Arnon Milchan Movies

Based on a true story, The Hunt for the Unicorn Killer concerns the notorious Ira Einhorn, a political activist turned murder suspect who eluded Philadelphia police for nearly 20 years. In 1968, Texas-born Holly Maddux (Naomi Watts) left home to attend Bryn Mawr College, and two years later she made the acquaintance of Einhorn (Kevin Anderson), a community organizer and activist well known for leading peaceful crusades and as the key figure in Philadelphia's radical community. Holly and Ira became romantically involved, but, despite his public image, behind closed doors Einhorn was often abusive and manipulative, though Holly, for her own reasons, accepted his poor treatment and infidelity. In 1977, Holly had reached the end of her rope and told friends she was leaving Ira, intending to return to their apartment only to collect her belongings. She was not seen again for several months, until her corpse was found stuffed in a trunk in Ira's apartment. Einhorn was arrested in connection with the crime, but was released on bail, only to flee the country, surfacing in France four years later. Convicted 'in absentia' for Holly's murder in 1993, Einhorn was extradited to the United States in 1997 under the condition he receive a new trial. The Hunt for the Unicorn Killer was produced for NBC Television, and was first aired as a two-part miniseries in May 1999. ~ Mark Deming, Rovi

Wits and weapons clash in this 1981 epic chronicling a rebellion by Jewish Zealots against Roman rule. After Jerusalem falls to the Romans in 70 A.D., nearly a thousand Jewish rebels led by Eleazar ben Jair (Peter Strauss) withdraw to a mountaintop fortress 30 miles southeast of Jerusalem. There, fed by defiance and an unlimited supply of cistern water, they make their stand against Roman rule, now and then conducting surprise raids against Roman positions down below. Whenever the Romans retaliate, Eleazar goes them one better. He and his men burn grain supplies, poison wells and generally make life miserable for the Roman 10th Legion, encamped in the baking desert surrounding the fortress. Frustrated, the Roman general Cornelius Flavius Silva (Peter O'Toole) brings in a brilliant siege master, Rubrius Gallus (Anthony Quayle), to devise a way to breach the mountaintop stronghold. When Gallus begins construction of an earthen ramp up the mountainside, rebels rain down arrows on the Roman workers. Flavius then uses Jews from nearby villages to build the ramp. Meanwhile, Flavius makes several attempts to persuade the rebel Jews to surrender, promising they will live in peace and prosperity under Roman rule. But the Jews are adamant; they want only one thing: freedom, or, at the very least, limited freedom under a Roman-appointed Jewish governor. But after Roman Emperor Vespasian vetoes peace plans, the ramp continues to rise. When it is finished, the Romans pull a massive battering ram on wheels--another of Gallus's stratagems--up the ramp, and the stage is set for the final battle deciding the fate of the Jews. This film had at least three incarnations: as a 6-hour, 34-minute TV series in 1980, and then in trimmed-down versions in 1981 and 1984. Although the filmed-on-location Masada is based on history, parts of it are fictionalized. ~ Mike Cummings, Rovi

Black Joy is the lightly ironic title of this British culture-clash comedy. Trevor Thomas heads the cast as a Guaynan youth who is under the delusion that life will be easier for him in London. No sooner does Thomas set foot in England than he gets tangled up in one disaster after another. The catalyst for most of Our Hero's travails is "assimilated" Caribbean Dave Beaton, who delivers an antic performance as a streetwise con artist. Black Joy has its melodramatic moments, but it's worth enduring the more intense sequences to get to the exuberant climax, wherein Thomas finally learns to stand up for his basic rights. Black Joy was adapted from Dark Days and Light Nights, a stage play by Jamal Ali. ~ Hal Erickson, Rovi

In this modern noir from director Allen Hughes, his first fiction feature-length film in over a decade, Mark Wahlberg stars as Billy Taggart, a New York City private eye struggling to get his deadbeat clients to pay when he gets a call from Mayor Hostetler (Russell Crowe). His honor remembers Billy from seven years ago when, as a cop, the young man shot a rapist who had been exonerated on a technicality. Back then, the Mayor told Billy he was a hero, but Billy was still forced off the job due to the public outcry and some incriminating evidence that never saw the light of day. Now the mayor needs someone he can trust to find out if his wife (Catherine Zeta-Jones) is having an affair - a fact that could cause him considerable trouble seeing as Election Day is just a week away. As Billy digs for the truth, he uncovers layers of political corruption, and discovers he himself is nothing more than a pawn in a much bigger game. The film co-stars Jeffrey Wright as a police commissioner, Kyle Chandler as a political consultant, and Barry Pepper as the mayor's political rival. ~ Perry Seibert, Rovi

Inspired by author Karyn Bosnak's novel 20 Times a Lady, director Mark Mylod's freewheeling comedy tells the tale of one hopelessly single women who's convinced she's passed up the man of her dreams. Upon reading a magazine article that leaves her dejected about her future marriage prospects, Ally Darling (Anna Faris) begins to fear that one of her many ex-boyfriends may have been "the one that got away." Now, with a little help from her mischievous neighbor (Chris Evans), Ally is paying a visit to each of her exes in order to reel in the perfect catch. ~ Jason Buchanan, Rovi

Kiefer Sutherland stars as an NYPD detective-turned-security guard who discovers something sinister lurking in the mirrors of a fire-damaged department store in Haute Tension writer/director Alexandre Aja's menacing study in the origins of evil. It's been just about a year since mercurial police detective Ben Carson (Sutherland) was suspended from the NYPD for the fatal shooting of an undercover officer, and ever since that fateful day he's been locked in a self-destructive spiral of anger and alcoholism. Increasingly isolated from his wife and kids, Ben spends most nights crashed-out at his sister Angela's (Amy Smart) apartment in Queens. But Ben hasn't given up hope just yet, and in order to get his life back together and prove that he's still capable of supporting his family he takes a job as the night watchman at the Mayflower department store. The Mayflower used to be a lavish symbol of inner-city prosperity, that is, until a raging inferno gutted the building while claiming numerous lives in the process. These days, the Mayflower is a scorched reminder of human misery, the ornate mirrors therein reflecting a suffering so profound that it begins to wear on Ben's already-fragile psyche. Not only that, but whatever force dwells behind the shimmering glass seems to have gained the power to alter reality as well.

After Ben gazes into the mirrors and sees a vision of himself being relentlessly tortured, he is horrified to experience violent convulsions, spontaneous bleeding, and frightening asphyxiation. And while his sister is always willing to lend a sympathetic ear, she chalks the anomalies up to an unusually potent mix of stress and anxiety. Unfortunately for Ben, his estranged wife, Amy (Paula Patton), isn't nearly as forgiving. A prosaic NYPD medical examiner who has seen her fair share of tragedy, Amy fears that Ben's erratic behavior could be placing their children in danger. Later, as Ben begins to draw connections between his increasingly gruesome visions and a former Mayflower security guard who vanished without a trace, he begins to suspect that an unimaginable evil is using the mirrors as a gateway into the real world, and that his family is in mortal danger from forces beyond their realm of understanding. Perhaps if he Ben can manage to convince Amy that their children's lives are at risk, he can summon the courage to face the greatest evil he has ever known. ~ Jason Buchanan, Rovi

A man struggling to save the life of another finds himself drawn into a strange netherworld he didn't know existed in this stylish thriller. Sam Foster (Ewan McGregor) is a psychiatrist living in New York City with his girlfriend, Lila Culpepper (Naomi Watts), who was once one of his patients. However, it's another one of his patients who becomes the focus of his obsessions when Henry Letham (Ryan Gosling), a disturbed young man whom Foster took over from a colleague, announces during a session that he intends to commit suicide in three days, on his 21st birthday. Sam takes the threat quite seriously and tries to track down Henry, who seems to have disappeared. Sam speaks to a number of Henry's friends and acquaintances -- his mother (Kate Burton), the man he claimed was his father, Dr. Leon Patterson (Bob Hoskins), a waitress who regularly served Henry at the coffee shop where she works (Elizabeth Reaser), and his former therapist Dr. Beth Levy (Janeane Garofalo). As Sam talks to people in Henry's circle, he finds he's learning more about himself than the man he's supposed to save, and he begins to drift into an emotional netherworld where the supposedly dead and the living cross paths. Stay was directed by Marc Forster, who had previously enjoyed breakthrough hits with two very different films, Monster's Ball and Finding Neverland. ~ Mark Deming, Rovi

A man whose ideals have been shattered for the last time is out for violent justice in this thriller. Creasy (Denzel Washington) is a former United State intelligence agent-turned-mercenary who has seen too much of the violence and corruption in the world and has become jaded and withdrawn. Creasy is hired to act as a bodyguard for Lupita (nicknamed "Pita", played by (Dakota Fanning), a ten-year-old girl whose wealthy family (a Mexican father and American mother) currently lives in Mexico City, where kidnapping has become a near epidemic. While watching over Pita, Creasy becomes fond of the girl, and finds himself regaining some of his faith in humanity. But things take an ugly turn when Pita is abducted by gunmen who shoot Creasy and leave him to die in the streets. Enraged beyond reason, Creasy recovers and sets out to find the men responsible for kidnapping Pita, no matter who he has to kill along the way. Man on Fire is based on a novel by A.J. Quinnell, which was previously filmed in 1987 with Scott Glenn as Creasy. Christopher Walken, Radha Mitchell, Giancarlo Giannini, and Mickey Rourke highlight the supporting cast for this remake. ~ Mark Deming, Rovi

After forays into film noir, thrillers, dramas, and even documentaries, director John Dahl tries the teen horror genre on for size. Paul Walker stars as Lewis Thomas, a college freshman embarking on a cross-country road trip during summer break to pick up his girlfriend Venna (Leelee Sobieski). Along for the ride is Lewis' brother Fuller (Steve Zahn), a practical joker who uses the car's CB radio to play a cruel prank on a lonely trucker known only by the handle Rusty Nail. The victim of Fuller's gag turns out to be a psychotic murderer and soon the brothers are being pursued by the relentless stalker, who gets his revenge in gruesome fashion. Joy Ride, which co-stars Matthew Kimbrough, was produced under the working title "Squelch." ~ Karl Williams, Rovi

This psychological thriller from screenwriter Patrick Smith Kelly reunites him with his A Perfect Murder (1998) star Michael Douglas. Dr. Nathan Conrad (Douglas) is a respected adolescent therapist faced with a nightmarish scenario when his young daughter (Skye McCole Bartusiak) is snatched by Koster (Sean Bean), a criminal with a talent for high-tech surveillance. Conrad learns that the kidnapper is desperate for a critical piece of information known only to Elisabeth Burrows (Brittany Murphy), one of his catatonic pro bono patients. While his wife Aggie (Famke Janssen) remains at home, bedridden due to a broken leg, Conrad races to unlock the secret stored in Elisabeth's fractured mind, while a New York City detective (Jennifer Esposito) inches closer to discovering the Conrads' dilemma. Don't Say a Word co-stars Oliver Platt and Guy Torry and is directed by Gary Fleder, who follows up his suspense smash Kiss the Girls (1997). ~ Karl Williams, Rovi

In this darkly comic drama, Edward Norton stars as a depressed young man (named in the credits only as "Narrator") who has become a small cog in the world of big business. He doesn't like his work and gets no sense of reward from it, attempting instead to drown his sorrows by putting together the "perfect" apartment. He can't sleep and feels alienated from the world at large; he's become so desperate to relate to others that he's taken to visiting support groups for patients with terminal diseases so that he'll have people to talk to. One day on a business flight, he discovers Tyler Durden (Brad Pitt), a charming iconoclast who sells soap. Tyler doesn't put much stock in the materialistic world, and he believes that one can learn a great deal through pain, misfortune, and chaos. Tyler cheerfully challenges his new friend to a fight. Our Narrator finds that bare-knuckle brawling makes him feel more alive than he has in years, and soon the two become friends and roommates, meeting informally to fight once a week. As more men join in, the "fight club" becomes an underground sensation, even though it's a closely guarded secret among the participants. (First rule: Don't talk about fight club. Second rule: Don't talk about fight club.) But as our Narrator and Tyler bond through violence, a strange situation becomes more complicated when Tyler becomes involved with Marla (Helena Bonham Carter), whom our Narrator became infatuated with when they were both crashing the support-group circuit. Based on the novel by Chuck Palahniuk, Fight Club was directed by David Fincher, who previously directed Pitt in the thriller Seven. ~ Mark Deming, Rovi

Marshall Herskovitz directed this look at life in 16th-century Venice, based on Margaret Rosenthal's 1994 book The Honest Courtesan. Positioned outside of the Venetian court, Veronica Franco (Catherine McCormack) hopes to rise above her station, but her interest in nobleman's son Marco Venier (Rufus Sewell) is blocked since his parents forbid their marriage. Following the path taken by her mother, Paola (Jacqueline Bisset), Veronica becomes a courtesan, finding this gives her a niche in the male-dominated society. When Vatican emissaries accuse her of witchcraft, she lashes back, using the trial as a feminist forum to expose the hypocrisies of the period. Filmed in 1996 in Venice and Rome with a variety of working titles (Courtesan, Venice, and The Honest Courtesan). ~ Bhob Stewart, Rovi