David Miller Movies

This 1981 sequel to the 1979 made-for-TVer Goldie and the Boxer once again stars O.J. Simpson and Melissa Michaelsen as, respectively, boxer Joe Gallegher and Joe's 10-year-old manager Goldie Kellog. When Joe incurs the wrath of an evil promoter, he and Goldie high-tail it to Hollywood. They take refuge in the home of Babe (Stubby Kaye) and Cuddles (Sheila MacRae) a pair of Tinseltown "fringies" distantly related to Joe's trainer Wally (Jack Gilford, taking over for the first film's Phil Silvers). Produced by Orenthal Productions (guess who ran that company?), Goldie and the Boxer Go to Hollywood first aired February 19, 1981. It has been rerun incessantly since June of 1994, thanks to the latter-day notoriety of star O. J. Simpson. ~ Hal Erickson, All Movie Guide

The old 1930s song was "Love For Sale;" now it's the 1970s, and, just like cars and condominiums, it's Love for Rent. Lisa Eilbacher is the innocent midwestern girl who comes to wicked old New York looking for her sister Annette O'Toole. O'Toole is now gainfully employed by an "escort bureau" (note those quote marks), and Eilbacher is likewise drawn into this questionable lifestyle. The ad copy for this TV movie notes that the sisters are "forced to face reality", which is more than the scriptwriters did. Not surprisingly, Love for Rent was based on a Playboy magazine story (by Don Pierce). Its initial audience on November 11, 1979, was most likely close to zero, since a rival network was offering the TV premiere of Dog Day Afternoon. ~ Hal Erickson, All Movie Guide

Michael and Patricia meet in an unusual way – while he is on a date and is trying to retrieve his date’s car keys from a fountain. When Michael’s date abandons him, he hangs out with Patricia and these two nice young people soon find themselves falling in love. They decide to wed and hold the ceremony in Canada, where Michael’s family lives. Patricia’s parents, who have been on a lengthy cruise and have never met Michael, cannot attend, but they meet their new daughter-in-law soon afterward. While reviewing pictures from the wedding, Michael’s mother is shocked to discover that she knows Patricia’s father. Even more shocking is the revelation that Patricia’s father is also Michael’s father, the result of a one-night stand many years before, and that the happily married couple are therefore half-siblings. To make matters worse, it turns out that Patricia is pregnant. The rest of Bittersweet Love is taken up with Michael and Patricia deciding what they should do about this situation, as well as with reactions and advice from their family members. ~ Craig Butler, All Movie Guide

Hail, Hero! stars Michael Douglas in his screen debut as long-haired college student Carl Dixon. Reversing the usual procedure in late-1960s films, Dixon decides to quit school and enlist in the Army, even though he's already run afoul of the law as a Vietnam protestor. It is our hero's intention to use love, rather than bullets, to combat the Viet Cong. Needless to say, his idealism is no match for the harsher realities of war, but this doesn't stop him from endlessly spouting the sort of agit-prop rhetoric so beloved of filmmakers of the era. In addition to Michael Douglas, co-star Peter Strauss likewise makes his first film appearance in Hail, Hero! Dated in the extreme, the film is saved by the musical score by Gordon Lightfoot. ~ Hal Erickson, All Movie Guide

Gregory Peck plays a benevolent God-like figure in a white smock as Captain Josiah Newman, the head of a psych-unit at a Southwestern army base during the waning days of World War II. Newman is a patriarchal protector to his patients, preferring to keep him in his ward, rather than return them to certain death on the battlefield. The matriarchal figure of the ward is Lieutenant Grace Blodgett (Jane Withers), but Newman is more interested in his assistant Lieutenant Francie Corum (Angie Dickinson), with whom he is having an affair. Further help is provided by human nature expert, Corp. Jackson Laibowitz (Tony Curtis), the orderly. And Newman needs all the help he can get. Particularly with three patients: Colonel Bliss (Eddie Albert) is suffering from a guilt complex from all the men he has sent to death; Corporal Tompkins (Bobby Darin, in an Academy Award-nominated performance), although decorated for bravery in combat, calls himself a coward for failing to save his pal from a burning plane; and Captain Winston (Robert Duvall) is guilt-ridden and has lapsed into catatonia because he had hidden for over a year in the basement of a building in Germany. Although Newman wants to cure these men of their psychological problems, he doesn't want to see them returned to the war to be killed. ~ Paul Brenner, All Movie Guide

This third film version of the lachrymose Fannie Hurst novel Back Street stars Susan Hayward as Rae Smith the role previously essayed by Irene Dunne (in 1932) and Margaret Sullavan (in 1941). In both earlier films, Rae Smith sacrifices 28 years of her life to her married lover, who can never get a divorce and who compels Rae to squirrel herself away in a shabby back-street apartment. In contrast, Susan Hayward's Rae Smith is a fiercely independent fashion designer, whose fidelity to the very married John Gavin doesn't retard her livelihood in the least. Vera Miles makes a meal of her supporting role as Gavin's shrewish, alcoholic wife. Though cinematographer Stanley Cortez does his utmost, he can't completely hide the fact that Hayward is at least ten years older than her costars, making her seem more of a doting aunt than the "other woman" (the film might have been more effective had Hayward and Miles switched roles). Its plot inconsistencies and logic lapses notwithstanding, Back Street proved to be another hit for producer Ross Hunter. ~ Hal Erickson, All Movie Guide

In this comedy, a married couple is deeply embarrassed when their daughter reveals her father's indiscretions on a national TV show for children. It is doubly embarrassing when it is revealed that none of the allegations are true. It seems the child overheard a slightly inebriated conversation during her parent's thirteenth wedding anniversary in which the father disclosed that he and his wife had slept together before their marriage. This leads the daughter to believe that they are about to be divorced. Fortunately, the whole mess is straightened out in the end, and peace is restored. ~ Sandra Brennan, All Movie Guide

The Opposite Sex is an opulent musical remake of Clare Booth Luce's The Women (1939). June Allyson stars in the old Norma Shearer role, playing the virtuous wife who loses her husband to scheming Joan Collins (as the Joan Crawford character). At first agreeing to a divorce, June decides to win hubby back by utilizing the same crafty feminine wiles that Joan had employed to lead him astray. Doloress Gray plays the counterpart to Rosalind Russell's vitriolic gossip. The original The Women boasted an all-female cast: the remake includes several male characters, played by the likes of MGM contractees Leslie Nielsen and Jeff Richards. Dick Shawn, Jim Backus and Harry James are also on hand, billed as "special guest stars." The satirical bite of The Women has been softened in The Opposite Sex, but musical fans should have a good time. Sammy Cahn, Nicholas Brodszky, Ralph Freed and George Stoll were among the songwriters; Collins, Allyson and Jeff Richards perform musical numbers in the film. ~ Hal Erickson, All Movie Guide

Ginger Rogers and her then-husband Jacques Bergerac costar in this British melodrama, released in the U.K. as The Beautiful Stranger. Impoverished showgirl "Johnny" Victor (Ginger Rogers) moves into the villa owned by her British millionaire sweetheart Louis Galt (Stanley Baker), who has promised to marry her once he secures a divorce from his present wife (yeah, sure). By and by, Johnny falls in love with equally impoverished French artist Pierre Clement (Jacques Bergerac). When Galt is killed, Johnny and Pierre find themselves the chief suspects, especially since all evidence points to them and them alone. Taking it on the lam, the two lovers are carefully monitored by the actual murderer, who was involved in a myriad of illegal activities with the late Mr. Galt. The film's title song, "Love From a Beautiful Stranger," was written by José Ferrer and Ketti Frings, respectively the star and screenwriter of the 1955 film The Shrike. ~ Hal Erickson, All Movie Guide

John Derek plays a Polish-American immigrant who excels in high school sports. Though no great shakes academically, Derek wins a scholarship at an exclusive Southern university. Sidney Blackmer is a wealthy alumnus who sees to it that Derek is allowed to coast in his classes so that he can play football--and help Blackmer win a series of lucrative wagers on the games. When Derek is sidelined by an injury, Blackmer loses interest, but the rich man's niece (Donna Reed) remains faithful to the boy. The cold business of subsidizing (and exploiting) college athletes is given a critical scrutiny in Saturday's Hero, though the film ends happily with Derek bearing down on his classroom work and making something of himself without relying on football. Featured in a supporting role is ex-athlete Aldo DaRe, later known as Aldo Ray. ~ Hal Erickson, All Movie Guide

The Marx Brothers' final starring feature Love Happy began life as a solo vehicle for Harpo. The financiers wouldn't go for this, insisting that all three Marx boys appear on screen. Thus, Chico was hastily written into the proceedings, while Groucho made what amounted to a guest appearance as narrator and last-minute problem solver. The story concerns a group of aspiring actors who are putting together a musical review called "Love Happy." Harpo, the troupe's mascot, keeps the actors from starving by cleverly filching canned goods from a local grocer. On one such excursion, he accidentally gets hold of a sardine can containing a fortune in stolen diamonds. This makes Harpo the target of icy adventuress Madame Egilichi (Ilona Massey) and her henchmen (Melville Cooper, Raymond Burr, Bruce Gordon). When he isn't fending off the villains, Harpo is making life a little brighter for "Love Happy"'s leading lady Maggie (Vera-Ellen). Chico shows up sporadically as Faustino the Great, an itinerant musician, while Groucho plays private eye Sam Grunion, who does the best he can with some pretty weak dialogue. Groucho's best scene is his one-minute confrontation with a gorgeous blonde client, played by a decidedly pre-stardom Marilyn Monroe. Most of the comedy routines in Love Happy are either underwritten or underdeveloped, save for the spectacular finale, wherein Harpo evades the villains by climbing over, under and around neon advertisement signs for such products as Fisk Tires, Mobilgas and Kool Cigarettes. The fact that Ben Hecht wrote the original story upon which Love Happy was based caused the film to be banned in Great Britain, due to Hecht's improvident comments about the British occupation of Palestine. Though dyed-in-the-wool Marx Brothers fans tend to dislike Love Happy, the film manages to deliver quite a few solid laughs when seen today. ~ Hal Erickson, All Movie Guide

The Flying Tigers were a group of American volunteer aviators, flying against the Japanese on behalf of General Claire Chennault and Chinese leader Chiang Kai-Shek in the months just prior to World War II. John Wayne is the most responsible of the bunch, and John Carroll the least. It's bad enough that Carroll tries to beat Wayne's time with pretty Red Cross nurse Anna Lee; but when Carroll's negligence results in the death of veteran-flyer Paul Kelly, the man becomes a pariah to the rest of the pilots. Unable to serve in World War II due to health reasons, John Wayne spent the duration licking the Japanese and the Germans in front of a Republic Studios process screen. ~ Hal Erickson, All Movie Guide

The famous outlaw rides again in this fictionalized western that chronicles Billy's turn from criminal to fine upstanding citizen. The film received an Oscar nomination for its color cinematography. ~ Sandra Brennan, All Movie Guide