Ennio Morricone Movies
With his peerless versatility and productivity, Ennio Morricone has been one of the most famous and influential film composers since the 1960s. Drawing from classical, jazz, rock, Italian folk, and avant-garde influences, Morricone's 400-plus scores have accompanied every conceivable movie genre; his innovative soundscapes for Sergio Leone's 1960s Westerns, however, were enough to ensure his lasting reputation. His list of directorial collaborators a veritable Who's Who of post-1960 international cinema, Morricone's music has masterfully accompanied the films of most notably Leone, Bernardo Bertolucci, Pier Paolo Pasolini, Giuseppe Tornatore, Roland Joffe, Brian De Palma, and Warren Beatty.A lifelong Rome resident and classically trained musician, Morricone began studying at the Conservatory of Santa Cecilia at age 12. Advised to study composition, Morricone also specialized in playing trumpet and supported himself by playing in a jazz band and working as an arranger for Italian radio and TV after he graduated. Morricone subsequently became a top studio arranger at RCA, working with such stars as Mario Lanza, Chet Baker, and the Beatles. Well-versed in a variety of musical idioms from his RCA experience, Morricone began composing film scores in the early '60s. Though his first films were undistinguished, Morricone's arrangement of an American folk song intrigued director (and former schoolmate) Sergio Leone. Leone hired Morricone and together they created a distinctive score to accompany Leone's different version of the Western, A Fistful of Dollars (1964). Rather than orchestral arrangements of Western standards à la John Ford -- budget strictures limited Morricone's access to a full orchestra regardless -- Morricone used gunshots, cracking whips, voices, Sicilian folk instruments, trumpets, and the new Fender electric guitar to punctuate and comically tweak the action, cluing in the audience to the taciturn man's ironic stance. Though sonically bizarre for a movie score, Morricone's music was viscerally true to Leone's vision. As memorable as Leone's close-ups, harsh violence, and black comedy, Morricone's work helped to expand the musical possibilities of film scoring. Though he was initially billed on Fistful as Dan Savio, Morricone's name became almost as well-known as Leone's when his more ambitious score for The Good, the Bad and the Ugly (1966) yielded a Top Ten hit (despite his avowed disdain for pop music soundtracks).
Even more so than in the first two Dollars films, Morricone's scores for The Good, the Bad and the Ugly and Leone's epic Once Upon a Time in the West (1968) elevated the action to operatic heights. Reaching crescendos in The Good's famous graveyard shootout and West's showdown between Charles Bronson's Harmonica and Henry Fonda's Frank Booth, Morricone and Leone created set pieces that were as powerful musically as visually, placing music on a par with the image rather than subordinating it. Integrating a spectral harmonica into the theme music for Booth as well as Harmonica, the soundtrack hints at their fateful relationship long before the truth is visually revealed. Morricone's scores were so integral to Leone's Westerns that he had Morricone write and record Once Upon a Time in the West's main themes, and then played them during shooting so that the actors could move to the score's rhythms. Morricone and Leone repeated this for their equally effective collaboration on the gangster saga Once Upon a Time in America (1984).
Even as he was permanently changing the landscape of Western scores, the breadth of Morricone's talent became apparent as he took on more overtly "art" film projects. Morricone's music lent drama to Gillo Pontecorvo's highly regarded, documentary-style war film The Battle of Algiers (1966); that of Algiers and his score for Pontecorvo's Queimada! (1969) were two of Morricone's outstanding, non-Leone 1960s works. Morricone also delved into the remnants of Italian cinema's postwar heritage with Marco Bellochio's unsung, late neorealist film Fist in His Pocket (1965), Bernardo Bertolucci's neo-neorealist second film Before the Revolution (1964), and Pier Paolo Pasolini's parable/farewell to that legacy, Hawks and Sparrows (1966). Keeping pace with Bertolucci's and Pasolini's evolving styles and concerns, Morricone continued to collaborate with the directors into the 1970s. From the Godard-ian Partner (1968) to the coming of age story Luna (1979) and hostage drama Tragedy of a Ridiculous Man (1980), Morricone enhanced the emotion and drama of Bertolucci's increasingly stylized (and occasionally muddled) imagery, reaching an apex with the somber, grand, and celebratory compositions for Bertolucci's epic 1900 (1976). Morricone's lavish scores for Pasolini's sexy, satirical "Trilogy of Life," The Decameron (1970), The Canterbury Tales (1971), The Arabian Nights (1974), and his notorious final film Salo, or the 120 Days of Sodom (1975), were one of the few aspects of the films not to provoke controversy.
Staying close to his genre film roots even as he advanced in art cinema, Morricone provided psychedelic accompaniment for Mario Bava's superhero romp Danger: Diabolik (1968), and crafted a series of evocative scores for Dario Argento's stylized thrillers, including The Bird With the Crystal Plumage (1969), The Cat O'Nine Tails (1971), and Four Flies on Grey Velvet (1974). Enhancing his international reputation from the 1970s onward, Morricone continued to compose for movies across the artistic spectrum as well as collaborating with an international constellation of directors and stars. Beginning with The Burglars (1971), Morricone devised straight-up action scores for several Jean-Paul Belmondo star vehicles, including Le Professionel (1981); his music also graced the wildly popular French transvestite comedy La Cage Aux Folles (1978) and its sequels. Hired by Don Siegel to give his ironic edge to the Clint Eastwood Western Two Mules for Sister Sara (1970), Morricone made his presence felt in American films in the late '70s with his eerie, pulsating music for the otherwise ridiculous sequel The Exorcist II: The Heretic (1977). Morricone finally received his first Oscar nomination for his magical, pastoral score for Terrence Malick's spectacularly beautiful Days of Heaven (1978).
Constantly working and easily shaking off such lows as a Razzie nomination for John Carpenter's remake of The Thing (1982), and the troubled fates of Sam Fuller's provocative race drama White Dog (1982) and Leone's Once Upon a Time in America (1984), Morricone hit another career peak in the mid-'80s with directors Roland Joffe and Brian DePalma. Merging Brazilian folk and European liturgical traditions through drums, flutes, oboes, chants, and arrangements of "Ave Maria" and "Te Deum," Morricone's majestic score for Joffe's award-winning epic The Mission (1986) garnered another Oscar nomination and became a soundtrack hit. One of Morricone's personal favorites (along with The Exorcist II), he has said of The Mission that it "represents me nearly completely." Morricone earned another Oscar nod the following year for his lushly orchestral, yet edgy, percussion-driven score for De Palma's popular big screen version of The Untouchables (1987). As with his durable associations with Leone, Bertolucci, and Pasolini, Morricone went on to score Joffe's Fat Man and Little Boy (1989), City of Joy (1992), and Vatel (2000), and De Palma's Casualties of War (1989) and Mission to Mars (2000).
Morricone entered into yet another fecund creative partnership in the late '80s with Giuseppe Tornatore's Cinema Paradiso (1988). A favorite of movie music fans, but not one of his Oscar nominations, Morricone's score struck the perfect balance of sentimental, bittersweet nostalgia to accompany Tornatore's paean to cinema. Morricone also scored Tornatore's more downbeat Everybody's Fine (1990), cinema love letter The Star Maker (1995), and earned kudos for his imaginative music for The Legend of 1900 (1998). His work on Tornatore's Malena (2000) earned Morricone his fifth Oscar nomination.
After excursions into Shakespeare with Franco Zeffirelli's version of Hamlet (1990) and the dark side of desire with Pedro Almodóvar's sex comedy Tie Me Up! Tie Me Down! (1990), Morricone garnered his fourth Oscar nod for his moody, period-tinged score for Barry Levinson's Bugsy (1991). As prolific in the 1990s as ever, Morricone had a happy reunion with Eastwood for the summer hit In the Line of Fire (1993), provided the violins for Bugsy star Warren Beatty's glossy remake of Love Affair (1994), brought out the horror and romance in Mike Nichols' Wolf (1994), ditto for Adrian Lyne's adaptation of Lolita (1997), and scored a docudrama about his erstwhile murdered collaborator Who Killed Pasolini? (1995). Working again with Beatty, Morricone neatly sent up political platitudes with martial horns, drums, and fifes and hauntingly paid tribute to the senator's spirit with soaring yet funereal strings in Beatty's incisive satire Bulworth (1998), earning a Grammy nomination for his work.
Even as he began to collect lifetime achievement awards, including a Golden Lion at the Venice Film Festival in 1995, Morricone continued going strong into the new millennium. Maintaining his presence in European and American cinema through his work with Joffe, De Palma, and Tornatore, Morricone also revisited another past creative relationship when he reunited with The Cannibals (1971) director Liliana Cavani for her adaptation of Patricia Highsmith's Ripley's Game (2002). ~ Lucia Bozzola, All Movie Guide
- 1989
The "endless game" is espionage, which goes on and on despite government upheavals and changing international attitudes. Albert Finney plays a retired secret agent called back to active duty. Finney is entrusted with the task of finding out why his fellow retirees are being killed off. One of the victims is a woman who'd once been Finney's lover. Anthony Quayle makes his final screen appearance in this made-for-cable suspenser. Endless Game was written and directed by Bryan Forbes--surprisingly, his first foray into the spy-film genre. ~ Hal Erickson, All Movie Guide
- 1989
- R
In this off-beat wartime drama, a young Italian soldier stationed in Ethiopia gets into deep trouble after a toothache compels him to set off in search of a dentist. He pauses at a desert oasis and sees a beautiful young woman bathing there. He loses control and rapes her. Afterward he feels bad and spends the entire evening with her. Unfortunately, during that time he hears a wild animal and fires a shot which ricochets off of a rock and mortally wounds the hapless girl. Unable to help her, the soldier shoots her in the head and then buries her body. As the soldier resumes his journey, a little time passes and he and his buddies see two natives wearing strange white garments, just like the poor girl he ravaged and killed. They are obviously pariahs and suddenly he realizes why--they are lepers and so was the girl! Soon the soldier discovers an open sore on his hand that will not heal. Believing that he too has the dread degenerative disease he suddenly remembers his family and fiancee in Italy and wants to see them desperately. Unfortunately, he cannot get home and so ends up seeking solace and forgiveness in the dead girl's native village. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nicolas Cage, Ricky Tognazzi, (more)
Casualties of War was based on a New Yorker article by Daniel Lang. This, in turn, was inspired by a true incident which illustrated the dehumanizing aspects of the Vietnam experience. Michael J. Fox plays Eriksson, a member of an American squadron stationed in the deepest jungles of Southeast Asia. Sean Penn co-stars as Meserve, the squadron sergeant, who vows revenge after his best friend is killed. He orders his men to invade a village and "requisition" a young Vietnamese girl (Thuy Thu Lee), who is repeatedly tied, gagged and gang-raped. The horrified Eriksson refuses to participate in these atrocities, and he does his best to console the girl and to attempt to free her. Before this can happen, however, Meserve orders another man to kill the girl. Once he returns to camp, Eriksson attempts to file a report on the tragedy and to bring Meserve and the others to justice, but he is stonewalled by the brass and threatened with death by his fellow soldiers. Eventually Meserve and his co-conspirators are jailed for their crimes, but Eriksson can never forget his "compliance" in the incident by failing to save the girl. The script is by well-known playwright David Rabe. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael J. Fox, Sean Penn, (more)
- 1989
- PG13
This political drama chronicles the corruption of a mayoral candidate for New York City. His ordeal begins when he launches a campaign for the legalization of heretofore illegal narcotics. Alarmed by the support it gets, Mafiosos frame the candidate for a crime he did not commit and force him to choose between joining their ranks or going to jail. ~ Sandra Brennan, All Movie Guide
- Starring:
- James Belushi, Mimi Rogers, (more)
"Fat Man" and "Little Boy" were the nicknames given the atomic bombs that were dropped over Hiroshima and Nagasaki in the waning days of World War II. This elaborately assembled film is the story of the events leading up to the dawn of the atomic age. Paul Newman plays General Leslie Groves, a hard-nosed career soldier who in 1942 finds himself the reluctant "nursemaid" to a group of idealistic scientists in Los Alamos, New Mexico. As the military head of the top-secret Manhattan Project, Groves intends to have the operation run by the book--and failing that, to have things his way at all costs. The film's storyline narrows down to a battle of egos between Groves and atomic scientist J. Robert Oppenheimer (Dwight Schultz), in his own way as contentious and childishly single-purposed as the general. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Dwight Schultz, (more)
- 1988
- PG13
Martin (William Hurt) and Jack (Timothy Hutton) are World War II soldiers who go from being army buddies to bitter enemies during the war in this uneven melodrama. Not realizing they are brothers-in-law, Martin eventually learns that Jack is married to his sister Josie (Melissa Leo). On their wedding night, Josie's father Jorge (Francisco Rabal) had abducted her in an attempt to dominate her with his old-world ideals of marriage. When Jorge drowns in a lake after the car skids off the road, black-sheep Martin returns home to learn of his father's death, vowing to avenge his father after he learns his buddy is his sworn enemy. ~ Dan Pavlides, All Movie Guide
- Starring:
- William Hurt, Timothy Hutton, (more)
- 1988
- PG
Cinema Paradiso offers a nostalgic look at films and the effect they have on a young boy who grows up in and around the title village movie theater in this Italian comedy drama that is based on the life and times of screenwriter/director Giuseppe Tornatore. The story begins in the present as a Sicilian mother pines for her estranged son, Salvatore, who left many years ago and has since become a prominent Roman film director who has taken the advice of his mentor too literally. He finally returns to his home village to attend the funeral of the town's former film projectionist, Alfredo, and, in so doing, embarks upon a journey into his boyhood just after WWII when he became the man's official son. In the dark confines of the Cinema Paradiso, the boy and the other townsfolk try to escape from the grim realities of post-war Italy. The town censor is also there to insure nothing untoward appears onscreen, invariably demanding that all kissing scenes be edited out. One day, Salvatore saves Alfredo's life after a fire, and then becomes the new projectionist. A few years later, Salvatore falls in love with a beautiful girl who breaks his heart after he is inducted into the military. Thirty years later, Salvatore has come to say goodbye to his life-long friend, who has left him a little gift in a film can. In 2002, over a decade after the film's original release, Tornatore brought the original 170-minute director's cut to American screens for the first time. ~ Sandra Brennan, All Movie Guide
- Starring:
- Philippe Noiret, Salvatore Cascio, (more)
- 1988
- R
Thrown out of the house by his wife Eva (Trudie Styler), Gene (Gregg Henry) finds an inventive way to get revenge. Traveling out to the desert, Gene purchases a deadly mamba snake and sets it loose in their apartment, locking his wife in with the creature. A lethal game of hide-and-seek ensues as Gene watches the action from a cleverly configured monitoring system. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Trudie Styler, Gregg Henry, (more)
Following the disastrous Pirates (1986), director Roman Polanski got back on creative track with this finely-wrought thriller that, while failing to impress at the box office, was nevertheless his most critically well-received film of the decade. Harrison Ford stars as Richard Walker, an American doctor who has come to Paris, where he's scheduled to deliver a paper to a medical conference. Richard has brought along his wife Sondra (Betty Buckley), because Paris was the site of their honeymoon 20 years earlier. Sondra picks up the wrong suitcase at the airport, which leads to her kidnapping and an ever-more complicated quest that takes Richard into the seedy and dangerous underworld of European drug smuggling and terrorist arms sales. Along the way, he is rebuffed by skeptical officials at the American Embassy and meets Michelle (Emmanuelle Seigner), a sexy courier who agrees to help him in exchange for the money she's owed for trafficking in narcotics. Playing cleverly on American fears about Europe's Byzantine politics and "decadent" society, Frantic received, from many observers, perhaps the greatest compliment possible for a thriller, comparison to the work of Alfred Hitchcock. ~ Karl Williams, All Movie Guide
- Starring:
- Harrison Ford, Emmanuelle Seigner, (more)
- 1987
- R
Rampage delves into the subject of legal insanity, so often the default defense in modern-time gruesome crime trials. Alex McArthur plays an outwardly normal guy who goes on incredible killing and mutilating sprees until (and even after, when he escapes for a short time) he's captured. When he comes to trial, the liberal DA (Michael Biehn) is torn between his own leftist leanings and the reality of the heinous crimes for which the accused is being tried. He must argue for the death penalty. ~ All Movie Guide
- Starring:
- Michael Biehn, Alex McArthur, (more)
- 1987
Liv Ullmann plays real-life Jewish dissident and astronomer Ida Nudel in this historical biography. Ida is denied papers to emigrate after her lover Yuli (Daniel Olbrychski) is release from a labor camp. When Yuli and Ida's sister Elena (Aurore Clement) receive their papers, Ida rides with them on a train bound for Vienna and jumps off before she crosses the border. Arrested for protesting in Moscow in 1980, Ida is sent to an all-male prison where she is in constant danger of assault. After being transferred to a woman's camp, Ida returns to Moscow to find that her apartment is occupied, Yuli has married, and she is banished from the city she loves. Ida wanders from village to village until she recalls her story to an American reporter. ~ Dan Pavlides, All Movie Guide
- Starring:
- Liv Ullmann, Daniel Olbrychski, (more)
- 1987
In this tragic romance set in Ferrara, Italy in 1938, and at a nearby seaside resort, a wealthy Jewish boy is thwarted in marrying the girl he loves when Mussolini's race laws (enacted to cement the regime's growing alliance with Germany) take effect. Rather than suffer as a Jewess, his intended converts to Catholicism and marries a young fascist. Meanwhile, the town doctor, who is a homosexual, becomes increasingly outcast when he openly falls in love with a boxer. The boxer at first is the man's lover, but when he decides to beat and rob the doctor, no one comes to his aid, and later he commits suicide. This movie is part of a trilogy about prewar Ferrara by director Giuliano Montaldo. ~ Clarke Fountain, All Movie Guide
- Starring:
- Philippe Noiret, Rupert Everett, (more)
- 1987
The different faces of love provide the theme for this beautifully photographed film comprised of four short episodes. In the first story, two sisters head out for a New Year's Eve celebration and end up getting a ride with a car full of boys. The lads rape one of the girls, and strangely, the victim ends up falling in love with one of the rapists. In the second story, two young bucks who have been friends for ages spend a weekend at one of their wealthy father's homes. Eventually, they become much more than friends. The third tale deals with the emotions of an abandoned lover. While moping about, he watches TV and sees the picture of a Bengal tiger. Soon he becomes obsessed by the creature and spends many hours observing it at the zoo. His lover decides to return, but he spurns her. In the last story, a homeless fellow lives in an abandoned car. Among the locals he is known for his wisdom. One day, the doorkeeper of an adjacent building goes to see the derelict. She ends up finding herself strangely drawn to him. ~ Sandra Brennan, All Movie Guide
- Starring:
- Victoria Zinny, Paola Agosti, (more)
Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discouraged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925). ~ Karl Williams, All Movie Guide
- Starring:
- Kevin Costner, Sean Connery, (more)
- 1987
Fifteen strangers who have volunteered for an experiment in isolation are forced to deal with an even larger problem in this film from Italian director Giuliano Montaldo. A research group in Germany wants to study the effects of isolation in a nuclear shelter on human subjects and assembles a diverse group of people for the test. The strangers agree to stay in the shelter for 20 days, but are allowed to exit at any time. During their time in the shelter, the group experiences a wide range of social dynamics, but near the end of their stay in the shelter, it is learned that a real nuclear incident is underway and the test group will be forced to stay in their shelter indefinitely. Featured in the cast are Burt Lancaster, Ben Gazzara, and Kate Nelligan. ~ Ryan Shriver, All Movie Guide
- Starring:
- Burt Lancaster, Kate Nelligan, (more)
William Friedkin, a product of television, returned to the small screen to direct the made-for-TV feature C.A.T. Squad. The titular acronym stands for Counter Assault Tactical. The heroes and heroines are fitted out with state-of-the-art hardware and weaponry that would make the Teenage Mutant Ninja Turtles pale with envy. Captained by Joe Cortese, the squad is assigned to an anti-terrorist mission, the goal of which is to protect a top-secret laser project. Filmed in Canada and Mexico, C.A.T. Squad was plagued by a tiny budget that grew tinier with each passing day. Friedkin had hoped to include an elaborate car chase in the manner of his earlier French Connection, but the money ran out before the vehicles could gas up. First telecast August 27, 1986, C.A.T Squad was followed by a TV movie sequel, C.A.T. Squad: Python Wolf. ~ Hal Erickson, All Movie Guide
Featuring a majestic score by Ennio Morricone and lush Oscar-winning cinematography by Chris Menges, Roland Joffé's The Mission examines the events surrounding the Treaty of Madrid in 1750, when Spain ceded part of South America to Portugal, and turns this episode into an allegory for the mid-'80s struggles of Latin America. Two European forces are on hand to win the South American natives over to imperialist ways. The plunderers want to extract riches and slaves from the New World. The missionaries, on the other hand, want to convert the Indians to Christianity and win over their souls. Mendoza (Robert De Niro) is an exploiter dabbling in the slave trade. But after he kills his brother Felipe (Aidan Quinn) in a fit of rage, he seeks redemption and calls upon the missionaries to assist him. After repeatedly climbing a cliff with a heavy weight as penance, Mendoza finds redemption and becomes a devout missionary at a settlement run by Gabriel (Jeremy Irons). The missionaries want to promote a new society in which the natives will live together in peace with the Spanish and the Portuguese. But this concept frightens the royal governors, who would rather enslave the natives than encourage peaceful coexistence between the Europeans and the Indians. They order the mission to be burned to the ground. But this event causes a rift between Gabriel, who wants to pray and pursue peaceful resistance, and Mendoza, who wants to take up arms and fight the Europeans. ~ Paul Brenner, All Movie Guide
- Starring:
- Robert De Niro, Jeremy Irons, (more)
- 1986
Set in the 16th century, this bawdy comedy is erotic without pornographic detail as two women and one man enjoy a wild and lusty relationship. Angela (Laura Antonelli) is widowed and one day, as she gazes out her window, she is stirred by the sight of a dashing blond foreigner (Jason Connery, son of Sean). She eventually sends her ladies' maid to speak to him as a go-between, while the ladies' maid of the married woman next door is on the same errand. It seems the foreigner is more interested in Angela's neighbor but has no compunction about making love to both women. The dashing young man is soon literally dashing from one woman to the next in a mixed-up confusion, not wanting to give himself away as romancing two women instead of one. Meanwhile, the ladies' maids (and others) enter into the act, while the married woman's husband is due home at any time. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Laura Antonelli, Monica Guerritore, (more)
An international co-production with dialogue in both Italian and English, this erotic thriller from writer Lucio Fulci and director Giuseppe Patroni-Griffi stars Tony Musante as Michael Parker, a successful American businessman living in Italy with his girlfriend. When she leaves on vacation, Michael is soon involved in a torrid, passionate affair with Marie (Laura Antonelli), a woman with whom he once enjoyed a one-night stand. This time, however, Marie is not about to let Michael off the romantic hook so easily, exacting horrific revenge on her lover. Further complicating Michael's love life is Jacqueline, Marie's nubile preteen daughter, whose attraction for Michael pits mother and daughter against each other in an incestuous love triangle. La Gabbia (1985), which translates as "Collector's Item," was also released in the United States as Dead Fright. Although similar to director Adrian Lyne's blockbuster hit Fatal Attraction (1985), which was released the same year, the rougher-hewn La Gabbia actually preceded Lyne's film. ~ Karl Williams, All Movie Guide
- Starring:
- Tony Musante, Laura Antonelli, (more)
- 1985
This documentary showcases the career of Italian horror-film director Dario Argento. Included are clips from his films and behind-the-scenes footage from all of his films from the 1970s The Bird with the Crystal Plumage to the 1980s Creepers. Argento himself is interviewed several times during the course of the film. ~ Brian Gusse, All Movie Guide
Brigitte Nielsen appears as warrior woman Sonja, who unites with a couple of other gladiator types (including Arnold Schwarzenegger) to overthrow the evil queen Gedren (Sandahl Bergman) and avenge the deaths of Sonja's family. This story descends from the writings of Robert E. Howard (author of Conan). ~ All Movie Guide
- Starring:
- Brigitte Nielsen, Arnold Schwarzenegger, (more)
- 1985
- PG13
Ugo Tognazzi and Michel Serrault go through their well-worn passes in this third sequel to their international hit La Cage aux Folles. In La Cage aux Folles 3: The Wedding the element of Woman is introduced to the carefree world of the middle-aged gay couple of Renato (Ugo Tognazzi) and Albin (Michel Serrault). In this effort, Albin stands to inherit a large part of his Aunt Emma's money (and a large chunk of Scotland) on the condition that he marry a woman and father a child. Albin doesn't want to satisfy his Aunt Emma's will because he is what he is, but Renato needs the money to save his St. Tropez nightclub. So Albin grudgingly consults marriage broker Stephane Audran and tries to act like a conservative heterosexual. Albin runs the gamut in trying to conform, from considering going to Lourdes, to suicide. When all hope appears to be lost, the gay duo finally latch onto a pregnant girl, Cindy (Antonella Interlenghi), who decides that marrying Albin is a shade better than trying to kill herself. ~ Paul Brenner, All Movie Guide
- Starring:
- Michel Serrault, Ugo Tognazzi, (more)
- 1985
This melodrama, set in WW II during the French occupation, tells the story of the members of a Jewish family who flee the Germans and end up hiding in the country manse of two aristocrats. Unfortunately, the Gestapo finds them and they are sent to a concentration camp. The film then leaps ahead to 1985 where the daughter of the couple begins believing that her dead brother has been reincarnated as a famed pianist. She feels this is so because both of them love Rachmaninoff's "Concerto No. 2". ~ Sandra Brennan, All Movie Guide
- Starring:
- Evelyne Bouix, Jean-Louis Trintignant, (more)
