Richard Moore Movies

A disturbed woman starts getting friendly advice from some of the great murderers of history in this black comedy from Great Britain. Introverted Jody Greenwood (Jane Horrocks) and her bolder sister Beth (Imelda Staunton) both live under the thumb of their domineering mother Iris (Brenda Fricker). Jodie has romantic feelings for Dr. Ted Phillips (Jonathan Pryce), a local physician at least twenty years her senior, while Beth has become involved with a hunky male stripper, but both sisters feel paralyzed to do much about their relationships while Iris is still around. One night, Jody is visited by the ghost of Maj. Herbert Armstrong (Edward Woodward), a locally infamous man who made his small town famous with the spectacular murder of his wife. After he passes on some advice about how to achieve personal freedom, Jody kills Iris with an axe and hides the body with Beth's help. However, bad blood arises between Jody and Beth, and, after a nocturnal visit from well-known murderer Dr. Crippen (Hywel Bennett), Jody is inspired to pick up the hatchet again, doing away with Beth and her stripper. Jody beats the case against her in court and wins the heart of Dr. Phillips, but unfortunately she starts getting visits again ... . Jane Horrocks's performance as Jody won her the Best Actress award at the 1994 Catalonian International Film Festival. ~ Mark Deming, All Movie Guide

A virtual remake of its predecessor, Return of the Living Dead (1985), which itself was a tongue-in-cheek rip-off of director George Romero's Night of the Living Dead (1968), this follow-up adheres strictly to a gore and gags formula. Jesse Wilson (Michael Kenworthy), is a young boy being bullied by thugs from the neighborhood when all of them discover a sealed drum containing a zombie corpse. The release of a gas from the container reanimates the dead in a nearby graveyard, thus releasing an army of the undead, which mindlessly crave living human brains. As Jesse tries to contact the military to put a lid on the situation, the zombies are dispatched through a variety of gruesome methods. Two stars of the first film, James Karen and Thom Mathews, return in essentially the same parts, but with different names, as their characters were previously slaughtered. Followed by a third entry in the seires, Return of the Living Dead 3 (1993). ~ Karl Williams, All Movie Guide

In this subtly humorous, alien-invasion film by Michael Laughlin, who co-wrote the screenplay with William Condon, the aliens infiltrate a small Midwestern town in 1958 and beam the "spirits" of several of the townspeople up to their spacecraft in little blue bubbles, while they settle into the bodies of their new farm personae. But Margaret (Diana Scarwid), one of their number, leaves for life and marriage in New York and has a daughter Elizabeth by her earthling husband Charles Bigelow (Paul LeMat), a professor. After two decades or so go by, the aliens opt for returning to their home planet, but they have to first go to the city dressed as farmers and round up Margaret and her daughter. Soon Charles figures out what is going on with the help of the tough, optimistic Betty Walker (Nancy Allen), a reporter for a tabloid paper, and the two head to the town where it all started.The light contrast between the bucolic '50s and the street-wise '80s gives way to a few shocking scenes of repugnant aliens in transformation with formidable special effects. ~ Eleanor Mannikka, All Movie Guide

Walter Matthau plays a CIA agent who's been confined by office politics to a desk job. The disgruntled Matthau quits the service and heads to Europe, where he links up with former lover (an fellow ex-agent) Glenda Jackson. All goes smoothly until Matthau acts on the advice of yet another retired agent, Russian Herbert Lom, who suggests that Matthau write a tell-all autobiography. Spitefully, Matthau sends out copies of his first chapter to the heads of the CIA agencies throughout the world--and from that point on, he and Jackson don't have a moment's peace. This delights Matthau: now that all of his former colleagues are chasing after him, he has a reason to get up in the morning. As written by Brian Garfield, Hopscotch was a conventionally serious espionage novel. As adapted for the big screen by Garfield and Bryan Forbes, Hopscotch is a lively exercise in cloak-and-dagger comedy, even when the pursuit of Matthau turns deadly towards the end. ~ Hal Erickson, All Movie Guide

In The Offence, Sean Connery plays Johnson, a normally unflappable British police inspector who is emotionally shaken by a case of child molestation. For reasons he cannot explain, he is driven to kill the suspect while interrogating him and is suspended from the force. The incident leads to a nervous breakdown -- and the implication that Johnson had beaten the molester to death to purge himself of his own hidden pederastic tendencies. Based on John Hopkins' stage play This Story of Yours, The Offence made little headway at the box office, but United Artists was compelled to release the film to assure Connery's participation in UA's next James Bond movie. ~ Hal Erickson, All Movie Guide

Sally (Robin Woodard) is a strong woman who exerts a powerful influence over everyone she meets. John (Eric Sherman) is so smitten by Sally that he dumps his faithful girlfriend Kate (Hope Wilson). The story is told visually, with occasional voiceover narration. Sally's Hounds has the feel of a high-school film project, yet in 1968 it was highly praised by the wine-and-cheese crowd. Perhaps this was because the film is truly an "auteur" effort: director Robert Edelstein also produced, wrote, and photographed it, in addition to playing a supporting role. ~ Hal Erickson, All Movie Guide