Terry Moore Movies

In this taut thriller, an aging safe-cracker's daughter gets involved with a petty gangster who is always looking for the big heist that will make him a rich man. The fellow reminds her of her father, but this doesn't stop her from attending his latest crime and acting as a look out. Her boyfriend proves to be a lousy safe-cracker and the heist fails. The woman goes back to her night club singing gig. She then gets involved with the club owner. Meanwhile her father has found a female lock-picker and fallen in love. Later the girl is forced to join her father and his lover on a heist. The club owner also comes and ends up shot by the father's girl friend. The poor daughter ends up convicted of the crime and given the death penalty. Just before she is to fry, the real killer bursts in and confesses. ~ Sandra Brennan, All Movie Guide

A troubled saddletramp with a penchant for drinking away his pain inherits a ranch from the man who may have been his father. This western follows the young rider's attempts to reform. His efforts are ultimately challenged when his old rivals come to town. ~ Sandra Brennan, All Movie Guide

Grace Metalious' once-notorious bestseller Peyton Place is given a lavish -- and necessarily toned-down -- film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion -- which resulted in her illegitimate daughter Allison (Diane Varsi) -- by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can't help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who'd like to be as footloose and fancy-free as the town's "fast girl" Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama's boy Norman Page (Russ Tamblyn). And while all this is going on, "white trash" Selena Cross (Hope Lange) is raped by her stepfather, drunken school caretaker Lucas Cross (Arthur Kennedy). Other characters essential to the action are wealthy Rodney Harrington (Barry Coe), who must pay the price for his dalliance with Betty Anderson; Nellie Cross (Betty Field), Selena's long-suffering mother; and the town's Voice of Reason, Dr. Swain (Lloyd Nolan). This 166-minute soap opera (whittled down to 157 minutes before release) culminates in a spectacular murder trial which lays bare the deep, dark secrets of Peyton Place. Filmed on location in Camden, Maine, Peyton Place was a huge moneymaker (even those who felt that the film was but a heavily laundered shadow of the Metalious original were pleased with the professionalism of it all); it not only spawned a 1961 theatrical sequel, but also a long-running prime time TV serial. ~ Hal Erickson, All Movie Guide

Robert Wagner stars as insensitive Southern landowner who gets a much-overdue dose of humility and democracy when he's drafted into the army. Unable to curb his arrogance, Wagner runs afoul of a sadistic military officer (Broderick Crawford), who makes it his mission in life to break the recalcitrant recruit. After rescuing a fellow soldier (Buddy Ebsen), Wagner discovers he has the inner strength to change his outlook on life, and to stand up to the vicious Crawford. Based on a novel by Francis I. Gwaltney, Between Heaven and Hell features uncredited appearances by Frank Gorshin, Scatman Crothers, and Carl "Alfalfa" Switzer. ~ Hal Erickson, All Movie Guide

It is all but impossible to dislike this ultra-cheap "Cold War paranoia" melodrama. Virtually the entire picture takes place on a single set, representing a rundown roadside diner. Lee Marvin plays the aptly named Slob, a lecherous short-order cook who lusts after shapely waitress Kotty (Terry Moore). Also interested in Kotty is a scientist known only as The Professor (Frank Lovejoy), who spends the better part of his free time at the diner's counter. It turns out that the Professor is a traitor, exchanging top-secret information with Slob, who's actually a commie agent. Only the Professor isn't a traitor, see, he's really . . . But why spoil the film for the uninitiated? For the record, Keenan Wynn and Whit Bissell are also in Shack Out on 101. ~ Hal Erickson, All Movie Guide

Elia Kazan directed this drama inspired by a true story. Karel Cernik (Fredric March) is the leader of a troupe of Czechoslovakian circus performers who have been plying their trade in Eastern Europe for years. When Czechoslovakia falls under Communist rule, the proud and independent Cernik finds that he is no longer free to operate his circus as he sees fit. Many of his performers are conscripted into military service, and his equipment and possessions are declared government property, though the state fails to maintain it properly, or even to give him access to the material to fix it himself. Finally, when Cernik's remaining performers are ordered to insert pro-Communist messages into their acts, he decides that he can take no more and begins making plans to escape to Bavaria during an upcoming tour. Cernik's plans hit a snag, however, when he learns that one of his performers is a spy for the Czech communists, working in collusion with government factotum Fesker (Adolphe Menjou). While politics are making a mess of his professional life, his daughter Tereza (Terry Moore) is complicating matters at home because of her romance with the handsome but unreliable lion tamer Joe Vosdek (Cameron Mitchell), much to the chagrin of both Karel and his wife Zama (Gloria Grahame). The Birnbach Circus troupe, along with a variety of other European carnival performers, appear as themselves in this film, lending the performances a keen authenticity. ~ Mark Deming, All Movie Guide

At the time of its release, Beneath the 12-Mile Reef was considered more notable for its technical achievements than its artistic virtues, a judgment that is still valid, up to a point. It wasn't the most earth-shattering drama ever made, though the performances seem better than they were probably given credit for being at the time. 20th Century Fox's second Cinemascope production starred Robert Wagner (at the height of his male ingénue phase) and Terry Moore in a modern Romeo and Juliet story. He plays Tony Petrakis, the cocky but good-hearted son of Greek sponge fisherman Mike Petrakis (Gilbert Roland), who fishes the area off the Florida coast. The fiercest rivals of Petrakis and his fellow Greek fishermen are the English-descended hook-boat fishermen -- led by Thomas Rhys (Richard Boone) -- who are prepared to kill anyone who intrudes on their established territory. Mike Petrakis has already had one run-in with Arnold, a protégé of Rhys' and the would-be husband of Rhys' daughter, who doesn't know when to back off. In the midst of their conflict, which has come close to gunshots being exchanged, Tony meets Gwyneth Rhys (Terry Moore), Thomas' daughter. She's fascinated by this handsome young Greek who doesn't seem afraid to fight back against men bigger, older, and tougher than he is. The two end up falling in love, much to the consternation of their two families and their friends. Mike later dies in a tragic diving accident, in the aftermath of which his boat is looted and burned at the instigation of Arnold. The elder Rhys turns out to be a better and fairer man than Arnold, who mercilessly beats Tony after catching him off guard. Tony and Gwyneth end up running off together in her hook-boat, with Arnold and her father in hot pursuit, ready to kill him. Only Thomas Rhys' basic decency and Tony's bravery -- coupled with Arnold's cowardice, lust, and anger -- manages to get the conflict settled, in a surprising (and convincing) resolution. ~ Bruce Eder, All Movie Guide

Cardsharp Edmond O'Brien gets more than he bargained for when he links up with con artists Lizabeth Scott and Alexander Knox. The trio plot to fleece a wealthy couple out of ten million dollars by having O'Brien pose as the couple's long-lost son. When the husband (Griff Barnett) refuses to change his will, Scott and Knox plan to bump him off. O'Brien may be a crook, but he's no murderer, so he balks at the plan and confesses the scam to the elderly couple--prompting Knox to add O'Brien to his list of potential victims. When Scott decides to pull out of the plan as well, Knox is run out of town, leaving the girl with O'Brien--truly "two of a kind," who'll be able to line up suckers elsewhere. ~ Hal Erickson, All Movie Guide

To call The Barefoot Mailman episodic would be understating the issue: the film's story stops and starts so often that it appears to be three half-hour TV episodes strung together. No matter, since the premise is workable and the characters appealing. Though Robert Cummings is top-billed as erudite 19th-century con artist Sylvanus Hartley, the title character, Steven Pierton, is played by Jerome Courtland. The film is set in turn-of-the-century Florida, which was then little more than an elongated swamp. It is the responsibility of Steve Pierton to deliver the mail by foot, covering the distance from Palm Beach to Miami. Attempting to elude the northern authorities, Sylvanus Hartley joins Pierton on his treacherous journey. Their travelling companion is Adie Titus (Terry Moore), a hoydenish young lady who disguises herself as a child to avoid unwanted advances. After saving Adie from the clutches of swamp outlaw Theron (John Russell) and his gang, Hartley goes off on a new tangent, bamboozling the local settlers in a highly suspect land-speculation scheme. When Theron and his fellow crooks lay siege upon Miami, Hartley and Pierton, despite their rivalry over the affections of Adie, team up to save the day. Nothing if not unusual, The Barefoot Mailman is based on a novel by Theodore Pratt. ~ Hal Erickson, All Movie Guide

Jimmy Durante plays the patriarch of a down-on-their-luck family of acrobats, who suddenly finds a great deal of money hidden in his house amid the depths of the Great Depression. The authorities suspect Durante of being a thief, but in fact the culprit is a benevolent little squirrel named Rupert. This clever critter has been pilfering money from the obnoxious, wealthy miser who lives in the adjoining house and who decided to stash most of his funds in the wall separating the two residences. The stop-motion animation is the handiwork of George Pal. ~ Hal Erickson, All Movie Guide

Hoping to make the magic of King Kong happen again, the production team of Merian C. Cooper and Ernest B. Schoedsack came up with the 1949 special-effects smorgasbord Mighty Joe Young. Robert Armstrong reprises his Kong portrayal of Carl Denham as hot-shot showbiz entrepreneur Max O'Hara. While in Africa looking for authentic decorations for his new night club, O'Hara makes the acquaintance of Mr. Joseph Young, a ten-foot-tall ape. Unlike King Kong, Joe Young has a heart of gold, thanks in great part to his owner, a lovely lass named Jill Young (Terry Moore). Against her better judgment, Jill allows O'Hara to bring Joe back to the States as a nightclub attraction. Joe proves to be a smash as he participates in Jill's musical act (he lifts her grand piano while she plays "Beautiful Dreamer") and performs a tug-of-war routine with an imposing lineup of professional wrestlers (including Tor Johnson, Man Mountain Dean and Primo Carnera). But when the patrons go home each night, Joe is unhappily relegated to his cage. When a group of obnoxious drunks begin teasing Joe, the disgruntled ape breaks loose and goes on a rampage. Slated to be put to death, Joe redeems himself by rescuing a group of screaming children from an orphanage fire. Featured in the cast are Ben Johnson as the nominal romantic lead, Frank McHugh as Robert Armstrong's assistant, and an uncredited Irene Ryan as a cocktail-lounge patron. ~ Hal Erickson, All Movie Guide

Summer Holiday is a musical remake of the 1935 MGM comedy-drama Ah, Wilderness!, which in turn was adapted from the play by Eugene O'Neill. Mickey Rooney (who played a supporting role in the 1935 film) stars as O'Neill's alter ego Richard Miller, a young man coming of age in early 20th century New England. Anxious to live life to the fullest, Richard ignores the cautionary admonitions of his father Nat (Walter Huston), preferring instead to follow the example of Uncle Sid (Frank Morgan), the family's "black sheep". In his ongoing quest for wine, women and song (he gets precious little of the first two commodities, but plenty of the third!) Richard ignores the fact that the true love of his life, sweet young Muriel (Gloria De Haven), has been under his nose all along. Director Rouben Mamoulien's obsession with cinematic innovations is largely absent here; what emerges is a staid, conventional MGM musical, albeit gorgeously photographed in Technicolor by Charles Schoenbaum. Filmed in 1946 but not released until 1948, Summer Holiday would not be the last musicalized version of Ah, Wilderness!; that honor went to the 1959 Broadway musical Take Me Along, which starred Jackie Gleason as Uncle Sid. ~ Hal Erickson, All Movie Guide