Ismail Merchant Movies

The distinguished director/producer/writer team of James Ivory, Ismail Merchant, and Ruth Prawer Jhabvala returns to the works of 19th century novelist Henry James in this adaptation of his tale of love and treachery. Wealthy American art collector Adam Verver (Nick Nolte) is traveling Europe with his daughter Maggie (Kate Beckinsale) following the death of his wife. In their travels, Adam and Maggie encounter Mrs. Assingham (Anjelica Huston), an American socialite who enjoys playing matchmaker, whether or not her subjects are interested. She introduces Maggie to Prince Amerigo (Jeremy Northam), a handsome but penniless member of Italian royalty, and after a bit of prodding, they announce their intention to marry. Mrs. Assingham also pushes Adam into a relationship with Charlotte (Uma Thurman), a close friend of Maggie, and they too decide to wed. However, no one else knows that Amerigo and Charlotte were once lovers, who broke off their relationship because he couldn't marry a commoner with no money. Their passion is eventually too strong to resist, and they embark on an adulterous affair, which becomes even more dangerous when Mrs. Assingham learns of it. The Golden Bowl was Merchant/Ivory/Jhabvala's third film based on a James novel, following The Europeans (1979) and The Bostonians (1984). ~ Mark Deming, All Movie Guide

This French-British documentary (in English and Bengali) traces the career of Indian actor Soumitra Chatterjee, who is best known in the West for his frequent work with director Satyajit Ray. Gaach (English title, The Tree) profiles the reminiscences of Chatterjee's fellow performers and other associates. Chatterjee's first major role was in Ray's landmark 1959 film The World of Apu. Shown at the 1997 Venice Film Festival. ~ Bhob Stewart, All Movie Guide

Someone has tried to murder Mr. Perfect (Dinshaw Daji) and now the beleaguered Inspector Ghote (Krishna Shah) must figure out who tried to do it. Set in Bombay, India, this rollicking crime drama centers on Ghote's search for the would-be killer. Mr. Perfect was knocked out with a candlestick in the home of the jovial Dilap Lal, his employer. As there was no sign that the assassin forced his or her way into the home, Ghote assumes the prime suspect is Lal or one of his family members. Unfortunately, the pressures from his other cases that include a ring of jewel smugglers and a bureaucrat's purloined piece of costume jewelry prevent Ghote from giving his full attention to Perfect's assailant. That Ghote must also entertain the meddlesome Axel Svensson (Stellan Skarsgård), a renowned Swedish crime scientist, does nothing to help matters. To make matters worse, Lal's clan belongs to the upper caste, making it nearly impossible for him to get answers to his questions. ~ Sandra Brennan, All Movie Guide

The Merchant-Ivory team adopts a semi-documentary stance in Courtesans of Bombay. Though several scenes are dramatized, this film is essentially an unadorned look at prostitution in modern India. The film details the impoverished conditions that would prompt otherwise chaste Indian women to seek out employment as "performers"--a euphemism for the World's Oldest Profession, though they do indeed give public dancing and singing performances as a sideline. Indian actress Saeed Jeffrey heads the cast of this Ruth Prawer Jhabvala-scripted "docudrama." Courtesans of Bombay was made for British television, and original telecast in those late hours ostensibly off limits to younger viewers. ~ Hal Erickson, All Movie Guide

The Ismail Merchant-James Ivory team generated this account of a pair of teachers battling for the rights to produce an unpublished Jane Austen play. ~ Jason Ankeny, All Movie Guide

Produced for British TV by the Merchant-Ivory-Jhabvala triumvirate, this India-based comedy was released theatrically in the US. Victor Banerjee, best known to American audiences for his star turn in David Lean's A Passage to India, plays a young rajah named George, while Aparna Sen portrays his sister Bonnie. Brother and sister are the proud possessors of a priceless collection of miniature paintings, which makes them the target of every critic, appraiser and huckster in the art world. George can't understand the "hullabaloo;" to him, art is a picture of a naked woman. Still, he finds himself in a tricky bargaining position as British gentlewoman Peggy Ashcroft (who also would appear in Passage to India) and wealthy American Clark Pine pull out their checkbooks and square off over the ownership of George and Bonnie's pictures. ~ Hal Erickson, All Movie Guide

Autobiography of a Princess represents the return to East Indian themes by the team of Ismail Merchant and James Ivory after the unsuccessful Hollywood-based The Wild Party (1973). The basic Merchant/Ivory "props", including landed gentry, old folks taking unnatural interest in the goings-on of young folks, period costumes and reams of upper-class dialogue are here in abundance. The elderly character is James Mason, playing the former tutor of the father of Indian princess Mahur Jaffrey. For nearly an hour, tutor and princess discourse over their experiences in colonial India. Made for television, Autobiography of a Princess may be a yawnfest for non-fans of the Merchant/Ivory output, but the opportunity to see the brilliant Indian actress Mahur Jaffrey in full artistic flower should not be missed. ~ Hal Erickson, All Movie Guide

Tom Pickle (Michael York) is the British rock star who travels to India to learn the sitar from Ustad Zafar Khan (Uptal Dutt). Much to the dismay of his aggressive agent Chris (Barry Foster), he leaves the money-making music world behind to learn about the exotic Indian instrument. Khan believes Tom lacks focus but has the talent, and a young hippie girl arrives (Rita Tushingham) who has the focus but not the natural talent that Tom possesses. There is a romantic angle between the hippie-girl Jenny and Tom, but it is more implied than demonstrated. Soon the Guru Khan is besieged by women who all try to capture his attention. He becomes frustrated over the lack of spiritual commitment of his students, as the rocker contemplates his return to swinging London town. ~ Dan Pavlides, All Movie Guide

The Householder was the very first collaboration between producer Ismael Merchant and James Ivory. A pleasant, low-key domestic comedy, the film details the travails of a young married couple. The husband (Shashi Kapoor) had wanted no part of the arranged marriage in the first place: now he must not only deal with a virtual stranger for a wife, but also a passle of financial headaches. Despite the unfamiliarity of the surroundings, American filmgoers should recognize several universal truths in this touching tale. The script was the handiwork of Ruth Prawer Jhabvala, adapted from her own novel; Jhabvala would remain a valuable member of the Merchant-Ivory aggregation. Offering an uncredited assist in the editing room was none other than legendary Indian filmmaker Satyajit Ray. ~ Hal Erickson, All Movie Guide

A handful of New Yorkers find their paths crossing in ways that force them to examine their lives in this contemporary drama produced by Ismail Merchant. Isabel (Elizabeth Banks) is a twentysomething photographer who is supposed to marry her boyfriend, Jonathan (James Marsden), in a month. But Isabel has found herself wondering if marriage is the right thing for her. Meanwhile, her mother, Diana (Glenn Close), a well-known film actress, has learned her husband has been seeing another woman, and while they have an open relationship, Diana finds this hurtful. Over the course of the day, Diana meets Alec (Jesse Bradford), a handsome young actor, and Isabel is introduced to Peter (John Light), a journalist, and both women begin to question their current relationships. The first feature for director Chris Terrio, Heights also stars Michael Murphy, Eric Bogosian, Thomas Lennon, and Rufus Wainwright. ~ Mark Deming, All Movie Guide

James Ivory directed this drama adapted from Kaylie Jones's 1990 autobiographical novel in which the character Bill Willis is based on her father, James Jones, author of From Here to Eternity and A Thin Red Line. Ruth Prawer Jhabvala's screenplay about expatriate Americans in Paris during the 1960s/1970s offers a portrait of a normal family (as opposed to the dysfunctional families of The Ice Storm and many other 1990s films), seen from the point of view of daughter Channe. Her father is Bill Willis (Kris Kristofferson), a successful novelist and WWII veteran who's married to enthusiastic poker-player Marcella (Barbara Hershey). Divided like the sections of a novel, the story's first chapter is titled, "Billy," in which French orphan Benoit (Samuel Gruen) is brought to the Willis household for adoption, while his unmarried biological mother (Virginie Ledoyen) writes about him in her diary. Six-year-old Benoit has been shipped through so many orphanages and foster homes that he doesn't unpack his suitcase. Benoit's presence prompts the young Channe (Luisa Conlon) to turn to her protective Portuguese nanny Candida (Dominique Blanc). After Benoit becomes acclimated to his new family, he asks that his name be changed to Billy. In the second segment "Francis" a strong friendship develops between Channe (Leelee Sobieski) and fatherless Francis Fortescue (Anthony Roth Costanzo). Obsessed with opera, Francis lives with his expatriate British mother (Jane Birkin). The family's French idyll is disrupted when Bill Willis plans a return to the United States because he wants American doctors to treat his bad heart. The closing act "Daddy" takes place in North Carolina during the 1970s as Bill's health worsens, Billy (Jesse Bradford) grows up, and an alienated Channe seeks acceptance through sex. A bedridden Bill dictates his fiction to Channe, who transcribes tapes and types his manuscript pages. During intimate conversations about boys and sex, Willis helps his daughter find her footing on the path of life. This movie arrived only 14 weeks prior to the release of Terrence Malick's 1998 adaptation of the elder Jones' The Thin Red Line. Shown at 1998 film fests (Venice, Toronto). ~ Bhob Stewart, All Movie Guide

This unusual biography of the renowned Spanish artist Pablo Picasso is a Merchant-Ivory film. The team of director James Ivory, producer Ismail Merchant, and screenwriter Ruth Prawer Jhabvala has been responsible for many period dramas, including A Room with a View and Howard's End. The story of Picasso's remarkable misanthropy is told as experienced by his mistress Francoise Gilot (Natasha McElhone). Francoise was Picasso's lover from 1944 to 1954, and they had two children together, Claude and Paloma. The film shows Picasso (Anthony Hopkins) as a notorious womanizer, with flashbacks revealing his relationships with his wife Olga (Jane Lapotaire), the artist Dora Marr (Julianne Moore), and Marie-Therese Walter (Susannah Harker), an earthy type who sees the artist only on Sundays. Hopkins powerfully portrays Picasso as an artistic genius with an appalling habit of using and abusing women. He not only cheats on his wife but two-times his mistresses. Francoise has survived an abusive relationship with her father (Bob Peck), and she is 40 years younger than Picasso when they become lovers. The film was supposed to be based on Gilot's book Life with Picasso, but the filmmakers were unable to get the rights to it, so they settled for basing the film on Arianna Huffington's Picasso: Creator and Destroyer. The movie also uses imitations rather than Picasso's real paintings. ~ Michael Betzold, All Movie Guide