Arnon Milchan Movies

Marshall Herskovitz directed this look at life in 16th-century Venice, based on Margaret Rosenthal's 1994 book The Honest Courtesan. Positioned outside of the Venetian court, Veronica Franco (Catherine McCormack) hopes to rise above her station, but her interest in nobleman's son Marco Venier (Rufus Sewell) is blocked since his parents forbid their marriage. Following the path taken by her mother, Paola (Jacqueline Bisset), Veronica becomes a courtesan, finding this gives her a niche in the male-dominated society. When Vatican emissaries accuse her of witchcraft, she lashes back, using the trial as a feminist forum to expose the hypocrisies of the period. Filmed in 1996 in Venice and Rome with a variety of working titles (Courtesan, Venice, and The Honest Courtesan). ~ Bhob Stewart, All Movie Guide

An angel must decide if love is more important than eternal peace in this Americanized adaptation of Wim Wenders' modern classic Wings of Desire. Seth (Nicholas Cage) is an angel who hovers over the city of Los Angeles, listening to people's thoughts, observing their lives, and guiding them to the next world when they die. While Seth and his fellow angels try to offer comfort to people as they can, they are discouraged from direct contact with humans and are usually invisible to them. While at a hospital, Seth sees Maggie (Meg Ryan), a dedicated heart surgeon who attempts to save the life of a patient Seth was to call upon. Maggie is distraught after the patient passes, and her agony touches something inside the reserved Seth; he finds himself falling in love with her, and he decides to make himself visible so he can communicate with her. As Maggie gets to know the strange visitor in black who has suddenly appeared in her life, she finds herself torn between her new feelings for Seth and her attachment to her fiancé Jordan (Colm Feore), a fellow doctor. Seth, on the other hand, has a serious choice to make -- between immortality and giving it up in order to know both the pleasures and pains of being a human being. City of Angels also stars Dennis Franz as Messinger, a patient at the hospital who has some important advice for Seth. The film's soundtrack featured two Top Ten hits, "Iris" by the Goo Goo Dolls and "Uninvited" by Alanis Morissette. ~ Mark Deming, All Movie Guide

Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress. ~ Mark Deming, All Movie Guide

Supernatural forces hover over the courtroom in this devilish drama adapted from the novel by Andrew Neiderman. Attorney Kevin Lomax (Keanu Reeves) doesn't heed the Bible-based warnings of his mother (Judith Ivey), who views New York City as "the dwelling place of demons." Instead, he leaves Gainesville, Florida, with his wife Mary Ann (Charlize Theron) to put his legalistic skills to the test at a leading Manhattan law firm run by John Milton (Al Pacino). It all goes smoothly -- with Milton urging them to stay, putting Kevin on a $400-per-hour salary, and moving the couple into a luxurious apartment in his own building on Fifth Avenue -- where Mary Ann falls under the influence of neighbor Jackie (Tamara Tunie). After Kevin defends a weird animal sacrificer (Delroy Lindo, uncredited), he moves up to an important case with an apparent murderer, real-estate tycoon Alexander Cullen (Craig T. Nelson). Ignored by Kevin, the troubled Mary Ann has some disturbing experiences, verging on the occult, while Kevin, at work, becomes attracted to redhead Christabella (Connie Neilsen). Dazzled by his entrance into paradise, Kevin doesn't grasp who handed him this Big-Apple success. Could it be...Satan? The film features demonic creatures by Rick Baker. Cameos (Senator Alfonse D'Amato, Don King, others) add to the ambiance of ambition and power in the canyons of Manhattan. ~ Bhob Stewart, All Movie Guide

Based on a two-character play by Michael Cristofer (who also wrote the screenplay), Breaking Up is an odd sort of love story about a couple who aren't sure what to do about their relationship. Steve (Russell Crowe) is a photographer and Monica (Salma Hayek) is a schoolteacher. They're in love, but their emotional bond is so intense it borders on manic-depressive -- at any given moment, they're either deliriously happy with each other or so frustrated they're ready to call it off for good. Every time they try to sit down and seriously discuss their relationship, it turns into a disaster -- they can't stay together but they can't stay apart, either. As Monica summarizes their relationship, "It's a failure, but it's ours." Breaking Up follows Steve and Monica as they debate the pros and cons of their relationship over several years in vignettes that range from the comic to the horrifying. Breaking Up was shot in 1995, but didn't emerge into limited release until 1997. ~ Mark Deming, All Movie Guide

In this romantic comedy-drama, a couple learns that the relationship between the mind and the body can take many different forms. Rose Morgan (Barbra Streisand) is a plain and pudgy middle-aged college English professor who shares a house with her mother, Hannah (Lauren Bacall). Rose got the brains in her family, but her sister Claire (Mimi Rogers) got the good looks, and as Claire prepares for her wedding to Alex (Pierce Brosnon), Rose can't help but despair over the blank page that is her love life, especially since she's long had a crush on Alex. Gregory Larkin (Jeff Bridges) teaches mathematics at the same school as Rose, and he has come to the conclusion that sex serves no purpose but to complicate relationships between men and women; after a series of disastrous romantic affairs, Gregory is looking for an intellectual relationship with a woman -- and nothing more. One day, Gregory passes by Rose's lecture hall as she discusses the role of chaste love in literature, and he's intrigued; he takes her out on a date and is impressed by Rose's quick wit and broad range of knowledge. Gregory is so taken with Rose that he proposes marriage, but under the condition that theirs be strictly a meeting of the minds, without sexual relations. While Rose is very much attracted to the handsome mathematician, the prospect of spending the rest of her life either alone or with Hannah seems far worse than a marriage without passion, and she agrees to his proposal. However, Rose's affection for Gregory makes it difficult for her to stop with a handshake, and one night she puts on her best nightgown and attempts to seduce her husband, much to Gregory's annoyance and confusion. Gregory leaves on a lecture tour shortly afterward, and after Hannah reassures a heartbroken Rose that she was beautiful as a child, Rose goes on a crash course in self improvement. She goes on a diet, starts working out, changes her hairstyle, learns a few makeup tricks, and revamps her wardrobe, and by the time Gregory returns, he discovers that there's a very different woman in the twin bed next to his own. The Mirror Has Two Faces, based on the 1958 French comedy Le Miror a Deux Faces, was Barbra Streisand's third project as a director; she also served as co-producer and helped compose the film's theme song, "I Finally Found Someone." ~ Mark Deming, All Movie Guide

Albert Franklin (Haley Joel Osment) is the son of stage magician Lorraine Franklin, and has learned to do a few magic tricks of his own. However, when his mother dies and he is sent to live with his aunt Harriet (Whoopi Goldberg), it becomes clear that for him the boundary between stage magic and the real kind is just a bit fuzzy. This is fortunate, because the young man needs a friend. The friend magically appears in the form of a spirit (Gerard Depardieu) calling himself "Bogus," who helps him figure out how to meet the challenge of relating to his very preoccupied aunt. She is more concerned with keeping her restaurant supply company afloat than she is with her new ward. Things change when she, too, catches a glimpse of the spirit. ~ Clarke Fountain, All Movie Guide

A funky little record shop provides the setting for this youthful comedy that centers on the workers there as they try to help poor Joe Anthony LaPaglia), the manager who really wants to buy the place, recoup his losses after his well-meaning, but dim-bulbed employee Lucas (Rory Cochrane ) steals his savings and loses it all in Atlantic City while trying to increase it twofold at the gaming tables. If they cannot come up with the loot, the mega-chain Music City will buy it. ~ Sandra Brennan, All Movie Guide

In the original box-office smash Under Siege, action hero Steven Seagal played Casey Ryback, a U.S. Navy SEAL who saved the world from nuclear destruction by outsmarting and killing off terrorists who had commandeered a submarine. In this sequel, Seagal's Ryback character does the same sort of thing aboard a train. Ryback now has retired from the Navy and is taking his niece Sarah (Katherine Heigl) on a vacation. They board a train traveling through the Rocky Mountains. Criminal mastermind Travis Dane (Eric Bogosian) is using the train as a control center in his effort to kidnap a top-secret government outer space super-weapon. Dane built the weapon but then was fired by the government before it was deployed. He has hooked up with shadowy Middle Eastern terrorists who have offered him $1 billion to use the satellite to blow up the Eastern seaboard by targeting a secret nuclear reactor underneath the Pentagon. Dane shows the Pentagon that he's got control of the weapon by blowing up a Chinese chemical plant. Officials can't stop him because they can't locate his headquarters. As long as the train keeps moving, his location can't be fixed. Ryback learns of the plot and enlists a porter named Bobby (Morris Chestnut) to help him in his battle. ~ Michael Betzold, All Movie Guide

A successful career criminal considers getting out of the business after one last score, while an obsessive cop desperately tries to put him behind bars in this intelligent thriller written and directed by Michael Mann. Neil McCauley (Robert De Niro) is a thief who specializes in big, risky jobs, such as banks and armored cars. He's very good at what he does; he's bright, methodical, and has honed his skills as a thief at the expense of his personal life, vowing never to get involved in a relationship from which he couldn't walk away in 30 seconds. Vincent Hanna (Al Pacino) is an L.A.P.D. detective determined to catch McCauley, but while McCauley's personal code has forced him to do without a wife and children, Hanna's dedication has made a wreck of the home he's tried to have; he's been divorced twice, he's all but a stranger to his third wife, and he has no idea how to reach out to his troubled step-daughter. While McCauley has enough money to retire and is planning to move to New Zealand, he loves the thrill of robbery as much as the profit, and is blocking out plans for one more job; meanwhile, he's met a woman, Eady (Amy Brenneman), whom he's not so sure he can walk away from. The supporting cast includes Val Kilmer as Chris, one of McCauley's partners; Ashley Judd as his wife Charlene; Jon Voight as Nate; Hank Azaria as Alan Marciano; and Henry Rollins as Hugh, who is beaten up by Hanna. ~ Mark Deming, All Movie Guide

A wealthy Beverly Hills husband and wife are forced to reevaluate their lives after losing their jobs in writer-director Michael Tolkin's aloof satire. Peter Witner (Peter Weller) and Katherine Witner (Judy Davis) have become so accustomed to their high-class, shallow lifestyle that they feel helpless when circumstances leave them facing imminent bankruptcy. Lost and confused, their marriage on the verge of collapse, they seek help from a number of spiritual gurus, who offer ineffectual New Age philosophies as the solution to their problems. These remedies provide little comfort, however, and the Witners' attempt to make their own way by opening a hip clothing store also disappoints, leaving them ostracized and desperate for a direction in life. Best known for the cutting screenplay of Robert Altman's The Player (1992) and for his own earlier film The Rapture (1991), Tolkin provides sharp dialogue and a well-observed critique of the Los Angeles high life. This film continues the social criticism of those earlier efforts, as Tolkin consistently portrays American life as mindlessly materialistic, spiritually hollow, and bereft of meaningful purpose or moral direction. While some viewers may feel distanced from the unsympathetic characters and detached tone, Tolkin continues to be one of the most trenchant social satirists in contemporary American movies. ~ Judd Blaise, All Movie Guide

A frenetic, bloody look at mass murder and the mass media, director Oliver Stone's extremely controversial film divided critics and audiences with its mixture of over-the-top violence and bitter cultural satire. At the center of the film, written by Stone and Quentin Tarantino, among others, are Mickey (Woody Harrelson) and Mallory (Juliette Lewis), a young couple united by their desire for each other and their common love of violence. Together, they embark on a record-breaking, exceptionally gory killing spree that captivates the sensation-hungry tabloid media. Their fame is ensured by one newsman, Wayne Gale (Robert Downey, Jr.), who reports on Mickey and Mallory for his show, American Maniacs. Even the duo's eventual capture by the police only increases their notoriety, as Gale develops a plan for a Super Bowl Sunday interview that Mickey and Mallory twist to their own advantage. Visually overwhelming, Robert Richardson's hyperkinetic cinematography switches between documentary-style black-and-white, surveillance video, garishly colored psychedelia, and even animation in a rapid-fire fashion that mirrors the psychosis of the killers and the media-saturated culture that makes them popular heroes. The film's extreme violence -- numerous edits were required to win an R rating -- became a subject of debate, as some critics asserted that the film irresponsibly glorified its murderers and blamed the filmmakers for potentially inciting copy-cat killings. Defenders argued that the film attacks media obsession with violence and satirizes a sensationalistic, celebrity-obsessed society. Certain to provoke discussion, Natural Born Killers will thoroughly alienate many viewers with its shock tactics, chaotic approach, and disturbing subject matter, while others will value the combination of technical virtuosity and dark commentary on the modern American landscape. ~ Judd Blaise, All Movie Guide

A sterling cast headed by Oscar-nominated Susan Sarandon makes this slick thriller one of the better adaptations of a John Grisham bestseller. Mark Sway (Brad Renfro) witnesses the suicide of a Mafia lawyer, who confesses that the Mob was behind the murder of a U.S. senator. Mark's brother is traumatized into a coma by the incident; gangster Barry Muldano (Anthony LaPaglia) is soon on Mark's trail, and in desperation, he arrives at the office of recovering alcoholic lawyer Reggie Love (Sarandon). With the Mob after them, and a ruthless federal attorney (Tommy Lee Jones) trying to force Mark to reveal what he knows, Love battles to guarantee the safety of her client and his family. The relationship between Reggie Love and Mark Sway is the center of the film, adding considerable character development to plot's routine elements. Director Joel Schumacher helmed another Grisham adaptation, A Time To Kill, in 1996. ~ Don Kaye, All Movie Guide