Martin E. Mooney Movies

In this crime drama the trouble begins when a murder occurs aboard a docked ship. Another murder occurs aboard an airplane in flight. An insurance investigator comes to Tangier to look into the theft of 50,000 pounds of sterling from the ship. He is assisted by a cafe entertainer. Together they solve the mysteries and recover the missing silver. ~ Sandra Brennan, All Movie Guide

Elevating Criminal Court above the B-picture norm is the inventive direction by Robert Wise and the better-than-usual performances by all concerned. In a break from his heroic "Falcon" role, Tom Conway stars as Steve Barnes, a criminal attorney known for his unorthodox courtroom tactics. After accidentally killing a crooked nightclub owner, Barnes is stuck on the horns of a dilemma when his sweetheart, cabaret singer Georgia Gale (Martha O'Driscoll), is arrested for the crime The problem: How can Barnes clear Georgia of the murder without implicating himself? As for the solution...well, best not to reveal that here. All that keeps Criminal Court from A-picture status is its 62 minute running time; on the other hand, the film's impact might have been blunted had it been any longer. ~ Hal Erickson, All Movie Guide

The PRC "special" Danny Boy stars Ace the Dog in the title role. Danny Boy, a highly decorated war dog, is kidnapped by a nasty sort who gets his jollies out of mistreating animals. While he comes dangerously close to turning vicious and unmanageable, Danny Boy manages to escape with his basic good nature intact. After a torturous journey home, Danny Boy is reunited with his young master, Buzzy Henry. In real life, Ace the Dog was nowhere near as docile as the character he was playing, and it is obvious throughout that he'd just as soon take a bite out of Buzzy Henry as nuzzle the kid. ~ Hal Erickson, All Movie Guide

This prison reform-minded melodrama from B-movie director Gordon Douglas opens with an introduction from Lewis F. Lawes, the real-life prison warden turned author of 20,000 Years in Sing Sing (1932). Lawrence Tierney stars as Jim Roland, one of the founding members of the Inmate's Welfare League, a prisoners' rehabilitation group operating inside the California state prison San Quentin. The League keeps internal peace at the prison and helps career criminals go straight, training them for a law-abiding life on the outside. Upon his parole, Jim became one of the program's first success stories, but the same can't be said for Nick Taylor (Barton McLane). Once a model prisoner, Taylor has broken out of the facility and gone on a violent crime spree. When San Quentin officials, including Warden Kelly (Harry T. Shannon), consider shutting down the program, the membership feels responsible and appeals to Jim for help. The ex-con, now a responsible citizen, sets out to bring Taylor to justice and save the League, putting his own life at risk. Douglas employs a brisk pace in San Quentin (1946), which is also the feature film debut of actor Raymond Burr, who appears in the supporting role of Jeff Torrance. ~ Karl Williams, All Movie Guide

More expensive-looking than most PRC productions, Crime Inc. is based on a story by former crime reporter Martin Mooney. Drawing from his own experiences, Mooney has concocted a tale of a newspaper journalist who faces a prison term because he refuses to reveal his sources. Tom Neal plays the Mooney counterpart, a crime reporter who takes on a gang of racketeers. His effectiveness is somewhat diluted when he falls in love with Martha Tilton, the sister of one of the crooks. Further complicating things is the fact that the foreman of a jury listening to testimony against the racketeers is in fact the leader of the gang. ~ Hal Erickson, All Movie Guide

A policeman teams up with a drama critic to solve a mystery in this drama. They look into a case involving a wealthy, famous uncle who is killed backstage. His death destroys the Broadway debut of the uncle's niece whose father, also a very popular actor, becomes the prime suspect as the recently bankrupt fellow was in line to inherit the uncle's fortune. It is a complex case, but somehow the critic and the cop are able to sort through it all and reveal that the killer's identity. ~ Sandra Brennan, All Movie Guide

With such charismatic villains as John Carradine and J. Carroll Naish on hand in PRC's Waterfront, who cares about nominal leading man Terry Frost. The story is set in the docks of San Francisco, where Nazi spy Carl Decker (Naish) poses as a harmless optometrist. Decker is aided and abetted by fellow goose-stepper Victor Marlowe (Carradine), who keeps the local German-Americans in line by threatening them with reprisals against their families. The film's "Maguffin" is a code book, which briefly falls into the hands of hapless hero Jerry Donovan (Frost) and helpless heroine Freda Hauser (Maris Wrixon). Evidently the only thing that can save Democracy is a falling out between Decker and Marlowe, and that's just what happens in the final reel. ~ Hal Erickson, All Movie Guide

Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights. ~ Hal Erickson, All Movie Guide

The Great Mike is a horse owned by sensitive farm boy Jimmy (Buzzy Henry). Though the nag is prestently hitched to a milkwagon, Jimmy is convinced that he's got a racing champ on his hands. Convincing big-time sportsman Whitley (Pierre Watkin) that The Great Mike has what it takes, Jimmy and veteran trainer Spencer (Stu Erwin) begin prepping the horse for an important race. A gang of crooks intrudes upon this set-up, threatening the horse's future well-being, but The Great Mike is rescued through the timely intervention of Jimmy's faithful dog. At the time of its release, The Great Mike garnered some good notices, many of them reserved for "Our Gang" alumnus Carl "Alfalfa" Switzer, who essays a comedy-relief part. ~ Hal Erickson, All Movie Guide

With a title like I Escaped from the Gestapo, it's a wonder that there's any suspense at all in this Monogram programmer. Dean Jagger stars as Lane, an imprisoned counterfeiter who is sprung from jail by a group of sinister-looking gentlemen. It soon develops that Lane is expected to apply his counterfeiting skills on behalf of the Nazis, who hope to destroy America's economy by flooding the market with phony money. But Lane's patriotism outweighs his mercenary instincts, and he turns the tables on the villains. Particularly well cast, I Escaped from the Gestapo features such reliables as John Carradine, Sidney Blackmer and Ian Keith, as well as Mary Brian in one of her handful of "comeback" films. ~ Hal Erickson, All Movie Guide

Director William "One Take" Beaudine slapped together Foreign Agent in a week or so, enabling Monogram to ship the picture to theaters before its subject matter grew stale. Set in a Hollywood movie studio (sure looks like the cramped Monogram headquarters), the story concerns a gang of Nazi agents who want to get their filthy mitts on a searchlight filter developed by studio technician Jimmy (John Shelton). Unable to alert the authorities, Jimmy is forced to turn sleuth himself to rout out and round up the villains-all played by such overly obvious types as Hans Schumm and Ivan Lebedeff (a Lithuanian actor, here cast as a Japanese!). Heroine Gale Storm sings two songs, including the deathless "It's Taps for the Japs." Jack Mulhall, who used to star in films of this nature, plays a bit role as a studio film editor. ~ Hal Erickson, All Movie Guide

Magazine writer and editor Fulton Ousler's stern police commissioner Thatcher Colt came to the screen in April of 1942 courtesy of former investment broker Lester Cutler, veteran actor Sidney Blackmer, and cinematic hack William Beaudine (the latter living up to his nickname "One Shot" by assembling the whodunit within a week or so at Hollywood's Talisman Studios). Arrested for loitering in a cemetery, wigmaker and operetta company proprietor Everett P. Digberry (Byron Foulger) claims to have been lured there by a blackmailer known only as the Black Panther. But as Colt and his lieutenant, Anthony Abbott (Rick Vallin), soon discover, the paw print on the blackmail note belongs to Digberry's own pet cat and when the wigmaker's secret inamorata, Nina Politza (Gerta Rozan), is found murdered, Digberry becomes the obvious prime suspect. But then a rival wigmaker is slain and suspicion turns to bombastic tenor Enrico Lombardi (Joaquin Edwards). But is he the killer? Or did someone else do the dirty deed? Despite a rather lavish ad campaign that promised more Thatcher Colt stories in the future, The Panther's Claw marked the fictional detective's only screen appearance. ~ Hans J. Wollstein, All Movie Guide