John Mills Movies

British writer/actor Stephen Fry makes his feature-film debut with the witty, sophisticated comedy Bright Young Things, adapted from Evelyn Waugh's 1930 novel Vile Bodies. Set in London during the '30s, this stylish period film follows an ensemble cast of well-dressed and highly literate partygoers. Aspiring writer Adam Fenwick-Symes (stage actor Stephen Campbell Moore) loses the manuscript of his first novel when traveling through customs. He then sets out to raise enough money to marry his sweetheart, Nina Blount (Emily Mortimer), the daughter of a colonel (Peter O'Toole). All in the name of love, Adam seeks funding through a constant stream of parties, meetings, and conversations with eccentric acquaintances. Cameo appearances are made by the likes of Dan Aykroyd, Simon Callow, and Stockard Channing. Bright Young Things was shown at the 2003 Toronto Film Festival. ~ Andrea LeVasseur, All Movie Guide

The Grotesque (aka Grave Indiscretion, aka Gentleman Don't Eat Poets) is a very black, very British comedy that puts an unusual and perversely entertaining spin on the classic tea-cup-and-intrigue mystery. Sir Hugo Coal (Alan Bates) is a grumpy, eccentric English gentleman (and self-styled paleontologist) obsessed with reconstructing a dinosaur skeleton with bones dredged up from a nearby moor. He is also penniless, and so must live vicariously off the inheritance of his smoldering American wife Harriet (Theresa Russell). Enter: the crafty and secretive Fledge (Sting) and his wife and co-conspirator Doris (Trudie Styler) the new Coal family servants. Fledge immediately sets his sights on Harriet and the Coal fortune, Doris on the household wine cellar. When Hugo and Harriet's daughter Cleo (Lena Headey) announces her engagement to demure poet Sidney Giblet (Steven Mackintosh), Hugo is less than pleased, but not for long, since Sidney is murdered soon after and, we learn, his body gruesomely disposed of. As the rivalry between Fledge and Hugo escalates, Cleo, the police, and the poet's shrewd mother Mrs. Giblet (Anna Massey) follow a trail of clues from the swampy, bone-littered moor to the Coal pig sties and finally (rather horribly) back to the Coal dinner table. Though criticized for its irreverent humor and somewhat ambiguous ending, The Grotesque is worth a watch. Sting and his real-life partner Trudie Styler (who co-produced the film) are both wonderful as the loathsome, manipulative servants, as is Anna Massey as the poet's investigative mother. The real stars of the film, however, are not the actors, but the dense, ornamental interiors provided by Jan Roelfs and Michael Seirton. Every corner of the Coal mansion is littered with artifacts and art objects, every frame crawling with worms, frogs, and reptiles. Like a Dutch still life, The Grotesque is simultaneously repellent and attractive, a painterly assemblage of morbidity and dramatic artifice. ~ Anthony Reed, All Movie Guide

Filmed in Eastern Europe, this direct-to-cable adaptation of Mary Shelley's iconographic monster tale features Patrick Bergin as Victor Frankenstein, a medical genius obsessed with the secret of creating life, who uses a bizarre cloning apparatus to grow a complete human being (Randy Quaid) from his own cellular material. Though sensitive and intelligent, the rebellious humanoid is driven by a murderous rage against his creator, compelling him to destroy everything that he holds dear. Aside from the introduction of a psychic link between Victor and his monstrous genetic offspring -- a concept never satisfyingly explored -- this adaptation brings nothing particularly fresh or revolutionary to Shelley's novel. However, production values are admirably high and performances are superb throughout, particularly that of John Mills as the blind forest hermit who befriends the monster. ~ Cavett Binion, All Movie Guide

Made for British television, this is a black comedy/drama concerning the exploits of five elderly people whose friendship during one long Christmas holiday is sorely tested. The film features a notable cast of distinguished performers from stage and film. ~ Mark Hockley, All Movie Guide

This off-beat, slapstick comedy tells the story of a pair of aspiring filmmakers who attempt to make their magnum opus, a sci-fi epic called Space Pirates. Like many other young directors and actors, the pair face one major obstacle--they have no money. To help fund the project, the girl moonlights as a kooch dancer at a local bar. One night she finds herself in possession of a pair of very special snakes whose venomous bite can cure baldness. Realizing the reptiles' worth, she and her dancer buddies head out to try and sell them. ~ Sandra Brennan, All Movie Guide

Adaptation of Barbara Cartland's novel featuring a 17th century adventure romance between an aristocrat and an endangered noblewoman. ~ All Movie Guide

This documentary, narrated by Sir John Mills, looks back at the history of the British film industry, and features clips from many of the most memorable films to come from England, beginning with 1933's The Private Life Of Henry VIII and following through to the mid-1980s, with emphasis on some of the great stars of the United Kingdom, including Charles Laughton, Laurence Olivier, Vivian Leigh and Robert Donat. ~ Mark Deming, All Movie Guide

Helen Hayes makes her second TV appearance as Agatha Christie's female sleuth Miss Marple in Murder with Mirrors. Marple has been summoned to the lavish country estate of her old friend Carrie Louise Serrocold (Bette Davis). Carrie's stepson has been killed, and she fears that his won't be the last corpse to befoul the estate. She's right, and the game is afoot for Miss Marple once more, with a full contingent of prime suspects (including John Mills, Leo McKern and Dorothy Tutin). Murder with Mirrors was filmed on location on a genuine 13th century British estate. If Helen Hayes seems more spirited than Bette Davis (eight years Helen's junior), it's because Bette was seriously ill prior to and during shooting. ~ Hal Erickson, All Movie Guide

Twenty-seven years after Hound of the Baskervilles (1959), Peter Cushing makes a belated return to the role of Sherlock Holmes in the made-for-television Masks of Death. Befitting his age, Cushing plays Holmes in retirement, content to play his violin and look after his bees. He is dragged back into action by a series of baffling East End murders. Each one of the victims has been discovered with an expression of stark, raw fear frozen on his or her face. With faithful Dr. Watson (John Mills) at his right hand, Holmes puts the pieces together. Ray Milland and Anne Baxter co-star in this stylish bouquet to the Baker Street Irregulars of the world. ~ Hal Erickson, All Movie Guide

Although it is based on an intriguing premise -- Dale (Brooke Shields), disguised as a man, takes the place of her late father in a 1927 car race through the Sahara -- this film perversely falls flatter than a blow-out, and just as quickly. After starting the race and because of tribal warfare, Dale winds up a prisoner of the thug Rasoul (John Rhys-Davies) but is appropriately rescued by a dashing sheik (Lambert Wilson). Then after she is back in the race, she is captured and thrown into a leopard's cage by another desert villain. The Indy 500, this is not. ~ Eleanor Mannikka, All Movie Guide

Though boasting a British star and director, The Devil's Advocate was essentially a West German production; it was released in Germany in 1977, three years before its bow in English-speaking theatres. John Mills tops the cast as a dying priest who has been summoned to Rome for one last assignment. A dead wartime partisan is being considered for Sainthood. Mills is instructed to investigate the partisan's growing cult following and learn if the man is truly worthy of canonization. Morris West adapted the screenplay of The Devil's Advocate from his own bestselling novel. ~ Hal Erickson, All Movie Guide