John Morgan Movies

Bannerline was Don Weis' first solo directorial credit for MGM. Keefe Brasselle stars as cub reporter Mike Perrivale, who devises a heart-tugging promotional stunt. Upon learning that crusty old history teacher Hugo Trimble (Lionel Barrymore) is dying, Mike writes up a glowing tribute, ascribing all sorts of fabricated accomplishments to the venerable Trimble. The stunt backfires when crime boss Frankie Scarbino (J. Carroll Naish), angered that some of the civic reforms credited to Trimble may put the kibosh on his own operation, threatens to make trouble for Mike. As it turns out, it is the impulsiveness of Scarbino's hired thugs which sets the wheels of reform in motion--simply by beating Mike to a pulp. ~ Hal Erickson, Rovi

Cool Runnings fictionalizes the true story of a bobsledding team from Jamaica making it to the Olympics. The tale begins when Derice Bannock (Leon), realizing that due to an accident his chances of qualifying for Jamaica's 1988 Olympic track team are dashed, scrounges around looking for another sport for the competition. Since ex-United States gold medal bobsledding winner Irv Blitzer (John Candy) now lives in Jamaica, Derice chooses bobsledding, convincing Irv to coach the team. Derice then forms his team. He gets his friend Sanka Cofie (Doug E. Doug) to join up and recruits Junior Bevil (Rawle D. Lewis), a young man who lacks self-confidence, and Yul Brenner (Malik Yoba), a disagreeable and bitter malcontent. After setbacks and near disasters, the group jells as team members and they head off to the Olympics to compete for an Olympic spot. ~ Paul Brenner, Rovi

Nick Robey (John Garfield) is a down-on-his-luck two-bit hood, fast on his feet but a little slow on the uptake. His running buddy, Al Molin (Norman Lloyd), does most of the thinking for him, which includes a payroll heist that goes horribly wrong when a cop spots them just as they've slugged the man with the cash. Al is wounded and caught, but Nick manages to get away, shooting the police officer in the process. He remembers Al's last instructions, to act calmly and melt into the crowd, but Nick isn't quite able to do that -- he hides out at a public swimming pool, where he meets Peg Dobbs (Shelley Winters), a nice but shy working girl, and convinces her to let him take her home. Once there, he tries to spend a normal evening, as though he were on a date, while her mother (Selena Royle), father (Wallace Ford), and younger brother (Bobby Hyatt) go out to a movie. But he can't relax, and their return rattles Nick enough so that he pulls his gun and reveals who he is and what he's done. This is one of several miscalculations that Nick makes in the course of holding the family hostage over the next two days. He initially plans on leaving in the morning, but when he discovers that the police officer whom he shot has died, and that they know who he is, he has to stay, letting the Dobbs family go about their business but always keeping at least one of them at home with him as a hostage, to make sure the others don't talk to the police. The family's plight is further complicated by the fact that Peg is truly attracted to him, despite what he's done, and seems willing to risk a great deal to see her family safe and him safely away from their home. She wants to love him, but discovers that someone who can't trust anyone for more than a few seconds at a time -- forget the gun he's always threatening to use -- can't even feel love, much less act on those feelings. Meanwhile, the police dragnet keeps getting tighter, and Peg's father knows he has to act soon to end this situation before the authorities come knocking on his door and Nick starts shooting. ~ Bruce Eder, Rovi

If Jet Pilot seems hopelessly out of date today, imagine how filmgoers in 1957 reacted when this relic from 1949 was taken off the shelf. Many, many years in the making due to the maniacal tinkering by producer Howard Hughes (who reportedly lost $4 million on it - a massive sum back then), the film was deemed unreleasable upon completion; only when Universal-International took over distribution of a handful of RKO Radio productions did it finally see the light of day. John Wayne stars as an air force colonel stationed in an Alaskan outpost only 40 miles or so from the Soviet Union. Wayne is put in charge of Russian jet pilot Janet Leigh, who claims that she wants to defect. Actually, Leigh is a Communist spy, but thanks to Wayne's affectionate attentions she is won over to the side of Democracy. Thus it is that Leigh rescues the Duke when he is kidnapped and nearly brainwashed by her Commie comrades. Jet Pilot was eventually bought back from U-I by Hughes for his personal collection; not only did he buy into the propagandistic plotline, but he was also enthralled by the aerial scenes, some of which were staged by legendary test pilot Chuck Yeager. The 1949 production date for a number of sequences explains not only why so many of the actors look young for 1957, but the existence of several supporting cast members who had died in the interim (such as Jack Overman and Richard Rober). ~ Hal Erickson, Rovi

In terms of content, Outrage was well-ahead of its time. Mala Powers, who'd previously starred opposite Jose Ferrer in Cyrano de Bergerac, plays Ann Walton, a naïve young girl who is attacked and raped while walking home from work. As if the horror and humiliation of the sexual assault wasn't enough, Ann must endure the scrutiny of her neighbors, some of whom are convinced that she "asked for it." Unable to stand any more, she runs away from her hometown and her fiancé Jim Owens (Robert Clarke), hoping to start life anew in another town. With the help of compassionate clergyman Ferguson (Tod Andrews), Ann slowly regains her faith in humanity, as well as her own self-esteem. Oddly, director Ida Lupino chooses to tackle her material with a complete lack of subtlety. The subject matter of Outrage deserves far more sensitive treatment than it received from the usually reliable Lupino. ~ Hal Erickson, Rovi

This second screen version of Ernest Hemingway's To Have and Have Not is closer in spirit to the original than the first version, though it still is far from faithful to its source. John Garfield stars as Harry Morgan, who has metamorphosed from Hemingway's gun-runner to an ex-PT boat captain, now running a charter boat service in Southern California. Deeply in debt, Morgan agrees to smuggle aliens and later tries to sneak a bunch of gangsters out of the country. By the time he's been given a wake-up call by his conscience, Morgan has caused the death of a close friend. Patricia Neal and Phyllis Thaxter make the most of their limited footage as, respectively Harry Morgan's casual mistress and faithful spouse. Many critics feel that The Breaking Point represents Michael Curtiz' finest directing job--no small praise for a man who helmed such classics as Casablanca and Yankee Doodle Dandy. ~ Hal Erickson, Rovi

The Great Jewel Robber is based on the true story of Gerard Dennis, who during a 12-month period managed to steal more than a million dollars' worth of gems. As played by David Brian, Dennis is an incorrigible ladies' man, who uses women to help him pull off his heists. The first of his conquests, played by Claudia Barrett, pays for his escape from the Canadian authorities. The second (Perdita Chandler) is his partner in crime in Buffalo, New York. The third woman in his life, played by Marjorie Reynolds, ultimately brings about his downfall. For the sake of verisimilitude, Mayor Stanley Church of New Rochelle, Connecticut (where Dennis was finally caught) appears in the prologue as himself. ~ Hal Erickson, Rovi