Burgess Meredith Movies
Originally a newspaper reporter, Burgess Meredith came to the screen in 1936, repeating his stage role in Winterset, a part written for him by Maxwell Anderson. Meredith has had a long and varied film career, playing everything from George in Of Mice and Men (1939) to Sylvester Stallone)'s trainer in Rocky (1976). He received Oscar nominations for The Day of the Locust (1975) and Rocky. As comfortable with comedy as with drama, Meredith also appeared in Idiot's Delight (1939); Second Chorus (1940), with Fred Astaire; Diary of a Chambermaid (1942), which he also wrote and produced; The Story of G.I. Joe (1945); and Mine Own Executioner (1947). He also directed Man on the Eiffel Tower (1949). On television, he made countless guest appearances in dozens of dramatic and variety productions, including one of the first episodes of The Twilight Zone, the touching Time Enough at Last, and as host on the first episode of Your Show of Shows. He was a regular on Mr. Novak (1963-64) and Search (1972-73), hosted Those Amazing Animals (1981), co-starred with Sally Struthers in Gloria (1982-83), and made classic appearances as the Penguin on Batman (1966-68). He won an Emmy in 1977 for Tailgunner Joe and has done voiceover work for innumerable commercials, notably Volkswagen. Meredith made his final feature film appearance playing crusty Grandpa Gustafson in Grumpier Old Men (1995), the sequel to Grumpy Old Men (1993) in which he also appeared. In 1996, he played a role in the CD-rom video game Ripper. He was briefly married to Paulette Goddard in the 1940s. Meredith died in his Malibu home at the age of 88 on September 9, 1997. ~ All Movie Guide- 1978
We'll confess not to having seen The Amazing Captain Nemo, principally because we can't find it anywhere. It's our loss, because it certainly sounds fascinating. Jose Ferrer stars as Nemo, the demented but essentially well-meaning technological genius created by Jules Verne in 20,000 Leagues Under the Sea. In what seems to have been a one-time-only occasion, Ferrer costars with his namesake Mel Ferrer. Also in the star-heavy cast is Burgess Meredith as an eccentric professor and Lynda Day George as the all-around heroine. The film was largely photographed by Lamar Boren, the undersea expert responsible for the soggy cinematography of Creature from the Black Lagoon and Flipper. Given the cast and the director (Alex March), we suspect that The Amazing Captain Nemo was filmed for television, then deflected to theaters to make back its cost. ~ Hal Erickson, All Movie Guide
Anthony Hopkins is a ventriloquist psychologically tormented by his dummy in the Richard Attenborough thriller Magic (a film with a story that may seem familiar to those who have seen the Michael Redgrave segment of Dead of Night, or the Cliff Robertson episode "The Dummy" from The Twilight Zone television series). William Goldman based his screenplay on his best-selling novel. Hopkins plays Corky, a seedy magician who is hooted off the stage in the low-rent clubs that will stoop to hire him. But when he comes across a dummy named Fats, his career is energized. Corky sees in Fats everything he lacks himself -- confidence, creativity, and verbal agility. With the help of his agent Ben Greene (Burgess Meredith), Corky rises to the top of the nightclub circuit. But with Corky's success comes an increased paranoia, and he turns down a TV contract, believing that it would mean taking a medical examination and that rumors of his mental instability might leak out. Corky takes off to a Catskills resort, run by Peggy Ann Snow (Ann-Margret), an old girlfriend now unhappily married to a volatile hick (Ed Lauter). While a frustrated Ben high tails it to the Catskills to find Corky, Corky discovers that he still has feelings for Peggy, but lands in the middle of a love triangle between the woman and her husband, where his schizophrenic personality manifests itself and additional murders occur. ~ Paul Brenner, All Movie Guide
- Starring:
- Anthony Hopkins, Ann-Margret, (more)
- 1978
This National Geographic documentary follows a single family struggling toward success in the frantic world of Hong Kong. The Family lives on a houseboat and is part of the large boat community that occupies the waterways of the giant city. Following the family for several days, the cameras film the group during work and as the children play, giving the viewer an in-depth view of the average person's life in one of the world's largest and most competitive cities. ~ Ed Atkinson, All Movie Guide
This animated adventure centers on the exploits of Puff the Magic Dragon, a character created by songwriter Peter Yarrow. ~ Sandra Brennan, All Movie Guide
Low-budget horror director William Girdler's last film stars Susan Strasberg as Karen Tandy, a San Francisco woman who develops a strange growth on her neck. After an operation fails because the doctor is forced to cut his own hand, Karen seeks out an Indian shaman (Michael Ansara), who tells her that the thing on her neck is the fetus of a reincarnated witch doctor. Eventually, Karen goes to the hospital and gives "birth" to a silly-looking creature played by Cousin Itt himself, Felix Silla. It runs amok in the building until boyfriend Tony Curtis figures out that his love for Karen can boost the hospital's electrical supply to zap the pesky beast. Generally acknowledged as one of the silliest horror films ever made, The Manitou should please camp buffs more than serious fans. ~ Robert Firsching, All Movie Guide
- Starring:
- Tony Curtis, Michael Ansara, (more)
- 1978
Right after wrapping up her role as Emily on The Bob Newhart Show, Suzanne Pleshette began her reign as "queen of the TV pilot films" with Kate Bliss and the Ticker Tape Kid. Kate Bliss (Pleshette) is a private investigator in the 19th-century West, setting up her shingle in a tough frontier town. The Ticker Tape Kid (Don Meredith) is a onetime stockbroker who has become a Robin Hood-type outlaw. Kate is hired to protect a prissy British land baron (Tony Randall) from the Kid, but soon her loyalties begin to waver. Kate Bliss and the Ticker Tape Kid didn't make it as a series, but allowed Suzanne Pleshette a refreshing change of pace from her usual urban roles. ~ Hal Erickson, All Movie Guide
- 1977
Richard Harris dodges bullets from stem to stern in this middling thriller, based on a novel by Alistair MacLean. The plot concerns high-sea hijinks aboard the Caribbean Star, a combination cargo ship and floating casino. In the midst of the high rollers and spinning roulette wheels appears Luis Carreras (John Vernon), an amoral mercenary who hijacks the ship. Taking his marching orders from a mysterious mastermind, he installs an atomic device mid-ship, holding both the passengers and the bomb hostage, hoping to exchange them for the gold bullion of an U.S. Treasury ship. All seems to be going according to Luis's plan until First Officer John Carter (Richard Harris), the attractive Susan Beresford (Ann Turkel), and Dr. Marston (Gordon Jackson) arrive to put a crimp in Luis's escapade. ~ Paul Brenner, All Movie Guide
- Starring:
- Richard Harris, Ann Turkel, (more)
- 1977
1977's Last Hurrah is a TV-movie remake of the 1958 John Ford film of the same name. Both versions are based on the Edwin O'Connor novel about the last days of flamboyant, larcenous Mayor Frank Skeffington--based upon the equally colorful, equally underhanded Boston mayor James Curley. Carroll O'Connor plays Skeffington in the 1977 version (it was Spencer Tracy back in 1958). O'Connor spends the bulk of the film trying in manners both subtle and strongarm to win re-election--and to race the clock against his own failing health. While the 1958 Last Hurrah is superior, the 1977 Hurrah has the saving grace of Carroll O'Connor's exuberant performance; O'Connor also wrote the script for this remake. ~ Hal Erickson, All Movie Guide
- 1977
- PG
Shortly before the bank examiner is due to arrive, higher-ups at a small-town bank discover that a beloved long-term employee has embezzled $100,000. The embezzler (Paul Sand), says he did it just to point out a flaw in the bank's bookkeeping practices. Bank officers Jack and Emanuel (Burgess Meredith and Richard Basehart) cook up a scheme to cover up the theft, which, incidentally, will net them an additional hundred grand. The supposedly secret embezzlement and bank examiner visit becomes known throughout the tight-knit community. Some pillars of the community see it as an opportunity for gain and others want to help save reputations, but everyone gets involved. ~ Clarke Fountain, All Movie Guide
- Starring:
- Burgess Meredith, Richard Basehart, (more)
- 1977
Told in flashback form, Tail Gunner Joe traces the rise and fall of Wisconsin senator Joseph McCarthy (Peter Boyle). The story begins with McCarthy's judicial career, then progresses to his rise to the U.S. senate on the Republican ticket and his ultimate exploitation of the postwar "anti- communist" movement. Declaring in a 1950 speech that he personally knows of several communists in high government offices, McCarthy becomes a major political power, influencing the outcome of elections, stoking the flames of the "Red Scare" of the 1950s and ruining the reputations of several people suspected of being "commie-symps". The Senator meets his Waterloo when he takes on the US Army, accusing the military of harboring known subversives. During a televised hearing, he recklessly casts aspersions upon a young lawyer, prompting defense attorney Joseph Welch (Burgess Meredith) to mutter disconsolately "Have you no sense of decency, sir?" Television reveals McCarthy for the demagogue that he is, and soon he plunges into obscurity and acute alcoholism. He dies discredited in 1957 while still only in his forties. Tail Gunner Joe is in its own way as biased and unfair as any of Joe McCarthy's diatribes but this made-for-TV movie works as a brisk, entertaining recollection of an era in which "guilt by association" was a byword. As Joe McCarthy, Peter Boyle's performance is so convincing that it borders on the supernatural. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Boyle, Burgess Meredith, (more)
- 1977
Made for television, Johnny We Hardly Knew Ye is based on the bestseller by Kenneth P. O'Donnell, David F. Powers and Joe McCarthy. The film is set in 1946: Paul Rudd plays 29-year-old John F. Kennedy, fresh out of the Navy and preparing for his first campaign for public office in Boston. He insists that he is running on the issues, but is hoping that his war record will do him some good as well. Kennedy's biggest hurdle is overcoming the perception that he's just another rich boy "slumming" with the Boston poor in order to win votes. Also appearing in Johnny We Hardly Knew Ye are William Prince as Papa Joe Kennedy, Burgess Meredith as "Honey Fitz" Fitzgerald, and Kevin Conway as Dave Powers. The film was first telecast January 27, 1977. ~ Hal Erickson, All Movie Guide
- 1977
Death Flight was originally known as SST: Death Flight when it was first telecast February 25, 1977. Though fairly expensive so far as TV movies go, the film is brought down to earth by its standard B-flick plot. On its maiden flight, America's first supersonic transport runs into deadly danger high in the sky-and may never get to land. In true Airport fashion, the plane is populated with celebrities (at least by TV standards): Barbara Anderson, Bert Convy, Peter Graves, Lorne Greene, Tina Louise, George Maharis, Burgess Meredith, Doug McClure, Martin Milner, Robert Reed, Susan Strasberg, Billy Crystal, and even Regis Philbin. The film's working title was Death of the Maiden, but this was too close to Death and the Maiden, the 90-minute pilot episode of the 1973 Jimmy Stewart TV series Hawkins. Death Flight was later syndicated as SST: Disaster in the Sky. ~ Hal Erickson, All Movie Guide
In the wake of such Satanic-themed thrillers as Rosemary's Baby, The Exorcist and The Omen comes The Sentinel. When New York fashion model (Cristina Raines) splits with her fiance (Chris Sarandon) and moves into an old brownstone, she soon discovers she has more than she bargained for in the lease. As luck would have it, a mysterious blind priest (John Carradine) who lives upstairs happens to be guarding the doorway to Hell, and she has been chosen as his replacement. Incidentally, when the door is finally opened, out spills an assortment of deformed humans whom director Michael Winner hand-picked from hospital wards and circus sideshows. ~ Jeremy Beday, All Movie Guide
- Starring:
- Chris Sarandon, Cristina Raines, (more)
Rocky Balboa (Sylvester Stallone), a Philadelphia boxer, is but one step removed from total bum-hood. A once-promising pugilist, Rocky is now taking nickel-and-dime bouts and running strongarm errands for local loan sharks to survive. Even his supportive trainer, Mickey (Burgess Meredith), has given up on Rocky. All this changes thanks to Muhammad Ali-like super-boxer Apollo Creed (Carl Weathers). With the Bicentennial celebration coming up, Creed must find a "Cinderella" opponent for the big July 4th bout -- some unknown whom Creed can "glorify" for a few minutes before knocking him cold. Rocky Balboa was not the only Cinderella involved here: writer/director Sylvester Stallone, himself a virtual unknown, managed to sell his Rocky script (one of 35 that he'd written over the years) on the proviso that he be given the starring role. Since the film was to be made on a shoestring and marketed on a low-level basis, the risk factor to United Artists was small. For Stallone, this was a make-or-break opportunity -- just like Rocky's million-to-one shot with Apollo Creed. Costing under a million dollars, Rocky managed to register with audiences everywhere, earning back 60 times its cost. The film won several Academy Awards, including Best Picture. ~ Hal Erickson, All Movie Guide
- Starring:
- Sylvester Stallone, Talia Shire, (more)
Dan Curtis, director of TV's Dark Shadows series, directed this eerie haunted-house thriller about a house which draws energy from its inhabitants and selects its own "keeper" from the family of Ben and Marian Rolf (Oliver Reed & Karen Black), who rent the strangely-affordable house one fateful summer then find themselves slowly succumbing to its creepy powers. The photography is suitably moody, and many of the standard haunted-house cliches are used to decent effect -- particularly a violent scene in which the surrounding woods form a barrier to prevent the family station wagon from escaping the area -- but the pace is too leisurely overall, climaxing with the type of grim ending employed by nearly every mainstream horror film in the late 70's. Black's spooky looks are used to maximum effect, but are never quite as chilling as the final shot of Curtis's TV movie Trilogy of Terror from the previous year. ~ Cavett Binion, All Movie Guide
- Starring:
- Karen Black, Oliver Reed, (more)
The Day of the Locust is anything but a cheerful, light look at Hollywood in the '30s. It recreates both the town as well as the filmmaking world around which much of the town revolved with devastating accuracy. The movie tells the twin tales of talentless wannabe actress Faye Greener (Karen Black) and Homer Simpson (Donald Sutherland), a lovelorn accountant who couldn't care less about movies. Around this framework, a huge and intricate social network is tellingly revealed, until the film's gruesome and tragic ending. Not for those who prefer to hang onto their illusions about the glory days of Hollywood, The Day of the Locust, based on the novel by Nathanael West, is a must-see for serious film buffs. ~ Clarke Fountain, All Movie Guide
- Starring:
- Donald Sutherland, Karen Black, (more)
"The German Air Force is not at all what it used to be," says Anne Bancroft's Countess, about 16 minutes into The Hindenburg, pausing and then adding, "But then, nothing is these days." That seems to sum up the ponderous, irony-laden script and plot of Robert Wise's movie, which is posited -- in true post-Watergate fashion -- upon notions of conspiracy and cover-up behind the destruction of the German airship. The movie opens with a handy Universal newsreel that gives a vestpocket history of lighter-than-air flight, and that carries us to 1937 Germany. Colonel Franz Ritter (George C. Scott), a former hero pilot now working for military intelligence, finds himself assigned to the flight of the Hindenburg as chief of security; reports and rumors about the destruction of the zeppelin have circulated both in Germany and America, and the Nazi government takes these very seriously. What Ritter walks in on is a "Grand Hotel" of the air, several dozen passengers and crew whose ranks contain enough red herrings to keep Ritter (and us) jumping through hoops for most of the first half of the film, when we're not watching glorious shots of the zeppelin in flight. The answer to the script's presentation of the plot against the airship,and theidentityof the bomber and his motivations, are actually presented in the first 15 minutes, but there are so many false leads, subplots, and blind alleys put before us that the solution will probably pass by unnoticed. In the meantime, Ritter dances around with his ex-paramour (Bancroft), scheming businessmen (Gig Young), and passengers with skeletons in their closets (Alan Oppenheimer), an entertainer (Robert Clary) with a knack for offending loyal Nazis, several officers and crew with known "political" differences with the Nazi Party, a Gestapo man (Roy Thinnes) who's got an agenda of his own, and two genuine mystery men (Burgess Meredith, Rene Auberjonois) who don't seem to have any reason for traveling on this particular voyage. It's all a little tiring, or would be, if the setting and special effects weren't that interesting, and the cast wasn't so entertaining to watch in these relatively thankless roles. ~ Bruce Eder, All Movie Guide
- Starring:
- George C. Scott, Anne Bancroft, (more)
- 1975
Though set in Key West, Florida, a goodly portion of 92 in the Shade was filmed in England. Peter Fonda plays Tom Skelton, a bum who gets a job as a fishing guide in his old home town. Nobody wants to have anything to do with Skelton, least of all rival guides Nichol Dance and Carter (Warren Oates and Harry Dean Stanton). Faced with financial disaster and widespread hostility, he turns to his wealthy grandfather Goldsboro (Burgess Meredith) for help. Taking time off from his lovemaking sessions with sexy secretary Bella (Sylvia Miles), his grandfather pumps some money into Tom's operation, and our hero makes his peace with Carter. A climactic fight with Nichol puts an end to that problem, while Tom's romantic relationship with Miranda (Margot Kidder) helps him sort out his priorities. Director/writer Thomas McGuane adapted the script from his own novel. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Fonda, Warren Oates, (more)
- 1974
- PG
This martial arts film has an interesting twist. The conflict is over a mythical 30-inch-tall statue with very special properties. Protruding from the sculpture are seven golden needles. If the needles are inserted into a man's body in the precisely right positions, he will become a sexual superman. If the position is incorrect, the man will instantly die. Despite the risks, several men begin fighting over the precious object. ~ Sandra Brennan, All Movie Guide
- 1973
A close look at evidence that UFOs come from outer space is presented here by Rod Serling and Burgess Meredith. ~ All Movie Guide
- 1973
At first glance, we were prepared to designate B Must Die as a hybrid TV feature, consisting of two episodes of either The Outsider or Night Stalker. That's because the star of this obscure entry is Darren McGavin, who also headlined the two aforementioned weekly series. Further research revealed, however, that McGavin's character name in B Must Die is "Pal", which doesn't jive with either Outsider or Kolchak. Then we discovered that the film was a tax-writeoff action drama, boasting a convoluted storyline about a political/industrial rebellion in an unnamed South American country. Patricia Neal and Burgess Meredith costar in B Must Die. ~ Hal Erickson, All Movie Guide
- 1972
Rod Serling, a master of speculative scriptwriting, penned the screenplay of The Man. Set a few days into the future, the story contrives to kill off the President, the vice president, and virtually everyone in line of succession in a bizarre accident. This turn of events elevates African-American senator James Earl Jones directly into the Oval Office. Based on a novel by Irving Wallace, The Man was originally intended as TV movie, but released theatrically because most sponsors were afraid of its supposed controversial content. ~ Hal Erickson, All Movie Guide
- Starring:
- James Earl Jones, Martin Balsam, (more)
- 1972
Football is the focus of this drama, adapted from Frederick Exley's famous novel. It tells the tale of an aspiring writer obsessed with football. His father was a football star, and the writer, wanting to follow in his dad's illustrious footsteps, constantly berates himself for not having any talent for the sport at all. The young man becomes so distraught, that he winds up in a mental hospital. In time, he comes to accept the fact that he is destined to be only a fan of the game. ~ Sandra Brennan, All Movie Guide
- 1972
In his second Ironside guest appearance, Burgess Meredith is cast as Harry Grenadine, a Hollywood make-up expert who has done jail time for bank robbery. No sooner has Harry been released from prison than a series of holdups occur, each one bearing his distinctive "signature." Ironside (Raymond Burr) sets about to determine whether Harry is back in business, or if his technique has been hijacked by a clever copycat. ~ Hal Erickson, All Movie Guide
