Vladimir Menshov Movies

The apocalyptic sci-fi thriller Day Watch (aka Dvevnoy Dozor, 2006) constitutes the second installment in a planned supernatural trilogy by Russian director Timur Bekmambetov. As preceded by 2004's blockbuster Night Watch and followed by Twilight Watch, this sophomore film picks up on the byzantine tale of a world where, centuries ago, the powers of light (representing goodness) and the powers of darkness (representing evil) called a truce. Each side set up a law-enforcement team to guard and monitor the other's activities -- the powers of darkness established and controlled the Day Watch, while the powers of light established and controlled the Night Watch. Day Watch opens in the 14th century, when Tamerlane, a Mongol warrior, acquires an implement called "The Chalk of Destiny," that can be used to guide the course of history. Eons later (in the present day), the Day Watch and the Night Watch are ongoing. Two Warriors of Light, Anton Gorodetsky (Konstantin Khabensky) and his protégé/partner-in-training, Svetlana (Maria Poroshina), quietly develop feelings for one another as they patrol the Night Watch together. As the story progresses, the pair must respond to a distress call from an octogenarian victim of a vampiric attack -- an attack committed (as it turns out) by Anton's 12-year-old son, Yegor (Dima Martynov) -- now a Warrior of Darkness. Anton must suddenly wrestle with two conflicting desires -- the need to protect his offspring by destroying incriminating evidence, and his own desire to remain loyal to the Night Watch. Several additional subplots then unfold concurrently, including that of Yegor learning to practice evil from his mentor, Zavulon (Viktor Verzhbitsky), that of Anton "body swapping" with associate Olga (Galina Tyunina), and that of the relationship between a vampiric child, Kostya (Aleksei Chadov), and his dad (Valery Zolotukhin), who works as a butcher. ~ Nathan Southern, All Movie Guide

Ivan (Fedor Dunaevsky) is a teenager who is suffering through the acrimonious divorce of his parents. His sympathies are all with his father, who has taken up with a younger woman, and he has nothing but scorn for his mother, who won custody of him. He tries to set his mother's apartment on fire, but fortunately enough, he fails. He also fails at getting accepted into the university in a subject chosen by his mother. Ivan is not a deep thinker and basically only wants an easy existence with enough money to enjoy some of the good things of life. Since he has graduated from high school, he has to do something, so his mother sets him up with a job as a messenger. While on his first assignment (which he messes up), he makes friends with professor's daughter Katya (Anastasiya Nemolyayeva, the daughter of the film's cinematographer Nikolai Nemolyaev), a member of Moscow's social elite. He sets his heart on winning her, even though he is a homely and uneducated housing-project bumpkin with nothing to recommend him except his persistence, engagingly bad manners and a certain originality. Despite being thrown out of the girl's apartment many times by her father (Oleg Basilashvili), he keeps coming back and eventually wins the older man's grudging respect. Kuryer first became popular as a story published in the mid-1980s. The story was humorous and addressed the real-life situations and problems that young people would face, as opposed to ideologically heavy, Party-sponsored books that dominated the market at that time. That's what made Kuryer so appealing and fresh. As it often happens, when Karen Shakhnazarov adapted his own story for the screen, some of the magic was lost in the transition. However, the film was a popular success and also received a Special Prize at the Moscow International Film Festival in 1987, along with the Jury Prize at the Tbilisi Film Festival, a State Prize of the Russian Federation, and, finally, was voted the "Best Film of the Year" by the readers of the film magazine Sovetsky Ekran. ~ Yuri German, All Movie Guide

Two bands of warriors, one good and one evil, battle to keep the peace in Moscow in this cat's cradle thriller from Russia. In 1342, the Warriors of Light (led by Gesser, Lord of Light) and the Warriors of Darkness (led by Zavulon, General of Darkness) declare a truce under which each side will form a law enforcement team to monitor the other side's activities. The Warriors of Light, who enforce the powers of good, patrol the Night Watch, while the Warriors of Darkness, who openly embrace evil, staff the Day Watch. Each watch group also contains "Others," mortals with supernatural powers from both sides that include vampires, shapeshifters, witches, and the like. Prophecy suggests that one day, a Great One will surface and permanently extinguish the threat of an apocalyptic war between the two sides by upsetting the balance, lending greater power to either good or evil (depending on his or her choice) and thus determining the future of mankind forever.

In 1992, Night Watch member and Warrior of Light Anton Gordesky (Konstantin Khabensky) discovers he's an "other" amid a sting on a witch. Cut to twelve years later. In 2004, Anton still works the Night Watch, but now he's a vampiric warrior who drinks blood. One night, while on patrol, he rescues a young boy named Egor (Dima Martinov) from a handful of Dark Warriors, but in the process, he encounters Svetlana (Maria Poroshina), a woman who acts as a "funnel" -- a conduit for the powers of evil. Anton reflects on the prophecy regarding "The Great One," and begins to suspect that Svetlana and Egor may be harbingers of this fateful event. As the first installment in a Russian trilogy, Night Watch (aka Nochnoj Dozor) was a massive box-office success in its native Russia, and is followed by the second installment, Day Watch; it was released in the U.S. with a heavy prologue and epilogue, and animated subtitles that alternately scuttle across the screen, dissolve, shudder, and explode.

20th Century Fox not only purchased United States distribution rights for the film, but also announced plans for a Westernized remake. ~ Mark Deming, All Movie Guide

In this melodrama, Masha (Natalia Anreischenko) is a research lab worker who throws her husband out of the house when she discovers he has a mistress. Her friends encourage her to attend parties in order to be sociable and to perhaps meet a new man. She goes home with a taxi driver, but she leaves suddenly when his wife returns unexpectedly. There are comic touches to this feature, but viewers should be warned of a brutal gang-rape scene. After her adventures, Masha considers reconciling with her wayward husband when he vows to give up his mistress. ~ Dan Pavlides, All Movie Guide