Robert Montgomery Movies

Bumping along over several flaws, this is an odd sci-fi film directed by David Bradley, best known for his incredibly vast private film library rather than his stints in the director's chair. A very motley crew is winging its way through space with the moon as its objective. On board the spaceship are a dozen scientists, engineers, and researchers from the U.S., Sweden, Russia, Israel, Germany, and even Turkey. The flight captain has not only a variety of nationalities to juggle but must also contend with the dissension between the German and Israeli due to a certain holocaust tragedy in World War II. The romance between the magnificent Swedish chemist and the Turkish biologist is also heating up. But the worst is yet to come. After landing on the moon, the crew discovers that underneath the lunar surface is a whole civilization of peace-loving moon-beings who never asked for visitors. Their reaction is rather chilling. ~ Eleanor Mannikka, All Movie Guide

The "mutual admiration society" consisting of actor James Cagney and actor/director Robert Montgomery culminated in the 1960 film The Gallant Hours. Cagney stars as war hero Admiral William F. "Bull" Halsey. On the verge of retirement, Halsey recalls his most fateful wartime experience: his five-week showdown between himself and Japanese Admiral Yamamoto (James T. Goto) in 1942. In command of the American naval forces in the Pacific, Halsey scores a crucial, tide-turning victory at Guadalcanal. In concentrating on the participants rather than the battle itself, The Gallant Hours is a character study of a remarkable American. The a cappella "score" performed by Ken Darby and the King's Men Quartet is a matter of taste. ~ Hal Erickson, All Movie Guide

A trio of energetic young men try to put on a good show for their Army camp, in this lightweight comedy by Raoul Walsh. Luigi (Sal Mineo just risen to stardom), Jerry (Berry Coe), and Mike (Gary Crosby) are in boot camp when they are presented with a chance to represent their unit in competition on a national television show. The three guys are up to the challenge, which begins a chain of unusual circumstances that not only have them singing and dancing at the proper times, but also running into a trio of alluring young women (Barbara Eden, Terry Moore, and Christine Carere). Then there is that little mix-up when the Assistant Secretary of War mistakenly marries herself off to a doped-up Private Jerry, all for a good cause. ~ Eleanor Mannikka, All Movie Guide

After the film-noir melodramatics of Lady in the Lake and Ride the Pink Horse, actor/director Robert Montgomery turned to comedy in Once More, My Darling. Montgomery plays a former movie idol hired by the government to woo a young heiress (Ann Blyth). Someone had previously given the girl some jewelry stolen by the Nazis during the war, and the government wants to find out who that someone was. In the grand tradition, Montgomery pursues Blyth until she finally catches him. Produced by longtime Alfred Hitchcock associate Joan Harrison, Once More, My Darling is more conservatively directed than Montgomery's earlier works, though the director earns at least one laugh by playing a clever editing joke. ~ Hal Erickson, All Movie Guide

June Bride is based on Feature for June, a play by Eileen Tighe and Graeme Lorimer. Bette Davis plays the businesslike editor of a fashionable woman's magazine, who plans a feature on a "typical" midwestern marriage. She assigns her aide (and former fiance) Robert Montgomery to cover the story, a task he feels is beneath him. Even so, Montgomery keeps his mouth shut as Davis and her assistants Fay Bainter and Mary Wickes descend upon the hapless family of the bride and re-arrange the household so that it will be more "appealing" to the magazine's devoted readers. Unable to stand any more of this, Montgomery devilishly upsets the apple cart: he convinces the younger sister (Betty Lynn) of the bride (Barbara Bates) to elope with the groom (Raymond Roe), for whom the sister carries a torch. Infuriated by Montgomery's intervention, Davis fires him on the spot. She later relents, realizing that the change in marital plans will make an even better story than her original concept. In so doing, Davis finally admits that she's still in love with the cheeky Montgomery. One of the better Bette Davis vehicles of the late 1940s, June Bride is chock full of brisk, bright dialogue and appealing characters. Debbie Reynolds makes her film debut in the teeny-tiny part of a friend of the bride. ~ Hal Erickson, All Movie Guide

Robert Montgomery directed and starred in this exotic film noir set during a New Mexico fiesta. Montgomery plays a secretive ex-GI who plans to extort money from a prominent gangster (Fred Clark) as retribution for the death of Montgomery's best friend. An FBI man (Art Smith) would like the government to get the incriminating information on the gangster that Montgomery is carrying. Trailed by the FBI agent, Montgomery takes refuge at an old carousel, where he meets a Mexican gamin (Wanda Hendrix) who refuses to leave his side. The girl is on hand when the gangster catches up with Montgomery and has him beaten. She nurses Montgomery back to health, but the would-be blackmailer is determined to confront the gangster again. This time, however, the FBI agent comes to the rescue. Ride the Pink Horse is a properly moody melodrama, containing one of the few truly good performances from eternal ingenue Wanda Hendrix. The film was remade for TV in 1964 as The Hanged Man. ~ Hal Erickson, All Movie Guide

John Brickley (Robert Montgomery) believes in PT boats, and as a lowly U.S. Navy lieutenant stationed in the Philippines, that makes him a radical thinker. "Your boats maneuver beautifully," an admiral (Charles Trowbridge) tells him, "but if I'm going into combat, I prefer something a little more substantial." The gently delivered but stinging dismissal stirs the resentment of Lt. "Rusty" Ryan (John Wayne), who tartly tells Brickley that he wants to be transferred to destroyers. The Pearl Harbor bombing makes transfer impossible, especially with the Japanese preparing to invade the islands. So Brickley and Ryan go to work, first as message carriers between the Philippines and Corregidor, then, finally, as ship hunters. They record some successes, but it's a doomed effort: The Americans are hopelessly outnumbered by the Japanese, and with almost all of the Pacific Fleet destroyed at Pearl Harbor, they know help won't arrive to save them. As the Japanese push the U.S. forces back, Brickley and Ryan and their crews hop from island to island, scrounging supplies and taking casualties but keeping up the fight. Just as it appears that they will be forced to fight on Corregidor against the Japanese, they get rescued; they're ordered home to promote their PT-boat successes, and they take the last plane out, hoping to return and avenge their defeats. ~ Nick Sambides, Jr., All Movie Guide

Robert Montgomery plays saxophone-playing boxer Joe Pendleton, who insists upon piloting his own plane, much to the consternation of his manager Max Corkle (James Gleason). Just before a championship bout, Joe's plane crashes. When he revives, he finds he has been whisked away to Heaven by the overanxious Messenger #7013. Checking with the man in charge, one Mr. Jordan (Claude Rains), Pendleton discovers that he isn't scheduled to die for another 50 years. Joe heads back to earth, only to learn to his chagrin that his body has been cremated. Mr. Jordan is obliged to find Joe a new body; the "candidate" is a business mogul named Farnsworth, who is in the process of being murdered in his bath by his wife (Rita Johnson) and her lover (John Emery). Joe takes over Farnsworth's body, astonishing the murderers by emerging from the bathroom, very much alive (while Joe still looks like Joe to himself and the audience, he looks like Farnsworth to everyone else). Still desirous of winning the upcoming championship, Joe begins to whip Farnsworth's body into shape, even hiring Max Corkle to manage him. It takes some doing, but Joe convinces Max that he is indeed Joe and not Farnsworth (their scenes together are priceless, far better seen than described). Meanwhile, Joe has fallen in love with Bette Logan (Evelyn Keyes), a woman whose father had been ruined by the real Farnsworth. For her sake, he pays back millions of dollars that the crooked Farnsworth had finagled out of his investors. This prompts Mrs. Farnsworth and her lover to kill "Farnsworth" again, and once more Joe Pendleton is without a body. How Mr. Jordan arranges for Joe to win the championship, expose the murderers and walk off arm and arm with Bette is a bit too complex to detail here. Here Comes Mr. Jordan is one of the most consistently clever romantic comedies of the 1940s, and richly deserving of the Oscars won by screenwriters Sidney Buchman, Seton I. Miller and Harry Segall. A sequel, Down to Earth, was filmed in 1947, with Roland Culver as Mr. Jordan; and in 1978, the original Jordan was remade by Warren Beatty as Heaven Can Wait. ~ Hal Erickson, All Movie Guide

In Hitchcock's rare foray into comedy (courtesy of a wittily risque script by Norman Krasna), Mr. Smith (Robert Montgomery) makes the mistake of telling Mrs. Smith (Carole Lombard) that if he had it to do all over again, he might not have married her. Shortly thereafter, Mr. Smith discovers that his marriage is invalid. Rather than say goodbye, the newly aroused Mr. Smith attempts to entice Mrs. Smith into the bedroom, thrilled at the prospect of an "illicit" romance. But Mrs. Smith has also been apprised that her marriage is no more--and, remembering Mr. Smith's "second thoughts", she kicks him out of the house. This comedy of misunderstanding rolls merrily along from this point onward, accommodating an uproarious scene at a fancy restaurant, a near-liaison between Mrs. Smith and new beau Gene Raymond on the World's Fair parachute jump, and a farcical denouement at a ski lodge, with Mrs. Smith's conjugally crossed skis symbolizing the carnal pleasures ahead for both Mr. and Mrs. Smith. ~ Hal Erickson, All Movie Guide

Released in America as Haunted Honeymoon, this droll British comedy-mystery stars Hollywood's Robert Montgomery as Dorothy L. Sayers' erudite amateur sleuth Lord Peter Wimsey. Upon marrying mystery writer Harriet Vane (Constance Cummings), Lord Peter swears off crime-solving and embarks upon his honeymoon. Alas, the couple is soon involved in yet another murder, and is forced by circumstances to piece together the clues themselves-and to avoid being knocked off by the murderer. Filmed at MGM's Elstree facilities, Busman's Honeymoon benefits from a strong "home-grown" supporting cast, including Leslie Banks and Robert Newton. The film was directed by the talented Arthur B. Woods, unfortunately an early casualty of WW2. ~ Hal Erickson, All Movie Guide

Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide

The Sidney Howard/Paul de Kruf Broadway play Yellow Jack was transferred to the screen by MGM in 1938. The film is set at the turn of the century, when yellow fever was the Number One killer in Latin America. Army doctors Lewis Stone, Charles Coburn and Stanley Ridges gather in Cuba to attempt to find the cause and cure of the dreaded disease. Five US soldiers--Robert Montgomery, Buddy Ebsen, Alan Curtis, Sam Levene and William Henry--volunteer to expose themselves to yellow fever as a means to test the experimental vaccines. In a very well handled close-up setpiece, the audience discovers long before the medical staff that the humble mosquito is the disease carrier. The "Let me be the first to die" brand of heroics is sometimes hard to take, but otherwise Yellow Jack is inspiring entertainment in the grand old Hollywood tradition. ~ Hal Erickson, All Movie Guide