Nicholas Meyer Movies

Adapted from author Philip Roth's novel The Dying Animal, director Isabel Coixet's elegant tale of obsession explores the relationship between a highly respected professor (Ben Kingsley) and an impossibly gorgeous grad student (Penélope Cruz). As their relationship deepens, the professor finds his ego challenged by the girl's enchanting beauty. Dennis Hopper and Patricia Clarkson co-star. ~ Jason Buchanan, All Movie Guide

Hotel Rwanda tackles one of the most horrifically ugly events in recent history, when the Hutu extremists of Rwanda initiated a terrifying campaign of genocide, massacring hundreds of thousands of minority Tutsis (who had been given power by the departed Belgian colonists), while the rest of the world looked on and did nothing. Don Cheadle stars as Paul Rusesabagina, the hotel manager at the fancy Les Milles Collines hotel in Kigali. Paul is a Hutu, and a very successful businessman who smoothly greases the wheels, making powerful connections in all strata of Rwandan life. His wife, Tatiana (Sophie Okonedo of Aeon Flux), is a Tutsi. She urges Paul to use his influence to help local Tutsis, who are being harassed and beaten with increasing frequency, but Paul will only use the political capital he's built up to help his own family, if and when they need it. Soon enough, the violence escalates, and the Hutus begin their genocide of the Tutsis. European guests and staff at the hotel are flown out of the country, and Paul is left in charge. He finds that his conscience won't allow him to watch as the innocent are slaughtered, and before long, the hotel has become a well-appointed refugee camp. Paul is seen as a traitor by some, putting his life in danger, and the predicament of his "guests" grows more precarious every day, but despite good intentions on the part of a journalist (Joaquin Phoenix) and a UN peacekeeping colonel (Nick Nolte), the rest of the world is not eager to intervene and stop the massacre. Hotel Rwanda was directed by Irish filmmaker Terry George (Some Mother's Son), who co-wrote the script with Keir Pearson. ~ Josh Ralske, All Movie Guide

This action-adventure, that features a terrorist plot from The Fugitive (1993), saw its October 2001 release date moved back four months as a result of real-life terrorist attacks on the United States. Arnold Schwarzenegger stars as Gordon Brewer, a Los Angeles firefighter who witnesses the deaths of his wife and child, innocent victims of a terrorist attack on a motorcade carrying Colombian dignitaries. Responsibility for the deadly explosion belongs to Claudio "The Wolf" Perrini (Cliff Curtis), a terrorist and rebel in Colombia's decade-long civil war. When times passes with no suspect being brought to justice, Brewer rejects the advice of FBI agent Peter Brandt (Elias Koteas) and travels to the jungles of Colombia to find and take revenge upon his family's murderer himself. Encountering a complex web of death squads, right-wing military officials, guerrillas, terrorists and drug-lords, Brewer is aided in his dangerous quest by an unlikely ally, the beautiful Selena Perrini (Francesca Neri), his quarry's wife. Collateral Damage (2002) co-stars John Leguizamo and John Turturro. ~ Karl Williams, All Movie Guide

This made-for-cable drama concerns political unrest and personal crises set against the battle for a free Ireland in Belfast in 1983. Gingy McAnally (Anthony Brophy) is a member of the Irish Republican Army who, after serving a stretch in prison, is once again called upon by the IRA to work with them. While McAnally is not certain if he wants to get involved with "the troubles" again, he grudgingly agrees after the safety of his wife and children is threatened by IRA henchmen. However, McAnally is soon busted by Lt. David Ferris (Cary Elwes), a British army officer, and is ruthlessly interrogated by Chief Inspector Rennie (Timothy Dalton), one of the leaders of the Belfast Police who is determined to put the rebels out of business. Rennie convinces McAnally that his only hope is to admit to everything he knows about the IRA and its members; McAnally sheepishly goes along with Rennie's demands, and in time, he strikes up a friendship with Ferris. However, McAnally discovers that betraying the IRA has put his life in grave danger; just as significantly, his wife and family are no longer sure that they can trust him after he turns in his comrades. ~ Mark Deming, All Movie Guide

This Americanized remake of the French classic The Return of Martin Guerre (1982) transports the story's setting from the 16th century Gallic countryside to 19th century Tennessee at the conclusion of the U.S. Civil War. Richard Gere stars as Jack Sommersby, a wealthy landowner who returns to his small cotton farming town of Vine Hill three years after the Civil War's end. The defeated Confederate soldier is ready to resume his past life with his young wife Laurel (Jodie Foster). Thinking her husband long dead, however, Laurel has become engaged to Orin Meecham (Bill Pullman), an arrangement she quickly calls off, enraging and embittering Orin. Soon it becomes evident that his experiences have changed Jack thoroughly. A callous and cruel man widely feared before the war, he is now charming and sensitive, offering financial opportunities to an ex-slave and caring for Laurel and his young son. Jack even persuades the town's citizenry that he can rescue their fortunes by pooling resources and switching Vine Hill's chief crop from cotton to tobacco. Jack's scheme works, but Orin becomes increasingly convinced that Jack is in fact an impostor masquerading as the wealthy Sommersby, a suspicion that the smitten and quickly pregnant Laurel secretly shares. When Jack is arrested and charged with a murder he drunkenly committed years before, the court trial leads to some startling revelations about the past. ~ Karl Williams, All Movie Guide

The plot involves a peace conference between the Federation of Planets and the troublesome Klingons. The Klingons are hoping to perform a little damage control after triggering a mining disaster on one of their moons; their spokesman is the seemingly contrite General Chang (Christopher Plummer). All negotiations abruptly cease when a Klingon vessel is attacked, and Capt. Kirk (William Shatner) and Dr. McCoy (DeForest Kelley) are accused of the crime. As they stand trial for murder, Mr. Spock (Leonard Nimoy) and Vulcanian trainee Lt. Valeris (Kim Cattrall) try to locate the real culprits. It turns out that Kirk and McCoy are victims of a conspiracy to foment further hostilities between the Good Guys and the Klingons. ~ Hal Erickson, All Movie Guide

This historical drama, based on a novel by John Masters that was in turn inspired by actual events, follows William Savage (Pierce Brosnan), a British agent of the East India Company, as he is sent with his new wife to India in the early 19th century. While Savage holds the unusually progressive view that the people of India are human and deserve to be treated with dignity and respect, he is still a very proper subject of the British empire and behaves accordingly. One night, when he sees a group of seemingly crazed men rob and kill a defenseless woman, he demands to know what has happened. He learns that the killers were members of a bizarre cult called the Thugees; Savage is determined to do something about them, and he works his way into the group by disguising himself as one of their number; however, the more Savage tries to win the trust of the Thugees, the more he must act as one of them, which leads him into a murderous secret life of his own. The Deceivers was produced by Ismail Merchant, his first film with a director other than James Ivory. ~ Mark Deming, All Movie Guide

Star Trek IV: The Voyage Home (1986) concludes the story arc begun with Star Trek II: The Wrath of Khan (1982) and continued in Star Trek III: The Search for Spock (1984), but on a wholly new, different, and upbeat note. As the movie opens, months have elapsed since the events in Star Trek III; Admiral Kirk (William Shatner), McCoy (DeForest Kelley), Scott (James Doohan), Sulu (George Takei), Uhura (Nichelle Nichols), and Chekhov (Walter Koenig) are marooned in self-imposed exile on Vulcan, along with the resurrected and regenerated Spock (Leonard Nimoy, who also directed). While Spock tries to sort out the Vulcan and human halves of his resurrected psyche, the others prepare to return to Earth to face a brace of charges by the Klingon Empire and Star Fleet over events on Genesis. Taking off in their commandeered, jerry-rigged Klingon ship, they head to Earth, not knowing that a new crisis could destroy their home world -- a huge, immensely powerful alien probe has entered the galaxy and established a position near Earth, disabling every vehicle and installation in its path with its energy and communication output, and has ionized the entire atmosphere and started vaporizing the oceans, leaving the planet only hours to survive.

Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide

A peaceful Midwestern city attempts to recover after it is destroyed by a nuclear missile strike in this powerful and deeply disturbing testament to the folly of pro-military hawks who believed that annihilation was a justifiable means of attaining power and control. The Day After originally aired on network television. At the end of the broadcast, many stations offered teams of counselors staffing 800 telephone numbers to help distraught viewers calm down. ~ Sandra Brennan, All Movie Guide

Ann Jillian plays the title character in this made-for-TV film, based on the facts but with several liberties taken as well. Roddy McDowall takes an interesting turn playing a female impersonator. ~ John Bush, All Movie Guide

It's H.G. Wells (Malcolm McDowell) versus Jack the Ripper (David Warner) in the fanciful Time After Time -- and, per the film's title, the chase extends from the 19th century to the 20th. Wells has built a time machine in his cellar, which the Ripper uses as a means of escape. Both men find themselves in 20th century San Francisco, and, after a period of adjustment, they make themselves at home. The plot takes a dark turn when the Ripper, disappointed that Wells' dreams of a Utopian future have not come to fruition, resumes his murderous activities. ~ Hal Erickson, All Movie Guide

The Night That Panicked America is centered around Orson Welles' notorious "War of the Worlds" broadcast of October 30, 1938. Welles (Paul Shenar) arrives at CBS studios just in time to assume his directing post for the radio adaptation of the H.G. Wells classic, which has been updated and rewritten in the form of news bulletins. Unfortunately, millions of listeners tune in late and assume that the Earth is actually being invaded by Martians. This TV movie periodically cuts away from the broadcast in progress to concentrate on the panicky reactions of several listeners -- including a terrified mother (Eileen Brennan) who nearly kills her own children rather than allow them to fall into the tentacles of the Men From Mars. Advised of the panic, Welles is convinced that his career is over, but the ensuing publicity makes him nationally famous. As he absorbs the events of the evening, the hoodwinked radio fans crawl back sheepishly to the safety of their homes. ~ Hal Erickson, All Movie Guide

In this "guilty pleasure" outing by B-budget director Denis Sanders (Shock Treatment), William Smith plays an FBI man investigating reports of a coven of "bee-girls" -- women who have taken on the characteristics of bees, and who kill men upon making love. A cute device throughout the film allows us to see the action from a bee's-eye view. The script, by no less than Nicholas Meyer, pokes gentle fun at the conventions of the cheapo-horror genre without ever stooping to cheap parody. Invasion of the Bee Girls was also released as Graveyard Tramps. ~ Hal Erickson, All Movie Guide