premiered in the US over the A&E cable network on October 6 and 7, 2002. ~ Hal Erickson, All Movie Guide

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1986 
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Director David Lynch crafted this hallucinogenic mystery-thriller that probes beneath the cheerful surface of suburban America to discover sadomasochistic violence, corruption, drug abuse, crime and perversion. Kyle Maclachlan stars as Jeffrey Beaumont, a square-jawed young man who returns to his picture-perfect small town when his father suffers a stroke. Walking through a field near his home, Jeff discovers a severed human ear, which he immediately brings to the police. Their disinterest sparks Jeff's curiosity, and he is soon drawn into a dangerous drama that's being played out by a lounge singer, Dorothy Vallens (Isabella Rossellini) and the ether-addicted Frank Booth (Dennis Hopper). The sociopathic Booth has kidnapped Dorothy's young son and is using the child as a bargaining chip to repeatedly beat, humiliate and rape Dorothy. Though he's drawn to the virginal, wholesome Sandy Williams (Laura Dern), Jeff is also aroused by Dorothy and in trying to aid her, he discovers his dark side. As the film nears its conclusion, our hero learns that many more indivduals are tacitly involved with Frank, including a suave, lip-synching singer, Ben (Dean Stockwell), who is minding the kidnapped boy. Director Lynch explored many similar themes of the "disease" lying just under the surface of the small town, all-American façade in his later television series Twin Peaks (1990-91). ~ Karl Williams, All Movie Guide

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Starring:
Kyle MacLachlanIsabella Rossellini, (more)
1914 
 
In Charlie Chaplin's 21st Keystone film, Chaplin is the prop man and general factotum at a vaudeville house. The artists arrive backstage as Chaplin swigs beer from a pitcher, refusing to share with his elderly, hunchbacked assistant, whom he mistreats throughout. The headliners are the Goo-Goo Sisters, with whom Chaplin flirts outrageously, while hiding his beer in his roomy pants, only to be undone when he bends to pick up one of the ladies' purses. Garlico the Strong Man and his assistant arrive, and Chaplin must struggle to load in his heavy props trunk and the trunks of the other acts. He shifts his burden to his assistant, making him carry the heavy trunk on his back, while Chaplin carries a hat box. After an argument over dressing rooms, the show begins before a rowdy audience which includes Keystone boss Mack Sennett in his "Rube" character. Chaplin messes up the acts, going onstage, dropping scenery backdrops at the wrong time and fighting with his assistant all the while. When the strong man's assistant is accidentally knocked out during the fighting, Chaplin takes her place, disrupting Garlico's act by ripping a piece of cloth behind his back as he lifts each weight, making him think that it's his costume that has ripped. When the infuriated Garlico attacks Chaplin, a melee breaks out which ends with Chaplin grabbing a fire hose and soaking actors, scenery and audience alike, anticipating similar gags in the subsequent films, A Night in the Show and A King in New York. ~ Phil Posner, All Movie Guide

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Starring:
Charles ChaplinJosef Swickard, (more)

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