Ray Milland Movies

In this romance, a sailor saves a drowning Frenchwoman and falls in love forgetting all about his landlocked girlfriend. Fortunately, he soon comes to his senses and is reunited with the one who really loves him. ~ Sandra Brennan, All Movie Guide

Just before making his talkie directorial debut with Atlantic, director E.A. DuPont dashed off the silent "backstage" drama Piccadilly. By the time the film was released in 1929, talking pictures had taken a firm hold of the British film industry, obliging DuPont to reshoot much of the picture with dialogue. American screen favorites Anna May Wong and Gilda Gray (the girl who popularized the "shimmy dance") head the cast, the former as Shosho, a dishwasher in the London nightclub where the latter, cast as dancer Mabel Greenfield, performs nightly. Jealous of Mabel's dancing partner Victor Smiles (Cyril Ritchard), club owner Wilmot (Jameson Thomas) fires Victor, whereupon business drops off dramatically. In desperation, Wilmot takes Shosho out of the kitchen and puts her on stage, where she scores a big success. Feeling threatened by Shosho, Mabel heads to her rival's apartment with blood in her eye. A shot rings out, Shosho falls dead, and Mabel is accused of murder. But during the trial, it turns out that Shosho was done in by her Chinese sweetheart Jim (Kim Ho Chang). In his first feature film appearance, Charles Laughton performs an outrageous bit as a rowdy night club patron; also seen in a minuscule role is young Ray Milland. The talkie version of Piccadilly wasn't released in the U.S. until 1932. ~ Hal Erickson, All Movie Guide

In this drama, an impoverished Irishman decides to turn an IRA colleague into the cops to receive a desperately needed reward that will allow him to escape to America with his mistress. Unfortunately his plans go awry and the young man is filled with guilt by his friends who once held his high ideals. ~ Sandra Brennan, All Movie Guide

In this drama, a two wealthy cousins find themselves involved in an unfortunate love triangle. The trouble begins when the one cousin, whose wealth came from marriage convinces the other, an heiress, to marry the family chauffeur. Years pass, and the first cousin ends up falling for the chauffeur herself and trying to break up the marriage. ~ Sandra Brennan, All Movie Guide

Constance Bennett, Hollywood's favorite "wronged" heroine, is the star of the misleadingly titled Bought. Thing of it is, Bennett can't be bought by wealthy playboy Ray Milland. Despite dangling all sorts of expensive temptations in front of her, Milland never gets any farther than a one-night stand with the girl. Turning her back on high society, our heroine returns to her tenement apartment and her poverty-stricken sweetheart, author Ben Lyon. One of the attractions of Bought was the rare on-screen teaming of leading-lady Constance Bennett and her father, legendary Broadway star Richard Bennett. ~ Hal Erickson, All Movie Guide

Though silent-screen favorite William Haines wasn't able to sustain his popularity into the talkie era, he insisted upon honoring his MGM contract in such forgettable fare as Just a Gigolo. Based on a weather-beaten David Belasco play, the film casts Haines as Lord Robert Brummell, a footloose bachelor who is ordered by his wealthy uncle (C. Aubrey Smith) to settle down with a wife. Not wishing to tie himself down to any one girl, Brummell endeavors to prove that no woman is worthy of him by pretending to be a gigolo. Sure enough, every woman he meets turns out to be mercenary or amoral -- every one except the true light of his life, played by Irene Purcell (who, unbeknownst to our hero, knows he's not a gigolo). Just a Gigolo was released in England under the prudish title The Dancing Partner. ~ Hal Erickson, All Movie Guide

Norma Shearer stars in this pre-Code melodrama as Lisbeth Corbin, who is in love with Alan (Neil Hamilton), a globe-trotting newspaper reporter, but also strings along Steve (Robert Montgomery), a well-mannered local boy who is good friends with Lisbeth, even though she doesn't love him. When Alan is sent to Mexico to cover a story, love-struck Lisbeth goes with him, but when he's next sent to China, Alan leaves Lisbeth behind. Heartbroken, she heads for Europe, where she tries to forget Alan with a series of short-term love affairs. Try as she might, Lisebth can't forget Alan, but when she returns home, lonely and desperate, she finally agrees to marry Steve. Alan picks this moment to return, but just as she's thrown over Steve for her true love, Alan learns of Lisbeth's escapades in Europe and breaks off the engagement, sending her to the brink of suicide. Keep an eye peeled for an early appearance by Ray Milland as one of Lisbeth's suitors. ~ Mark Deming, All Movie Guide

In this romantic drama, a strait-laced preacher creates controversy when he marries a seductive trapeze artist . The two meet after the swinger is injured during a performance and taken to his home to recover. Love blossoms while she heals and they surreptitiously marry. When the minister's snooty parishioners find out, they are shocked evict him from their chapel. When he is unsuccessful at finding other work, his wife selflessly returns to the circus so he can have his congregation back. This leads to the story's upbeat conclusion, but not before some exciting aerial antics ensue. ~ Sandra Brennan, All Movie Guide

In this comedy, the owners of a teahouse inherit a fortune from their uncle and head for London to live the highlife. Unfortunately, they find themselves entangled with a gang of Chicago mobsters and their leader. Fortunately, the hapless duo end up destroying the gang. It is then that they learn that their own fortune was illegally obtained. The humbled twosome return to their middle-class lives and their teahouse, but when they arrive, they discover that it has been turned into a red-hot nightclub. ~ Sandra Brennan, All Movie Guide

Bolero stars George Raft as Raoul de Barre, an arrogant dancer who rises to fame in the years prior to, during, and after WW I. Raoul is helped along the way by his promoter brother Mike (William Frawley) and scores of willing females, matriculating from two-bit gigolo to the greatest ballroom dancer in Paris. Determining that nothing will stand in his way to the top, he regularly fires any female dancing partner who has the misfortune to fall in love with him -- until the last of his partners, the beautiful Helen (Carole Lombard) beats him to the punch by walking out on him. His heart weakened during the war, Raoul aspires to open his own nightclub, despite warnings that if he ever dances again the consequences will be fatal. On opening night of his new establishment, Raoul dances Maurice Ravel's "Bolero" with Helen, now the wife of a British nobleman. Having reached his emotional and professional pinnacle, Raoul collapses and dies in his dressing room -- as the nightclub patrons, oblivious to his fate, loudly demand an encore. Surprisingly, George Raft and Carole Lombard's dancing is doubled by others, but the same cannot be said of the inimitable Sally Rand, whose famous fan dance is tastefully re-created here. Raft and Lombard later reteamed in 1935's Rumba. ~ Hal Erickson, All Movie Guide

Department-store owner Horatio Allen's (George Barbier) biggest mistake is to name his scatterbrained daughter Gracie (Gracie Allen) as his sole heir. Suddenly Gracie becomes obsessed with the notion of converting her dad's store into a bird sanctuary. Psychologist Dr. Otto von Strudel (Egon Brecher) suggests that the best way to dissuade Gracie is to marry her off to Burns (George Burns). Burns vetoes the idea until Allen Sr. offers to pay him 10 dollars for every mile he travels with Gracie away from the store. This leads to a series of zany "on the road" complications, with Gracie's foolishness causing no end of trouble for the long-suffering George. Much ado about nothing, Many Happy Returns is recommended for Burns and Allen's staunchest admirers, though music fans will enjoy Larry Adler's harmonica solo and the dulcet sounds of Guy Lombardo's Orchestra (incidentally, some of Lombardo's numbers are actually performed sans screen credit by the Duke Ellington band). ~ Hal Erickson, All Movie Guide

Hollywood movie-making is satirized in this comedy. The trouble begins when an American filmmaker decides to us a British army barracks and soldiers to add a realistic touch to his newest Foreign Legion film. The trouble is, the director is neither very good, nor well informed about military life, something that the brigadier general that helps the filmmaker is quick to point out. But this does not stop the director from trying to get the whole British army into the act. The real kicker is that the American film crew does not have permission to use the soldiers or the facilities. ~ Sandra Brennan, All Movie Guide

Adapted from Norman Krasna's Broadway hit A Small Miracle, Four Hours to Kill is a multi-plotted effort that can best be described as "Grand Hotel goes to the theater." Richard Barthelmess stars as Tony, a condemned murderer, who is handcuffed to Detective Taft (Charles Wilson) while en route to the death house. Tony breaks loose and heads for the theater, where the man who squealed on him is attending a play. As the killer prepares to rub out the stoolie, the action cuts away to the romance between a hatcheck boy (Joe Morrison) and his girlfriend (Helen Mack), which is complicated by the clerk's allegedly pregnant former love (Dorothy Tree). Another subplot involves unfaithful wife Gertrude Michael and her lover Ray Milland. All the various plotlines are knitted together in the climax, wherein Tony closes in on his intended victim. ~ Hal Erickson, All Movie Guide