Alice Duer Miller Movies
American screenwriter Alice D.G. Miller started out working with D.W. Griffith as a film editor in the late teens. Her career as a writer began in the '20s and spanned three decades. ~ Sandra Brennan, All Movie Guide- 1952
The reason the 1935 Astaire/Rogers film version of Roberta was unavailable for years was that, in 1952, MGM bought the property and refilmed it under the title Lovely to Look At. Inheriting one-half of a Parisian dress salon from his late aunt, Red Skelton travels to France with his showbiz friends Howard Keel and Gower Champion. The threesome hopes to convince the owners of the other half of the salon to sell their share so that Skelton, Keel and Champion can finance a Broadway show. Meeting Skelton's "partners" Kathryn Grayson and Marge Champion, the three Americans discover that the salon is all but broke, so they pool their resources and wits to make the establishment a winning proposition. The plot thickens as more and more characters are added to the storyline, including stagestruck gendarme Kurt Kaznar and chorus girl Ann Miller. Songs retained from the original Jerome Kern Broadway score for Roberta include "Smoke Gets In Your Eyes," "I Won't Dance" and, of course, "Lovely to Look At." ~ Hal Erickson, All Movie Guide
- Starring:
- Kathryn Grayson, Howard Keel, (more)
- 1949
One of many cinematic collaborations between actress Anna Neagle and her real-life husband, director Herbert Wilcox, this light, romantic "drawing room" comedy was Britain's biggest box office hit of 1948. Neagle stars as Judy Howard, the niece of wealthy art collector Joshua Howard (Tom Walls), for whom she also works as a personal secretary. Uncle Joshua's newest employee is a footman, Richard (Michael Wilding), whose aristocratic bearing seems out of place on a lowly domestic servant. As Judy begins falling for Richard and he for her, the plucky girl discovers the truth. Richard is indeed a member of the upper class, hiding out in working class disguise because he believes that he accepted a bogus payment for his family's valuable art collection and fears their wrath. Of course, no one is in a better position to help Richard with his transaction than Judy and her uncle. Voted England's most popular actress every year for nearly a decade after WWII, Neagle's career in America never materialized. ~ Karl Williams, All Movie Guide
- Starring:
- Anna Neagle, Michael Wilding, Sr., (more)
- 1946
A rare black-and-white Maria Montez vehicle, Tangier can be described as a second-echelon Casablanca. Montez plays a Spanish dancer named Rita, who is determined to bring Nazi collaborator Colonel Jose Artiego (Preston Foster) to justice. Artiego is at presently working incognito, as military governor of the North African city of Tangier. Maria finds an unexpected ally in the form of Artiego's discarded mistress Dolores (Louise Allbritton). Dominating the film's hotel-lobby set is an old-fashioned "open" elevator, which will obviously figure prominently in the climax. A camp classic, Tangier is distinguished by supporting actor Sabu's offkey renditions of such American standards as "Polly Wolly Doodle" and "She'll be Comin' Round the Mountain"! ~ Hal Erickson, All Movie Guide
- Starring:
- Maria Montez, Preston S. Foster, (more)
- 1944
The White Cliffs of Dover is one of those overlong MGM wartime films that everyone seems to have seen a part of, but no one can remember the film as a sum total. Based on a poem by Alice Duer Miller, the story chronicles the trials and tribulations of one courageous woman through two world wars. Irene Dunne plays an American girl who, in 1914, falls in love with titled Englishman Alan Marshal. At the end of World War 1 in 1918, it is painfully clear that Marshal will not be returning from the battlefields. Remaining loyal to her husband, Irene vows to raise their child in England. Played by Roddy McDowell in his early scenes, Irene's son grows up to be Peter Lawford. At the outbreak of World War 2, Irene despairs at the thought of losing another loved one, but Lawford convinces her that his dad would have wanted him to answer his country's call to the colors. While working as a Red Cross volunteer, Irene finds that she must tend her own mortally wounded son. Unable to save his life, she is grief-stricken, but is gratified with the notion that neither her husband nor her boy have died in vain. Like many films of its ilk and era, White Cliffs of Dover struck a responsive chord with filmgoers, to the tune of a $4 million profit. Watch for a touching scene between Roddy McDowell and 12-year-old Elizabeth Taylor; 19 years later, lifelong friends Roddy and Liz would be playing mortal enemies in Cleopatra (1963). ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Alan Marshal, (more)
- 1943
The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Brian Aherne, (more)
- 1940
In this remake of the 1926 silent hit (which was in turn based on a hit musical from 1919), Anna Neagle stars as Irene O'Dare, an Irish girl of humble beginnings who comes to New York in search of work. She finds a place as a shopgirl at a fashionable and expensive boutique managed by Mr. Smith (Roland Young). Irene does well at her new job and soon finds that two wealthy men are vying for her affections. Don Marshall (Ray Milland), the owner of the store, is much attracted to Irene, but so is socialite Bob Vincent (Alan Marshal), which does not come as a pleasant surprise to Eleanor Worth (Marsha Hunt), Bob's sweetheart. Irene features several (but not all) of the songs from the original stage production, including "Castle of Dreams", "Worthy of You", "You've Got Me out on a Limb", and "There's Something in the Air". The "Alice Blue Gown" number was shot in Technicolor, while the remainder of the film is in black and white. ~ Mark Deming, All Movie Guide
- Starring:
- Anna Neagle, Ray Milland, (more)
- 1940
Social-climbing Helen (Jean Muir) sends her less-pretentious younger sister Kate (Laraine Day) to a party in her stead, and there Kate strikes up a friendship with wealthy playboy Ridley Crane (Robert Cummings), but later, he clearly prefers Helen. One night he gets drunk, so Helen drives him home, but she accidentally kills a bicyclist then allows the crime to be pinned on Ridley. Kate learns who really was driving, but she cannot convince Helen to reveal the truth, and Ridley is sentenced to prison. ~ Bill Warren, All Movie Guide
- Starring:
- Robert Cummings, Laraine Day, (more)
- 1939
Old Gramps (Lionel Barrymore) is not about to go gentle into that good night when Mr. Brink (Cedric Hardwicke), who sometimes travels under the name of the Grim Reaper, comes calling. Through a ruse, Gramps chases Brink up a tree in his garden, rendering the mysterious stranger helpless. As a result, no one dies throughout the world, and disease and misery runs rampant. Dispassionately, Mr. Brink decides to "reach" Gramps through his beloved grandson (Bobs Watson). He talks the boy into climbing the tree and then suffering a crippling fall. Realizing that the only way he can stem his grandson's pain is by surrendering to Mr. Brink, Gramps does so--and discovers that Crossing Over wasn't as painful as he thought. Together with his grandson, who has likewise expired, Gramps joyfully strolls into a most pastoral-looking Heaven. The final shots of Lionel Barrymore walking into Paradise under his own power represent a triumph of misdirection and special effects. In truth, the wheelchair-confined Barrymore was placed on a treadmill, and merely simulated his walking movements as a process screen enhanced the illusion; for long shots, a double was used. While Barrymore's performance naturally dominates On Borrowed Time, Cedric Hardwicke is equally effective in the role of Mr. Brink (his favorite role). A great early vignette finds a consumptive motorist (Hans Conried) offering Brink a lift; the latter waves the motorist on, politely saying "No, not yet." On Borrowed Time was based on the novel by Lawrence Edward Watkin and the popular Broadway play version by Paul Osborne. ~ Hal Erickson, All Movie Guide
- Starring:
- Lionel Barrymore, Cedric Hardwicke, (more)
Magazine publisher Clark Gable is happily married to Myrna Loy. Clark's devoted, super-efficient secretary Jean Harlow may have once harbored a secret desire for her boss, but she's perfectly content with boyfriend James Stewart. Accompanying Gable on a crucial business trip, Jean answers the phone in her boss' suite. Myrna, on the other end of the line, misunderstands, thereby setting the stage for a series of subsequent misunderstandings. As one can see, nothing much really happens in Wife vs. Secretary. The film is a vehicle in every sense of the word, totally reliant on the appeal of its stars. But it works beautifully, and remains as entertaining now as it did sixty years ago. One film historian has wondered what Wife vs. Secretary would have looked like had it been made before the imposition of the production code: would Jean have really had an affair with Clark, thereby giving Myrna something to really worry about? No matter; while it may have been racier, it's not likely the film could have been any more entertaining than it already is. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Jean Harlow, (more)
- 1936
In the print ads for Soak the Rich, writers/producers/directors Ben Hecht and Charles MacArthur were shown singing "We're the boys who wrote the yarn/ And here's what it's about/ Class ideas don't mean a thing/ When love kicks 'em out." The film pokes broad fun at New Deal liberalism and 1930s campus unrest, which the authors evidently regarded as a passing fad ("the latest form of necking," observes one character) Millionaire college chairman Humphrey Craig (Walter Connolly) is saddled with fuzzy-headed daughter Belinda (Mary Taylor), who allows campus radicals to hold rallies in her living room. The main bone of contention is Belinda's romance with starry-eyed economics professor Buzz Jones (John Howard), whom Craig had fired after the publication of Jones' inflammatory book Soak the Rich. Belinda's enchantment with "pinkos" comes to an end when she's kidnapped by a comically menacing communist agitator (Lionel Stander) and when Buzz proposes marriage (in the Brave New World, she reasons, there is no room for matrimony). Her fed-up daddy solves matters with a shotgun wedding -- only it's the bride, not the groom, who's the reluctant participant. Novelist Alice Duer Miller, a longtime Hecht-MacArthur crony, plays a supporting role. Soak the Rich may sound like a "lost masterpiece," but it isn't; in fact, many critics regard it as one of the worst films of the 1930s. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Connolly, Mary Taylor, (more)
- 1936
Gloria Stuart's trouble only begins when she inherits a newspaper in this routine, but at times, quite hilarious comedy from Universal. Overhearing a chauvinistic remark from senior editor Hank Gilman (Edmund Lowe), Joan Langford decides to begin her newspaper business career from the bottom and incognito. Gilman, however, quickly discovers the ruse and sends the girl out on the most arduous assignments he can find. After threatening to quit, the heroine unwittingly gets herself involved with a gang of blackmailers but Hank is watching over her and together they bring the gang to justice. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Edmund Lowe, Gloria Stuart, (more)
- 1936
In this musical comedy a Broadway playboy inherits an almost bankrupt girls' school from his late aunt. He breathes life into the school by giving song and dance lessons. The financially ailing school is funded by an odd, but rich man who becomes the main backer. Songs include: "I Feel Like a Feather in the Breeze," "You Hit the Spot," "Rhythmatic," "My Grandfather's Clock in the Hallway," "Who Am I?" "Guess Again," "Will I Ever Know?" ""Learn to Be Lovely."" ~ Sandra Brennan, All Movie Guide
- Starring:
- Joe Penner, Jack Oakie, (more)
- 1936
It was standard operating procedure at MGM to cast their favorite singing team of Nelson Eddy and Jeanette MacDonald in new versions of old operettas, then retain only the music, drastically altering the plotlines to conform to popular tastes. This was the treatment afforded the Rudolf Friml-Herbert Stothart-Oscar Hammerstein-Otto Harbach musical Rose Marie--and thank heaven that MGM decided to jettison the original's creaky libretto about a woman who offers her body to the villain to save the hero from a trumped-up murder charge (this chestnut seemed old-fashioned even in 1928, when Joan Crawford starred in the silent version). In lieu of this wearisome storyline, the Eddy-MacDonald version casts MacDonald as a spoiled, temperamental Canadian opera star who learns that her uncontrollable brother (James Stewart), serving a prison sentence, has escaped to a cabin in the North Woods and needs someone to tend his wounds. MacDonald travels to northern Canada incognito, where in a hilarious sequence she tries and fails to pass muster as a dance-hall girl. Upon meeting likeable mountie Nelson Eddy, who unbeknownst to her has been assigned to locate her brother, MacDonald fabricates a story about needing an escort for a rendezvous with her lover. Such latter-day parodies as Dudley Do-Right notwithstanding, the Eddy-MacDonald sequences are often deliberately played for laughs, even when Nelson is uttering such lines as "Heavy? Why, I could carry you for hours!" Gradually, Nelson and MacDonald fall in love, only to fall out of love when Nelson tracks down and captures MacDonald's brother. Despite this rift, a happy--and logical--ending is not long in coming. It might be hard to watch such Eddy-MacDonald duets as "Rose Marie" and "Indian Love Call" with a completely straight face; it is reassuring, however, to find out that the filmmakers knew that "Rose Marie" was ripe for ridicule, and decided to laugh at themselves first in order to disarm the audience. To avoid confusion with the 1955 remake, the 1936 Rose Marie was retitled Indian Love Call for TV showings. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanette MacDonald, Nelson Eddy, (more)
- 1935
Alice Duer Miller's 1921 play Come out of the Kitchen was filmed during the silent era with Marguerite Clark, then musicalized (and Americanized) by Paramount in 1930 as Honey with Nancy Carroll. A second musical version, with brand-new songs, surfaced five years later as Come Out of the Pantry. Flat broke thanks to a series of bad business decisions, Lord Robert Brent (Jack Buchanan) wanders through New York's Central Park, wondering where his next meal is coming from. Here he meets his former butler Eccles (Ronald Squire), who suggests that Lord Brent take a footman's job at the home of millionaire Mr. Beach-Howard (James Carew). This he does, and it isn't long before Lord B. falls in love with Beach-Howard's gorgeous niece Hilda (Fay Wray). The winning Jack Buchanan-Fay Wray combination, which contributed so much to the 1935 comedy thriller Bulldog Jack, is equally effective in this more sentimental effort. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Buchanan, Fay Wray, (more)
Alice Duer Miller's novel Gowns by Roberta was adapted into the 1933 Broadway musical Roberta, with music by Jerome Kern and Otto Harbach. The 1935 filmization of Roberta was slightly adapted to accommodate the dancing talents of Fred Astaire and Ginger Rogers, though their roles are secondary to the characters portrayed by Irene Dunne and Randolph Scott. Dunne plays a deposed White Russian princess who has become a famed Parisian couturier. Dunne is the partner of "Roberta" (Helen Westley), who passes away, leaving her half of the business to American football player Randolph Scott--who of course knows next to nothing about the gown business, and couldn't care less anyway. Astaire co-stars as bandleader Huck Haines, the character played by Bob Hope in the original Broadway production of Roberta. Rogers rounds out the cast as a phony Polish countess who happens to be Astaire's former girlfriend. Many of the songs written for Roberta were retained for the film version, including "Lovely to Look At," "Smoke Gets in Your Eyes" and "I Won't Dance;" other tunes are heard as background music. Keep an eye out for a blond Lucille Ball as a fashion model. Withdrawn from circulation for many years due to the 1952 MGM remake (titled Lovely to Look At), Roberta began making the public-domain rounds in the early 1980s. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Fred Astaire, (more)
- 1933
In this melodrama, the wife of a wealthy man abruptly leaves him and sets sail for Cuba leaving him to hire a gumshoe to find out why. The girl left because she was being blackmailed for $50,000 by her former ex-husband who claims that they were never legally divorced. Before heading to Cuba for a hasty divorce, the distraught wife tells all to her sister-in-law. Meanwhile the detective is aboard the same ship as the wife and as he gets to know her cannot help but fall in love with her. The detective doesn't realize that her ex-husband is also on board, but she does and is happy about it because she wants to see if she can get her ex (not a US citizen) barred from reentry. Back at home, the sister-in-law tells her increasingly suspicious brother the truth about the situation and he immediately flies to Cuba to get there just in time for the exciting conclusion. ~ Sandra Brennan, All Movie Guide
- Starring:
- Kay Francis, George Brent, (more)
- 1933
Long-suffering screen favorite Helen Twelvetrees is Disgraced again in this Paramount soap opera. Twelvetrees is cast as Gay Holliday, whose romance with Kirk Underwood Jr. (Bruce Cabot) turns sour when Kirk turns out to be a jerk. A murder inevitably follows, whereupon Gay gallantly takes the blame. The only person who knows the whole story is the heroine's father Captain Holloway (William Harrigan), who has been moved to dishonorable behavior by the most honorable of intentions. Comedian-impresario Ken Murray steals the show as a comedy-relief character who's smart enough to turn serious at the right time. ~ Hal Erickson, All Movie Guide
- Starring:
- Helen Twelvetrees, Bruce Cabot, (more)
- 1933
The Big Executive is Ricardo Cortez, to whom success is less important than the pursuit of success. Having lost as many fortunes as he's gained, Cortez again teeters on the verge of bankruptcy. His principal business rival, who'd like nothing better than to see Cortez standing on a street corner selling apples, is Richard Bennett. Complicating matters is the fact that Cortez is in love with Bennett's daughter, Elizabeth Young. Paramount Pictures dressed up the low-budget proceedings of The Big Executive with high-class art direction; the film was scripted by Laurence Stallings, best known for such war dramas as The Big Parade. ~ Hal Erickson, All Movie Guide
- Starring:
- Ricardo Cortez, Richard Bennett, (more)
- 1930
Poor but honest district attorney Fredric March, sick of the "one law for rich, one law for poor" imbalance, sentences selfish society girl Claudette Colbert to ten years in prison for vehicular manslaughter. The sentence is reduced to two years due to political pressure; nonetheless, Claudette feels humiliated by March and vows revenge. While incarcerated, the girl learns a few lessons in humility, and by the time she has completed her sentence she has become most popular and kindhearted inmate in the joint. Upon her release, Claudette seeks out March and declares her love for him. Based on a story by Alice Duer Miller, Manslaughter had been previously filmed by Cecil B. DeMille in 1922; the great director used the plotline as an excuse for an extended (and gloriously pointless) flashback to Ancient Rome. This 1930 talkie remake is infinitely more tasteful and restrained than the DeMille version--but not quite as much fun to watch. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Fredric March, (more)
- 1930
In this comedy, a plumbing magnate's son, who has started on the bottom rung of his father's business, is hired to fix the pipes in an old European castle. The castle is being let by a destitute prince and his daughter. In order to restore his fortune and prestige, the prince wants her daughter to marry a man of his choosing, but unfortunately, the princess has fallen head-over-heels for the castle plumber. ~ Sandra Brennan, All Movie Guide
- Starring:
- Charles Farrell, Maureen O'Sullivan, (more)
- 1930
Based on the Alice Duer Miller play Come Out Of the Kitchen, the Paramount musical Honey was filmed in several foreign languages for European distribution. The French version, titled Cherie, starred Mono Goya and Saint-Granier in the roles originated by Nancy Carroll and Skeets Gallegher. Down on their luck, aristocratic Olivia and Charles Dangerfield are forced to rent out their ancestral mansion to nouveau riche Mrs. Falkner and her daughter Cora. Remaining in the house as the butler, Charles falls in love with Cora, while his sister Olivia (retained as Mrs. Falkner's maid) is likewise smitten by Cora's ex-fiancee Burton. For French consumption, Cherie makes time for the routines of popular Jewish dialect comedian Marc Hely, playing a character who didn't appear in the original Honey. ~ Hal Erickson, All Movie Guide
- Starring:
- Marguerite Moreno, Mona Goya, (more)
- 1929
The first of two film versions of Thornton Wilder's novel, The Bridge of San Luis Rey begins at the end. The titular bridge, which stands in 18th-century Peru, collapses, killing five people. The natives believe that the bridge's destruction was the result of Divine intervention. Using this as a cue, the film flashes back on the lives of the five victims, allowing the audience to determine whether or not their deaths were deserved. Top-billed as a wanton Spanish dancer/courtesan is Lily Damita, who later gave up her career to become the first wife of Errol Flynn. Originally a silent film, Bridge of San Luis Rey was hastily fitted with an opening and closing reel of dialogue to take advantage of the "all-talkie" craze of 1929. The film was remade in 1945, with perennial "other woman" Lynn Bari in the Lily Damita role. ~ Hal Erickson, All Movie Guide
- Starring:
- Ernest Torrence, Raquel Torres, (more)
- 1928
Another of Goldwyn's successful pairings of Ronald Colman and Vilma Banky, Two Lovers was the last of their co-starring assignments. Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Vilma Banky, (more)
- 1928
Paramount's popular screen team of Charles "Buddy" Rogers and Mary Brian were once again cinematically united in 1928's Someone to Love. Rogers plays William Shelby, a struggling young sheet-music salesman, while Brian is Joan Kendricks, his wealthy sweetie. Thanks to a series of bizarre coincidences and misunderstandings, Joan is led to believe that the virtuous William is a no-account fortune hunter and skirt-chaser. But he redeems himself by using his salesmanship to put a bankrupt girl's school back on its financial feet. Not only does William get the girl, but he also falls heir to 20 million bucks. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles "Buddy" Rogers, Mary Brian, (more)
