Ray Milland Movies

Though it was made in 1964, this romantic farce was not released until 1971. It stars an aging Ginger Rogers as a prosperous madam who teams up with the crooked town mayor (Ray Milland) and tries to trick one of her "girls" into revealing the location of a famous hidden treasure. The prostitute the two pick on (Barbara Eden) is pregnant and they try to convince her that she has witnessed a miracle. Unfortunately for the schemers, their scheme backfires. During production, the film underwent many changes and was shelved due to a dispute over editing. When it was finally released it bombed and is now considered most notable for containing the screen debut of actor Elliot Gould, who plays a deaf mute. ~ Sandra Brennan, All Movie Guide

The ninth season of Alfred Hitchcock's popular TV suspense anthology opens with a chilling little character study by Robert Bloch, who seems to have drawn his inspiration from Edgar Allan Poe's The System of Dr. Tarr and Professor Fether. Ray Milland stars as mad doctor Fenwick, an inmate of the Norton Sanitarium. In order to prove his theory that "role-playing" is the perfect therapy for the insane, Fenwick murders the head of the sanitarium, locks up the rest of the staff, and releases the other patients, allowing them to roam about impersonating a variety of "normal" people pursuing normal careers. But Fenwick's theory blows up in his face thanks to two unforeseen events: the arrival of the niece (Claire Griswold) of the murdered sanitarium head and the grim determination of one of the lunatics to play his new "role" to the hilt. ~ Hal Erickson, All Movie Guide

Roger Corman's success with low-budget adaptations of Edgar Allan Poe tales continued with this third installment, the first to lack the commanding presence of Vincent Price. Instead, we have Ray Milland as tormented protagonist Guy Carrell, who is so traumatized by the death of his father -- whom he believes was entombed alive after suffering a cataleptic attack -- that he becomes convinced that he will meet a similar demise. Guy's mounting dementia rapidly undermines his recent marriage to the lovely Emily (Hazel Court), particularly after he begins the construction of a specially designed crypt rigged with numerous escape devices. Encouraged by Emily to face his fears, Guy decides to view his father's remains, to prove once and for all whether he died peacefully. When the crypt is opened, however, what he finds there is so horrifying that he succumbs to a cataleptic episode himself, which doctors misdiagnose as a fatal heart attack... and Guy's worst fear soon becomes a reality. Milland's performance conveys the requisite amount of hand-wringing torment (in the mode of The Lost Weekend), even if he fails to capture the manic intensity that Price brought to the other Poe films. Corman's deft direction, employing a rich palette of colors and superb widescreen compositions, is on a par with the series' finest installments. ~ Cavett Binion, All Movie Guide

Ray Milland doubles up as star and director of The Safecracker. Set during WW II, the film casts Milland as professional cracksman Colley Dawson, who is rescued from prison by Army major Adbury (Ernest Clark). Dawson is offered a deal: if he'll agree to embark upon a dangerous mission behind enemy lines, he'll be given his freedom. The mission, of course, is to break into a Nazi safe and steal a list of German spies operating in England. Before one can say "Robert Wagner", Dawson is trained as a commando and parachuted into Belgium for the "caper" of his life. Supposedly based on a true story, The Safecracker was lensed in Europe and released stateside by MGM. ~ Hal Erickson, All Movie Guide

A bank robber's avarice and obsessive quest for freedom lead to his downfall in this adventure-packed crime drama that was shot on location in Mexico. After lifting a cool million from a U.S. bank, the crook is anxious to sneak across the border into Mexico, but to do so he must hire an experienced wilderness guide. He goes to the guide's ranch and finds his ex-lover, now the guide's wife, preparing to leave her husband. The crook offers to take her to her home town. There is trouble with a border guard and the crook runs him over with his car. Terrified, the girl tries to escape, but the crook runs after her and they go back to the ranch where they meet the guide (who was beside the border guard when he died). Desperately, the crook forces the guide and his wife to head into the mountains with him. As they traverse the treacherous terrain, the crook becomes increasingly desperate and makes it plain that he will kill anyone who stands in his way. He also makes it clear that he would rather die himself than give up the money. ~ Sandra Brennan, All Movie Guide

Filmed on location, Lisbon was the second directorial endeavor of actor Ray Milland. The story revolves around a Portugal-based American smuggler, Capt. Robert John Evans (Milland). Hired by attractive Sylvia Merrill (Maureen O'Hara), Evans agrees to sneak behind the Iron Curtain to locate Sylvia's husband Lloyd Merrill (Percy Marmont). It is understood that Evans is to bring Merrill back dead so that Sylvia can collect her husband's vast fortune, but the tables are turned on Sylvia and her wily co-conspirator, Aristide Mavros (Claude Rains). Put simply, the film is Casablanca and To Have and Have Not in reverse. Other participants in the film's various and sundry intrigues are Francis Lederer as the last-reel dispenser of justice, and Yvonne Furneaux as Rains' buxom mistress. ~ Hal Erickson, All Movie Guide

Evelyn Nesbit Thaw, the real-life personality so brilliantly (albeit briefly) portrayed by Elizabeth McGovern in Ragtime (1981), is given the full biopic treatment in 20th Century Fox's The Girl in the Red Velvet Swing. Since the real Mrs. Thaw served as technical advisor for the film, it isn't surprising that the controversial Evelyn comes across as being more sinned against that sinning. Joan Collins stars as Evelyn, the gorgeous chorine and original "Gibson Girl" who becomes the romantic bone of contention between ageing architect Stanford White (Ray Milland) and slightly unbalanced young millionaire Harry K. Thaw. Setting up Evelyn in a plush apartment, the lecherous White insists that she "perform" for him on the red velvet swing of the title (allegedly, Evelyn swung naked above the slavering White, though she's fully clothed in the film). Eventually, Thaw marries Evelyn, but cannot prevent White from continuing his romantic overtures. Things come to a head in 1906, on the roof of Madison Square Garden. As Evelyn sings and dances in a stage musical, the insanely jealous Thaw walks up to White, pulls out a pistol, and, in full view of the audience, pumps several bullets into the older man. Though Thaw manages to avoid the gallows by pleading insanity (he was eventually released), Evelyn's reputation is permanently besmirched, leaving her little choice but to capitalize upon her notoriety on the vaudeville stage (actually, Evelyn pursued a moderately successful film career before losing all her money to bad investments in the 1920s). By purifying the character of Evelyn Nesbit and thoroughly vilifying Stanford White, The Girl in the Red Velvet Swing is hardly 100 percent accurate; still, the film is immensely entertaining, thanks to the enthusiastic performances of the three stars. ~ Hal Erickson, All Movie Guide

This tuneful remake of 1937's The Awful Truth centers on the rocky marriage of a philandering composer and the wife who has her fill and decides to get even by having an "affair" of her own. Actually, hers is quite innocent. Unfortunately, her husband doesn't known this and the couple get a divorce. But somehow, beneath all their anger, the two are still in love and show it by trying to make the other jealous at every opportunity. The wife allows a handsome Alaskan tycoon to court her while the composer uses a pretty young woman. Of course, it doesn't take the pair too long to realize the awful truth and reunite. ~ Sandra Brennan, All Movie Guide

Something to Live For is the last of director George Stevens' "small" films, before he concentrated full-time on such blockbusters as Shane and Giant. Joan Fontaine plays a popular actress who descends into alcoholism. Ray Milland, in an unofficial extension of his Lost Weekend role, plays a reformed drunkard who comes to Fontaine's rescue. He encourages her to join Alcoholics Anonymous--one of the first times that this organization was given any kind of screen treatment. Milland's concern strains his relationship with his wife (Teresa Wright), who doubts that Ray's interest in Fontaine is merely humanitarian. But Milland refuses to endanger his marriage no matter how strong his feelings towards Fontaine--nor how much the audience wants him to. ~ Hal Erickson, All Movie Guide

For his directorial debut, Ray Milland went out on a creative limb, resulting in the first American film since Chaplin's City Lights without any spoken dialogue. The Thief stars Milland as Allan Fields, a nuclear physicist who has sold out to a foreign power. With only a few tinges of conscience, Fields sets about to steal vital scientific secrets and smuggle them out of the country. With the FBI on his trail, he briefly hides out in a rundown tenement house, where he inaugurates a desultory romance with a sluttish woman (Rita Gam, making her auspicious film debut). On the verge of escaping without detection, Fields is forced to commit a murder and things quickly go downhill from there. The novelty of silence (except for natural sound effects) is intriguing at first, though it wears off rather quickly; still, Ray Milland deserves at least a gold star for trying. ~ Hal Erickson, All Movie Guide

Paramount's Ray Milland and 20th Century-Fox's Gene Tierney star in Warner Bros.' Close to My Heart. The stars play, respectively, journalist Brad Sheridan and his wife Midge. Unable to have children of her own, Midge opts for adoption, thereby subjecting her husband and herself to the very exacting requirements of adoption agencies. Upon learning of an abandoned child left at a police station, Midge determines to claim the baby for her own, but Brad refuses to go along with his wife's plans until he can find out something more about the child's parents. Brad's feverish above-and-beyond search for the facts make him a highly unreliable adoption risk--but there's still hope for a happy ending. Ironically, star Gene Tierney was still trying to cope with the personal tragedy of giving birth to a severely retarded daughter while filming Close to My Heart. ~ Hal Erickson, All Movie Guide

Circle of Danger stars Ray Milland as an American at large in London, Wales and Scotland. During World War 2, Milland's brother had died in a commando raid. The details of his death were somewhat murky, and Milland would like to know the truth. The truth is murder in every sense of the word, though rather disappointingly, Milland himself is never in any peril. While Circle of Danger was produced by longtime Hitchcock associate Joan Harrison, the Master's touch is noticeably absent. ~ Hal Erickson, All Movie Guide

Lana Turner stars as an ambitious model who seeks her fortune in New York City. She is befriended by over-the-hill cover-girl Ann Dvorak, whose performance carries the story until she commits suicide twenty minutes into the film. Turner promises herself that she won't end up burned out like Dvorak, but as her fame grows, she is inexorably drawn into the hectic social whirl that sealed Dvorak's doom. Enjoying the favors of wealthy Ray Milland, Turner seeks out Milland's wife (Margaret Phillips), hoping to convince the woman to give up her husband. When she meets the crippled Mrs. Milland, Turner is made painfully aware of the length and breadth of the woman's love for her husband. Turner pulls out of the relationship, and we are encouraged to believe that hers will be a much happier and more fulfilling life than that of the unfortunate Ann Dvorak (ironically, in real life Ann Dvorak's final days were relatively contented ones, while Lana Turner spent her twilight years wondering where the looks, the men and the money had gone). Though not so noted in the credits, A Life of Her Own was inspired by The Abiding Vision, a novel by Rebecca West. Bronislau Kaper's musical score was later recycled for the 1951 MGM romantic drama Invitation. ~ Hal Erickson, All Movie Guide