Robert Montgomery Movies

A trio of energetic young men try to put on a good show for their Army camp, in this lightweight comedy by Raoul Walsh. Luigi (Sal Mineo just risen to stardom), Jerry (Berry Coe), and Mike (Gary Crosby) are in boot camp when they are presented with a chance to represent their unit in competition on a national television show. The three guys are up to the challenge, which begins a chain of unusual circumstances that not only have them singing and dancing at the proper times, but also running into a trio of alluring young women (Barbara Eden, Terry Moore, and Christine Carere). Then there is that little mix-up when the Assistant Secretary of War mistakenly marries herself off to a doped-up Private Jerry, all for a good cause. ~ Eleanor Mannikka, All Movie Guide

In this romantic drama a woman with a scandalous past tells all in an autobiography. It seems the woman, an artist, received special favors from a politician in exchange for a few favors from her. The pushy magazine editor who tries to convince her to write her memoirs, despises everything she stands for, yet in the end cannot help falling in love with her. ~ Sandra Brennan, All Movie Guide

Ivor Novello's elegant stage play The Truth Game was the source for MGM's But the Flesh is Weak. C. Aubrey Smith and Robert Montgomery star as Florian and Max, father-and-son fortune hunters whose ethics and integrity wax and wane throughout the picture. Eventually, Florian outsmarts himself and ends up broke and heavily in debt. To save his father from committing suicide, Max agrees to marry wealthy Lady Joan (Heather Thatcher). Will he be saved from this rash act in time by his true love, poor but proud widow Rosine (Nora Gregor)? In cold print, But the Flesh is Weak may seem like a stark tragedy, but is in fact a witty, polished polite comedy. ~ Hal Erickson, All Movie Guide

Unlike most "collegiate" films of the 1920s, College Days paints a fairly realistic portrait of campus life. To be sure, the characters are seen in raccoon coats and flapper skirts. Yes, they do take an occasional swing from their hip flasks while partying at the local roadhouse. And, true, they spend their spare time speeding around in Stutz Bearcats. On the other hand, the students are shown actually attending classes -- and, in an even more radical departure from formula, they are glimpsed doing their homework! The film ends with the traditional Big Football Game, as BMOC Jim Gordon (Charles Delaney) leads his team to victory. A.P. Younger, the writer of many a football drama of the era, supervised the production and penned the script, while Pat Harmon, who played the football coach in Harold Lloyd's The Freshman, more or less repeats his performance here. ~ Hal Erickson, All Movie Guide

The fourth directorial effort of actor Robert Montgomery, Eye Witness was lensed on location in England. Montgomery plays an American attorney whose British pal (Michael Ripper) has been accused of murder. Ripper insists that he spent the evening of the crime with a woman, who has seemingly disappeared from the face of the earth. Montgomery dedicates himself to locating the missing witness before sentence can be pronounced. A compact courtroom drama highlighted by unexpected moments of humor, Eye Witness was released in some areas as Your Witness. ~ Hal Erickson, All Movie Guide

Fast and Loose was the second of MGM's brief "B" series based on Harry Kurnitz' husband-wife team of bookdealing sleuths, Joel and Garda Sloane. In Fast Company, the first of the series, Melvyn Douglas and Florence Rice played the Sloanes; in this second entry, the characters are portrayed by Robert Montgomery and Rosalind Russell. The murder victim this time is a celebrated rare book collector, and the motive is a missing first edition of Paradise Lost. The supporting cast included several likely suspects, including old reliable Ralph "Anything I Can Do to Help?" Morgan. Fast and Loose might have been faster and looser had it been shorter than 80 minutes. ~ Hal Erickson, All Movie Guide

Buster Keaton's talkie debut (discounting his non-speaking guest appearance in Hollywood Revue of 1929) was Free and Easy, an uneven but generally amusing comedy with a Hollywood setting. When pretty Elvira (Anita Page) of Gopher City, Kansas wins a beauty contest, her prize includes a trip to Tinseltown and a screen test at MGM. Appointing himself protector of Elvira and her formidable mother (Trixie Friganza), gas-station attendant Elmer Butts (Keaton) accompanies them to California. Once they've arrived, Elmer manages to disrupt the daily MGM routine, stumbling into films in progress, knocking over sets and breaking props, and finding himself taking a screen test in which he repeatedly blows the single line "The queen has swooned" ("The sween has quooned", "The coon has sweened") over and over. Meanwhile, latin-lover film star Lorenzo (Robert Montgomery) sets his sights on innocent Elvira, attempting to seduce her while Elmer's back is turned. But Lorenzo turns out to be a good guy -- in fact, his real name is Larry, and he's a Kansas boy himself -- and he arranges for Elvira to get her big break. In a surprise turnaround, Elvira doesn't win a contract, but Elmer and Elvira's mom become popular musical-comedy stars! The film is studded with guest appearances by such MGM contractees as directors Cecil B. DeMille, Lionel Barrymore, Fred Niblo, and actors Gwen Lee, John Miljan, William Haines, Karl Dane and Keaton's then-girlfriend Dorothy Sebastian. Free and Easy was also filmed in French, Spanish and German-language versions, with Keaton speaking his words phonetically in all three. The film was remade as Pick a Star in 1937, and as Abbott and Costello in Hollywood in 1945. ~ Hal Erickson, All Movie Guide

Released in America as Haunted Honeymoon, this droll British comedy-mystery stars Hollywood's Robert Montgomery as Dorothy L. Sayers' erudite amateur sleuth Lord Peter Wimsey. Upon marrying mystery writer Harriet Vane (Constance Cummings), Lord Peter swears off crime-solving and embarks upon his honeymoon. Alas, the couple is soon involved in yet another murder, and is forced by circumstances to piece together the clues themselves-and to avoid being knocked off by the murderer. Filmed at MGM's Elstree facilities, Busman's Honeymoon benefits from a strong "home-grown" supporting cast, including Leslie Banks and Robert Newton. The film was directed by the talented Arthur B. Woods, unfortunately an early casualty of WW2. ~ Hal Erickson, All Movie Guide

Robert Montgomery plays saxophone-playing boxer Joe Pendleton, who insists upon piloting his own plane, much to the consternation of his manager Max Corkle (James Gleason). Just before a championship bout, Joe's plane crashes. When he revives, he finds he has been whisked away to Heaven by the overanxious Messenger #7013. Checking with the man in charge, one Mr. Jordan (Claude Rains), Pendleton discovers that he isn't scheduled to die for another 50 years. Joe heads back to earth, only to learn to his chagrin that his body has been cremated. Mr. Jordan is obliged to find Joe a new body; the "candidate" is a business mogul named Farnsworth, who is in the process of being murdered in his bath by his wife (Rita Johnson) and her lover (John Emery). Joe takes over Farnsworth's body, astonishing the murderers by emerging from the bathroom, very much alive (while Joe still looks like Joe to himself and the audience, he looks like Farnsworth to everyone else). Still desirous of winning the upcoming championship, Joe begins to whip Farnsworth's body into shape, even hiring Max Corkle to manage him. It takes some doing, but Joe convinces Max that he is indeed Joe and not Farnsworth (their scenes together are priceless, far better seen than described). Meanwhile, Joe has fallen in love with Bette Logan (Evelyn Keyes), a woman whose father had been ruined by the real Farnsworth. For her sake, he pays back millions of dollars that the crooked Farnsworth had finagled out of his investors. This prompts Mrs. Farnsworth and her lover to kill "Farnsworth" again, and once more Joe Pendleton is without a body. How Mr. Jordan arranges for Joe to win the championship, expose the murderers and walk off arm and arm with Bette is a bit too complex to detail here. Here Comes Mr. Jordan is one of the most consistently clever romantic comedies of the 1940s, and richly deserving of the Oscars won by screenwriters Sidney Buchman, Seton I. Miller and Harry Segall. A sequel, Down to Earth, was filmed in 1947, with Roland Culver as Mr. Jordan; and in 1978, the original Jordan was remade by Warren Beatty as Heaven Can Wait. ~ Hal Erickson, All Movie Guide

Not every Greta Garbo film is an imperishable classic; this was seldom truer than in the case of her repetitious 1931 vehicle Inspiration. A modernized adaptation of Alphonse Daudet's Sappho, the film casts Garbo as Yvonne, a Parisian belle with "a history." When her past returns to haunt her, she decides to walk out on her sweetheart Andre (Robert Montgomery), even though she still loves him. Eventually she returns to Andre, but this time he leaves her. Worried that Yvonne will take drastic action over his defection, Andre returns, whereupon Yvonne breaks up the romance a third time, "all for the best." Had there been a fourth breakup, the audience probably would have walked out. No matter: Garbo illuminates every scene she's in, and that's all anyone could possibly ask for. ~ Hal Erickson, All Movie Guide

Robert Montgomery is the director and star of the film noir mystery Lady in the Lake, adapted for the screen by source novelist Raymond Chandler. Montgomery plays detective Philip Marlowe, a private eye who just wants to publish his own crime stories. Kingsby Publications editor Adrienne Fromsett (Audrey Totter) meets with Marlowe, but offers him a job as a detective instead of a writer. She wants him to find the missing wife of her boss, Mr. Kingsby (Leon Ames). (Adrienne wants them to proceed with their divorce so she can marry Kingsby herself.) Marlowe accepts the job and goes looking for clues at the home of the wife's sometime lover, Chris Lavery (Dick Simmons). When Marlowe gets knocked out and picked up for drunk driving, he decides to drop the case. He is drawn back in, however, when Adrienne suggests that Kingsby's wife is responsible for the murder of a mysterious lady in the lake. Lloyd Nolan and Tom Tully play two police detectives also on the case. Lady in the Lake is remembered as being filmed with a subjective camera -- almost entirely from Marlowe's point of view -- and subsequently hyped by an MGM ad campaign. ~ Andrea LeVasseur, All Movie Guide

Based on a novel by Marie Belloc Lowndes, this drama chronicles the tangled web woven by a poisonous New York socialite who tires all her means to escape the unwanted attentions of a would-be lover before resorting to murder. Joan Crawford stars as the title character whose travails begin during a South American vacation after she meets the handsome Emile (Nils Asther). For her own amusement, she dallies with him and even writes him a few passionate letters before boredom overtakes her and she decides to return to the Big Apple--without her new lover. Unfortunately, Emile has become obsessed with her and to force he to stay threatens to use her impassioned letters to socially embarrass her back home. This only increases her icy determination to return home. On the long cruise northward, she meets and falls in love with Robert Montgomery and they get engaged. Crawford has no idea that Emile has taken a plane to New York so he can greet her at the dock. He then begins stalking her and constantly threatening her with those damning letters until she decides she has had enough and puts a permanent end to his badgering. Unfortunately, her action is not without repercussions and ultimately, she must put her trust in her fiance and her mother with whom she has been emotionally estranged. ~ Sandra Brennan, All Movie Guide