Paul Calderon Movies

A disgraced Dominican cop fights to clear his name and avenge his father's death in this gritty revenge thriller from director Joshua Crook (Salvage, Rockaway). Luisito's father was an honest butcher who valued hard work. He was a positive role model for a kid from the slums, and Luisito's life was forever changed when notorious drug dealer Rafa (Paul Calderon) shot him down in cold blood. Flash-forward two decades, and Luisito is doing his part to keep the Dominican Republic safe from the criminal element. He's been carefully molded into the perfect crime fighter thanks to the charismatic General Colon (Juan Fernández), who exploited Luisito's childhood trauma before inducting him into the secret police. As a young boy, Luisito fell deeply in love with Jenny. But when Jenny's family moved to New York shortly after Luisito's father was killed, they lost touch. Now, Jenny (Denise Quiñones) is back in the Dominican Republic, and her feelings for Luisito are stronger than ever. If only Luisito could find a way to tell her about his work, perhaps they could find a way to make love work. Unfortunately for Luisito and Jenny, an investigation into General Colon's recent activities reveals an epic betrayal, and sets the stage for a tragic confrontation. ~ Jason Buchanan, Rovi

A man who has devoted himself to serving the leader of the free world is accused of plotting against him in this thriller. Pete Garrison (Michael Douglas) is a veteran Secret Service agent who has had a long and distinguished career helping protect the president of the United States. David Breckinridge (Kiefer Sutherland) is a fellow Secret Service agent who learned most of what he knows from Garrison and holds him in great respect. When intelligence data suggests that there is a mole within the Secret Service who is part of a plot to assassinate President Ballentine (David Rasche), Garrison launches an investigation to ferret out the rogue agent, and asks Breckinridge to go over the evidence with a fine-toothed comb. Breckinridge is shocked when the clues point to Garrison as the traitor within the Secret Service, but his sense of duty compels him to see that his former mentor is placed under arrest. Garrison eludes his captors and struggles to prove his innocence while tracking down the real conspirator and eluding the agents who were once his colleagues. As Breckinridge leads the search for Garrison, another ranking agent, Jill Marin (Eva Longoria) plays devil's advocate, convinced that Garrison couldn't possibly be the rat in the house. The Sentinel also co-stars Kim Basinger as the First Lady. ~ Mark Deming, Rovi

The down-and-dirty side of building management in pre-gentrification Manhattan sets the stage for this dark comedy. It's 1981, and Joe Peltz (David Krumholtz) runs a newsstand in New York City, where he has recently married Annabelle (Clara Bellar), an exotic dancer from France who isn't in love with Joe but asked for his hand so she could get a Green Card. When Annabelle discovers she's pregnant, the couple decides they need a larger apartment, and Joe finds a flat in the East Village that's on the same block where his great-great-grandparents lived when they first came to America. However, the neighborhood is decaying and ridden with crime, and when Joe and Annabelle move into their new apartment, he's immediately drafted onto the building's co-op board, where he has to deal with a variety of eccentrics of various stripes and must often sleep in the lobby armed with a baseball bat to ward off junkies and burglars. But by far his biggest problem is Carlos DeJesus (Paul Calderon), a bully who has been squatting in the building for eight years with his roughneck teenage son, Segundo (Jon Budinoff). Carlos sees no reason why he should start paying rent, and he's made enemies with practically everyone who lives in the building, wasting no time in adding Joe and Annabelle to that list. So when a gasoline fire guts Carlos' apartment, the question is not who wanted him out, but who actually had the nerve to start the blaze. Based on a novel by Joel Rose, Kill the Poor was written for the screen by Daniel Handler, best known as the author of the popular "Lemony Snicket" books. ~ Mark Deming, Rovi

Robert Redford stars in this action drama as General Irwin, a respected three-star tactician whose career ends in disgrace when he's court-martialed and sent to The Castle, a maximum security military prison. Irwin quickly butts heads with the facility's autocratic warden, Colonel Winter (James Gandolfini), who runs his command with an iron fist, even killing prisoners when he deems it necessary. Irwin rallies his fellow convicts into a rag-tag army and leads them in a revolt against Winter, an action that the warden is ready to repel by violent means. Mark Ruffalo, Robin Wright Penn, and Delroy Lindo co-star in this Dreamworks production, the third feature film from one-time film critic Rod Lurie. ~ Karl Williams, Rovi

New York City may be the city that never sleeps, but that means some people have to stay awake all night to look after the folks whose days begin after the sun goes down; this made-for-premium-cable drama looks at a group of cabbies trying to get by while working the night shift. The Lady Luck Cab Company is a taxi service run by Box (Sarita Choudhury), who inherited the failing business from her late father and is struggling to keep it afloat against long economic odds as Lady Luck's drivers work long shifts in some of the Big Apple's less picturesque neighborhoods. Hershey (Danny Glover), one of Lady Luck's drivers, was once a professional boxer, but when his athletic career went south, so did his wife, and now he drives a hack while trying to romance George (Pam Grier), a good-looking waitress who likes Hershey, but is frustrated with his schedule, which rarely allows him a night off. This is bad news for Hershey, since Ralph (Paul Calderon), a regular at the diner where George works, has been making a play for her as well. Another driver, Salgado (Michelle Rodriguez), is a short-fused Latin American woman who is frequently the victim of sexual harassment from her customers, which makes her all the more difficult to be around. Jose (Bobby Cannavale) thinks he's hit the jackpot when he discovers a briefcase full of cash has been left in his cab, though he has reason to believe it's stolen. And Rasha (Sergej Trifunovic), a refugee from Bosnia, is still tormented by the violence that cost his family their lives, and has trouble concentrating on his driving, leading him into more than one auto accident. While the drivers deal with their individual dilemmas, all of them are suddenly wary of their customers, thanks to reports of a serial killer preying on New York's cab drivers. Produced for the Showtime premium cable network, 3 A.M. was screened at the Sundance Film Festival prior to its broadcast debut, where it earned an enthusiastic reception. ~ Mark Deming, Rovi

Actor Laurence Fishburne makes his debut as a director in this urban drama adapted from his one-act stage play Riff Raff. 20/20 Mike (Fishburne) and his half-brother Torch (Titus Welliver) bump into each other under less than ideal circumstances -- both are in jail, Mike on parole violation and Torch for theft. Torch is a heroin addict who has trouble financing his habit, so when Mike says he has a plan to make some quick money, Torch is more than eager to help. Mike and Torch try to swindle Hector (Andres "Dres" Titus), who works with his uncle Freddie Nine Lives (Dominic Chianese Jr.) as a bagman for drug kingpin Manny Rivera (Paul Calderon). While Mike and Torch are able to grab a large cache of heroin that Hector is carrying for Manny, the plan soon goes haywire and Hector and his men suffer heavy casualties. Mike and Torch go on the lam, while Manny's henchmen find Freddie and beat a confession out of him -- in which he names Mike and Torch as the thieves. Manny wants his money back and hires an enforcer named Tony (Eamonn Walker) to find Mike and Torch and get the cash. To insure that Tony doesn't waste time, Manny holds Tony's wife (Annabella Sciorra) captive until the money is returned. Noted jazz artist Branford Marsalis composed the film's original music score. ~ Mark Deming, Rovi

A police detective is on the trail of a psychopath while dealing with demons of her own in the crime thriller Oxygen. Madeline Foster (Maura Tierney) is a plainclothes detective with the NYPD who isn't especially happy with her job. She drowns her sorrows in alcohol and masochistic sex, though even her husband (Terry Kinney) is unaware of the full extent of her erotic obsessions. Madeline finds herself assigned to investigate an unusual kidnapping; Frances (Laila Robins), the wife of a prosperous businessman (James Naughton), has been kidnapped and buried alive. The perpetrators demand the ransom be paid within 24 hours, or the air will run out and Frances will be dead. Madeline surmises that the kidnapper is a career criminal known to the NYPD as "Harry Houdini" (Adrien Brody) for his remarkable ability to escape capture. It soon becomes clear that "Harry" knows who Madeline is, and for him this isn't an ordinary kidnapping but an elaborate psychological game; he is convinced they are alike in more ways than they're different, which makes it all the more fascinating for him. Oxygen received screenings at several 1999 film festivals, including Taos, Gen-Art and Cannes (market); it was later purchased by premium cable network HBO, who showed the film before it went into a limited theatrical run. ~ Mark Deming, Rovi

While investigating the rape of a ten-year-old girl, a grieving detective Briscoe (Jerry Orbach) is afforded the opportunity to avenge the death of his own daughter Cathy. Meanwhile, Assistant D.A. McCoy (Sam Waterston) faces a disciplinary committee to explain the questionable courtroom tactics used in the earlier episode "Under the Influence"; McCoy's assistant Ross (Carey Lowell) may either lose her job or leave it voluntarily; and McCoy and Ross' boss Adam Schiff (Steven Hill) faces stiff opposition (most of it fomented by a couple of longtime enemies) during his re-election campaign. Though the central rape case is resolved, the fates of several series regulars are left hanging in this eighth season finale episode of Law & Order. ~ Hal Erickson, Rovi

Based on Richard Price's grim best-seller, and directed by Spike Lee from a screenplay co-written with Price, Clockers takes the structure of a police procedural to build a chilling portrait of despair, hope, and the unanswered problem of black-on-black crime in an urban housing project. The film's haunting themes are vividly visualized during the opening credits, which run over police photos of dead young black men, shot and sprawled on sidewalks, in streets, and hanging over fences. Strike (Mekhi Phifer) is a 19-year-old African-American "clocker" -- the lowest link on the drug dealing chain -- who hangs around park benches and street corners selling small amounts of druges at all hours of the day. Strike drinks chocolate milk to soothe an ulcer and plays with model trains in his apartment, dreaming of a way out of his dead-end life. Drug kingpin Rodney (Delroy Lindo) asks Strike to kill another clocker, Darryl, for skimming money, saying that this will be Strike's ticket to a higher post in Rodney's organization. Darryl is indeed shot, and suspicion immediately falls on Strike, but a weary cop named Rocco Klein (Harvey Keitel) thinks there's more to the case. ~ Don Kaye, Rovi

This unflinching and straightforward look at a middle-class man's descent into drug addiction was based on the diaries of an addict named Angel. Found in a Bronx apartment, the diaries were made into a film by screenwriter Lee Drysdale and director Gary Winick. Angel (Michael Imperioli) is a Wall Street functionary who lives modestly with his wife Monika (Mira Sorvino) and their young children. One day, an old friend from the Marines, Raymond (Paul Calderon), offers Angel a hit on a pipe of crack cocaine and a chance to get in on dealing drugs. Monika reluctantly agrees to the plan, and they set a limit of a couple of months in which they hope that Angel will make a quick killing and get out. The movie then flashes forward three years. Angel has become a hopeless crack addict, while Monika has become enamored of designer clothes. As Angel becomes more unreliable, Raymond kicks him out of the business. Monika achieves independence, gets a job, and finally kicks Angel out. Angel gets more desperate, even trying to sell his wife's jewelry, and finally hits bottom. ~ Michael Betzold, Rovi

In this gritty prison thriller, a passionate prison guard finds himself intimate with a sexy inmate and trouble ensues. The guard, Dan Cappelli, works in a Philadelphia jail. He has a hair-trigger violent temper and after brutally defending a fellow guard who was attacked by an inmate, is reassigned to the women's block. There he encounters Gidell, a hard-as-nails inmate convicted of money laundering. The two find themselves sexually drawn to each other and an illicit torrid affair ensues, but when Gidell's outside lover comes for a visit and mistreats her, Dan goes off like a bomb and ends up on suspension. He begins drinking and soon begins losing his sanity in the face of his self-imposed solitary confinement. When Gidell tells him she is pregnant, he helps her break out of prison. More mayhem ensues. ~ Sandra Brennan, Rovi

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic. ~ Leo Charney, Rovi