Burgess Meredith Movies

The action in A Big Hand for the Little Lady centers around a high-stake poker game. The participants include some of the wealthiest men in the West (among them Jason Robards Jr., Kevin McCarthy, Charles Bickford and Paul Ford). Into this rarefied atmosphere trudges impoverished farmer Henry Fonda, who despite the protests of his wife Joanne Woodward plunks down his last dollars to join the game. Halfway through the proceedings, Fonda falls ill. With quiet desperation, Woodward sits down daintily at the table and says in a firm voice, "Gentlemen, how do you play this game?" End of story? Not by a long shot! This O. Henry-style shaggy dog story is based on a Dupont Show of the Week TV presentation Big Deal at Laredo. Keep an eye out for two movie veterans in bit parts: silent screen comic Chester Conklin and 1930's leading lady Mae Clarke. ~ Hal Erickson, All Movie Guide

In Harm's Way, based on James Bassett's novel Harm's Way, has enough plot in it for four movies or a good miniseries (when it was shown on network television in prime time, it was broken into two very full nights). On the morning of December 7, 1941, a heavy cruiser, commanded by Captain Rockwell Torrey (John Wayne), and the destroyer Cassidy, under acting commander Lieutenant (jg) William McConnell (Thomas Tryon), are two of a handful of ships that escape the destruction of the Japanese attack on Pearl Harbor. Under Torrey's command, the tiny fleet of a dozen ships carries out its orders to seek out and engage the enemy fleet. But lack of fuel and a daring maneuver (but tragic miscalculation) by Torrey causes his ship to be seriously damaged. He's relieved of command and assigned to a desk job routing convoys in the shakeup following the attack, and his exec and oldest friend, Commander Paul Eddington (Kirk Douglas), is reassigned after a brawl, the result of his anger after identifying the body of his wife (Barbara Bouchet) who was killed during the attack while cavorting with an Marine Corps officer.

Torrey's shore assignment leads him to reestablish contact on a very hostile level with his estranged son, Ensign Jere Torrey (Brandon de Wilde), from his long-ended marriage; he establishes a romantic relationship with Lt. Maggie Haynes (Patricia Neal), a navy nurse; and he also befriends Commander Egan Powell (Burgess Meredith), a special-intelligence officer. Partly as a result of his contact with Powell, Torrey is chosen by the commander of the Pacific Fleet (Henry Fonda) to salvage an essential operation called Sky Hook, which has become bogged down through the indecisiveness of its area commander, Vice Admiral Broderick (Dana Andrews). Promoted to rear admiral, with Eddington -- who'd been rotting away on a shore assignment, drunk most of the time -- assigned as his chief of staff, Torrey gets Sky Hook rolling and finally finds his purpose in this war, gaining the belated admiration of his son in the process. Eddington is similarly motivated but is still haunted by the violent, ultimately self-destructive demons that blighted his marriage and his life -- he is particularly attracted to a young nurse, Annalee Dohrn (Jill Haworth), not knowing that she is already involved romantically with Jere Torrey. Meanwhile, McConnell survives the sinking of his ship and is ordered to join Torrey's staff. Matters all come to a head when the Japanese begin a counter-offensive to Torrey's planned troop landing. And just at the time Torrey needs his men at their best, Eddington's violence and rage boil to the surface in a way that will destroy him and blight both men's lives. In a final attempt at redemption, Eddington provides Torrey with the information he needs to set up a battle that he has at least a chance of winning, pitting his small task group of destroyers and cruisers against the Japanese task force led by the Yamato, the largest battleship ever built. ~ Bruce Eder, All Movie Guide

Fanfare for a Death Scene was one of a handful of TV dramas originally presented on NBC's Kraft Suspense Theatre, then reedited for European theatrical release. Richard Egan stars as an American secret agent, on the trail of a vanished scientist. Egan must recover the scientist's revolutionary secret formula before the Enemy catches up with his quarry first. Musician Al Hirt, a hot property in 1964 thanks to his recording of "Java", provides the jazz background score. Fanfare for a Death Scene was first shown in feature-film form in the US on local television, as part of Universal's syndicated movie package. ~ Hal Erickson, All Movie Guide

Tom Tryon plays the title role in this Otto Preminger version of the Henry Morton Robinson novel. In his matriculation from Monsignor to the College of Cardinals, Stephen Fermoyle (Tom Tryon) must undergo several grueling life experiences: standing up to bigots in Georgia, defying Nazis in Austria, and so on. The film boasts cameo appearances by Dorothy Gish, Cecil Kellaway, John Saxon, John Huston, Robert Morse, Burgess Meredith, Raf Vallone, Ossie Davis. Incidentally, Tryon eventually quit acting and became a popular novelist. ~ Hal Erickson, All Movie Guide

Greenwich Village poet Duncan Kleist (Burgess Meredith) goes on a violent rampage early one morning, accosting people he meets for money and for help in mailing a parcel he's carrying. This leads to a confrontation with Stanley Dorkner (Herschel Bernardi). The two argue and fight, and Kleist is left to die on the street alone, his parcel gone and no witnesses to the assault. Detective Adam Flint (Paul Burke) leads the investigation -- but to determine who killed Kleist, he must first find out why he was killed. Flint interviews Mildred Pepper (Eileen Heckart), whom he lived with and abused for 20 years; Kleist's boyhood friend Kip Harris (Sanford Meisner), now a successful publisher, who wanted to see more of Kleist's work in print; Dorkner, to whom Kleist owed a 500-dollar bar tab; and the people with whom Kleist crossed paths on the last night of his life. The detective pieces together the tormented life of a shattered genius and finds out that Kleist had just been told that he had only days to live, a result of his alcoholism; he also learns that Kleist had planned to mail his unpublished manuscripts to his home town in Iowa, specifically to a woman he'd conjured up in his ramblings across the years named Gloria Christmas. Flint also discovers that the manuscripts were valuable enough to kill for -- and for Kleist to kill for. A humiliating confrontation with a young poet (Alan Alda) at Dorkner's tavern the night before Kleist's death had only brought matters to a head, and led to the murderous confrontation. ~ Bruce Eder, All Movie Guide

First telecast March 3, 1961, this is a deft reworking of the first-season Twilight Zone episode "Mr. Bevis." Making his second appearance on the series, Burgess Meredith stars as Luther Dingle, a mild-mannered salesman whom a pair of Martians select for a most unusual experiment. The aliens endow Dingle with the strength of 300 men, a gift which he eventually abuses and loses. The ending of this one is a beaut. Don Rickles costars as an obnoxious horse player, displaying the same comic invective with which he infested his nightlclub act. Written by Rod Serling, "Mr. Dingle, the Strong" would be remade, after a fashion, as the third-season Twilight Zone entry "Cavender Is Coming." ~ Hal Erickson, All Movie Guide

Based on a play by Evan Wylie and Jack Ruge, Joe Butterfly also bears the influence of Teahouse of the August Moon. The title character, played by Burgess Meredith, is a wily Japanese wheeler-dealer who offers his services as interpreter to the American GIs occupying postwar Tokyo (where the film was lensed). But Joe's "services" go above and beyond the call of duty, not to mention military protocol. To make certain that the local Army newspaper will continue to meet its deadlines as more and more soldiers march into Japan, Joe sets up the paper's staff in a luxurious private home. Top-billed Audie Murphy plays an army photographer who can't seem to adjust himself to military life, while Kieko Shima portrays Murphy's Japanese sweetheart. While Joe Butterfly is well cast and smartly directed, star Burgess Meredith always felt that the film could have been better had the Universal-International production staff had more faith in the project. ~ Hal Erickson, All Movie Guide

Even without its 3D/stereophonic sound gimmickry, Second Chance is a crackling good suspenser. Robert Mitchum plays Russ Lambert, a prizefighter who heads to South America to forget a recent tragedy in the ring. Here he meets Clare Shepard (Linda Darnell), who is likewise running away -- not from her bitter memories, but from her boyfriend, a vicious gangster. Also newly arrived in South America is Cappy Gordon (Jack Palance), the cold-blooded triggerman for Clare's ex-beau. After several close calls and near-misses, the three main characters converge in a disabled cable car, high above a deep abyss. Filmed on location at RKO Radio's Mexican facilities, Second Chance takes a while getting started, then rapidly builds to a heart-pounding finale. ~ Hal Erickson, All Movie Guide

In the tradition of his wartime "special services" filmmaking activities, actor Burgess Meredith is director, author and star of the 48-minute documentary The Yank Comes Back. The film is conceived as a tribute to WW II England from the viewpoint of an average GI (Meredith). The point is that, despite wartime deprivations and postwar financial travails, England can still "take it." Occasionally, Meredith breaks down the fourth wall and addresses the camera as though it were another character. He also finds time to deliver a Shakespearean soliloquy on the stage at Stratford-on-Avon. These self-conscious touches aside, The Yank Comes Back is a worthwhile bouquet to one of America's staunchest allies.
~ Hal Erickson, All Movie Guide

Though hampered by a small budget that shrank with each shooting day, director Burgess Meredith fashioned a serviceable film version of Georges Simenon's A Battle of Nerves. Retitled The Man on the Eiffel Tower, the film pits Simenon's analytical Inspector Maigret (Charles Laughton) against a wily murderer. We know virtually from the outset that the guilty party is Radek (Franchot Tone), a psychotic with delusions of grandeur who has been seduced into killing the wealthy aunt of slatternly Edna Wallace (Jean Wallace). Maigret suspects Radek , but without solid proof he must suffer the taunting and baiting of the beyond-the-law killer. Eventually Maigret wins the psychological battle, forcing Radek to seek refuge on the titular tower. And if you're waiting for that final fatal fall, this isn't that kind of movie. Burgess Meredith also appears in the film as the sort of obvious suspect that is automatically disregarded by any true detective-story buff, despite the most damning evidence. Originally released in eye-pleasing Anscocolor, Man on the Eiffel Tower is generally available nowadays in washed-out public-domain prints. ~ Hal Erickson, All Movie Guide

Also known as A Miracle Can Happen, On Our Merry Way is a multipart comedy linked by inquiring reporter Burgess Meredith. It is Meredith's job to interview several people, asking them what effect children have had on their lives. First he checks with two itinerant musicians (James Stewart and Henry Fonda), who earn extra under-the-counter money by fixing a music contest so the mayor's son will win. Next he meets Hollywood extras Dorothy Lamour and Victor Moore, who are hired to work with a precocious child star. Finally, the old "Ransom of Red Chief" twist is given to the tale of hoboes Fred MacMurray and William Demarest, who find themselves at the mercy of a preteen prankster, whose wealthy uncle (Hugh Herbert) won't take the kid back unless the hoboes pay him. Meredith returns to the newspaper office with a black eye, which earns him the sympathy and affection of coworker Paulette Goddard. Though the direction is credited to Leslie Fenton, portions of On Our Merry Way were actually directed (sans credit) by George Stevens and King Vidor. ~ Hal Erickson, All Movie Guide