Dudley Moore Movies

A gifted musician as well as comic actor, diminutive British performer Dudley Moore made his mark as an American movie star with his hilarious turns as sensitive, bumbling libertines in the hit movies 10 (1979) and Arthur (1981). His stardom, however, had already ebbed before he was diagnosed with a degenerative brain disorder in 1997. Born with a clubfoot and withered leg, Moore endured a series of operations as a child to correct them. He found a refuge from his physical difficulties when he began studying the piano at age six, adding violin and organ to the mix as he got older. After a stint at London's Guildhall School of Music and Drama, Moore attended prestigious Oxford University on an organ scholarship and began composing music for local shows. While at Oxford, Moore met Peter Cook, with whom he teamed up several years after graduation for the popular London musical and comedy revue Beyond the Fringe (1961). After the show's four-year run, Moore and Cook branched out into British TV and movies, including The Wrong Box (1966) and the original version of Bedazzled (1968), featuring Moore as the schlub who makes an absurd Faustian pact with Cook's Satan. Taking a brief break from his comedy partnership, Moore co-wrote, composed the score, and starred in the romantic comedy 30 Is a Dangerous Age, Cynthia (1968), opposite his then-wife Suzy Kendall. After spending the mid-'70s performing live in their hit revue Good Evening, Moore and Cook parted for good in 1977 (save for performances in the Amnesty International benefit shows immortalized on film in The Secret Policeman's Ball [1979]) and Moore headed to Hollywood for his first movie role since 1972. Though the part was small, Moore made the most of it with his outrageous performance as a swinging opera conductor in the Hitchcockian comedy Foul Play (1978). A summer hit, Foul Play inspired Blake Edwards to hire Moore to replace George Segal for the lead in 10. A sex comedy about 1970s hedonism, midlife crises, and the male search for female physical perfection, 10 made inept pursuer Moore and voluptuous fantasy girl Bo Derek into stars. After the woeful Biblical spoof Wholly Moses (1980), Moore had his greatest film success with the blockbuster romantic comedy Arthur. Starring Moore as a soused, piano-playing millionaire, Liza Minnelli as his working-class true love, and Sir John Gielgud as his long-suffering butler, Arthur managed to be as funny as it was charming, earning Moore his sole Oscar nomination and a marvelously dry Gielgud his one Oscar win.
Following a dramatic performance in the unpopular weepy Six Weeks (1982), Moore returned to the frothy genre that had served him so well. Lovesick (1983), Romantic Comedy (1983), and Moore's remake of the Preston Sturges marital farce Unfaithfully Yours (1984), however, all failed to live up to Arthur's success. Whatever ground Moore regained with Blake Edwards' bigamy romp Micki + Maude (1984) was soon frittered away with Santa Claus: The Movie (1985) and Moore's entrant in the late '80s young/old body-swapping comedies, Like Father, Like Son (1987). The saccharine sequel Arthur 2: On the Rocks (1988) failed to recapture the original's sparkle and flopped accordingly. His movie-star status further crippled by box-office duds Crazy People (1990), Blame It on the Bellboy (1992), and The Pickle (1993), Moore returned to TV in the early '90s. Neither of his sitcom vehicles, Dudley (1993) and Daddy's Girls (1994), made it past the first season. Still, through his movie heyday and decline, Moore maintained his parallel career as a musician, appearing as a concert pianist during the 1980s and '90s, as well as masterminding and performing in Showtime's documentary series Orchestra! (1991).
The effects of Moore's disease became apparent, though, during a troubled 1996 concert tour in Australia and he lost the lead in The Mirror Has Two Faces (1996) when he couldn't remember his lines. Already tabloid fodder when his then-fiancée filed domestic abuse charges in 1994, Moore's fourth marriage dissolved into an ugly divorce in 1997, the same year he was diagnosed with progressive, supranuclear palsy. Increasingly immobilized by the disease, Moore's public appearances became rarer; though not lethal, PSP left Moore susceptible to a fatal bout of pneumonia in March 2002.
Moore's four wives also included American actress Tuesday Weld, and he had two sons. ~ Lucia Bozzola, All Movie Guide
1984  
PG13  
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Micki (Ann Reinking) is the wife of Rob (Dudley Moore), an airheaded TV talk show host. Maude (Amy Irving) is an attractive musician who is unaware of Micki's existence, and with whom Rob falls in love. Rob is a guy who can't say no, thus when Maude announces that she's pregnant, Rob obligingly marries her. Trouble is, he's still married to Micki who is also pregnant. To make matters worse, Rob's wives are due to give birth on the same day, forcing the double dealer to work doubly hard to keep both demanding women happy. Matters reach their comical climax when the Big Day arrives and Rob is expected to attend both births at the same time. ~ Hal Erickson, All Movie Guide

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Starring:
Dudley MooreAmy Irving, (more)
1984  
PG  
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This remake of the 1948 Preston Sturges classic stars Dudley Moore as the symphony conductor who imagines ways to get back at the wife he believes is unfaithful to him. Moore plays Claude Eastman, the conductor of a prestigious sympathy, who suspects that his actress wife Daniella (Nastassja Kinski) is fooling around behind his back with the orchestra's handsome soloist, Maxmillian Stein (Armand Assante). The tip comes courtesy of Norman Robbins (Albert Brooks), Daniella's brother. As Claude is conducting a symphony, an elaborate plot plays out in his head -- he will murder his unfaithful wife to get revenge on her. The plot is simpler and more straightforward than the original version, in which the conductor harbored three separate elaborate fantasies. ~ Michael Betzold, All Movie Guide

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Starring:
Dudley MooreNastassja Kinski, (more)
1983  
PG  
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Phoebe (Mary Steenburgen) and Jason (Dudley Moore) are a pair of Broadway playwrights who are partners in their chosen profession, but in spite of a definite inclination, they remain unpartnered (for a long time) in any other way. Phoebe is an aspiring playwright from the Northwoods and Jason is just getting married when the two meet for the first time and decide to collaborate. As their relationship produces first a failure and then a string of successes, their repartée remains sharp and witty -- and their unrequited interest in each other gathers energy over a nine-year period, until some resolution is finally in sight. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Dudley MooreMary Steenburgen, (more)
1983  
PG  
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Saul (Dudley Moore), a married psychiatrist, becomes romantically obsessed with Chloe (Elizabeth McGovern), one of his patients. Chloe has already devastated one psychoanalyst, and although the venerable Freud himself (Alec Guinness) appears to counsel Saul in his worst moments, the man continues on his tormented way. In spite of notable names in the acting field, neither the subsidiary characters nor the story itself rise above the limited dialogue and plot. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Dudley MooreElizabeth McGovern, (more)
1982  
PG  
Tony Bill directed this sentimental weepie starring Dudley Moore as California politician Patrick Dalton. When Nicole (Katherine Healy), the daughter of the well-to-do Charlotte Dreyfus (Mary Tyler Moore) asks to work for his campaign, Patrick initially turns her down. But when he discovers that she is dying from leukemia, Patrick is determined to make her final days happy ones. Along the way, Patrick and Charlotte have an affair and they take Nicole on a dream trip to New York City. ~ Paul Brenner, All Movie Guide

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Starring:
Dudley MooreMary Tyler Moore, (more)
1981  
PG  
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The ads for Arthur suggested that this was an obnoxious film about an obnoxious man, an eternally drunken millionaire indulging his every whim. Instead, Arthur (Dudley Moore) is a sweet, somewhat pathetic character whose millions have left him lonely and with no motivation in life. When the film opens, Arthur is on the threshold of an arranged marriage with simpering socialite Susan (Jill Eikenberry), whom he does not love. Everyone expects Arthur to behave himself, but nobody truly cares for his well-being, with the exception of father-figure butler Mr. Hobson (John Gielgud, who won an Oscar for his performance) and blue-collar shoplifter Linda (Liza Minnelli). Arthur would prefer to marry the lowly Linda, but his iron-willed grandmother (Geraldine Fitzgerald) threatens to pull the plug on his huge inheritance if he doesn't honor his position in life and go through with his marriage to Susan. A sequel, Arthur 2: On the Rocks, followed in 1988. ~ Hal Erickson, All Movie Guide

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Starring:
Dudley MooreLiza Minnelli, (more)
1980  
 
A comedy performance by one of England's favorite comedy duos, replete with expletives undeleted. ~ Tana Hobart, All Movie Guide

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Starring:
Peter CookDudley Moore, (more)
1980  
PG  
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A broadly farcical comedy that attempts to ape the wickedly funny, Bible-spoofing humor of the previous year's Monty Python's Life of Brian (1979), this all-star rib-tickler top-lines Dudley Moore as Herschel, a historical also-ran whose life so closely parallels that of Moses that Herschel begins believing that he, not the other guy, is God's chosen prophet, setting out to free his people from slavery even though his services are not required. Herschel's travels are always a step or two behind Moses and bring him into the company of various period personnel, including Egypt's Pharoah (Richard Pryor), the Devil (John Ritter), an angel (Paul Sand), and the beautiful Zerelda (Laraine Newman). He also discovers that his slave, Hyssop (James Coco), is actually his biological father. Herschel eventually becomes the subject of the lost "Book of Herschel," recounted in a scroll discovered by a modern-day couple (also played by Moore and Newman) vacationing in the Holy Land. Wholly Moses (1980) co-stars several other recognizable actors in supporting roles, including John Houseman, Madeline Kahn, and Jack Gilford. ~ Karl Williams, All Movie Guide

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Starring:
Dudley MooreLaraine Newman, (more)
1979  
R  
Some of the biggest and brightest stars in British comedy appear in this performance film, which documents a revue staged by John Cleese of Monty Python as a benefit for the human rights group Amnesty International. In addition to Cleese and fellow Python members Michael Palin and Terry Jones (who reprise skits from the Python show as well as its lesser-known predecessor At Last The 1948 Show), The Secret Policeman's Ball includes sketches featuring Rowan Atkinson (shortly before his breakthrough success on the UK television series Not The Nine O'Clock News), Peter Cook (who performs classic material from the show Beyond The Fringe), Eleanor Bron, Clive James and The Kevin Campbell Road Show. The show also includes acoustic musical performances from Pete Townshend of the Who, classical guitarist John Williams (who joins Townshend for a version of "Won't Get Fooled Again") and activist singer/songwriter Tom Robinson. The Secret Policeman's Ball was the third in a series of benefits shows organized by Cleese for Amnesty International, and the name was recycled for several filmed stage shows that followed. ~ Mark Deming, All Movie Guide

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Starring:
John CleesePeter Cook, (more)
1979  
R  
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Blake Edwards' 10 stars Dudley Moore as George, a Mancini-type songwriter. Approaching middle age, George feels as if life is passing him by, especially his sex life. Despite the presence of longtime lady friend Sam (Julie Andrews) in his life, he becomes obsessed from afar with Jenny (Bo Derek), who is engaged to be married. Following her to Mexico without her knowledge, George arranges a meeting with Jenny by saving the life of her fiancé, David (Sam Jones). Once he has made her acquaintance, George suddenly finds himself faced with the realities of embarking on such an affair. Beyond renewing the popularity of Maurice Ravel's "Bolero" and turning Bo Derek into a star, upon its release, 10 was one of the most financially successful Blake Edwards films in years. ~ Matthew Tobey, All Movie Guide

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Starring:
Dudley MooreJulie Andrews, (more)
1978  
PG  
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As he did in his screenplay for Silver Streak (1974), writer/director Colin Higgins mixes life-and-death melodrama with broad slapstick in Foul Play. Goldie Hawn stars as Gloria Mundy, a recent divorcée whose attempts to start life anew in San Francisco are bollixed up when she is inadvertently swept up in an assassination plot against the Pope. Offering sometimes dubious aid and comfort to Gloria is bumbling federal agent Tony Carlson (Chevy Chase). The film's comedy ranges from the farcical seduction efforts by musician Stanley Tibbets (Dudley Moore) to the zany, gag-filled car-chase finale. Foul Play features character actors Rachel Roberts and Eugene Roche as villains, Burgess Meredith as a martial arts-happy landlord, and Billy Barty as a long-suffering religious bookseller. It also packs in a memorable "throwaway" gag involving a profane Scrabble game played by sweet little old ladies Queenie Smith and Hope Summers. ~ Hal Erickson, All Movie Guide

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Starring:
Goldie HawnChevy Chase, (more)
1978  
NR  
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The concept behind the 1977 Hound of the Baskervilles involved having "underground" director Paul Morrissey bring an irreverent slant to the original Sherlock Holmes mystery. The film thus casts Peter Cook and Dudley Moore as Holmes and Watson, with such reliable British performers as Terry-Thomas, Joan Greenwood, Denholm Elliott, Hugh Griffith, Spike Milligan, and Roy Kinnear in cameos. Producer Michael White took on the project; it mirrored his previous experience of combining spoofery and fidelity to source material with Monty Python's Jabberwocky. Examples of the film's zaniness include the casting of a lovable Irish wolfhound as the "deadly" Baskerville mastiff and having Holmes and Watson speak in thick provincial accents. For its American release, Hound of the Baskervilles was whittled down to 78 minutes, with several of its scenes out of sequence. ~ Hal Erickson, All Movie Guide

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Starring:
Peter CookDudley Moore, (more)
1976  
 
In 1976, a member of the office staff at the London offices of Amnesty International, a global human rights watchdog group, discovered they'd received a donation from one "J. Cleese" and discovered he was John Cleese, one of the founding members of the Monty Python comedy troupe. Amnesty representatives approached Cleese and asked if he would be interested in staging a fundraiser for the organization, and Cleese agreed to put together a show to raise both money and awareness for Amnesty. The show, which Cleese dubbed A Poke In The Eye (With A Sharp Stick), soon became a summit meeting of some of the most influential acts in British comedy. The cast included Cleese and the other members of the Python group (minus Eric Idle, who had other commitments); Peter Cook, Alan Bennett and Jonathan Miller from the internationally successful revue Beyond The Fringe; Barry Humphries, better known as Dame Edna Everage; Bill Oddie, Graeme Garden and Tim Brooke-Taylor from the television series The Goodies; Neil Innes of the Bonzo Dog Band; John Fortune and Eleanor Bron, and more. A camera crew was on hand to capture comedy history being made, and Pleasure At Her Majesty's documents the rehearsals and preparation for A Poke In The Eye, the often frantic scene backstage, and the show as it was seen by the audience. The title Pleasure At Her Majesty's was a pun based on the show's venue (Her Majesty's Theatre in London) and the phrase "at the pleasure of Her Majesty," a British euphemism for being held by the police. It was the first of many comedy benefits for Amnesty International, several of which were filmed and distributed as part of the Secret Policeman's Ball series. ~ Mark Deming, All Movie Guide

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1976  
 
This 1975 episode of Saturday Night Live is hosted by Peter Cook and Dudley Moore, who perform their legendary "Derek and Clive" routine on the show. Neil Sedaka is the musical guest. ~ Stephen Thomas Erlewine, All Movie Guide

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Starring:
Peter CookDudley Moore, (more)
1975  
 
Taken from the television series "When Things Were Rotten," this collection includes three episodes from the Mel Brooks Robin Hood spoof. ~ Iotis Erlewine, All Movie Guide

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1972  
 
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A star-studded cast highlights this musical adaptation of the classic fantasy tales of Lewis Carroll. One day young Alice (Fiona Fullerton) takes a nasty spill down the rabbit-hole and finds herself in the bizarre kingdom of Wonderland, where she encounters a number of strange and enchanted characters, including the playful White Rabbit (Michael Crawford), the manic March Hare (Peter Sellers), the mysterious Caterpillar (Ralph Richardson), the Doormouse (Dudley Moore), the imperious Queen of Hearts (Flora Robson), and the quizzical Mad Hatter (Robert Helpmann). The cast also includes Spike Milligan, Peter Bull, Roy Kinnear, and Michael Jayston as Lewis Carroll. Alice's Adventures In Wonderland won two prizes at the 1973 British Academy of Film and Theatre Awards -- for Georfrey Unsworth's photography and Anthony Mendelson's costume design. ~ Mark Deming, All Movie Guide

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Starring:
Fiona FullertonMichael Crawford, (more)
1969  
G  
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This slapstick comedy concerns the annual auto race in Monte Carlo and boasts an international cast of all-star thespians. Sir Cuthbert Ware-Armitage (Terry-Thomas) is the scheming villain and auto tycoon who will stop at nothing to win the car race. When Chester (Tony Curtis) wins half of the car company in a card game with the villain, a winner-take-all, race is proposed. Bourvil, Dudley Moore and Jack Hawkins also appear in this lighthearted comedy. Jimmy Durante sings the title tune of this pic that features several exciting stunt-driving scenes that ensue between the beginning and end of the international racing competition. The film is an obvious take off of Those Magnificent Men And Their Flying Machines but fails to live up to the quality of it's predecessor. ~ Dan Pavlides, All Movie Guide

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Starring:
BourvilPeter Cook, (more)
1969  
R  
Homosexuality is only incidentally important in this drama of dependence and intimacy between two aging hair stylists, and nothing shocking to staid and heterosexual sensibilities takes place in this movie, a star turn for Richard Burton and Rex Harrison. Whether the original play was as patently offensive to actual homosexuals as this movie is, is open to question. What is certain is that it grossly exaggerates every unpleasant "fag" stereotype in the books, However, the lead actors skillfully make art out of these very same offensive tics, demonstrating the mysterious power of great performers to make a silk purse out of a sow's ear. In the story, Charlie (Harrison) and Harry (Burton) have been roommates, business partners and intimates for many long years, and their convoluted mutual dependency is every bit as complicated as that between any aged but incompatible couple who have grown used to one another over the years. Charlie thinks he can do without Harry, but Harry knows better and patiently bears the barbs and arrows that come his way. One of the nicer aspects of the stereotypical portrayal is that both men get to demonstrate some beautifully sharp, barbed wit. ~ Clarke Fountain, All Movie Guide

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Starring:
Richard BurtonRex Harrison, (more)
1969  
 
The specter of atomic warfare raises its head once again in this bizarre 1969 black comedy, directed by Richard Lester and hatched from the mind of twisted British comic Spike Milligan. England lays in ruins after World War III, and a number of dazed survivors try to carry on as if nothing is wrong, even when one woman (Rita Tushingham) announces that she is seventeen months pregnant, and others begin to mutate into parrots, wardrobes, and bed-sitting rooms. The often slapstick comedy provides a surreal foreground for the bleak, devastated settings, portions of which were filmed in actual, environmentally blasted industrial areas in Wales. The comedy duo of Dudley Moore and Peter Cook appear as hapless government officials, while Marty Feldman makes his screen debut in a film that could best be described as England's answer to Dr. Strangelove. ~ Don Kaye, All Movie Guide

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Starring:
Rita TushinghamRalph Richardson, (more)
1968  
 
In his first starring role minus his longtime partner Peter Cook, Dudley Moore plays a 29-year-old who goes through an identity crisis when approaching the "three-oh" mark. He wants to be a successful Broadway composer before reaching 30 and also wants to be happily married. Unfortunately, he's so busy as a night-club musician that he hasn't any time to realize his goals. Enter sexy Suzy Kendall (Mrs. Moore at the time), who inspires Dudley to reinvigorate his quest for success and connubial bliss. 30 Is a Dangerous Age, Cynthia delivers a satisfactory quota of laughs; its only drawback is its heavy reliance upon "mod" '60s camera trickery. ~ Hal Erickson, All Movie Guide

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Starring:
Dudley MooreEddie Foy, Jr., (more)
1968  
 
Based on a play by John Osborne, this is one of those movies where the audience pulls for the protagonist but has a hard time actually saying that he IS a protagonist. A highly unlikeable fellow, this protagonist is an attorney in all the ways that make this more an epithet than a profession. He's hated by his office personnel as much as his associates. He's unfaithful to his wife, lousy to his clients, and miserable with his children. Surprisingly, though, Nicol Williamson has taken this nasty person and made us still somewhat care what happens to him. Quite an accomplishment considering the lack of anything at all to love about this misanthrope, but somehow we see just a glimmer of humanity. ~ Tana Hobart, All Movie Guide

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Starring:
Nicol WilliamsonEleanor Fazan, (more)
1968  
 
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Falling somewhere between the Beyond the Fringe school and the Monty Python league, Bedazzled is an irreverent Faust take-off, written by and starring Peter Cook and Dudley Moore (Moore also composed the music). Moore plays a short-order cook at a London Wimpyburger restaurant, who falls hopelessly in love with waitress Eleanor Bron. About to commit suicide, the broken-hearted Moore is approached by Satan (Peter Cook). The Fallen Angel offers to purchase Moore's soul in exchange for seven wishes--the first of which is squandered when Satan buys Moore an ice cream bar (something over which the two stars quarrel throughout the film). Enticed by living personifications of the Deadly Sins--Raquel Welch, wearing next to nothing, is "Lillian Lust"--Moore allows Satan to grant him his heart's desire, utilizing the magic words, "Julie Andrews!" But with each wish, Satan, being Satan, can't help but gum up the works with a double-cross. The desperate Moore ultimately wishes to be allowed to spend the rest of his life with Eleanor in an environment with no other men--whereupon Satan transforms both Eleanor and Moore into nuns! Finally Satan has a change of heart, allowing Moore and Eleanor to fall in love in more orthodox surroundings and permitting Moore to regain his soul. Satan hopes that God will appreciate this good deed and allow him to re-enter Heaven. But God doesn't buy this; He's satisfied with Satan remaining mankind's "necessary evil". ~ Hal Erickson, All Movie Guide

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Starring:
Peter CookDudley Moore, (more)
1966  
 
Years before the story proper in The Wrong Box gets under way, a "tontine" is drawn up on behalf several young British boys. Each of the boys' parents had placed 1000 pounds in a pool, to be invested and expanded upon. The resultant fortune will go to the last surving member of the tontine. A series of montages depicts the various demises of the heirs (our favorite occurs when one of them is inadvertently beheaded while being knighted by Queen Victoria). Finally, only two of the tontine participants are left: aged brothers Ralph Richardson and John Mills. On his last legs, Mills is determined that Richardson will not outlive him, and to that end attempts to kill his brother; each attempt fails spectacularly, with the doddering Richardson none the wiser. Standing to benefit from the tontine are Mills' dimwitted med-student son Michael Caine and Richardson's greedy nephews Peter Cook and Dudley Moore. When Richardson is supposedly killed in a train wreck, Cook and Moore don't want the authorities to find out, so they appropriate what they think is their uncle's corpse and ship it home in a box. Thus it is that Caine finds the body of a perfect stranger on his doorstep. The farcical complications begin flying about thick and fast from this point onward. Among the participants in this wacky gigglefest are such formidable talents as Peter Sellers, Tony Hancock, Wilfred Lawson, Thorley Walters, Norman Rossington, Irene Handl and Cicely Courtenedge. Based on a novel by Robert Louis Stevenson, The Wrong Box is a delightful harkback to the glory days of Britain's Ealing comedies. We were so wrapped up in the story that we didn't even notice all those TV antennae sprouting up on the rooftops of Victorian London. ~ Hal Erickson, All Movie Guide

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Starring:
John MillsRalph Richardson, (more)

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